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Jean Bérain The Elder
Jean Berain the Elder (1640 – 24 January 1711) was a draughtsman and designer, painter and engraver of ornament, the artistic force in the Royal office of the Menus-Plaisirs du Roi where all the designs originated for court spectacle, from fêtes to funerals, and many designs for furnishings not covered by the Bâtiments du Roi. The "Berainesque" style of light arabesques and playful grotesques was an essential element in the ''style Régence'' that led to the French Rocaille and European Rococo. Born in Saint-Mihiel, Meuse, in the Austrian Netherlands, he was the son of a master gunsmith, in whose line of work engraving was a prominent technique. He spent his career in Paris. Long after his death the connoisseur Pierre-Jean Mariette wrote of him, "Nothing was done, in whatever genre that it might have been, unless it were in his manner, or where he had given designs for it." Through his engravings and those of his son, his style was highly influential beyond the court and Pa ...
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Jean Bérain Père Par Claude Duflos
Jean may refer to: People * Jean (female given name) * Jean (male given name) * Jean (surname) Fictional characters * Jean Grey, a Marvel Comics character * Jean Valjean, fictional character in novel ''Les Misérables'' and its adaptations * Jean Pierre Polnareff, a fictional character from ''JoJo's Bizarre Adventure'' Places * Jean, Nevada, USA; a town * Jean, Oregon, USA Entertainment * Jean (dog), a female collie in silent films * "Jean" (song) (1969), by Rod McKuen, also recorded by Oliver * ''Jean Seberg'' (musical), a 1983 musical by Marvin Hamlisch Other uses * JEAN (programming language) * USS ''Jean'' (ID-1308), American cargo ship c. 1918 * Sternwheeler Jean, a 1938 paddleboat of the Willamette River See also *Jehan * * Gene (other) * Jeanne (other) * Jehanne (other) * Jeans (other) * John (other) John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testa ...
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Gunsmith
A gunsmith is a person who repairs, modifies, designs, or builds guns. The occupation differs from an armorer, who usually replaces only worn parts in standard firearms. Gunsmiths do modifications and changes to a firearm that may require a very high level of craftsmanship, requiring the skills of a top-level machinist, a very skilled woodworker, and even an engineer. Gunsmiths perform factory-level repairs and renovations to restore a well-used or deteriorated firearms to new condition. They may make alterations to adapt sporting guns to better fit the individual shooter that may require extensive modifications to the firearm's stocks and metal parts. Repairs and redesigns may require fabrication and fitting of unavailable parts and assemblies constructed by smiths themselves. Gunsmiths may also renew metal finishes or apply decorative carvings or engravings to guns. Many gun shops offer gunsmithing service on the premises. Overview Gunsmiths may be employed in: *factories by fi ...
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Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ...
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Jean-Baptiste Lully
Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he spent most of his life working in the court of Louis XIV of France and became a French subject in 1661. He was a close friend of the playwright Molière, with whom he collaborated on numerous ''comédie-ballets'', including ''L'Amour médecin'', ''George Dandin ou le Mari confondu'', ''Monsieur de Pourceaugnac'', ''Psyché'' and his best known work, ''Le Bourgeois gentilhomme''. Biography Lully was born on November 28, 1632, in Florence, Grand Duchy of Tuscany, to Lorenzo Lulli and Caterina Del Sera, a Tuscan family of millers. His general education and his musical training during his youth in Florence remain uncertain, but his adult handwriting suggests that he manipulated a quill pen with ease. He used to say that a Franciscan friar ga ...
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Louis, Dauphin Of France (son Of Louis XIV)
Louis, Dauphin of France (1 November 1661 – 14 April 1711), commonly known as Grand Dauphin, was the eldest son and heir apparent of King Louis XIV and his spouse, Maria Theresa of Spain. He became known as the Grand Dauphin after the birth of his own son, Louis, Duke of Burgundy, the Petit Dauphin. As he and his son died before his father, they never became king. His grandson instead became King Louis XV at the death of Louis XIV, while his second son inherited the Spanish throne as Philip V through his grandmother. Biography Louis was born on 1 November 1661 at the Château de Fontainebleau, the eldest son of Louis XIV of France and Maria Theresa of Austria (who were double first-cousins to each other). As a '' Fils de France'' ("Son of France") he was entitled to the style of ''Royal Highness.'' He was baptised on 24 March 1662 at the chapel of the Château de Saint-Germain-en-Laye and given his father's name of Louis. At the ceremony, the Cardinal de Vendôme and the Prin ...
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Château De Meudon
Meudon Castle, also known as the Royal Castle of Meudon or Imperial Palace of Meudon, is a French castle located in Meudon in the Hauts-de-Seine department. At the edge of a wooded plateau, the castle offers views of Paris and the Seine, as well as of the Chalais valley. Located between Paris and Versailles, in the heart of a hunting reserve, the castle has an ideal topography for large gardens. It had many successive owners from the Renaissance until the fall of the Second French Empire. It should not be confused with the Bellevue Castle, also located in Meudon. Famous past residents include: Anne de Pisseleu d'Heilly, Duchess of Étampes; the Cardinal of Lorraine, Abel Servien; François Michel Le Tellier, Marquis of Louvois and Louis, Grand Dauphin, also known as ''Monseigneur'', who linked the Chaville Castle to Meudon Castle. The Château-Vieux (Old Castle) burned down in 1795 and was rebuilt as the Château-Neuf (New Castle), which in turn burned down in 1871. Demol ...
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Beauvais Tapestry
The Beauvais Manufactory () is a historic tapestry factory in Beauvais, France. It was the second in importance, after the Gobelins Manufactory, of French tapestry workshops that were established under the general direction of Jean-Baptiste Colbert, the finance minister of Louis XIV. Whereas the royal Gobelins Manufactory executed tapestries for the royal residences and as ambassadorial gifts, the manufacture at Beauvais remained a private enterprise. Beauvais specialised in low-warp tapestry weaving, although the letters patent of 1664, authorising the company and offering royal protection, left the field open for the production of high-warp tapestry as well. History The first entrepreneur, Louis Hinard, a native of Beauvais who had already established workshops in Paris, produced unambitious floral and foliate tapestries called ''verdures'' and landscape tapestries, which are known through chance notations in royal accounts. He was arrested for his debts in 1684, and the worksh ...
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Arabesque (European Art)
The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foliate ornament, used in the Islamic world, typically using leaves, derived from stylised half-palmettes, which were combined with spiralling stems". It usually consists of a single design which can be ' tiled' or seamlessly repeated as many times as desired. Within the very wide range of Eurasian decorative art that includes motifs matching this basic definition, the term "arabesque" is used consistently as a technical term by art historians to describe only elements of the decoration found in two phases: Islamic art from about the 9th century onwards, and European decorative art from the Renaissance onwards. Interlace and scroll decoration are terms used for most other types of similar patterns. Arabesques are a fundamental element of I ...
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Grotesque
Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, and comes originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time ''le Gro ...
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Charles Le Brun
Charles Le Brun (baptised 24 February 1619 – 12 February 1690) was a French painter, physiognomist, art theorist, and a director of several art schools of his time. As court painter to Louis XIV, who declared him "the greatest French artist of all time", he was a dominant figure in 17th-century French art and much influenced by Nicolas Poussin. Biography Early life and training Born in Paris, Le Brun attracted the notice of Chancellor Séguier, who placed him at the age of eleven in the studio of Simon Vouet. He was also a pupil of François Perrier. At fifteen he received commissions from Cardinal Richelieu, in the execution of which he displayed an ability which obtained the generous commendations of Nicolas Poussin, in whose company Le Brun started for Rome in 1642. In Rome, he remained four years in the receipt of a pension due to the liberality of the chancellor. There he worked under Poussin, adapting the latter's theories of art. While in Rome, Le Brun studied anc ...
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