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Jacques-Philippe Carel
Jacques-Philippe Carel () was a Parisian cabinet-maker (''ébéniste''), who was admitted to the cabinetmakers' guild in 1723 and specialized in rococo case pieces of high quality veneered in end-grain (''bois de bout'') floral marquetry. Two almost identical commodes made at the Frick Collection, New York, are part of an unusually large group of commodes of almost identical shape, variously veneered but bearing the same mounts, apparently commissioned from numerous cabinetmakers by a single ''marchand-mercier A ''marchand-mercier'' is a French term for a type of entrepreneur working outside the guild system of craftsmen but carefully constrained by the regulations of a ''corporation'' under rules codified in 1613. The reduplicative term literally mean ...'', who originated the design and retained a monopoly of the mounts.The group was identified by Theodore Dell, ''The Frick Collection. V. Furniture'' 1992:270-281. Notes {{DEFAULTSORT:Carel, Jacques Philippe French furnitur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ébéniste
''Ébéniste'' () is a loanword (from French) for a cabinet-maker, particularly one who works in ebony. Etymology and ambiguities As opposed to ''ébéniste'', the term ''menuisier'' denotes a woodcarver or chairmaker in French. The English equivalent for ''ébéniste'', "ebonist", is not commonly used. Originally, an ''ébéniste'' was one who worked with ebony, a favoured luxury wood for mid-17th century Parisian cabinets, originating in imitation of elite furniture being made in Antwerp. The word is 17th-century in origin. Early Parisian ''ébénistes'' often came from the Low Countries themselves; an outstanding example is Pierre Golle, who worked at the '' Gobelins manufactory'' making cabinets and table tops veneered with marquetry, the traditional enrichment of ''ébénisterie'', or "cabinet-work". History ''Ébénistes'' make case furniture, either veneered or painted. Under Parisian guild regulations the application of painted varnishes, generically called '' vernis Mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marquetry
Marquetry (also spelled as marqueterie; from the French ''marqueter'', to variegate) is the art and craft of applying pieces of veneer to a structure to form decorative patterns, designs or pictures. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial panels appreciated in their own right. Marquetry differs from the more ancient craft of inlay, or intarsia, in which a solid body of one material is cut out to receive sections of another to form the surface pattern. The word derives from a Middle French word meaning "inlaid work". Materials The veneers used are primarily woods, but may include bone, ivory, turtle-shell (conventionally called "tortoiseshell"), mother-of-pearl, pewter, brass or fine metals. Marquetry using colored straw was a specialty of some European spa resorts from the end of the 18th century. Many exotic woods as well as common European varieties ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commode
A commode is any of many pieces of furniture. The ''Oxford English Dictionary'' has multiple meanings of "commode". The first relevant definition reads: "A piece of furniture with drawers and shelves; in the bedroom, a sort of elaborate chest of drawers (so in French); in the drawing room, a large (and generally old-fashioned) kind of chiffonier." The drawing room is itself a term for a formal reception room, and a chiffonier is, in this sense, a small sideboard dating from the early 19th century. Another meaning attested is a washstand, a piece of furniture equipped with basin, jug, and towel rail, and often with space to store the chamber pot behind closed doors. A washstand in the bedroom pre-dates indoor bathrooms and running water. In British English, "commode" is the standard term for a commode chair, often on wheels, enclosing a chamber pot—as used in hospitals and assisted living homes. In the United States, a "commode" is now a colloquial synonym for a flush toile ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frick Collection
The Frick Collection is an art museum in New York City. Its permanent collection (normally at the Henry Clay Frick House, currently at the 945 Madison Avenue#2021–present: Frick Madison, Frick Madison) features Old Master paintings and European fine and decorative arts, including works by Giovanni Bellini, Bellini, Jean-Honoré Fragonard, Fragonard, Goya, Hans Holbein the Younger, Holbein, Rembrandt, Titian, J. M. W. Turner, Turner, Velázquez, Vermeer, Thomas Gainsborough, and many others. The museum was founded by the industrialist Henry Clay Frick (1849–1919), and its collection has more than doubled in size since opening to the public in 1935. The Frick also houses the Frick Art Reference Library, a premier art history research center established in 1920 by Helen Clay Frick (1888–1984). History The Frick Collection became a public institution when Henry Clay Frick bequeathed his art collection, as well as his Upper East Side residence at 1 East 70th Street, to the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marchand-mercier
A ''marchand-mercier'' is a French term for a type of entrepreneur working outside the guild system of craftsmen but carefully constrained by the regulations of a ''corporation'' under rules codified in 1613. The reduplicative term literally means a merchant of merchandise, but in the 18th century took the connotation of a merchant of ''objets d'art''. Earliest references to this ''Corps de la Ville de Paris'' can be found at the close of the 16th century, but in the 18th century marchands-merciers were shopkeepers but they also played an important role in the decoration of Paris homes. In fact, they served as general contractors, designing and commissioning pieces of the most fashionable furniture, and often, in addition, worked outside of their shops as interior decorators, responsible for many aspects of a room's decor. In Paris, the guild system, in place since the late Middle Ages, prohibited craftsmen from working with any material with which they had not undergone a formal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
