|
Ève Demaillot
Antoine-François Ève, also known by the name Ève Demaillot and the pseudonyms Antoine-François Ève-Démaillot, Démaillot, Ève Démaillot, Desmaillot, Maillot, Des Maillots..., (21 May 1747 in Dole – 18 July 1814 in Dubois hospital in Paris) was a French comedian, man of letters, journalist and revolutionary. A volunteer in the royal army at eighteen, he deserted after a few years and fled to Amsterdam, where he held for seven years the acting profession. Back in France, he was tutor to Saint-Just for some time and played comedies and opéras comiques. In 1789, he also turned to journalism and engaged in the revolutionary movement. An agent of the Committee of Public Safety in 1794, he was imprisoned for a while during the Thermidorian Reaction. Dedicated to journalism and theater after his release, he directed the character of in several of his plays.. Hostile to the regime introduced by Bonaparte after the coup of 18 Brumaire, he participated in the attempted co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dole (Jura)
Dole (, sometimes pronounced ) is a Communes of France, commune in the Jura (department), Jura Departments of France, department, of which it is a Subprefectures in France, subprefecture (''sous-préfecture''), in the Bourgogne-Franche-Comté Regions of France, region, in Eastern France. In 2019, it had a population of 23,711. History Dole was the capital of Franche-Comté until Louis XIV conquered the region; he shifted the ''parlement'' from Dole to Parlement of Besançon, Besançon. The University of Dole, university, founded by Duke Philip the Good, Philippe le Bon of Duchy of Burgundy, Burgundy in 1422, was also transferred to Besançon at that time. In January 1573, Gilles Garnier was put to death after being found guilty of lycanthropy and witchcraft. He had confessed to murdering and cannibalizing at least six children. The 1995 film ''Happiness Is in the Field'' was set in Dole and The Widow Couderc was also partially filmed there. Geography Dole is located on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ventôse
Ventôse (; also ''Ventose'') was the sixth month in the French Republican Calendar. The month was named after the Latin word ''ventosus'', which means ''windy''. Ventôse was the third month of the winter quarter (''mois d'hiver''). It started between 19 and 21 February. It ended between 20 and 21 March. It follows the Pluviôse and precedes the Germinal. New names for the calendar were suggested by Fabre d'Églantine on 24 October 1793 and on 24 November the National Convention accepted the names with minor changes. It was decided to omit the circumflex (''accent circonflexe'') in the names of the winter months, so the month was named ''Ventose'' instead of ''Ventôse''. Historiography Historiography is the study of the methods of historians in developing history as an academic discipline, and by extension is any body of historical work on a particular subject. The historiography of a specific topic covers how historians ha ... still prefers the spelling ''Ventôse'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trial Fils
In law, a trial is a coming together of parties to a dispute, to present information (in the form of evidence) in a tribunal, a formal setting with the authority to adjudicate claims or disputes. One form of tribunal is a court. The tribunal, which may occur before a judge, jury, or other designated trier of fact, aims to achieve a resolution to their dispute. Types by finder of fact Where the trial is held before a group of members of the community, it is called a jury trial. Where the trial is held solely before a judge, it is called a bench trial. Hearings before administrative bodies may have many of the features of a trial before a court, but are typically not referred to as trials. An appeal (appellate proceeding) is also generally not deemed a trial, because such proceedings are usually restricted to a review of the evidence presented before the trial court, and do not permit the introduction of new evidence. Types by dispute Trials can also be divided by the type of d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Pierre Solié
Jean-Pierre Solié (also Soulier, Solier, Sollié; 1755 in Nîmes – 6 August 1812 in Paris) was a French cellist and operatic singer. He began as a tenor, but switched and became well known as a baritone. He sang most often at the Paris Opéra-Comique. He also became a prolific composer, writing primarily one-act comic operas.Letailleur, Paulette. "Solié olier, Sollié, Soulié, Soulier Jean-Pierre" in Sadie (1992) 4: 446. Career as a singer His father was a cellist with the orchestra at the theatre in Nîmes, and Solié likewise learned to play the cello. But he also learned to sing and play the guitar, and became a choirboy in the cathedral. As he got older he began traveling to nearby towns in southern France, where he played cello in local theatre orchestras and supplemented his income by giving lessons in guitar and singing. In 1778 in Avignon he was called upon to replace an ailing tenor in André Grétry's ''La Rosière de Salency'' and made such a good impression, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodolphe Kreutzer
Rodolphe Kreutzer (15 November 1766 – 6 January 1831) was a French violinist, teacher, conductor, and composer of forty French operas, including ''La mort d'Abel'' (1810). He is probably best known as the dedicatee of Beethoven's Violin Sonata No. 9, Op. 47 (1803), known as the ''Kreutzer Sonata'', though he never played the work. Kreutzer made the acquaintance of Beethoven in 1798, when at Vienna in the service of the French ambassador, Jean-Baptiste Bernadotte (later King of Sweden and Norway). Beethoven originally dedicated the sonata to George Bridgetower, the violinist at its first performance, but after a quarrel he revised the dedication in favour of Kreutzer. Biography Kreutzer was born in Versailles, and was initially taught by his German father, who was a musician in the royal chapel, with later lessons from Anton Stamitz. He became one of the foremost violin virtuosos of his day, appearing as a soloist until 1810. He was a violin professor at the Conse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyacinthe Jadin
Hyacinthe Jadin (27 April 1776 – 27 September 1800) was a French composer who came from a musical family. His uncle Georges Jadin was a composer in Versailles and Paris, along with his father Jean Jadin, who had played bassoon for the French Royal Orchestra. He was one of five musical brothers, the best known of whom was Louis-Emmanuel Jadin. Life and career Jadin was born in Versailles. At the age of 9, Jadin's first composition, a ''Rondo'' for piano, was published in the ''Journal de Clavecin.'' By the age of thirteen, Jadin had premiered his first work with the Concert Spirituel. Jadin took a job in 1792 as assistant rehearsal pianist (''Rezizativbegleiter'') at the Theatre Feydeau. In this year he composed the ''Marche du siège de Lille'' ("March of the Siege of Lille"), commemorating the successful resistance of the citizens of Lille when besieged by Austrian forces. In 1794, Jadin published an overture for 13 wind instruments entitled ''Hymn to 21 January''. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Grétry
André Ernest Modeste Grétry (; baptised 11 February 1741; died 24 September 1813) was a composer from the Prince-Bishopric of Liège (present-day Belgium), who worked from 1767 onwards in France and took French nationality. He is most famous for his '' opéras comiques''. Biography He was born at Liège, his father being a poor musician. He was a choirboy at the church of St. Denis (Liège). In 1753 he became a pupil of Jean-Pantaléon Leclerc and later of the organist at St-Pierre de Liège, Nicolas Rennekin, for keyboard and composition and of Henri Moreau, music master at the collegiate church of St. Paul. But of greater importance was the practical tuition he received by attending the performance of an Italian opera company. Here he heard the operas of Baldassarre Galuppi, Giovanni Battista Pergolesi, and other masters; and the desire of completing his own studies in Italy was the immediate result. To find the necessary means he composed in 1759 a mass which he dedicat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Devienne
François Devienne (; 31 January 1759 – 5 September 1803) was a French composer and professor for flute at the Paris Conservatory. Career Devienne was born in Joinville, as the youngest of fourteen children of a saddlemaker. After receiving his first musical training as a choirboy in his hometown, he played in various Parisian ensembles as soloist and orchestra player. He studied the flute with Félix Rault; in 1780 he joined the household of Cardinal de Rohan. He was active in Paris as a flutist, bassoonist and composer, and played bassoon at the Paris Opera. He wrote successful operas in the 1790s, including (1792) which brought him much success. He was also a member of the Military Band of the French Guard, where he was given the rank of sergeant with the duty of teaching the children of his colleagues in the military band in its Free School of Music. After the Revolutionary period, when the Free School became the National Institute of Music, later chartered as the Paris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prosper-Didier Deshayes
Prosper-Didier Deshayes (mid 18th century – 1815) was an opera composer and dancer who lived and worked in France. In 1764 he was a balletmaster at the Comédie-Française. By 1774 he had become an assistant (''adjoint'') at the Paris Opéra. His first opera ''Le Faux serment ou La Matrone de Gonesse'', a ''comédie mêlée d'ariettes'' in two acts, was first performed on 31 December 1785 at the Théâtre des Beaujolais in Paris and became a popular success. He went on to have another 18 works performed at various venues in Paris, but only two, ''La faut serment'' and ''Zélie, ou Le mari à deux femmes'', a 3-act ''drame'' first performed at the Salle Louvois on 29 October 1791, were ever published as musical scores. He also participated in the collaborative Revolutionary opera ''Le congrès des rois'', a 3-act ''comédie mêlée d'ariettes'', which combined music written by Deshayes and 11 other composers and was first performed by the Opéra-Comique The Opéra-Comique ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Dalayrac
Nicolas-Marie d'Alayrac (; bapt. 13 June 175326 November 1809), nicknamed the Musician poet, more commonly Nicolas Dalayrac, was a French composer of the Classical period. Intended for a military career, he made the acquaintance of many musicians in the Parisian salons, which convinced him of his true vocation. Among his most popular works, '' Nina, or The Woman Crazed with Love'' (1786), which tackles the theme of madness and arouses real enthusiasm during its creation, premiered on 23 November at the Stroganov Palace. '' The Two Little Savoyards'' (1789), which deals with the rapprochement of social classes, a theme bearing the ideals of the French Revolution, Camille ou le Souterrain (1791), judged as his best production or even Léon ou le Château de Monténéro (1798) who by his leitmotifs announces a new genre. If he forges an international reputation, he remains nevertheless less known in the lyrical field than André Grétry. His first compositions were violin du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Cherubini
Luigi Cherubini ( ; ; 8 or 14 SeptemberWillis, in Sadie (Ed.), p. 833 1760 – 15 March 1842) was an Italian Classical and Romantic composer. His most significant compositions are operas and sacred music. Beethoven regarded Cherubini as the greatest of his contemporaries. His operas were heavily praised and interpreted by Rossini. Early years Cherubini was born Maria Luigi Carlo Zenobio Salvatore Cherubini in Florence in 1760. There is uncertainty about his exact date of birth. Although 14 September is sometimes stated, evidence from baptismal records and Cherubini himself suggests the 8th is correct. Perhaps the strongest evidence is his first name, Maria, which is traditional for a child born on 8 September, the feast-day of the Nativity of the Virgin. His instruction in music began at the age of six with his father, Bartolomeo, '' maestro al cembalo'' ("Master of the harpsichord", in other words, ensemble leader from the harpsichord). Considered a child prodigy, Cherubini st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
