The New Wave (, ), also called the French New Wave, is a French

art film An art film, arthouse film, or specialty film is an independent film aimed at a niche market rather than a mass market audience. It is "intended to be a serious, artistic work, often experimental and not designed for mass appeal", "made prima ...

movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional

filmmaking Filmmaking or film production is the process by which a Film, motion picture is produced. Filmmaking involves a number of complex and discrete stages, beginning with an initial story, idea, or commission. Production then continues through screen ...

conventions in favor of experimentation and a spirit of

iconoclasm Iconoclasm ()From . ''Iconoclasm'' may also be considered as a back-formation from ''iconoclast'' (Greek: εἰκοκλάστης). The corresponding Greek word for iconoclasm is εἰκονοκλασία, ''eikonoklasia''. is the social belie ...

. New Wave filmmakers explored new approaches to

editing Editing is the process of selecting and preparing written language, written, Image editing, visual, Audio engineer, audible, or Film editing, cinematic material used by a person or an entity to convey a message or information. The editing p ...

, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring

existential Existentialism is a family of philosophical views and inquiry that explore the human individual's struggle to lead an authentic life despite the apparent absurdity or incomprehensibility of existence. In examining meaning, purpose, and value ...

themes. The New Wave is often considered one of the most influential movements in the history of cinema. However, contemporary critics have also argued that historians have not sufficiently credited its female co-founder,

Agnès Varda Agnès Varda (; born Arlette Varda; 30 May 1928 – 29 March 2019) was a Belgian-born French film director, screenwriter and photographer. Varda's work employed location shooting in an era when the limitations of sound technology made it easier ...

, and have criticized the movement's prevailing themes of sexism towards women. The term was first used by a group of French film critics and cinephiles associated with the magazine in the late 1950s and 1960s. These critics rejected the ("Tradition of Quality") of mainstream French cinema, which emphasized craft over innovation and old works over experimentation. This was apparent in a manifesto-like 1954 essay by

François Truffaut François Roland Truffaut ( , ; ; 6 February 1932 – 21 October 1984) was a French filmmaker, actor, and critic. He is widely regarded as one of the founders of the French New Wave. He came under the tutelage of film critic Andre Bazin as a ...

, , where he denounced the adaptation of safe literary works into unimaginative films. Along with Truffaut, a number of writers for became leading New Wave filmmakers, including

Jean-Luc Godard Jean-Luc Godard ( , ; ; 3 December 193013 September 2022) was a French and Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as ...

Éric Rohmer Jean Marie Maurice Schérer or Maurice Henri Joseph Schérer, known as Éric Rohmer (; 21 March 192011 January 2010), was a French film director, film critic, journalist, novelist, screenwriter, and teacher. Rohmer was the last of the Post-war, p ...

Jacques Rivette Jacques Rivette (; 1 March 1928 – 29 January 2016) was a French film director and film critic most commonly associated with the French New Wave and the film magazine '' Cahiers du Cinéma''. He made twenty-nine films, including '' L'Amour fo ...

, and

Claude Chabrol Claude Henri Jean Chabrol (; 24 June 1930 – 12 September 2010) was a French film director and a member of the French New Wave (''nouvelle vague'') group of filmmakers who first came to prominence at the end of the 1950s. Like his colleagues an ...

. The associated

Left Bank In geography, a bank is the land alongside a body of water. Different structures are referred to as ''banks'' in different fields of geography. In limnology (the study of inland waters), a stream bank or river bank is the terrain alongsid ...

film community included directors such as Alain Resnais,

Jacques Demy Jacques Demy (; 5 June 1931 – 27 October 1990) was a French director, screenwriter and lyricist. He appeared at the height of the French New Wave alongside contemporaries like Jean-Luc Godard and François Truffaut. Demy's films are celebrated ...

and

Chris Marker Chris Marker (; 29 July 1921 – 29 July 2012) (born ''Christian-François Bouche-Villeneuve'') was a French writer, photographer, documentary film director, multimedia artist and Essay#Film, film essayist. His best known films are ''La Jetée' ...

. Using portable equipment and requiring little or no set up time, the New Wave way of filmmaking often presented a documentary style. The films exhibited direct sounds on film stock that required less light. Filming techniques included fragmented, discontinuous editing, and long takes. The combination of realism, subjectivity, and authorial commentary created a narrative ambiguity in the sense that questions that arise in a film are not answered in the end. Although naturally associated with

Francophone The Francophonie or Francophone world is the whole body of people and organisations around the world who use the French language regularly for private or public purposes. The term was coined by Onésime Reclus in 1880 and became important a ...

countries, the movement has had a continual influence within various other cinephile cultures over the past several decades inside of many other nations. The

United Kingdom The United Kingdom of Great Britain and Northern Ireland, commonly known as the United Kingdom (UK) or Britain, is a country in Northwestern Europe, off the coast of European mainland, the continental mainland. It comprises England, Scotlan ...

and the

United States The United States of America (USA), also known as the United States (U.S.) or America, is a country primarily located in North America. It is a federal republic of 50 U.S. state, states and a federal capital district, Washington, D.C. The 48 ...

, both of them being primarily English-speaking, are of note. "

Kitchen sink realism Kitchen sink realism (or kitchen sink drama) is a British cultural movement that developed in the late 1950s and early 1960s in theatre, art, novels, film and television plays, whose protagonists usually could be described as " angry young men" ...

" as an artistic approach intellectually challenging social conventions and traditions in the U.K. is an example, as are some elements of the " new sincerity" subculture within the U.S. that involve deliberately defying certain critical expectations in filmmaking.

Origins of the movement

Alexandre Astruc Alexandre Astruc (; 13July 192319May 2016) was a French film critic and film director. Biography Before becoming a film director, he was a journalist, novelist and film critic. His contribution to the auteur theory centers on his notion of th ...

's manifesto "The Birth of a New Avant-Garde: The Camera-Stylo", published in ''L'Écran'' on 30 March 1948, outlined some of the ideas that were later expanded upon by

and the . It argues that "cinema was in the process of becoming a new means of expression on the same level as painting and the novel ... a form in which and by which an artist can express his thoughts, however abstract they may be, or translate his obsessions exactly as he does in the contemporary essay or novel. This is why I would like to call this new age of cinema the age of the ''caméra-stylo.''" Some of the most prominent pioneers among the group, including

, and

, began as critics for the famous film magazine . ''Cahiers'' co-founder and theorist

André Bazin André Bazin (; 18 April 1918 – 11 November 1958) was a renowned and influential French film critic and film theorist. He started to write about movies in 1943 and was a co-founder of the renowned film magazine '' Cahiers du cinéma'' in 1951 ...

was a prominent source of influence for the movement. By means of criticism and editorialization, they laid the groundwork for a set of concepts, revolutionary at the time, which the American film critic Andrew Sarris called ''

auteur theory An (; , ) is an artist with a distinctive approach, usually a film director whose filmmaking control is so unbounded and personal that the director is likened to the "author" of the film, thus manifesting the director's unique style or thematic ...

''. (The original French , translated literally as "The policy of authors".) Bazin and

Henri Langlois Henri Langlois (; 13 November 1914 – 13 January 1977) was a French film archivist and cinephile. A pioneer of film preservation, Langlois was an influential figure in the history of cinema. His film screenings in Paris in the 1950s are often ...

, founder and curator of the , were the dual father figures of the movement. These men of cinema valued the expression of the director's personal vision in both the film's style and script. Truffaut also credits the American film '' Little Fugitive'' (1953) by Ruth Orkin, Ray Ashley and Morris Engel with helping to start the French New Wave, when he said: "Our New Wave would never have come into being, if it hadn't been for the young American Morris Engel who showed us the way to independent production with

his His or HIS may refer to: Computing * Hightech Information System, a Hong Kong graphics card company * Honeywell Information Systems * Hybrid intelligent system * Microsoft Host Integration Server Education * Hangzhou International School, ...

fine movie." The auteur theory holds that the director is the "author" of their movies, with a personal signature visible from film to film. They praised movies by

Jean Renoir Jean Renoir (; 15 September 1894 – 12 February 1979) was a French film director, screenwriter, actor, producer and author. His '' La Grande Illusion'' (1937) and '' The Rules of the Game'' (1939) are often cited by critics as among the greate ...

and

Jean Vigo Jean Vigo (; 26 April 1905 – 5 October 1934) was a French film director who helped establish poetic realism in film in the 1930s. His work influenced French New Wave cinema of the late 1950s and early 1960s. Biography Vigo was born to Emi ...

, and made then-radical cases for the artistic distinction and greatness of Hollywood studio directors such as

Orson Welles George Orson Welles (May 6, 1915 – October 10, 1985) was an American director, actor, writer, producer, and magician who is remembered for his innovative work in film, radio, and theatre. He is among the greatest and most influential film ...

John Ford John Martin Feeney (February 1, 1894 – August 31, 1973), better known as John Ford, was an American film director and producer. He is regarded as one of the most important and influential filmmakers during the Golden Age of Hollywood, and w ...

Alfred Hitchcock Sir Alfred Joseph Hitchcock (13 August 1899 – 29 April 1980) was an English film director. He is widely regarded as one of the most influential figures in the history of cinema. In a career spanning six decades, he directed over 50 featu ...

and Nicholas Ray. The beginning of the New Wave was to some extent an exercise by the ''Cahiers'' writers in applying this philosophy to the world by directing movies themselves. Apart from the role that films by

Jean Rouch Jean Rouch (; 31 May 1917 – 18 February 2004) was a French Filmmaking, filmmaker and anthropologist. He is considered one of the founders of cinéma vérité in France. Rouch's practice as a filmmaker, for over 60 years in Africa, was char ...

have played in the movement, Chabrol's '' Le Beau Serge'' (1958) is traditionally (but debatably) credited as the first New Wave feature.

's '' La Pointe Courte'' (1955) was chronologically the first, but did not have a commercial release until 2008. Truffaut, with ''

The 400 Blows ''The 400 Blows'' () is a 1959 French Coming-of-age film, coming-of-age Drama (film and television), drama film, and the directorial debut of François Truffaut, who also co-wrote the film. Shot in the anamorphic format List of anamorphic forma ...

'' (1959), and Godard, with '' Breathless'' (1960) had unexpected international successes, both critical and financial, that turned the world's attention to the activities of the New Wave and enabled the movement to flourish. Part of their technique was to portray characters not readily labeled as protagonists in the classic sense of audience identification. The auteurs of this era owe their popularity to the support they received from their youthful audience. Most of these directors were born in the 1930s and grew up in Paris, relating to how their viewers might be experiencing life. With a high concentration on fashion, urban professional life, and all-night parties, the life of France's youth was exquisitely captured. The French New Wave was popular roughly between 1958 and 1962. The

socio-economic Economics () is a behavioral science that studies the production, distribution, and consumption of goods and services. Economics focuses on the behaviour and interactions of economic agents and how economies work. Microeconomics analys ...

forces at play shortly after

World War II World War II or the Second World War (1 September 1939 – 2 September 1945) was a World war, global conflict between two coalitions: the Allies of World War II, Allies and the Axis powers. World War II by country, Nearly all of the wo ...

strongly influenced the movement. Politically and financially drained, France tended to fall back on the old popular pre-war traditions. One such tradition was straight narrative cinema, specifically classical French film. The movement has its roots in rebellion against the reliance on past forms (often adapted from traditional novelistic structures), criticizing, in particular, the way these forms could force the

audience An audience is a group of people who participate in a show or encounter a work of art, literature (in which they are called "readers"), theatre, music (in which they are called "listeners"), video games (in which they are called "players"), or ...

to submit to a dictatorial plot-line. They were especially against the French "cinema of quality", the type of high-minded, literary period films held in esteem at French film festivals, often regarded as "untouchable" by criticism. New Wave critics and directors studied the work of Western classics and applied new avant-garde stylistic direction. The

low-budget A low-budget film or low-budget movie is a motion picture shot with little to no funding from a major film studio or private investor. Many independent films are made on low budgets, but films made on the mainstream circuit with inexperienced o ...

approach helped filmmakers get at the essential art form and find what was, to them, a much more comfortable and contemporary form of production.

Charlie Chaplin Sir Charles Spencer Chaplin (16 April 188925 December 1977) was an English comic actor, filmmaker, and composer who rose to fame in the era of silent film. He became a worldwide icon through his screen persona, the Tramp, and is considered o ...

, Alfred Hitchcock, Orson Welles,

Howard Hawks Howard Winchester Hawks (May 30, 1896December 26, 1977) was an American film director, Film producer, producer, and screenwriter of the Classical Hollywood cinema, classic Hollywood era. Critic Leonard Maltin called him "the greatest American ...

, John Ford, Sam Fuller and

Don Siegel Donald Siegel ( ; October 26, 1912 – April 20, 1991) was an American film director and producer. Siegel was described by ''The New York Times'' as "a director of tough, cynical and forthright action-adventure films whose taut plots centered o ...

were held up in admiration. French New Wave is influenced by

Italian Neorealism Italian neorealism (), also known as the Golden Age of Italian Cinema, was a national film movement characterized by stories set amongst the poor and the working class. They are filmed on location, frequently with non-professional actors. They p ...

and

classical Hollywood cinema In film criticism, Classical Hollywood cinema is both a narrative and visual style of filmmaking that first developed in the 1910s to 1920s during the later years of the Silent film#Silent film era, silent film era. It then became characteristi ...

. In a 1961 interview, Truffaut said that "the 'New Wave' is neither a movement, nor a school, nor a group, it's a ''quality''" and in December 1962 published a list of 162 film directors who had made their feature film debut since 1959. Many of these directors, such as Edmond Agabra and Henri Zaphiratos, were not as successful or enduring as the well-known members of the New Wave and today would not be considered part of it. Shortly after Truffaut's published list appeared, Godard publicly declared that the New Wave was more exclusive and included only Truffaut, Chabrol, Rivette, Rohmer, and himself, stating that "''Cahiers'' was the nucleus" of the movement. Godard also acknowledged filmmakers such as Resnais, Astruc, Varda, and Demy as esteemed contemporaries, but said that they represented "their own fund of culture" and were separate from the New Wave. Many of the directors associated with the New Wave continued to make films into the 21st century.

Film techniques

The movies featured unprecedented methods of expression, such as long

tracking shot In cinematography, a tracking shot is any shot where the camera follows backward, forward or moves alongside the subject being recorded. Mostly the camera’s position is parallel to the character, creating a sideway motion, tracking the chara ...

s (like the famous traffic jam sequence in Godard's 1967 film ''

Weekend The weekdays and weekend are the complementary parts of the week, devoted to labour and rest, respectively. The legal weekdays (British English), or workweek (American English), is the part of the seven-day week devoted to working. In most o ...

''). Also, these movies featured

themes, often stressing the individual and the acceptance of the

absurdity Absurdity is the state or condition of being unreasonable, meaningless, or so unsound as to be irrational. "Absurd" is the adjective used to describe absurdity, e.g., "Tyler and the boys laughed at the absurd situation." It derives from the Lat ...

of human existence. Filled with irony and sarcasm, the films also tend to reference other films. Many of the French New Wave films were produced on tight budgets, often shot in a friend's apartment or yard, using the director's friends as the cast and crew. Directors were also forced to improvise with equipment (for example, using a shopping cart for tracking shots.) The cost of film was also a major concern; thus, efforts to save film turned into stylistic innovations. For example, in

's '' Breathless'' (), after being told the film was too long and he must cut it down to one hour and a half he decided (on the suggestion of

Jean-Pierre Melville Jean-Pierre Grumbach (20 October 1917 – 2 August 1973), known professionally as Jean-Pierre Melville (), was a French filmmaker. Considered a spiritual godfather of the French New Wave, he was one of the first fully-independent French filmmake ...

) to remove several scenes from the feature using

jump cut A jump cut is a cut (transition), cut in film editing that breaks a single continuous sequential shot of a subject into two parts, with a piece of footage removed to create the effect of jumping forward in time. Camera positioning on the subjec ...

s, as they were filmed in one long take. Parts that did not work were simply cut from the middle of the take, a practical decision, and also a purposeful stylistic one. The cinematic stylings of the French New Wave brought a fresh look to the cinema with improvised dialogue, rapid changes of scene, and shots that broke the common 180° axis of camera movement. In many films of the French New Wave, the camera was used not to mesmerize the audience with elaborate narrative and illusory images, but rather to play with audience expectations. Godard was arguably the movement's most influential figure; his method of filmmaking, often used to shock and awe audiences out of passivity, was abnormally bold and direct. Godard's stylistic approach can be seen as a desperate struggle against the mainstream cinema of the time, or a degrading attack on the viewer's supposed naivety. Either way, the challenging awareness represented by this movement remains in cinema today. Effects that now seem either trite or commonplace, such as a character stepping out of their role in order to address the audience directly, were radically innovative at the time. Classic French cinema adhered to the principles of strong narrative, creating what Godard described as an oppressive and deterministic aesthetic of plot. In contrast, New Wave filmmakers made no attempts to suspend the viewer's disbelief; in fact, they took steps to constantly remind the viewer that a film is just a sequence of moving images, no matter how clever the use of light and shadow. The result is a set of oddly disjointed scenes without an attempt at unity; or an actor whose character changes from one scene to the next; or sets in which onlookers accidentally make their way onto camera along with extras, who in fact were hired to do just the same. At the heart of New Wave technique is the issue of money and production value. In the context of social and economic troubles of a post-World War II France, filmmakers sought low-budget alternatives to the usual production methods, and were inspired by the generation of Italian Neorealists before them. Half necessity and half vision, New Wave directors used all that they had available to channel their artistic visions directly to the theatre. Finally, the French New Wave, as the European modern Cinema, is focused on the technique as style itself. A French New Wave film-maker is first of all an author who shows in its film their own eye on the world. On the other hand, the film as the object of knowledge challenges the usual transitivity on which all the other cinema was based, "undoing its cornerstones: space and time continuity, narrative and grammatical logics, the self-evidence of the represented worlds." In this way the film-maker passes "the essay attitude, thinking – in a novelist way – on his own way to do essays."

Left Bank

The corresponding "right bank" group is constituted of the more famous and financially successful New Wave directors associated with (

, and

). Unlike the ''Cahiers'' group, Left Bank directors were older and less movie-crazed. They tended to see cinema akin to other arts, such as literature. However, they were similar to the New Wave directors in that they practiced cinematic modernism. Their emergence also came in the 1950s and they also benefited from the youthful audience.Thompson, Kristin. Bordwell, David. ''Film History: An Introduction'', Third Edition. McGraw Hill. 2010, p.412 The two groups, however, were not in opposition; advocated for Left Bank cinema. Left Bank directors include

, Alain Resnais, and

. Varda's husband,

, is sometimes grouped with the Left Bank filmmakers. Roud described a distinctive "fondness for a kind of

Bohemian Bohemian or Bohemians may refer to: *Anything of or relating to Bohemia Culture and arts * Bohemianism, an unconventional lifestyle, originally practised by 19th–20th century European and American artists and writers. * Bohemian style, a ...

life and an impatience with the conformity of the Right Bank, a high degree of involvement in literature and the

plastic arts Plastic arts are art forms which involve physical manipulation of a ''plastic medium'', such as clay, wax, paint or even plastic in the modern sense of the word (a ductile polymer) to create works of art. The term is used more generally to ...

, and a consequent interest in

experimental film Experimental film or avant-garde cinema is a mode of filmmaking that does not apply standard cinematic conventions, instead adopting Non-narrative film, non-narrative forms or alternatives to traditional narratives or methods of working. Many e ...

making", as well as an identification with the political

left Left may refer to: Music * ''Left'' (Hope of the States album), 2006 * ''Left'' (Monkey House album), 2016 * ''Left'' (Helmet album), 2023 * "Left", a song by Nickelback from the album ''Curb'', 1996 Direction * Left (direction), the relativ ...

. The filmmakers tended to collaborate with one another.Jill Nelmes, ''An Introduction to Film Studies'', p. 44. Routledge.

Alain Robbe-Grillet Alain Robbe-Grillet (; 18 August 1922 – 18 February 2008) was a French writer and filmmaker. He was one of the figures most associated with the ''Nouveau Roman'' () trend of the 1960s, along with Nathalie Sarraute, Michel Butor and Claude Simo ...

, and

Marguerite Duras Marguerite Germaine Marie Donnadieu (, 4 April 1914 – 3 March 1996), known as Marguerite Duras (), was a French novelist, playwright, screenwriter, essayist, and experimental filmmaker. Her script for the film ''Hiroshima mon amour'' (1959) ea ...

are also associated with the group. The

nouveau roman The Nouveau Roman (, "new novel") is a type of French novel in the 1950s and 60s that diverged from traditional literary genres. Émile Henriot coined the term in an article in the popular French newspaper ''Le Monde'' on May 22, 1957 to describ ...

movement in literature was also a strong element of the Left Bank style, with authors contributing to many of the films. Left Bank films include '' La Pointe Courte'', '' Hiroshima mon amour'', '' La jetée'', '' Last Year at Marienbad'', and '' Trans-Europ-Express''.

Influential names in the New Wave

''Cahiers du cinéma'' directors

Source:New Wave Film.com
, "Where to Start Guide", section outlining directors. Accessed 30 April 2009. *

Left Bank directors

* Alain Resnais *

Other directors associated with the movement

Jacques Doniol-Valcroze Jacques Doniol-Valcroze (; 15 March 1920 – 6 October 1989) was a French actor, critic, screenwriter, and director. In 1951, Doniol-Valcroze was a co-founder of the renowned film magazine '' Cahiers du cinéma'', along with André Bazin and Jo ...

* Jean Douchet *

* Jean Eustache * Georges Franju * Philippe Garrel *

Pierre Kast Pierre Kast (; 22 September 192020 October 1984) was a French people, French screenwriter, film and television director, and freedom fighter. Biography Prior to his work in film, Kast was a resistance activist in World War II, opposing the Vichy F ...

* William Klein *

Louis Malle Louis Marie Malle (; 30 October 1932 – 23 November 1995) was a French film director, screenwriter, and producer who worked in both French cinema and Hollywood. Described as "eclectic" and "a filmmaker difficult to pin down", Malle made document ...

* Luc Moullet *

* Jacques Rozier * Straub-Huillet *

Roger Vadim Roger Vadim Plemiannikov (; 26 January 1928 – 11 February 2000) was a French screenwriter, film director, and producer, as well as an author, artist, and occasional actor. His best-known works are visually lavish films with erotic qualities, s ...

Actors and actresses

Anna Karina Anna Karina (born Hanne Karin Blarke Bayer; 23 September 1940 – 14 December 2019)

* Anne Wiazemsky *

Anouk Aimée Nicole Françoise Florence Dreyfus (; 27 April 1932 2024), known professionally as Anouk Aimée () or Anouk, was a French film actress who appeared in 70 films from 1947 until 2019. Having begun her film career at age 14, she studied acting and ...

Brigitte Bardot Brigitte Anne-Marie Bardot ( ; ; born 28 September 1934), often referred to by her initials B.B., is a French former actress, singer, and model as well as an animal rights activist. Famous for portraying characters with Hedonism, hedonistic life ...

Charles Aznavour Charles Aznavour ( ; ; ; born Shahnur Vaghinak Aznavourian; 22 May 1924 – 1 October 2018) was a Armenians in France, French singer and songwriter of Armenian descent. Aznavour was known for his distinctive vibrato tenor voice: clear and ringi ...

* Emmanuelle Riva *

Jean-Paul Belmondo Jean-Paul Charles Belmondo (; 9 April 19336 September 2021) was a French actor. Initially associated with the New Wave of the 1960s, he was a major French film star for several decades from the 1960s onward, frequently portraying police officer ...

* Gerard Blain *

Jean-Claude Brialy Jean-Claude Brialy (30 March 1933 – 30 May 2007) was a French actor and film director. Early life Brialy was born in Aumale (now Sour El-Ghozlane), French Algeria, where his father was stationed with the French Army. Brialy moved to mainland ...

* Françoise Dorléac * Stéphane Audran * Bernadette Lafont * Jean-Pierre Léaud * Claude Jade *

Jeanne Moreau Jeanne Moreau (; 23 January 1928 – 31 July 2017) was a French actress, singer, screenwriter, director, and socialite. She made her theatrical debut in 1947, and established herself as one of the leading actresses of the Comédie-Française. Mo ...

* Maurice Ronet * Jean Seberg * Delphine Seyrig *

Jean-Louis Trintignant Jean-Louis Xavier Trintignant (; 11 December 1930 – 17 June 2022) was a French actor. He made his theatrical debut in 1951, and went on to be regarded as one of the best French dramatic actors of the post-World War II, war era. He starred in m ...

Sami Frey Sami Frey (born Sami Frei; 13 October 1937) is a French actor of Algerian and Italian descent. Among the films he starred in are '' En compagnie d'Antonin Artaud'' (1993), in which he portrays French poet and playwright Antonin Artaud, and '' Ba ...

Catherine Deneuve Catherine Fabienne Dorléac (born 22 October 1943), known professionally as Catherine Deneuve (, , ), is a French actress. She is considered one of the greatest European actresses on film. In 2020, ''The New York Times'' ranked her as one of th ...

Jane Birkin Jane Mallory Birkin ( ; 14 December 1946 – 16 July 2023) was a British and French actress, singer, and designer. She had a prolific career as an actress, mostly in French cinema. A native of London, Birkin began her career as an actress, ...

Marie-France Pisier Marie-France Pisier (10 May 194424 April 2011) was a French actress, screenwriter, and director. She appeared in numerous films of the French New Wave, and twice earned the national César Award for César Award for Best Supporting Actress, Best ...

Other collaborators

* Raoul Coutard – cinematographer * Henri Decaë – cinematographer *

Georges Delerue Georges Delerue (12 March 1925 – 20 March 1992) was a French composer who composed over 350 scores for cinema and television. Delerue won numerous important film music awards, including an Academy Award for '' A Little Romance'' (1980), three C� ...

– composer * Paul Gégauff – screenwriter *

Michel Legrand Michel Jean Legrand (; 24 February 1932 – 26 January 2019) was a French musical composer, arranger, conductor, jazz pianist, and singer. Legrand was a prolific composer, having written over 200 film and television scores, in addition to ma ...

– composer * Marilù Parolini – photographer, screenwriter * Suzanne Schiffman – screenwriter

Theoretical influences

Robert Bresson Robert Bresson (; 25 September 1901 – 18 December 1999) was a French film director. Known for his ascetic approach, Bresson made a notable contribution to the art of cinema; his non-professional actors, Ellipsis (narrative device), ellipses, an ...

Roger Leenhardt Roger Leenhardt (23 July 1903 – 4 December 1985) was a French writer and filmmaker. Early life Born in a bourgeois Protestant family, this brilliant student of philosophy was very soon fascinated by cinema. Through a cousin, he started worki ...

Theoretical followers

Jonathan Rosenbaum Jonathan Rosenbaum (born February 27, 1943) is an American film critic and author. Rosenbaum was the head film critic for '' The Chicago Reader'' from 1987 to 2008. He has published and edited numerous books about cinema and has contributed to ...

Andrew Sarris Andrew Sarris (October 31, 1928 – June 20, 2012) was an American film critic. He was a leading proponent of the auteur theory of film criticism. Early life Sarris was born in Brooklyn, New York, to Greek immigrant parents, Themis (née Kat ...

Notes and references

Works cited

External links

French New Wave encyclopedia & film guide

The French New Wave: Revolutionising Cinema

Movie movements that defined cinema: the French New Wave on EMPIRE
{{Authority control New Wave Jacques Rivette New Wave in cinema 1950s in film 1960s in film

Origins of the movement

Film techniques

Left Bank

Influential names in the New Wave

''Cahiers du cinéma'' directors

Left Bank directors

Other directors associated with the movement

Actors and actresses

Other collaborators

Theoretical influences

Theoretical followers

See also

Notes and references

Works cited

External links