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Parallel Cinema
Parallel cinema, or New Indian Cinema, is a film movement in Cinema of India, Indian cinema that originated in the state of West Bengal in the 1950s as an alternative to the mainstream commercial Indian cinema. Inspired by Italian Neorealism, Parallel Cinema began just before the French New Wave and Japanese New Wave, and was a precursor to the Indian New Wave of the 1960s. The movement was initially led by Cinema of West Bengal, Bengali cinema and produced internationally acclaimed filmmakers such as Satyajit Ray, Mrinal Sen, Ritwik Ghatak, Tapan Sinha and others. It later gained prominence in other film industries of India. It is known for its serious content, Realism (arts), realism and Naturalism (philosophy), naturalism, symbolic elements with a keen eye on the sociopolitical climate of the times, and the general rejection of inserted song-and-dance routines that are typical of mainstream Indian films. History Origins Realism in Indian cinema dates back to the 1920s ...
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Satyajit Ray
Satyajit Ray (; 2 May 1921 – 23 April 1992) was an Indian film director, screenwriter, author, lyricist, magazine editor, illustrator, calligraphy, calligrapher, and composer. He is widely considered to be one of the greatest and most influential film directors in the history of cinema. He is celebrated for works including ''The Apu Trilogy'' (1955–1959), Jalsaghar, ''The Music Room'' (1958), Mahanagar, ''The Big City'' (1963)'', Charulata'' (1964), and the ''Goopy–Bagha'' trilogy (1969–1992). Ray was born in Calcutta to author Sukumar Ray and Suprabha Ray. Starting his career as a commercial artist, Ray was drawn into independent film, independent film-making after meeting French filmmaker Jean Renoir and viewing Vittorio De Sica's Italian neorealism, Italian neorealist film ''Bicycle Thieves'' (1948) during a visit to London. Ray directed 36 films, including feature films, documentaries, and short subject, shorts. Ray's first film, (1955), won eleven international ...
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Saeed Akhtar Mirza
Saeed Akhtar Mirza (born 30 June 1943) is an Indian screenwriter and director in Hindi films and television. He is the maker of notable parallel films such as '' Mohan Joshi Hazir Ho!'' (1984), '' Albert Pinto Ko Gussa Kyoon Aata Hai'' (1980), '' Salim Langde Pe Mat Ro'' (1989) and '' Naseem'' (1995), which won two National Film Awards in 1996. Saeed Mirza Was Honored with Lifetime Achievement Award at ICA – International Cultural Artifact Film Festival in 2020. He is director of the TV serials '' Nukkad'' (Street Corner) (1986) and ''Intezaar'' (Wait) (1988), along with various documentary films on social welfare and cultural activism. He is also a trustee of ANHAD, a Delhi-based NGO working for communal harmony. Early life and education Saeed was born in 1943, in Mumbai, Maharashtra to Akhtar Mirza, noted screenwriter himself in the 1960s. After working in advertising for some time, Mirza joined the Film and Television Institute of India (FTII), Pune, India, from where ...
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India
India, officially the Republic of India, is a country in South Asia. It is the List of countries and dependencies by area, seventh-largest country by area; the List of countries by population (United Nations), most populous country since 2023; and, since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. Modern humans arrived on the Indian subcontinent from Africa no later than 55,000 years ago., "Y-Chromosome and Mt-DNA data support the colonization of South Asia by modern humans originating in Africa. ... Coalescence dates for most non-European populations averag ...
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Cinema Of West Bengal
Cinema of West Bengal, also known as Tollywood or Bengali cinema, is the segment of Cinema of India, Indian cinema, dedicated to the production of motion pictures in the Bengali language widely spoken in the state of West Bengal. It is based in the Tollygunge region of Kolkata, West Bengal, India. The origins of the nickname Tollywood, a portmanteau of the words Tollygunge and Cinema of the United States, Hollywood, dates back to 1932. It was a historically important film industry, at one time the centre of Indian film production. The Bengali film industry is known for producing many of Cinema of India, Indian cinema's most critically acclaimed global Parallel Cinema and art films, with several of its filmmakers gaining prominence at the National Film Awards, Indian National Film Awards as well as international acclaim. Ever since Satyajit Ray's ''Pather Panchali (film), Pather Panchali'' (1955) was awarded Best Human Document at the 1956 Cannes Film Festival, Bengali films ...
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Japanese New Wave
The is a term for a group of loosely-connected Japanese films and filmmakers between the late 1950s and part of the 1970s. The most prominent representatives include directors Nagisa Ōshima, Yoshishige Yoshida, Masahiro Shinoda and Shōhei Imamura. History The term ''New Wave'' was coined after the French '' Nouvelle vague'', a movement which had challenged the traditions of their national cinema in style and content, countering established narratives and genres with "the ambiguous complexities of human relationships" and polished techniques with deliberately rough ones, and introducing the theory that directors should be the auteurs of their films. Unlike the French counterpart, the Japanese New Wave originated within the film studio establishment, especially Shochiku, whose head Shirō Kido hoped that "cheaply made, innovative pictures could emulate the success of the Nouvelle Vague in Europe". This policy saw the emergence of filmmakers like Nagisa Ōshima, Yoshishige Yo ...
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French New Wave
The New Wave (, ), also called the French New Wave, is a French European art cinema, art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to film editing, editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The New Wave is often considered one of the most influential movements in the history of cinematography, cinema. However, contemporary critics have also argued that historians have not sufficiently credited its female co-founder, Agnès Varda, and have criticized the movement's prevailing themes of sexism towards women. The term was first used by a group of French film critics and cinephiles associated with the magazine in the late 1950s and 1960s. These critics rejected the ("T ...
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Italian Neorealism
Italian neorealism (), also known as the Golden Age of Italian Cinema, was a national film movement characterized by stories set amongst the poor and the working class. They are filmed on location, frequently with non-professional actors. They primarily address the difficult economic and moral conditions of post-World War II Italy, representing changes in the Italian psyche and conditions of everyday life, including poverty, oppression, injustice and desperation. Italian Neorealist filmmakers used their films to tell stories that explored the contemporary daily life and struggles of Italians in the post-war period. Italian neorealist films have become explanatory discourse for future generations to understand the history of Italy during a specific period through the storytelling of social life in the context, reflecting the documentary and communicative nature of the film. Some people believe that neorealistic films evolved from Soviet montage films. But in reality, compared to ...
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West Bengal
West Bengal (; Bengali language, Bengali: , , abbr. WB) is a States and union territories of India, state in the East India, eastern portion of India. It is situated along the Bay of Bengal, along with a population of over 91 million inhabitants within an area of as of 2011. The population estimate as of 2023 is 99,723,000. West Bengal is the List of states and union territories of India by population, fourth-most populous and List of states and union territories of India by area, thirteenth-largest state by area in India, as well as the List of first-level administrative divisions by population, eighth-most populous country subdivision of the world. As a part of the Bengal region of the Indian subcontinent, it borders Bangladesh in the east, and Nepal and Bhutan in the north. It also borders the Indian states of Jharkhand, Odisha, Bihar, Sikkim and Assam. The state capital is Kolkata, the List of metropolitan areas in India, third-largest metropolis, and List of cities in I ...
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Cinema Of India
The cinema of India, consisting of Film, motion pictures made by the Indian film industry, has had a large effect on world cinema since the second half of the 20th century. Indian cinema is made up of various #Cinema by language, film industries, each focused on producing films in a specific language, such as Hindi, Telugu language, Telugu, Tamil language, Tamil, Malayalam, Kannada, Bengali language, Bengali, Marathi language, Marathi, Gujarati language, Gujarati, Punjabi language, Punjabi, Bhojpuri language, Bhojpuri, Assamese language, Assamese, Odia Cinema, Odia and others. Major centres of film production across the country include Mumbai, Hyderabad, Chennai, Kolkata, Kochi, Bengaluru, Bhubaneswar-Cuttack, and Guwahati. For a number of years, the Indian film industry has ranked first in the world in terms of annual film output. In 2022, Indian cinema earned ($1.9 billion) at the box-office. Ramoji Film City located in Hyderabad is certified by the Guinness World Records ...
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Italian Neorealism
Italian neorealism (), also known as the Golden Age of Italian Cinema, was a national film movement characterized by stories set amongst the poor and the working class. They are filmed on location, frequently with non-professional actors. They primarily address the difficult economic and moral conditions of post-World War II Italy, representing changes in the Italian psyche and conditions of everyday life, including poverty, oppression, injustice and desperation. Italian Neorealist filmmakers used their films to tell stories that explored the contemporary daily life and struggles of Italians in the post-war period. Italian neorealist films have become explanatory discourse for future generations to understand the history of Italy during a specific period through the storytelling of social life in the context, reflecting the documentary and communicative nature of the film. Some people believe that neorealistic films evolved from Soviet montage films. But in reality, compared to ...
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Poetic Realism
Poetic realism was a film movement in France of the 1930s. More a tendency than a movement, poetic realism is not strongly unified like Soviet montage or French Impressionism but were individuals who created this lyrical style. Its leading filmmakers were Pierre Chenal, Jean Vigo, Julien Duvivier, Marcel Carné, and, perhaps the movement's most significant director, Jean Renoir. Renoir made a wide variety of films influenced by the leftist Popular Front group and even a lyrical short feature film. Frequent stars of these films were Jean Gabin, Michel Simon, Simone Signoret, and Michèle Morgan. Characteristics Poetic realism films are "recreated realism", stylised and studio-bound, rather than approaching the "socio-realism of the documentary". They usually have a fatalistic view of life with their characters living on the margins of society, either as unemployed members of the working class or as criminals. After a life of disappointment, the characters get a last chan ...
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Social Realism
Social realism is work produced by painters, printmakers, photographers, writers, filmmakers and some musicians that aims to draw attention to the real socio-political conditions of the working class as a means to critique the power structures behind these conditions. While the movement's characteristics vary from nation to nation, it almost always uses a form of descriptive or critical realism. The term is sometimes more narrowly used for an art movement that flourished in the interwar period as a reaction to the hardships and problems suffered by common people after the Great Crash. In order to make their art more accessible to a wider audience, artists turned to realist portrayals of anonymous workers as well as celebrities as heroic symbols of strength in the face of adversity. The goal of the artists in doing so was political as they wished to expose the deteriorating conditions of the poor and working classes and hold the existing governmental and social systems accountab ...
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