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The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and in modern forms is usually made of plastic, where early membranes were made of animal skin. Early forms of the instrument were fashioned by
African Americans African Americans, also known as Black Americans and formerly also called Afro-Americans, are an American racial and ethnic group that consists of Americans who have total or partial ancestry from any of the Black racial groups of Africa ...
and had African antecedents. In the 19th century, interest in the instrument was spread across the United States and United Kingdom by traveling shows of the 19th-century
minstrel show The minstrel show, also called minstrelsy, was an American form of theater developed in the early 19th century. The shows were performed by mostly white actors wearing blackface makeup for the purpose of portraying racial stereotypes of Afr ...
fad, followed by mass production and mail-order sales, including instructional books. The inexpensive or home-made banjo remained part of rural folk culture, but five-string and four-string banjos also became popular for home parlor music entertainment, college music clubs, and early 20th century
jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, h ...
bands. By the early 20th century, the banjo was most frequently associated with
folk Folk or Folks may refer to: Sociology *Nation *People * Folklore ** Folk art ** Folk dance ** Folk hero ** Folk horror ** Folk music *** Folk metal *** Folk punk *** Folk rock ** Folk religion * Folk taxonomy Arts, entertainment, and media * Fo ...
, cowboy music, and
country music Country (also called country and western) is a popular music, music genre originating in the southern regions of the United States, both the American South and American southwest, the Southwest. First produced in the 1920s, country music is p ...
. By mid-century it had come to be strongly associated with bluegrass. Eventually it began to be employed occasionally and sporadically in various kinds or other kinds of popular music. Some famous players of the banjo are
Ralph Stanley Ralph Edmund Stanley (February 25, 1927 – June 23, 2016) was an American bluegrass artist, known for his distinctive singing and banjo playing. He began playing music in 1946, originally with his older brother Carter Stanley as part of The ...
and
Earl Scruggs Earl Eugene Scruggs (January 6, 1924 – March 28, 2012) was an American musician noted for popularizing a three-finger banjo picking style, now called "Scruggs style", which is a defining characteristic of bluegrass music. His three-finge ...
. Historically, the banjo occupied a central place in Black American traditional music and rural folk culture before entering the mainstream via the
minstrel show The minstrel show, also called minstrelsy, was an American form of theater developed in the early 19th century. The shows were performed by mostly white actors wearing blackface makeup for the purpose of portraying racial stereotypes of Afr ...
s of the 19th century. Along with the
fiddle A fiddle is a Bow (music), bowed String instrument, string musical instrument, most often a violin or a bass. It is a colloquial term for the violin, used by players in all genres, including European classical music, classical music. Althou ...
, the banjo is a mainstay of American styles of music, such as bluegrass and
old-time music Old-time music is a genre of North American folk music. It developed along with various North American folk dances, such as square dancing, contra dance, clogging, and buck dancing. It is played on acoustic instruments, generally centering ...
. It is also very frequently used in
Dixieland jazz Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band ( ...
, as well as in Caribbean genres like
biguine Biguine ( , ; ) is a rhythmic dance and music style that originated from Saint-Pierre, Martinique in the 19th century. It fuses West African traditional music genres, such as Bélé, with 19th-century French ballroom dance steps. History Two ...
, calypso,
mento Mento is a style of Music of Jamaica, Jamaican folk music that predates and has greatly influenced ska and reggae music. It is a fusion of African rhythmic elements and European elements, which reached peak popularity in the 1940s and 1950s. ...
and
troubadour A troubadour (, ; ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female equivalent is usually called a ''trobairitz''. The tr ...
.


History


Early origins

The modern banjo derives from instruments that have been recorded to be in use in
North America North America is a continent in the Northern Hemisphere, Northern and Western Hemisphere, Western hemispheres. North America is bordered to the north by the Arctic Ocean, to the east by the Atlantic Ocean, to the southeast by South Ameri ...
and the Caribbean since the 17th century by enslaved people taken from West and Central Africa, such as the kora. Their African-style instruments were crafted from split
gourd Gourds include the fruits of some flowering plant species in the family Cucurbitaceae, particularly '' Cucurbita'' and '' Lagenaria''. The term refers to a number of species and subspecies, many with hard shells, and some without. Many gourds ha ...
s with animal skins stretched across them. Strings, from gut or vegetable fibers, were attached to a wooden neck. Written references to the banjo in North America and the
Caribbean The Caribbean ( , ; ; ; ) is a region in the middle of the Americas centered around the Caribbean Sea in the Atlantic Ocean, North Atlantic Ocean, mostly overlapping with the West Indies. Bordered by North America to the north, Central America ...
appear in the 17th and 18th centuries. The earliest written indication of an instrument akin to the banjo is in the 17th century: Richard Jobson (1621) in describing
The Gambia The Gambia, officially the Republic of The Gambia, is a country in West Africa. Geographically, The Gambia is the List of African countries by area, smallest country in continental Africa; it is surrounded by Senegal on all sides except for ...
, wrote about an instrument which some consider to be similar to the banjo.
They have little varietie of instruments, that which is most common in use, is made of a great gourd, and a necke thereunto fastned, resembling, in some sort, our Bandora; but they have no manner of fret, and the strings they are either such as the place yeeldes or their invention can attaine to make, being very unapt to yeeld a sweete and musicall sound, notwithstanding with pinnes they winde and bring to agree in tunable notes, having not above sixe strings upon their greatest instrument.
The term ''banjo'' has several etymological origins. One theory links it to the Mandinka language which gives the name of
Banjul Banjul (, (US) and ), officially the City of Banjul, is the capital city of The Gambia. It is the centre of the eponymous administrative division which is home to an estimated 400,000 residents, making it The Gambia's largest and most densely ...
, capital of The Gambia. Another claim is a connection to the West African ''
akonting The ''akonting'' (, or ''ekonting'' in French transliteration) is the folk lute of the Jola people, found in Senegal, Gambia, and Guinea-Bissau in West Africa. It is a string instrument with a skin-headed gourd body, two long melody strings, a ...
'': it is made with a long bamboo neck called a ''bangoe''. The material for the neck, called ''ban julo'' in the Mandinka language, again gives ''banjul''. In this interpretation, ''banjul'' became a sort of eponym for the akonting as it crossed the Atlantic. The instrument's name might also derive from the
Kimbundu Kimbundu, a Bantu language which has sometimes been called Mbundu or North Mbundu (to distinguish it from Umbundu, sometimes called South Mbundu), is the second-most-widely-spoken Bantu language in Angola. Its speakers are concentrated in the n ...
word ''mbanza'', which is a loan word to the Portuguese language resulting in the term ''banza'', which was used by early French travelers in the Americas. Its earliest recorded use was in 1678 by the Sovereign Council of Martinique which reinstated a 1654 decree that placed prohibitions and restrictions on "dances and assemblies of negroes" deemed to be '' kalenda'', which was defined as the gathering of enslaved Africans who danced to the sound of a drum and an instrument called the banza. The
OED The ''Oxford English Dictionary'' (''OED'') is the principal historical dictionary of the English language, published by Oxford University Press (OUP), a University of Oxford publishing house. The dictionary, which published its first editio ...
claims that the term ''banjo'' comes from a
dialect A dialect is a Variety (linguistics), variety of language spoken by a particular group of people. This may include dominant and standard language, standardized varieties as well as Vernacular language, vernacular, unwritten, or non-standardize ...
al pronunciation of Portuguese ''bandore'' or from an early anglicisation of Spanish ''
bandurria The bandurria is a plucked chordophone from Spain, similar to the mandolin and bandola, primarily used in Spanish folk music, but also found in former Spanish colonies. Instrument development Prior to the 18th century, the bandurria had a ro ...
''. Contrary evidence shows that the terms ''bandore'' and ''bandurria'' were used when Europeans encountered the instrument or its kin varieties in use by people of African descent, who used names for the instrument such as ''banza'', as it was called in places such as
Haiti Haiti, officially the Republic of Haiti, is a country on the island of Hispaniola in the Caribbean Sea, east of Cuba and Jamaica, and south of the Bahamas. It occupies the western three-eighths of the island, which it shares with the Dominican ...
, varieties that were built around a
gourd Gourds include the fruits of some flowering plant species in the family Cucurbitaceae, particularly '' Cucurbita'' and '' Lagenaria''. The term refers to a number of species and subspecies, many with hard shells, and some without. Many gourds ha ...
body with a wooden plank for the neck. François Richard de Tussac, a former planter from
Saint-Domingue Saint-Domingue () was a French colonization of the Americas, French colony in the western portion of the Caribbean island of Hispaniola, in the area of modern-day Haiti, from 1659 to 1803. The name derives from the Spanish main city on the isl ...
, details its construction in the book ''Le Cri des Colons'', published in 1810, stating:
As for the guitars, which the negroes call ''banzas'', this is what they consist of: they cut lengthwise, through the middle, a fresh
calabash Calabash (; ''Lagenaria siceraria''), also known as bottle gourd, white-flowered gourd, long melon, birdhouse gourd, New Guinea bean, New Guinea butter bean, Tasmania bean, and opo squash, is a vine grown for its fruit. It can be either harvest ...
callebassier">Crescentia_cujete.html" ;"title="he fruit of a tree called the Crescentia cujete">callebassier This fruit is sometimes eight inches or more in diameter. The stretch across it the skin of a goat, which they attach on the edges with little nails; they put two or three little holes on this surface, and then a kind of plank or piece of wood that is rudely flattened makes the neck of the instrument; they stretch three strings made of pitre [a kind of string taken from the agave plant, commonly known as pitre] across it; and so the instrument is built. On this instrument they play Air (music), airs composed of three or four notes, which they repeat constantly.
Michel Étienne Descourtilz, a naturalist who visited Haiti in the early 1800s, described it as ''banzas'', a Negro instrument, that the natives prepare by sawing one of the calabashes or a large gourd lengthwise, to which they attach a neck and sonorous strings made from the filament" of aloe plants. It was played during any occasion, from boredom to joyous parties and calendas to funeral ceremonies. It was the custom to also combine this sound with the more noisy '' bamboula'', a type of drum made from a stick of bamboo covered on both sides with a skin that was played with fingers and knuckles while sitting astride. Various instruments in Africa, chief among them the ''kora'', feature a skin
drumhead A drumhead or drum skin is a membrane stretched over one or both of the open ends of a drum. The drumhead is struck with sticks, mallets, or hands, so that it vibrates and the sound resonates through the drum. Additionally outside of percus ...
and
gourd Gourds include the fruits of some flowering plant species in the family Cucurbitaceae, particularly '' Cucurbita'' and '' Lagenaria''. The term refers to a number of species and subspecies, many with hard shells, and some without. Many gourds ha ...
(or similar shell) body. These instruments differ from early African-American banjos in that the necks do not possess a Western-style fingerboard and tuning pegs; instead they have stick necks, with strings attached to the neck with loops for tuning. Another likely relative of the banjo is the aforementioned ''akonting'', a spike folk lute which is constructed using a gourd body, a long wooden neck, and three strings played by the Jola tribe of
Senegambia The Senegambia (other names: Senegambia region or Senegambian zone,Barry, Boubacar, ''Senegambia and the Atlantic Slave Trade'', (Editors: David Anderson, Carolyn Brown; trans. Ayi Kwei Armah; contributors: David Anderson, American Council of Le ...
, and the ''ubaw-akwala'' of the Igbo. Similar instruments include the ''
xalam Xalam (in Serer, khalam in Wolof, and Mɔɣlo in Dagbanli) is a traditional lute from West Africa with 1 to 5 strings. The xalam is commonly played in Mali, Gambia, Senegal, Niger, Northern Nigeria, Northern Ghana, Burkina Faso, Mauritania ...
'' of
Senegal Senegal, officially the Republic of Senegal, is the westernmost country in West Africa, situated on the Atlantic Ocean coastline. It borders Mauritania to Mauritania–Senegal border, the north, Mali to Mali–Senegal border, the east, Guinea t ...
and the '' ngoni'' of the Wassoulou region that includes parts of
Mali Mali, officially the Republic of Mali, is a landlocked country in West Africa. It is the List of African countries by area, eighth-largest country in Africa, with an area of over . The country is bordered to the north by Algeria, to the east b ...
,
Guinea Guinea, officially the Republic of Guinea, is a coastal country in West Africa. It borders the Atlantic Ocean to the west, Guinea-Bissau to the northwest, Senegal to the north, Mali to the northeast, Côte d'Ivoire to the southeast, and Sier ...
, and
Ivory Coast Ivory Coast, also known as Côte d'Ivoire and officially the Republic of Côte d'Ivoire, is a country on the southern coast of West Africa. Its capital city of Yamoussoukro is located in the centre of the country, while its largest List of ci ...
, as well as a larger variation of the ''ngoni'', known as the ''gimbri'', developed in
Morocco Morocco, officially the Kingdom of Morocco, is a country in the Maghreb region of North Africa. It has coastlines on the Mediterranean Sea to the north and the Atlantic Ocean to the west, and has land borders with Algeria to Algeria–Morocc ...
by sub-Saharan Africans (
Gnawa The Gnawa () (or Gnaoua, Ghanawa, Ghanawi, Gnawi'; ) are an ethnic group inhabiting Morocco, that had been brought as slaves from the West African Sahel. The name Gnawa originated in the indigenous language of North Africa and the Sahara, Sahar ...
or
Haratin The Haratin (, singular ''Ḥarṭānī''), also spelled Haratine or Harratin, are an ethnic group found in western Sahel and southwestern Maghreb. The Haratin are mostly found in modern Mauritania (where they form a plurality), Morocco, Western ...
). Banjo-like instruments seem to have been independently invented in several different places, in addition to the many African instruments mentioned above, since instruments similar to the banjo are known from a diverse array of distant countries. For example, the Chinese ''
sanxian The (, literally "three strings") is a three-stringed List of traditional Chinese musical instruments, traditional Chinese lute. It has a long fretless fingerboard, and the body is traditionally made from snake skin stretched over a rounded rec ...
'', the Japanese ''
shamisen The , also known as or (all meaning "three strings"), is a three-stringed traditional Japanese musical instrument derived from the Chinese instrument . It is played with a plectrum called a bachi. The Japanese pronunciation is usually b ...
'', the Persian ''
tar Tar is a dark brown or black viscous liquid of hydrocarbons and free carbon, obtained from a wide variety of organic materials through destructive distillation. Tar can be produced from coal, wood, petroleum, or peat. "a dark brown or black b ...
'', and the Moroccan ''
sintir The sintir (), also known as the guembri (), gimbri, hejhouj in Hausa language, is a three stringed skin-covered bass plucked lute used by the Gnawa people of Morocco. It is approximately the size of a guitar, with a body carved from a log and c ...
''. Banjos with fingerboards and tuning pegs are known from the Caribbean as early as the 17th century. Some 18th- and early 19th-century writers transcribed the name of these instruments variously as ''bangie'', ''banza'', ''bonjaw'', ''banjer'' and ''banjar''. A British tourist's 1812 description of a gambling hall in Wheeling, Virginia mentions ''bangies'': "Would that Hogarth had lived to see that room! One corner was occupied by a portion of the assembly, engaged in the fascinating games of all-fours, three-up and cribbage; in another stood a table of refreshments, whiskey and biscuit, surrounded by a crowd of drinkers and smokers; a group of noisy politicians held possession in the third; and in the fourth was stationed the music which consisted of two bangies played by negroes nearly in a state of nudity, and a lute through which a
Chickasaw The Chickasaw ( ) are an Indigenous people of the Southeastern Woodlands, United States. Their traditional territory was in northern Mississippi, northwestern and northern Alabama, western Tennessee and southwestern Kentucky. Their language is ...
breathed delightful harmony." The instrument became increasingly available commercially from around the second quarter of the 19th century due to
minstrel show The minstrel show, also called minstrelsy, was an American form of theater developed in the early 19th century. The shows were performed by mostly white actors wearing blackface makeup for the purpose of portraying racial stereotypes of Afr ...
performances.


Minstrel era, 1830s–1870s

In the
antebellum South The ''Antebellum'' South era (from ) was a period in the history of the Southern United States that extended from the conclusion of the War of 1812 to the start of the American Civil War in 1861. This era was marked by the prevalent practic ...
, many enslaved Africans played the banjo, spreading it to the rest of the population. In his memoir ''With Sabre and Scalpel: The Autobiography of a Soldier and Surgeon'', the Confederate veteran and surgeon John Allan Wyeth recalls learning to play the banjo as a child from an enslaved person on his family plantation. Another man who learned to play from African-Americans, probably in the 1820s, was Joel Walker Sweeney, a
minstrel A minstrel was an entertainer, initially in medieval Europe. The term originally described any type of entertainer such as a musician, juggler, acrobat, singer or fool; later, from the sixteenth century, it came to mean a specialist enter ...
performer from Appomattox Court House,
Virginia Virginia, officially the Commonwealth of Virginia, is a U.S. state, state in the Southeastern United States, Southeastern and Mid-Atlantic (United States), Mid-Atlantic regions of the United States between the East Coast of the United States ...
.Metro Voloshin, ''The Banjo, from Its Roots to the Ragtime Era: An Essay and Bibliography'' Music Reference Services Quarterly, Vol. 6(3) 1998. Sweeney has been credited with adding a string to the four-string African-American banjo, and popularizing the five-string banjo. Although Robert McAlpin Williamson is the first documented white banjoist, in the 1830s Sweeney became the first white performer to play the banjo on stage. Sweeney's musical performances occurred at the beginning of the minstrel era, as banjos shifted away from being exclusively homemade folk instruments to instruments of a more modern style. Sweeney participated in this transition by encouraging drum maker William Boucher of
Baltimore Baltimore is the most populous city in the U.S. state of Maryland. With a population of 585,708 at the 2020 census and estimated at 568,271 in 2024, it is the 30th-most populous U.S. city. The Baltimore metropolitan area is the 20th-large ...
to make banjos commercially for him to sell. In 1949, Arthur Woodward credited Sweeney with replacing the gourd with a wooden sound box covered in skin, and adding a short fifth string around 1831. However, modern scholar Gene Bluestein pointed out in 1964 that Sweeney may not have originated either the 5th string or sound box. This new banjo was at first tuned d'Gdf♯a, though by the 1890s, this had been transposed up to g'cgbd'. Banjos were introduced in Britain by Sweeney's group, the American
Virginia Minstrels The Virginia Minstrels or Virginia Serenaders was a group of 19th-century American entertainers who helped invent the entertainment form known as the minstrel show. Led by Dan Emmett, the original lineup consisted of Emmett, Billy Whitlock, ...
, in the 1840s, and became very popular in
music hall Music hall is a type of British theatrical entertainment that was most popular from the early Victorian era, beginning around 1850, through the World War I, Great War. It faded away after 1918 as the halls rebranded their entertainment as Varie ...
s. The instrument grew in popularity during the 1840s after Sweeney began his traveling minstrel show. By the end of the 1840s the instrument had expanded from Caribbean possession to take root in places across America and across the Atlantic in England. It was estimated in 1866 that there were probably 10,000 banjos in New York City, up from only a handful in 1844. People were exposed to banjos not only at minstrel shows, but also medicine shows, Wild-West shows, variety shows, and traveling vaudeville shows. The banjo's popularity also was given a boost by the Civil War, as servicemen on both sides in the Army or Navy were exposed to the banjo played in minstrel shows and by other servicemen. A popular movement of aspiring banjoists began as early as 1861. The enthusiasm for the instrument was labeled a "banjo craze" or "banjo mania." By the 1850s, aspiring banjo players had options to help them learn their instrument. There were more teachers teaching banjo basics in the 1850s than there had been in the 1840s. There were also instruction manuals and, for those who could read it, printed music in the manuals. The first book of notated music was ''The Complete Preceptor'' by Elias Howe, published under the pseudonym ''Gumbo Chaff'', consisting mainly of
Christy's Minstrels Christy's Minstrels, sometimes referred to as the Christy Minstrels, were a blackface group formed by Edwin Pearce Christy, a well-known ballad singer, in 1843, in Buffalo, New York. They were instrumental in the solidification of the minstrel ...
tunes. The first banjo method was the ''Briggs' Banjo instructor'' (1855) by Tom Briggs. Other methods included ''Howe's New American Banjo School'' (1857), and ''Phil Rice's Method for the Banjo, With or Without a Master'' (1858). These books taught the "stroke style" or "banjo style", similar to modern "frailing" or "
clawhammer Clawhammer, sometimes called down-picking, overhand, or most commonly known as frailing, is a distinctive banjo playing style and a common component of American old-time music. The style likely descends from that of West African lutes, suc ...
" styles. By 1868, music for the banjo was available printed in a magazine, when J. K. Buckley wrote and arranged popular music for ''Buckley's Monthly Banjoist''. Frank B. Converse also published his entire collection of compositions in ''The Complete Banjoist'' in 1868, which included "polkas, waltzes, marches, and clog hornpipes." In the 1840s, opportunities for work were found not only in minstrel companies and circuses, but also in floating theaters and variety theaters, which served as precursors to the variety show and
vaudeville Vaudeville (; ) is a theatrical genre of variety entertainment which began in France in the middle of the 19th century. A ''vaudeville'' was originally a comedy without psychological or moral intentions, based on a comical situation: a drama ...
.


Classic era, 1880s–1910s

The term ''classic banjo'' is used today to talk about a bare-finger "guitar style" that was widely in use among banjo players of the late 19th to early 20th century. It is still used by banjoists today. The term also differentiates that style of playing from the fingerpicking bluegrass banjo styles, such as the
Scruggs style Scruggs style is the most common style of playing the banjo in bluegrass music. It is a fingerpicking method, also known as three-finger style. It is named after Earl Scruggs, whose innovative approach and technical mastery of the instrument hav ...
and Keith style. The ''Briggs Banjo Method'', considered to be the first banjo method and which taught the ''stroke style'' of playing, also mentioned the existence of another way of playing, the ''guitar style.'' Alternatively known as "finger style", the new way of playing the banjo displaced the stroke method, until by 1870 it was the dominant style. Although mentioned by Briggs, it wasn't taught. The first banjo method to teach the technique was ''Frank B. Converse's New and Complete Method for the Banjo with or without a Master'', published in 1865. To play in guitar style, players use the thumb and two or three fingers on their right hand to pick the notes. Samuel Swaim Stewart summarized the style in 1888, saying, The banjo, although popular, carried low-class associations from its role in
blackface Blackface is the practice of performers using burned cork, shoe polish, or theatrical makeup to portray a caricature of black people on stage or in entertainment. Scholarship on the origins or definition of blackface vary with some taking a glo ...
minstrel shows, medicine shows, tent shows, and variety shows or vaudeville. There was a push in the 19th century to bring the instrument into "respectability." Musicians such as William A. Huntley made an effort to "elevate" the instrument or make it more "artistic," by "bringing it to a more sophisticated level of technique and repertoire based on European standards." Huntley may have been the first white performer to successfully make the transition from performing in blackface to being himself on stage, noted by the Boston Herald in November 1884. He was supported by another former blackface performer, Samuel Swaim Stewart, in his corporate magazine that popularized highly talented professionals. As the "raucous" imitations of plantation life decreased in minstrelsy, the banjo became more acceptable as an instrument of fashionable society, even to be accepted into women's parlors. Part of that change was a switch from the stroke style to the guitar playing style. An 1888 newspaper said, "All the maidens and a good many of the women also strum the instrument, banjo classes abound on every side and banjo recitals are among the newest diversions of fashion...Youths and elderly men too have caught the fever...the star strummers among men are in demand at the smartest parties and have the choosing of the society of the most charming girls." Some of those entertainers, such as Alfred A. Farland, specialized in classical music. However, musicians who wanted to entertain their audiences, and make a living, mixed it in with the popular music that audiences wanted. Farland's pupil Frederick J. Bacon was one of these. A former medicine show entertainer, Bacon performed classical music along with popular songs such as ''Massa's in de cold, cold ground'', a ''Medley of Scotch Airs'', a ''Medley of Southern Airs'', and Thomas Glynn’s ''West Lawn Polka''. Banjo innovation which began in the minstrel age continued, with increased use of metal parts, exotic wood, raised metal frets and a tone-ring that improved the sound. Instruments were designed in a variety of sizes and pitch ranges, to play different parts in banjo orchestras. Examples on display in the museum include banjorines and piccolo banjos. New styles of playing, a new look, instruments in a variety of pitch ranges to take the place of different sections in an orchestra – all helped to separate the instrument from the rough minstrel image of the previous 50–60 years. The instrument was modern now, a bright new thing, with polished metal sides.


Ragtime era (1895–1919) and Jazz Age era (1910s–1930s)

In the early 1900s, new banjos began to spread, four-string models, played with a plectrum rather than with the minstrel-banjo clawhammer stroke or the classic-banjo fingerpicking style. The new banjos were a result of changing musical tastes. New music spurred the creation of "evolutionary variations" of the banjo, from the five-string model current since the 1830s to newer four-string
plectrum A plectrum is a small flat tool used for plucking or strumming of a stringed instrument. For hand-held instruments such as guitars and mandolins, the plectrum is often called a pick and is held as a separate tool in the player's hand. In harpsic ...
and tenor banjos. The instruments became ornately decorated in the
1920s File:1920s decade montage.png, From left, clockwise: Third Tipperary Brigade Flying Column No. 2 under Seán Hogan during the Irish War of Independence; Prohibition agents destroying barrels of alcohol in accordance to the Eighteenth Amendment to ...
to be visually dynamic to a theater audience. The instruments were increasingly modified or made in a new style – necks that were shortened to handle the four steel (not fiber as before) strings, strings that were sounded with a pick instead of fingers, four strings instead of five and tuned differently. The changes reflected the nature of post-World-War-I music. The country was turning away from European classics, preferring the "upbeat and carefree feel" of jazz, and American soldiers returning from the war helped to drive this change. The change in tastes toward dance music and the need for louder instruments began a few years before the war, however, with ragtime. That music encouraged musicians to alter their 5-string banjos to four, add the louder steel strings and use a pick or plectrum, all in an effort to be heard over the brass and reed instruments that were current in dance-halls. The four string plectrum and tenor banjos did not eliminate the five-string variety. They were products of their times and musical purposes—ragtime and jazz dance music and theater music. The Great Depression is a visible line to mark the end of the
Jazz Age The Jazz Age was a period from 1920 to the early 1930s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz. Originating in New O ...
. The economic downturn cut into the sales of both four- and five-stringed banjos, and by World War 2, banjos were in sharp decline, the market for them dead.


Modern era

In the years after World War II, the banjo experienced a resurgence, played by music stars such as
Earl Scruggs Earl Eugene Scruggs (January 6, 1924 – March 28, 2012) was an American musician noted for popularizing a three-finger banjo picking style, now called "Scruggs style", which is a defining characteristic of bluegrass music. His three-finge ...
(bluegrass), Bela Fleck (jazz, rock, world music), Gerry O'Connor (Celtic and Irish music), Perry Bechtel (jazz, big band),
Pete Seeger Peter Seeger (May 3, 1919 – January 27, 2014) was an American singer, songwriter, musician, and social activist. He was a fixture on nationwide radio in the 1940s and had a string of hit records in the early 1950s as a member of The Weav ...
(folk), and Otis Taylor (African-American roots, blues, jazz). Pete Seeger "was a major force behind a new national interest in folk music." Learning to play a fingerstyle in the Appalachians from musicians who never stopped playing the banjo, he wrote the book, ''How to Play the Five-String Banjo'', which was the only banjo method on the market for years. He was followed by a movement of folk musicians, such as
Dave Guard Donald David Guard (October 19, 1934 – March 22, 1991) was an American folk singer, songwriter, arranger and recording artist. Along with Nick Reynolds and Bob Shane, he was one of the founding members of the Kingston Trio. Guard was born i ...
of
The Kingston Trio The Kingston Trio is an American folk and pop music group that helped launch the folk revival of the late 1950s to the late 1960s. The group started as a San Francisco Bay Area nightclub act with an original lineup of Dave Guard, Bob Shane, ...
and Erik Darling of the
Weavers Weaver or Weavers may refer to: Activities * A person who engages in weaving fabric Animals * Various birds of the family Ploceidae * Crevice weaver spider family * Orb-weaver spider family * Weever (or weever-fish) Arts and entertainment ...
and Tarriers. Earl Scruggs was seen both as a legend and a "contemporary musical innovator" who gave his name to his style of playing, the ''Scruggs Style''. Scruggs played the banjo "with heretofore unheard of speed and dexterity," using a picking technique for the 5-string banjo that he perfected from 2-finger and 3-finger picking techniques in rural North Carolina. His playing reached Americans through the
Grand Ole Opry The ''Grand Ole Opry'' is a regular live country music, country-music Radio broadcasting, radio broadcast originating from Nashville, Tennessee, Nashville, Tennessee, on WSM (AM), WSM, held between two and five nights per week, depending on the ...
and into the living rooms of Americans who didn't listen to country or bluegrass music, through the theme music of ''
The Beverly Hillbillies ''The Beverly Hillbillies'' is an American television sitcom that was broadcast on CBS from 1962 to 1971. It had an ensemble cast featuring Buddy Ebsen, Irene Ryan, Donna Douglas, and Max Baer Jr. as the Clampetts, a poor backwoods family ...
'' TV
sitcom A sitcom (short for situation comedy or situational comedy) is a genre of comedy produced for radio and television, that centers on a recurring cast of character (arts), characters as they navigate humorous situations within a consistent settin ...
. For the last one hundred years, the tenor banjo has become an intrinsic part of the world of Irish traditional music. It is a relative newcomer to the genre. The banjo has also been used more recently in the
hardcore punk Hardcore punk (commonly abbreviated to hardcore or hXc) is a punk rock music genre#subtypes, subgenre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots ...
scene, most notably by Show Me the Body on their debut album, '' Body War''.


Technique

Two techniques closely associated with the five-string banjo are
rolls Rolls may refer to: People * Charles Rolls (engraver) (1799–1885), engraver * Charles Rolls (1877–1910), Welsh motoring and aviation pioneer, co-founder of Rolls-Royce Limited * John Etherington Welch Rolls (1807–1870), British jurist and art ...
and drones. Rolls are right hand
accompaniment Accompaniment is the musical part which provides the rhythmic and/or harmonic support for the melody or main themes of a song or instrumental piece. There are many different styles and types of accompaniment in different genres and styles of m ...
al fingering patterns that consist of eight (eighth) notes that subdivide each measure. Drone notes are quick little notes ypically eighth notes usually played on the 5th (short) string to fill in around the melody notes ypically eighth notesErbsen, Wayne (2004). ''Bluegrass Banjo for the Complete Ignoramus'', p.13. . These techniques are both
idiomatic An idiom (the quality of it being known as idiomaticness or idiomaticity) is a syntactical, grammatical, or phonological structure peculiar to a language that is actually realized, as opposed to possible but unrealized structures that could have ...
to the banjo in all styles, and their sound is characteristic of bluegrass. Historically, the banjo was played in the
claw-hammer Clawhammer, sometimes called down-picking, overhand, or most commonly known as frailing, is a distinctive banjo playing style and a common component of American old-time music. The style likely descends from that of West African lutes, such a ...
style by the Africans who brought their version of the banjo with them. Several other styles of play were developed from this. Clawhammer consists of downward striking of one or more of the four main strings with the index, middle or both fingers while the drone or fifth string is played with a 'lifting' (as opposed to downward pluck) motion of the thumb. The notes typically sounded by the thumb in this fashion are, usually, on the off beat. Melodies can be quite intricate adding techniques such as double thumbing and drop thumb. In old time Appalachian Mountain music, a style called two-finger up-pick is also used, and a three-finger version that
Earl Scruggs Earl Eugene Scruggs (January 6, 1924 – March 28, 2012) was an American musician noted for popularizing a three-finger banjo picking style, now called "Scruggs style", which is a defining characteristic of bluegrass music. His three-finge ...
developed into the "Scruggs" style picking was nationally aired in 1945 on the
Grand Ole Opry The ''Grand Ole Opry'' is a regular live country music, country-music Radio broadcasting, radio broadcast originating from Nashville, Tennessee, Nashville, Tennessee, on WSM (AM), WSM, held between two and five nights per week, depending on the ...
. In this style the instrument is played by plucking individual notes. Modern fingerstyle is usually played using fingerpicks, though early players and some modern players play either with nails or with a technique known as on the flesh. In this style the strings are played directly with the fingers, rather than any pick or intermediary. While five-string banjos are traditionally played with either fingerpicks or the fingers themselves, tenor banjos and plectrum banjos are played with a pick, either to strum full chords, or most commonly in
Irish traditional music Irish traditional music (also known as Irish trad, Irish folk music, and other variants) is a genre of folk music that developed in Ireland. In ''A History of Irish Music'' (1905), W. H. Grattan Flood wrote that, in Gaelic Ireland, there we ...
, play single-note melodies.


Modern forms

The modern banjo comes in a variety of forms, including four- and five-string versions. A six-string version, tuned and played similarly to a guitar, has gained popularity. In almost all of its forms, banjo playing is characterized by a fast arpeggiated plucking, though many different playing styles exist. The body, or "pot", of a modern banjo typically consists of a circular rim (generally made of wood, though metal was also common on older banjos) and a tensioned head, similar to a drum head. Traditionally, the head was made from animal skin, but today is often made of various synthetic materials. Most modern banjos also have a metal "tone ring" assembly that helps further clarify and project the sound, but many older banjos do not include a tone ring. The banjo is usually tuned with friction
tuning peg A variety of methods are used to tune different stringed instruments. Most change the pitch produced when the string is played by adjusting the tension of the strings. A tuning peg in a pegbox is perhaps the most common system. A peg has ...
s or
planetary gear An epicyclic gear train (also known as a planetary gearset) is a Reduction drive, gear reduction assembly consisting of two gears mounted so that the center of one gear (the "planet") revolves around the center of the other (the "sun"). A carri ...
tuners, rather than the
worm gear A worm drive is a gear train, gear arrangement in which a worm (which is a gear in the form of a Screw thread, screw) meshes with a worm wheel (which is similar in appearance to a spur gear). Its main purpose is to translate the motion of two p ...
machine head A machine head (also referred to as a tuning machine, tuner, or gear head) is a geared apparatus for tuning stringed musical instruments by adjusting string tension. Machine heads are used on mandolins, guitars, double basses, and others, and ...
used on guitars. Frets have become standard since the late 19th century, though fretless banjos are still manufactured and played by those wishing to execute
glissando In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a wikt:glide, glide from one pitch (music), pitch to another (). It is an Italianized Musical terminology, musical term derived from the French ''glisser'', "to glide". In ...
, play quarter tones, or otherwise achieve the sound and feeling of early playing styles. Modern banjos are typically strung with metal strings. Usually, the fourth string is
wound A wound is any disruption of or damage to living tissue, such as skin, mucous membranes, or organs. Wounds can either be the sudden result of direct trauma (mechanical, thermal, chemical), or can develop slowly over time due to underlying diseas ...
with either steel or bronze-phosphor alloy. Some players may string their banjos with nylon or gut strings to achieve a more mellow, old-time tone. Some banjos have a separate resonator plate on the back of the pot to project the sound forward and give the instrument more volume. This type of banjo is usually used in bluegrass music, though resonator banjos are played by players of all styles, and are also used in old-time, sometimes as a substitute for electric amplification when playing in large venues. Open-back banjos generally have a mellower tone and weigh less than resonator banjos. They usually have a different setup than a resonator banjo, often with a higher string action.


Five-string banjo

The modern five-string banjo is a variation on Sweeney's original design. The fifth string is usually the same gauge as the first, but starts from the fifth fret, three-quarters the length of the other strings. This lets the string be tuned to a higher open pitch than possible for the full-length strings. Because of the short fifth string, the five-string banjo uses a reentrant tuning – the string pitches do not proceed lowest to highest across the fingerboard. Instead, the fourth string is lowest, then third, second, first, and the fifth string is highest. The short fifth string presents special problems for a capo. For small changes (going up or down one or two semitones, for example), simply retuning the fifth string is possible. Otherwise, various devices called "fifth-string capos" effectively shorten the vibrating part of the string. Many banjo players use model-railroad spikes or titanium spikes (usually installed at the seventh fret and sometimes at others), under which they hook the string to press it down on the
fret A fret is any of the thin strips of material, usually metal wire, inserted laterally at specific positions along the neck or fretboard of a stringed instrument. Frets usually extend across the full width of the neck. On some historical inst ...
. Five-string banjo players use many tunings. (Tunings are given in left-to-right order, as viewed from the front of the instrument with the neck pointing up for a right-handed instrument. Left handed instruments reverse the order of the strings.) Probably the most common, particularly in bluegrass, is the Open-G tuning G4 D3 G3 B3 D4. In earlier times, the tuning G4 C3 G3 B3 D4 was commonly used instead, and this is still the preferred tuning for some types of folk music and for classic banjo. Other tunings found in old-time music include double C (G4 C3 G3 C4 D4), "sawmill" (G4 D3 G3 C4 D4) also called "mountain modal" and open D (F#4 D3 F#3 A3 D4). These tunings are often taken up a tone, either by tuning up or using a capo. For example, "double-D" tuning (A4 D3 A3 D4 E4) – commonly reached by tuning up from double C – is often played to accompany fiddle tunes in the key of D, and Open-A (A4 E3 A3 C#4 E4) is usually used for playing tunes in the key of A. Dozens of other banjo tunings are used, mostly in old-time music. These tunings are used to make playing specific tunes easier, usually fiddle tunes or groups of fiddle tunes. The size of the five-string banjo is largely standardized, with a scale length of , but smaller and larger sizes exist, including the long-neck or "Seeger neck" variation designed by
Pete Seeger Peter Seeger (May 3, 1919 – January 27, 2014) was an American singer, songwriter, musician, and social activist. He was a fixture on nationwide radio in the 1940s and had a string of hit records in the early 1950s as a member of The Weav ...
. Petite variations on the five-string banjo have been available since the 1890s. S.S. Stewart introduced the banjeaurine, tuned one fourth above a standard five-string. Piccolo banjos are smaller, and tuned one octave above a standard banjo. Between these sizes and standard lies the A-scale banjo, which is two frets shorter and usually tuned one full step above standard tunings. Many makers have produced banjos of other scale lengths, and with various innovations. American
old-time music Old-time music is a genre of North American folk music. It developed along with various North American folk dances, such as square dancing, contra dance, clogging, and buck dancing. It is played on acoustic instruments, generally centering ...
typically uses the five-string, open-back banjo. It is played in a number of different styles, the most common being
clawhammer Clawhammer, sometimes called down-picking, overhand, or most commonly known as frailing, is a distinctive banjo playing style and a common component of American old-time music. The style likely descends from that of West African lutes, suc ...
or frailing, characterized by the use of a downward rather than upward stroke when striking the strings with a fingernail. Frailing techniques use the thumb to catch the fifth string for a drone after most strums or after each stroke ("double thumbing"), or to pick out additional melody notes in what is known as drop-thumb. Pete Seeger popularized a
folk Folk or Folks may refer to: Sociology *Nation *People * Folklore ** Folk art ** Folk dance ** Folk hero ** Folk horror ** Folk music *** Folk metal *** Folk punk *** Folk rock ** Folk religion * Folk taxonomy Arts, entertainment, and media * Fo ...
style by combining clawhammer with up picking, usually without the use of
fingerpick A fingerpick is a type of plectrum used most commonly for playing Lap steel guitar and bluegrass style banjo music. Hawaiian steel guitar players invented them to gain a more substantial sound from their instruments. The National Finger Pick ...
s. Another common style of old-time banjo playing is fingerpicking banjo or classic banjo. This style is based upon
parlor-style guitar Parlor or parlour guitar usually refers to a type of acoustic guitar smaller than a Size No.0 Concert Guitar by C. F. Martin & Company. ''Mottola's Cyclopedic Dictionary of Lutherie Terms'' describes the term as referring to "any guitar that is n ...
.Trischka, Tony (1992). ''Banjo Songbook'', p.20. . Bluegrass music, which uses the five-string resonator banjo almost exclusively, is played in several common styles. These include Scruggs style, named after Earl Scruggs; melodic, or Keith style, named for Bill Keith; and three-finger style with single-string work, also called Reno style after
Don Reno Donald Wesley Reno (February 21, 1926Trischka, Tony, "Don Reno", ''Banjo Song Book'', Oak Publications, 1977, – October 16, 1984) was an American bluegrass and country musician, best known as a pioneering banjo and guitar player who pa ...
. In these styles, the emphasis is on arpeggiated figures played in a continuous eighth-note rhythm, known as
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. All of these styles are typically played with fingerpicks. The first five-string, electric, solid-body banjo was developed by Charles Wilburn (Buck) Trent, Harold "Shot" Jackson, and David Jackson in 1960. The five-string banjo has been used in classical music since before the turn of the 20th century. Contemporary and modern works have been written or arranged for the instrument by Don Vappie,
Jerry Garcia Jerome John Garcia (August 1, 1942 – August 9, 1995) was an American musician who was the lead guitarist and a vocalist with the rock band Grateful Dead, which he co-founded and which came to prominence during the counterculture of the 196 ...
, Buck Trent,
Béla Fleck Béla Anton Leoš Fleck (born July 10, 1958) is an American banjo player. An acclaimed virtuoso, he is an innovative and technically proficient pioneer and ambassador of the banjo, playing music from bluegrass, jazz, classical, rock and various ...
,
Tony Trischka Anthony Cattell Trischka (born January 16, 1949) is an American five-string banjo player. Sandra Brennan wrote of him in 2020: "One of the most influential modern banjoists, both in several forms of bluegrass music and occasionally in jazz and ...
,
Ralph Stanley Ralph Edmund Stanley (February 25, 1927 – June 23, 2016) was an American bluegrass artist, known for his distinctive singing and banjo playing. He began playing music in 1946, originally with his older brother Carter Stanley as part of The ...
, George Gibson,
Steve Martin Stephen Glenn Martin (born August 14, 1945) is an American comedian, actor, writer, producer, and musician. Known for Steve Martin filmography, his work in comedy films, television, and #Discography, recording, he has received List of awards a ...
, Clifton Hicks,
George Crumb George Henry Crumb Jr. (24 October 1929 – 6 February 2022) was an American composer of avant-garde contemporary classical music. Early in his life he rejected the widespread modernist usage of serialism, developing a highly personal musical ...
,
Tim Lake Timothy W. Lake (born December 27, 1959) is a television news anchor and historical narrative nonfiction author, currently at WTEN in Albany, New York. He was formerly the solo anchor of WCAU's NBC 10 News at 6 p.m. and co-anchor of NBC 10 ...
,
Modest Mouse Modest Mouse is an American rock music, rock band formed in 1993 in Issaquah, Washington, and currently based in Portland, Oregon. The founding members were lead singer/guitarist Isaac Brock (musician), Isaac Brock, drummer Jeremiah Green and ba ...
,
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,
Paul Elwood Paul Iserman Elwood (born 1958) was a composer and banjo player from Greeley, Colorado. He received his B.M.E. at Wichita State University and his M.M. in composition from Southern Methodist University and his Ph.D. in Composition from the St ...
,
Hans Werner Henze Hans Werner Henze (1 July 1926 – 27 October 2012) was a German composer. His large List of compositions by Hans Werner Henze, oeuvre is extremely varied in style, having been influenced by serialism, atonality, Igor Stravinsky, Stravinsky, Mu ...
(notably in his ''Sixth Symphony''), Daniel Mason,
Beck Beck David Hansen (born Bek David Campbell; July 8, 1970), known mononymously as Beck, is an American musician, singer, songwriter, and record producer. He rose to fame in the early 1990s with his Experimental music, experimental and Lo-fi mus ...
,
the Water Tower Bucket Boys Water Tower, formerly known as The Water Tower Bucket Boys and Water Tower String Band, is an American Bluegrass music, bluegrass, Old-time music, old time, and Punk rock, punk band from Los Angeles, Los Angeles, California. The band was origin ...
, Todd Taylor, J.P. Pickens, Peggy Honeywell, Norfolk & Western, Putnam Smith, Iron & Wine,
The Avett Brothers The Avett Brothers are an American folk rock band from Concord, North Carolina. The band is made up of two brothers, Scott Avett (banjo, lead vocals, guitar, piano, kick-drum) and Seth Avett (guitar, lead vocals, piano, hi-hat) along with Bob Cr ...
, The Well Pennies, Punch Brothers, Julian Koster,
Sufjan Stevens Sufjan Stevens ( ; born July 1, 1975) is an American singer, songwriter, and multi-instrumentalist. He has released ten solo studio albums and multiple collaborative albums with other artists. Stevens has received Grammy and Academy Award nomina ...
, and Sarah Jarosz.
George Gershwin George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned jazz, popular music, popular and classical music. Among his best-known works are the songs "Swan ...
includes a banjo in his opera ''
Porgy and Bess ''Porgy and Bess'' ( ) is an English-language opera by American composer George Gershwin, with a libretto written by author DuBose Heyward and lyricist Ira Gershwin. It was adapted from Dorothy Heyward and DuBose Heyward's play ''Porgy (play), ...
''
Frederick Delius file:Fritz Delius (1907).jpg, Delius, photographed in 1907 Frederick Theodore Albert Delius (born Fritz Theodor Albert Delius; ; 29 January 1862 – 10 June 1934) was an English composer. Born in Bradford in the north of England to a prospero ...
wrote for a banjo in his opera '' Koanga''.
Ernst Krenek Ernst Heinrich Krenek (, 23 August 1900 – 22 December 1991) was an Austrian, later American, composer. He explored atonality and other modern styles and wrote a number of books, including ''Music Here and Now'' (1939), a study of Johannes Ock ...
includes two banjos in his ''Kleine Symphonie'' (''Little Symphony'').
Kurt Weill Kurt Julian Weill (; ; March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for hi ...
has a banjo in his opera '' The Rise and Fall of the City of Mahagonny''. Viktor Ullmann included a tenor banjo part in his ''Piano Concerto'' (op. 25).
Virgil Thomson Virgil Thomson (November 25, 1896 – September 30, 1989) was an American composer and critic. He was instrumental in the development of the "American Sound" in classical music. He has been described as a modernist, a neoromantic, a neoclassic ...
includes a banjo in his orchestral music to accompany the film '' The Plow That Broke the Plains'' (1936).


Four-string banjos

The four-string plectrum banjo is a standard banjo without the short drone string. It usually has 22 frets on the neck and a scale length of 26 to 28 inches, and was originally tuned C3 G3 B3 D4. It can also be tuned like the top four strings of a guitar, which is known as "Chicago tuning". As the name suggests, it is usually played with a guitar-style pick (that is, a single one held between thumb and forefinger), unlike the five-string banjo, which is either played with a
thumbpick A fingerpick is a type of plectrum used most commonly for playing Lap steel guitar and bluegrass style banjo music. Hawaiian steel guitar players invented them to gain a more substantial sound from their instruments. The National Finger Pick ...
and two fingerpicks, or with bare fingers. The plectrum banjo evolved out of the five-string banjo, to cater to styles of music involving strummed chords. The plectrum is also featured in many early jazz recordings and arrangements. Four-string banjos can be used for chordal accompaniment (as in early jazz), for single-string melody playing (as in Irish traditional music), in "chord melody" style (a succession of chords in which the highest notes carry the melody), in tremolo style (both on chords and single strings), and a mixed technique called duo style that combines single-string tremolo and rhythm chords. Four-string banjos are used from time to time in musical theater. Examples include: '' Hello, Dolly!'', ''
Mame MAME (formerly an acronym of Multiple Arcade Machine Emulator) is a free and open-source emulator designed to emulate the hardware of arcade games, video game consoles, old computers and other systems in software on modern personal computers and ...
'', ''
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'', ''
Cabaret Cabaret is a form of theatrical entertainment featuring music song, dance, recitation, or drama. The performance venue might be a pub, casino, hotel, restaurant, or nightclub with a stage for performances. The audience, often dining or drinking, ...
'', ''
Oklahoma! ''Oklahoma!'' is the first musical theater, musical written by the duo of Rodgers and Hammerstein. The musical is based on Lynn Riggs's 1931 play, ''Green Grow the Lilacs (play), Green Grow the Lilacs''. Set in farm country outside the town of ...
'', '' Half a Sixpence'', '' Annie'', '' Barnum'', ''
The Threepenny Opera ''The Threepenny Opera'' ( ) is a 1928 German "play with music" by Bertolt Brecht, adapted from a translation by Elisabeth Hauptmann of John Gay's 18th-century English ballad opera, '' The Beggar's Opera'', and four ballads by François V ...
'', '' Monty Python's Spamalot'', and countless others.
Joe Raposo Joseph Guilherme Raposo, OIH (February 8, 1937 – February 5, 1989) was an American composer and songwriter. He is best known for his work on the children's television series ''Sesame Street'', for which he wrote the theme song, and several no ...
had used it variably in the imaginative seven-piece orchestration for the long-running TV show ''
Sesame Street ''Sesame Street'' is an American educational television, educational children's television series that combines live-action, sketch comedy, animation, and puppetry. It is produced by Sesame Workshop (known as the Children's Television Worksh ...
'', and has sometimes had it overdubbed with itself or an electric guitar. The banjo is still (albeit rarely) in use in the show's arrangement currently.


Tenor banjo

The shorter-necked, tenor banjo, with 17 ("short scale") or 19 frets, is also typically played with a plectrum. It became a popular instrument after about 1910. Early models used for melodic picking typically had 17 frets on the neck and a scale length of 19 to 21 inches. By the mid-1920s, when the instrument was used primarily for strummed chordal accompaniment, 19-fret necks with a scale length of 21 to 23 inches became standard. The usual tuning is the all-fifths tuning C3 G3 D4 A4, in which exactly seven
semitone A semitone, also called a minor second, half step, or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically. It is defined as the interval between ...
s (a
perfect fifth In music theory, a perfect fifth is the Interval (music), musical interval corresponding to a pair of pitch (music), pitches with a frequency ratio of 3:2, or very nearly so. In classical music from Western culture, a fifth is the interval f ...
) occur between the open notes of consecutive
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s; this is identical to the tuning of a
viola The viola ( , () ) is a string instrument of the violin family, and is usually bowed when played. Violas are slightly larger than violins, and have a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the ...
. Other players (particularly in Irish traditional music) tune the banjo G2 D3 A3 E4 like an
octave mandolin The octave mandolin (US and Canada) or octave mandola (Ireland and UK) is a fretted string instrument with four pairs of strings tuned in fifths, G−D−A−E (low to high). It is larger than the mandola, but smaller than the mandocello and its ...
, which lets the banjoist duplicate fiddle and mandolin fingering. The popularization of this tuning is usually attributed to the late
Barney McKenna Bernard Noël "Banjo Barney" McKenna (16 December 1939 – 5 April 2012) was an Irish musician and a founding member of The Dubliners. He played the tenor banjo, violin, mandolin, and melodeon. He was most renowned as a banjo player. Biograp ...
, banjoist with
The Dubliners The Dubliners () were an Folk music of Ireland, Irish folk band founded in Dublin in 1962 as The Ronnie Drew Ballad Group, named after its founding member; they subsequently renamed themselves The Dubliners. The line-up saw many changes in pers ...
. The tenor banjo was a common rhythm instrument in early 20th-century dance bands. Its volume and timbre suited early jazz (and jazz-influenced popular music styles) and could both compete with other instruments (such as
brass instruments A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. The term ''labrosone'', from Latin elements meaning "lip" and "sound", ...
and saxophones) and be heard clearly on acoustic recordings.
George Gershwin George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned jazz, popular music, popular and classical music. Among his best-known works are the songs "Swan ...
's ''
Rhapsody in Blue ''Rhapsody in Blue'' is a 1924 musical composition for solo piano and jazz band by George Gershwin. Commissioned by bandleader Paul Whiteman, the work combines elements of classical music with jazz-influenced effects and premiered in a concer ...
'', in
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's original jazz-orchestra arrangement, includes tenor banjo, with widely spaced chords not easily playable on plectrum banjo in its conventional tunings. With development of the archtop and electric guitar, the tenor banjo largely disappeared from jazz and popular music, though keeping its place in traditional "Dixieland" jazz. Some 1920s Irish banjo players picked out the melodies of jigs, reels, and hornpipes on tenor banjos, decorating the tunes with snappy triplet ornaments. The most important Irish banjo player of this era was Mike Flanagan of the New York-based Flanagan Brothers, one of the most popular Irish-American groups of the day. Other pre-WWII Irish banjo players included Neil Nolan, who recorded with Dan Sullivan's Shamrock Band in Boston, and Jimmy McDade, who recorded with the Four Provinces Orchestra in Philadelphia. Meanwhile, in Ireland, the rise of ''ceili'' bands provided a new market for a loud instrument like the tenor banjo. Use of the tenor banjo in Irish music has increased greatly since the folk revival of the 1960s.


Six-string banjos

The six-string banjo began as a British innovation by William Temlett, one of England's earliest banjo makers. He opened a shop in London in 1846, and sold seven-string banjos which he marketed as "zither" banjos from his 1869 patent. A zither banjo usually has a closed back and sides with the drum body and skin tensioning system suspended inside the wooden rim, the neck and string tailpiece mounted on the outside of the rim, and the drone string led through a tube in the neck so that the tuning peg can be mounted on the head. They were often made by builders who used guitar tuners that came in banks of three, so five-stringed instruments had a redundant tuner; these banjos could be somewhat easily converted over to a six-string banjo. American Alfred Davis Cammeyer (1862–1949), a young violinist turned concert banjo player, devised the six-string zither banjo around 1880. British opera diva
Adelina Patti Adelina Patti (19 February 184327 September 1919) was a Spanish-Italian opera singer. At the height of her career, she was earning huge fees performing in the music capitals of Europe and America. She first sang in public as a child in 1851, a ...
advised Cammeyer that the zither banjo might be popular with English audiences as it had been invented there, and Cammeyer went to London in 1888. With his virtuoso playing, he helped show that banjos could make more sophisticated music than normally played by
blackface Blackface is the practice of performers using burned cork, shoe polish, or theatrical makeup to portray a caricature of black people on stage or in entertainment. Scholarship on the origins or definition of blackface vary with some taking a glo ...
minstrels. He was soon performing for London society, where he met Sir
Arthur Sullivan Sir Arthur Seymour Sullivan (13 May 1842 – 22 November 1900) was an English composer. He is best known for 14 comic opera, operatic Gilbert and Sullivan, collaborations with the dramatist W. S. Gilbert, including ''H.M.S. Pinaf ...
, who recommended that Cammeyer progress from arranging the music of others for banjo to composing his own music. Modern six-string bluegrass banjos have been made. These add a bass string between the lowest string and the drone string on a five-string banjo, and are usually tuned G4 G2 D3 G3 B3 D4. Sonny Osborne played one of these instruments for several years. It was modified by luthier Rual Yarbrough from a Vega five-string model. A picture of Sonny with this banjo appears in Pete Wernick's ''Bluegrass Banjo'' method book. Six-string banjos known as
banjo guitar Banjo guitar, also known as banjitar or ganjo, is a six-string banjo tuned in the standard tuning of a six-string guitar (E2-A2-D3-G3-B3-E4 from lowest to highest strings). The instrument is intended to allow guitar players to emulate a banjo, wi ...
s basically consist of a six-string guitar neck attached to a bluegrass or plectrum banjo body, which allows players who have learned the guitar to play a banjo sound without having to relearn fingerings. This was the instrument of the early jazz great
Johnny St. Cyr Johnny St. Cyr () (April 17, 1890 – June 17, 1966) was an American jazz Banjo#Six-string banjos, banjoist and guitarist. He was one of the original pioneers of jazz music, playing banjo and guitar in the bands of Louis Armstrong, King Oliver, J ...
, jazzmen
Django Reinhardt Jean Reinhardt (23 January 1910 – 16 May 1953), known by his Romani people, Romani nickname Django ( or ), was a Belgium, Belgian-born Romani jazz guitarist and composer in France. He was one of the first major jazz talents to emerge in Europe ...
,
Danny Barker Daniel Moses Barker (January 13, 1909 – March 13, 1994) was an American jazz musician, vocalist, and author from New Orleans. He was a rhythm guitarist for Cab Calloway, Lucky Millinder and Benny Carter during the 1930s. One of Barker's earli ...
,
Papa Charlie Jackson William Henry "Papa Charlie" Jackson (November 10, 1887 – May 7, 1938) was an early African American bluesman and songster who accompanied himself with a banjo guitar, a guitar, or a ukulele. His recording career began in 1924. Much of his l ...
and
Clancy Hayes Clarence Leonard Hayes (November 14, 1908 – March 13, 1972) was an American jazz vocalist and banjo player. His regular banjo was a six string one, which is tuned as a guitar. Early life Hayes was born in Caney, Kansas, on November 14, 1908. As ...
, as well as the blues and gospel singer
Reverend Gary Davis Gary D. Davis (April 30, 1896 – May 5, 1972), known as Reverend Gary Davis and Blind Gary Davis, was a blues and gospel singer who was also proficient on the banjo, guitar and harmonica. Born in Laurens, South Carolina and blind since infanc ...
. Today, musicians as diverse as
Keith Urban Keith Lionel Urban ( né Urbahn; 26 October 1967) is an Australian and American country singer, songwriter and guitarist. Recognised with four Grammy Awards, he has also received 15 Academy of Country Music Awards, including the Jim Reeves Int ...
,
Rod Stewart Sir Roderick David Stewart (born 10 January 1945) is a British singer and songwriter. Known for his distinctive raspy singing voice, Stewart is among the List of best-selling music artists, best-selling music artists of all time, having sold ...
,
Taj Mahal The Taj Mahal ( ; ; ) is an ivory-white marble mausoleum on the right bank of the river Yamuna in Agra, Uttar Pradesh, India. It was commissioned in 1631 by the fifth Mughal Empire, Mughal emperor, Shah Jahan () to house the tomb of his belo ...
,
Joe Satriani Joseph Satriani (born July 15, 1956)Prato, Greg"Joe Satriani – Music Biography, Credits and Discography". ''AllMusic''. Rovi Corporation. Retrieved May 28, 2014. is an American rock music, rock guitarist, composer, and songwriter. Early in hi ...
, David Hidalgo, Larry Lalonde and
Doc Watson Arthel Lane "Doc" Watson (March 3, 1923 – May 29, 2012) was an American guitarist, songwriter, and singer of bluegrass, folk, country, blues, and gospel music. He won seven Grammy awards as well as a Grammy Lifetime Achievement Award. His ...
play the six-string guitar banjo. They have become increasingly popular since the mid-1990s.


Other banjos


Low banjos

In the late 19th and early 20th centuries, in vogue in plucked-string instrument ensembles – guitar orchestras,
mandolin orchestra A mandolin orchestra is an orchestra consisting primarily of instruments from the mandolin family of instruments, such as the mandolin, mandola, mandocello and mandobass or mandolone. Some mandolin orchestras use guitars and double-basses instea ...
s, banjo orchestras – was when the instrumentation was made to parallel that of the string section in symphony orchestras. Thus, "violin, viola, 'cello, bass" became "mandolin, mandola, mandocello, mandobass", or in the case of banjos, "banjolin, banjola, banjo cello, bass banjo". Because the range of pluck-stringed instrument generally is not as great as that of comparably sized bowed-string instruments, other instruments were often added to these plucked orchestras to extend the range of the ensemble upwards and downwards. The banjo cello was normally tuned C2-G2-D3-A3, one octave below the tenor banjo like the cello and mandocello. A five-string cello banjo, set up like a bluegrass banjo (with the short fifth string), but tuned one octave lower, has been produced by the Goldtone company. Bass banjos have been produced in both upright bass formats and with standard, horizontally carried banjo bodies. Contrabass banjos with either three or four strings have also been made; some of these had headstocks similar to those of bass violins. Tuning varies on these large instruments, with four-string models sometimes being tuned in 4ths like a bass violin (E1-A1-D2-G2) and sometimes in 5ths, like a four-string cello banjo, one octave lower (C1-G1-D2-A2).


Long neck banjos

Also called Seeger banjos for having been invented by
Pete Seeger Peter Seeger (May 3, 1919 – January 27, 2014) was an American singer, songwriter, musician, and social activist. He was a fixture on nationwide radio in the 1940s and had a string of hit records in the early 1950s as a member of The Weav ...
, these banjos feature three extra frets, giving the instrument a longer neck and greater playing versatility. With three extra frets, these banjos can be played one-and-a-half steps lower than a regular banjo, which some players find advantageous for singing or playing along. They are almost always open-backed. Notably, the drone strings on Seeger banjos are not pushed three frets back, so the tuning peg for the 5th string is in line with the 8th fret instead of the 5th fret.


Banjo hybrids and variants

A number of hybrid instruments exist, crossing the banjo with other stringed instruments. Most of these use the body of a banjo, often with a resonator, and the neck of the other instrument. Examples include the banjo mandolin (first patented in 1882) and the banjo ukulele, most famously played by the English comedian
George Formby George Formby, (born George Hoy Booth; 26 May 1904 – 6 March 1961), was an English actor, singer-songwriter and comedian who became known to a worldwide audience through his films of the 1930s and 1940s. On stage, screen and record he ...
. These were especially popular in the early decades of the 20th century, and were probably a result of a desire either to allow players of other instruments to jump on the banjo bandwagon at the height of its popularity, or to get the natural amplification benefits of the banjo resonator in an age before electric amplification. Conversely, the tenor and plectrum guitars use the respective banjo necks on guitar bodies. They arose in the early 20th century as a way for banjo players to double on guitar without having to relearn the instrument entirely. Instruments that have a five-string banjo neck on a wooden body (for example, a guitar,
bouzouki The bouzouki (, also ; ; alt. pl. ''bouzoukia'', , from Greek , from Turkish ) is a musical instrument popular in West Asia (Syria, Iraq), Europe and Balkans (Greece, North Macedonia, Bulgaria, Turkey). It is a member of the long-necked lute fam ...
, or
dobro Dobro () is an American brand of resonator guitars owned by Gibson and manufactured by its subsidiary Epiphone. The term "dobro" is also used as a generic term for any wood-bodied, single-cone resonator guitar. The Dobro was originally a gui ...
body) have also been made, such as the banjola. A 20th-century Turkish instrument similar to the banjo is called the ''
cümbüş The ''cümbüş'' (; ) is a Turkish stringed instrument of relatively modern origin. It was developed in 1930 by Zeynel Abidin Cümbüş as an oud-like instrument that could be heard as part of a larger ensemble. The cümbüş is shaped like ...
'', which combines a banjo-like resonator with a neck derived from an oud. At the end of the 20th century, a development of the five-string banjo was the BanSitar. This features a bone bridge, giving the instrument a
sitar The sitar ( or ; ) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in the 18th century, and arrived at its present form in 19th-century India. Khusrau K ...
-like resonance. The Brazilian samba banjo is basically a
cavaquinho The cavaquinho (pronounced in Portuguese) is a small Portuguese string instrument in the European guitar family, with four wires or gut strings. A cavaquinho player is called a ''cavaquista''. Tuning A common tuning in Portugal is C G& ...
neck on a banjo body, thereby producing a louder sound than the cavaquinho. It is tuned the same as the top 4 strings of a 5-string banjo up an octave (or any cavaquinho tuning).


Noted banjoists

* Joel Sweeney (1810–1860), also known as Joe Sweeney, was a musician and early
blackface Blackface is the practice of performers using burned cork, shoe polish, or theatrical makeup to portray a caricature of black people on stage or in entertainment. Scholarship on the origins or definition of blackface vary with some taking a glo ...
minstrel A minstrel was an entertainer, initially in medieval Europe. The term originally described any type of entertainer such as a musician, juggler, acrobat, singer or fool; later, from the sixteenth century, it came to mean a specialist enter ...
performer. He is known for popularizing the playing of the banjo and has often been credited with advancing the physical development of the modern five-string banjo. * Vess Ossman (1868–1923) was a leading five-string banjoist who started playing banjo at age 12. He was a popular recording artist, and in fact one of the first recording artists ''ever'', when audio recording first became commercially available. He formed various recording groups, his most popular being the Ossman-Dudley trio.Gracyk, Tom (2000). ''Popular American Recording Pioneers: 1895–1925''; Routledge (Haworth Popular Culture series); p. 106ff. . * Clifford Essex (1869–1946), a British banjoist, who was also a musical instrument manufacturer * Uncle Dave Macon (1870–1952) was a banjo player and comedian from Tennessee known for his "plug hat, gold teeth, chin whiskers, gates ajar collar and that million dollar Tennessee smile". * Fred Van Eps (1878–1960) was a noted five-string player and banjo maker who learned to play from listening to cylinder recordings of Vess Ossman. He recorded for Edison's company, producing some of the earliest disk recordings, and also the earliest ragtime recordings in any medium other than player piano. * Frank Lawes (1894–1970), of the United Kingdom, developed a unique fingerstyle technique on the four-string plectrum instrument, and was a prolific composer of four-string banjo music, much of which is still performed and recorded today. * Pasquale Troise (1895-1957), Italian emigrant to the UK in the 1920s. Formed Troise and his Banjoliers in 1933, which recorded with
Decca Decca may refer to: Music * Decca Records or Decca Music Group, record label * Decca Gold, classical music record label owned by Universal Music Group * Decca Broadway, musical theater record label * Decca Studios, recording facility in West ...
and performed regularly on the BBC's long-running series Music While You Work. * Harry Reser (1896–1965), plectrum and tenor banjo, was regarded by some as the best tenor banjoist of the 1920s. He wrote a large number of works for tenor banjo, as well as instructional material including numerous banjo method books, over a dozen other instrumental method books (for guitar, ukulele, mandolin etc.), and was well known in the banjo community. Reser's accomplished single string and "chord melody" technique set a "high mark" that many subsequent tenor players still endeavor to attain. * Eddie Peabody (1902–1970) was a great proponent of the plectrum banjo who performed for nearly five decades (1920–1968) and left a considerable legacy of recordings. An early reviewer dubbed him "King of the Banjo", and his was a household name for decades. He went on to develop new instruments, produce records, and appear in movies. * Ola Belle Reed (1916–2002) was an American folk singer, songwriter and banjo player. *
Pete Seeger Peter Seeger (May 3, 1919 – January 27, 2014) was an American singer, songwriter, musician, and social activist. He was a fixture on nationwide radio in the 1940s and had a string of hit records in the early 1950s as a member of The Weav ...
(1919–2014), a singer-songwriter who performed solo as well as with folk group
the Weavers The Weavers were an American folk music quartet based in the Greenwich Village area of New York City originally consisting of Lee Hays, Pete Seeger, Ronnie Gilbert, and Fred Hellerman. Founded in 1948, the group sang traditional folk songs from ...
, included five-string banjo among his instruments. His 1948 method book ''How to Play the Five-String Banjo'' has been credited by thousands of banjoists, including prominent professionals, with sparking their interest in the instrument. He is also credited with inventing the long-neck banjo (also known as the "Seeger Banjo"), which adds three lower frets to the five-string banjo's neck, and tunes the four main strings down by a minor third, to facilitate playing in singing keys more comfortable for some folk guitarists. *
Earl Scruggs Earl Eugene Scruggs (January 6, 1924 – March 28, 2012) was an American musician noted for popularizing a three-finger banjo picking style, now called "Scruggs style", which is a defining characteristic of bluegrass music. His three-finge ...
(1924–2012), whose career ranged from the end of World War II into the 21st century, is widely regarded as the father of the bluegrass style of banjo playing.Willis, Barry R.; ''America's Music: Bluegrass : A History of Bluegrass Music in the Words of Its Pioneers''; Pine Valley Music, 1997. The three-finger style of playing he developed while playing with
Bill Monroe William Smith Monroe ( ; September 13, 1911 – September 9, 1996) was an American mandolinist, singer, and songwriter who created the bluegrass music genre. Because of this, he is often called the " Father of Bluegrass". The genre takes its n ...
's band is known by his name: ''
Scruggs Style Scruggs style is the most common style of playing the banjo in bluegrass music. It is a fingerpicking method, also known as three-finger style. It is named after Earl Scruggs, whose innovative approach and technical mastery of the instrument hav ...
''.Trischka, Tony, "Earl Scruggs", ''Banjo Song Book'', Oak Publications, 1977 *
Ralph Stanley Ralph Edmund Stanley (February 25, 1927 – June 23, 2016) was an American bluegrass artist, known for his distinctive singing and banjo playing. He began playing music in 1946, originally with his older brother Carter Stanley as part of The ...
(1927–2016) had a long career, both with his brother as the Stanley Brothers and with his band the Clinch Mountain Boys. He was awarded an honorary doctorate of music by
Lincoln Memorial University Lincoln Memorial University (LMU) is a private university in Harrogate, Tennessee and Knoxville, Tennessee. Its Harrogate main campus borders on Cumberland Gap National Historical Park. , it had 1,605 undergraduate and 4,200 graduate and profe ...
, is a member of the Bluegrass Hall of Fame and the
Grand Ole Opry The ''Grand Ole Opry'' is a regular live country music, country-music Radio broadcasting, radio broadcast originating from Nashville, Tennessee, Nashville, Tennessee, on WSM (AM), WSM, held between two and five nights per week, depending on the ...
. He won a
Grammy Award The Grammy Awards, stylized as GRAMMY, and often referred to as The Grammys, are awards presented by The Recording Academy of the United States to recognize outstanding achievements in music. They are regarded by many as the most prestigious ...
for Best Male Country Vocal Performance in the movie
O Brother, Where Art Thou? ''O Brother, Where Art Thou?'' is a 2000 satirical comedy-drama musical film written, produced, co-edited, and directed by Joel and Ethan Coen. It stars George Clooney, John Turturro, and Tim Blake Nelson, with Charles Durning, Michael Bad ...
. *
Roy Clark Roy Linwood Clark (April 15, 1933 – November 15, 2018) was an American singer, musician, and television presenter. He is best known for having hosted '' Hee Haw'', a nationally televised country variety show, from 1969 to 1997. Clark wa ...
(1933–2018) * John Hartford (1937–2001) * Sonny Osborne (1937-2021) * Ben Eldridge (1938-2024) *
Barney McKenna Bernard Noël "Banjo Barney" McKenna (16 December 1939 – 5 April 2012) was an Irish musician and a founding member of The Dubliners. He played the tenor banjo, violin, mandolin, and melodeon. He was most renowned as a banjo player. Biograp ...
(1939–2012) was an Irish musician and a founding member of The Dubliners. He played the tenor banjo, violin, mandolin, and melodeon. He was most renowned as a banjo player. Barney used GDAE tuning on a 19-fret tenor banjo, an octave below fiddle/mandolin and, according to musician Mick Moloney, was single-handedly responsible for making the GDAE-tuned tenor banjo the standard banjo in Irish music. Due to his skill level on the banjo, fans all around the world and other members of
The Dubliners The Dubliners () were an Folk music of Ireland, Irish folk band founded in Dublin in 1962 as The Ronnie Drew Ballad Group, named after its founding member; they subsequently renamed themselves The Dubliners. The line-up saw many changes in pers ...
nicknamed him "Banjo Barney". * Bill Keith (1939–2015) * Pete Wernick (b. 1946) *
Tony Trischka Anthony Cattell Trischka (born January 16, 1949) is an American five-string banjo player. Sandra Brennan wrote of him in 2020: "One of the most influential modern banjoists, both in several forms of bluegrass music and occasionally in jazz and ...
(b. 1949) *
Béla Fleck Béla Anton Leoš Fleck (born July 10, 1958) is an American banjo player. An acclaimed virtuoso, he is an innovative and technically proficient pioneer and ambassador of the banjo, playing music from bluegrass, jazz, classical, rock and various ...
(b. 1958) is widely acknowledged as one of the world's most innovative and technically proficient banjo players. His work spans many styles and genres, including jazz, bluegrass, classical, R&B, avant garde, and "world music", and he has produced a substantial discography and videography. He works extensively in both acoustic and electric media. Fleck has been nominated for Grammy Awards in more categories than any other artist, and has received 13 . * Noam Pikelny (b. 1981) is an American banjoist who plays eclectic styles including traditional bluegrass, classical, rock, and jazz music. He has won the Steve Martin Prize for Excellence in Banjo and Bluegrass in 2010. He has been nominated for eight Grammy Nominations and has been awarded one with his band, the Punch Brothers, in 2018. * Other important four-string performers were Mike Pingitore, who played tenor for the Paul Whiteman Orchestra through 1948, and
Roy Smeck Leroy George Alfred "Roy" Smeck (6 February 1900 – 5 April 1994) was an American musician. His skill on the banjo, guitar, and ukulele earned him the nickname "The Wizard of the Strings". Background Smeck was born in Reading, Pennsylvania. ...
, early radio and recording pioneer, author of many instructional books, and whose influential performances on many fretted instruments earned him the nickname "Wizard of the Strings", during his active years (1922–1950). Prominent tenor players of more recent vintage include Narvin Kimball (d. 2006) (left-handed banjoist of Preservation Hall Jazz Band fame). * Noted four-string players currently active include
ragtime Ragtime, also spelled rag-time or rag time, is a musical style that had its peak from the 1890s to 1910s. Its cardinal trait is its Syncopation, syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers ...
and
dixieland Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band ( ...
stylists Charlie Tagawa (1935–2017) and Bill Lowrey (b. 1963). Jazz guitarist
Howard Alden Howard Vincent Alden (born October 17, 1958) is an American jazz guitarist born in Newport Beach, California. Alden has recorded many albums for Concord Records, including four with seven-string guitar innovator George Van Eps. Early life Ho ...
(b. 1958) began his career on tenor banjo and still plays it at traditional jazz events.
Cynthia Sayer Cynthia Nan Sayer (born May 20, 1962) is an American jazz banjoist, singer and a founding member of Woody Allen's New Orleans Jazz Band. Career A native of Waltham, Massachusetts, Sayer spent her early childhood in Wayland, Massachusetts and t ...
(b. 1962) is regarded as one of the top jazz plectrum banjoists. Rock and country performer Winston Marshall (b. 1988) plays banjo (among other instruments) for the British
folk rock Folk rock is a fusion genre of rock music with heavy influences from pop, English and American folk music. It arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music re ...
group Mumford and Sons, a band that won the 2013
Grammy Award The Grammy Awards, stylized as GRAMMY, and often referred to as The Grammys, are awards presented by The Recording Academy of the United States to recognize outstanding achievements in music. They are regarded by many as the most prestigious ...
for "Best Album of the Year".


See also

*
Akonting The ''akonting'' (, or ''ekonting'' in French transliteration) is the folk lute of the Jola people, found in Senegal, Gambia, and Guinea-Bissau in West Africa. It is a string instrument with a skin-headed gourd body, two long melody strings, a ...
* Banjo (samba) * Banjo ukulele *
Benju A Benju, Benjo (Sindhi language, Sindhi, Balochi language, Balochi: بینجو) is a type of zither fitted with a Keyboard instrument, keyboard, commonly used in the Sindhi music and Balochi Music, Balochi music. The Benju holds a significan ...
* Bulbul tarang *
Cuatro (instrument) The cuatro is a family of Latin American string instruments played in Colombia, Puerto Rico, Venezuela and other Latin American countries. It is derived from the Spanish guitar. Although some have viola-like shapes, most cuatros resemble a smal ...
* Double-neck guitjo *
Sanshin The is a Ryukyu Islands, Ryukyuan musical instrument and precursor of the mainland Japanese (). Often likened to a banjo, it consists of a snakeskin-covered body, neck and three strings. Origins The sanshin is believed to have originated fro ...
* Stringed instrument tunings


References


Further reading


Banjo history

* Castelnero, Gordon and Russell, David L. ''Earl Scruggs: Banjo Icon.'' Rowman & Littlefield, 2017 * Conway, Cecelia (1995). ''African Banjo Echoes in Appalachia: A Study of Folk Traditions'', University of Tennessee Press. Paper: ; cloth: . A study of the influence of African Americans on banjo playing throughout U.S. history. * De Smaele G. (1983). "Banjo a cinq cordes". Brussels: Musée Instrumental (MIM), Brussels. D 1983-2170-1 * De Smaele G. (2015). "Banjo Attitudes." Paris: L'Harmattan, 2015. * De Smaele G. (2019). "A Five-String Banjo Sourcebook." Paris: L'Harmattan, 2019. * Dubois, Laurent (2016). ''The Banjo: America's African Instrument.'' Cambridge, MA: Harvard University Press, 2016. * Epstein, Dena (1977). ''Sinful Tunes and Spirituals: Black Folk Music to the Civil War''. University of Illinois Press, 2003. Winner of the Simkins Prize of the Southern Historical Association, 1979. Winner of the Chicago Folklore Prize. The anniversary edition of a classic study of black slave music in America. * Gaddy, Kristina (2022). ''Well of Souls: Uncovering the Banjo's Hidden History''. W. W. Norton & Company, 2022. . The author uncovers the banjo's key role in Black spirituality, ritual, and rebellion. * Gibson, George R. (2018). "Black Banjo, Fiddle and Dance in Kentucky and the Amalgamation of African American and Anglo-American Folk Music." ''Banjo Roots and Branches''(Winans, 2018). University of Illinois Press, 2018. Gibson's historiographic chapter uncovers much new information about black banjo and fiddle players, and dance, in Kentucky, and their influence on white musicians, from the 1780s. * Gura, Philip F. and James F. Bollman (1999). ''America's Instrument: The Banjo in the Nineteenth Century''. The University of North Carolina Press. . The definitive history of the banjo, focusing on the instrument's development in the 1800s. * Katonah Museum of Art (2003). ''The Birth of the Banjo''. Katonah Museum of Art, Katonah, New York. . * Linn, Karen (1994). ''That Half-Barbaric Twang: The Banjo in American Popular Culture''. University of Illinois Press. . Scholarly cultural history of the banjo, focusing on how its image has evolved over the years. * Tsumura, Akira (1984). ''Banjos: The Tsumura Collection''. Kodansha International Ltd. . An illustrated history of the banjo featuring the world's premier collection. * Webb, Robert Lloyd (1996). ''Ring the Banjar!''. 2nd edition. Centerstream Publishing. . A short history of the banjo, with pictures from an exhibition at the MIT Museum. * Winans, Robert (2018). ''Banjo Roots and Branches''. University of Illinois Press, 2018. The story of the banjo's journey from Africa to the western hemisphere blends music, history, and a union of cultures. In Banjo Roots and Branches, Robert B. Winans presents cutting-edge scholarship that covers the instrument's West African origins and its adaptations and circulation in the Caribbean and United States.


External links

*
The Banjo in Irish Traditional Music

200 banjo makers pre 2nd WW

BANJO ATTITUDES - Le banjo à cinq cordes : son histoire générale, sa documentation, Gérard De Smaele - livre, ebook, epub

19th Century Banjo Instruction Manuals

''To Hear Your Banjo Play''
1947 Alan Lomax film (16 minutes)
Fingerstyle Tenor Banjo

Banjo Newsletter

Banjo Hangout
* Dr Joan Dickerson, Sparky Rucker, and George Gibson with host Michael Johnathon explore the ''African-American History of the Banjo'' through conversation and music on show 350 of the
WoodSongs Old-Time Radio Hour The ''WoodSongs Old-Time Radio Hour'' is a radio program created, produced, and hosted by folk singer Michael Johnathon. Background WoodSongs Old-Time Radio Hour is a live audience celebration of grassroots artists and music. Old song are ve ...

Both audio and video are provided

"The Physics of Banjos – A Conversation with David Politzer"
, ''Ideas Roadshow'', 2016 * Banjo Physics 411 https://www.its.caltech.edu/~politzer/ {{Authority control String instruments Lute family instruments African-American music Bluegrass music Folk music instruments American musical instruments Celtic musical instruments Irish musical instruments Canadian musical instruments Australian musical instruments