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Biguine
Biguine ( , ; ) is a rhythmic dance and music style that originated from Saint-Pierre, Martinique in the 19th century. It fuses West African traditional music genres, such as Bélé, with 19th-century French ballroom dance steps. History Two main types of French antillean biguine can be identified based on the instrumentation in contemporary musical practice, called the ''drum biguine'' and the ''orchestrated biguine''. Each of these refers to characteristics of a specific origin. The drum biguine, or ''bidgin bèlè'' in Creole, comes from a series of bèlè dances performed since early colonial times by the slaves who inhabited the great sugar plantations. Musically, the bidgin bèlè can be distinguished from the orchestrated biguine in the following ways: its instrumentation (cylindrical single-membraned drum (bèlè) and the rhythm sticks ( tibwa); the call-and-response singing style; the soloist's improvisation, and the nasal voice quality. According to a study by Rosema ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biguine Vidé
Biguine ( , ; ) is a rhythmic dance and music style that originated from Saint-Pierre, Martinique in the 19th century. It fuses West African traditional music genres, such as Bélé, with 19th-century French ballroom dance steps. History Two main types of French antillean biguine can be identified based on the instrumentation in contemporary musical practice, called the ''drum biguine'' and the ''orchestrated biguine''. Each of these refers to characteristics of a specific origin. The drum biguine, or ''bidgin bèlè'' in Creole, comes from a series of bèlè dances performed since early colonial times by the slaves who inhabited the great sugar plantations. Musically, the bidgin bèlè can be distinguished from the orchestrated biguine in the following ways: its instrumentation (cylindrical single-membraned drum (bèlè) and the rhythm sticks ( tibwa); the call-and-response singing style; the soloist's improvisation, and the nasal voice quality. According to a study by Rosemai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wabap
Wabap (or simply Biguine Wabap) is a subgenre of biguine, a Caribbean music style. Etymology The name derives from the traditional refrain ''wiz-zap wabap'' sung by sugarcane cutters. History According to Al Lirvat, the term was coined by Nelly Lunflas, a revue leader at La Canne à Sucre. The first wabap recordings were made in 1952 by Al Lirvat and Robert Mavounzy. In 1954, a piece by Lirvat sung by Moune de Rivel was titled Biguine Wabap. Musical Characteristics Wabap incorporates into biguine a number of assonance Assonance is the repetition of identical or similar phonemes in words or syllables that occur close together, either in terms of their vowel phonemes (e.g., ''lean green meat'') or their consonant phonemes (e.g., ''Kip keeps capes ''). However, in ...s and dissonances, altered chords, and complex rhythms in five, six, and seven beats.Jacques Denis, in ''Vibrations'', reproduced on thFrémeaux & Associés website/ref> Banjo disappeared in Wabap and it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bélé
A bélé is a folk dance and music from Dominica, Grenada, Guadeloupe, Haiti, Martinique, Saint Lucia, and Trinidad and Tobago. It may be the oldest Creole dance of the creole French West Indian Islands, and it strongly reflects influences from African fertility dances. It is performed most commonly during full moon evenings, or sometimes during funeral wakes ( Antillean Creole: ''lavèyé''). In Tobago, it is thought to have been performed by women of the planter class at social events in the planters' great houses, and the dress and dance style copied by the enslaved people who worked in or around these house The term ''bélé'' also refers to a kind of drum used in some forms of music of Caribbean countries and islands like Dominica, Haiti, Martinique and Saint Lucia. History The bélé dance formed from a combination of traditional African dance styles and Caribbean influences due to the changed landscape, musical instruments, and tumultuous lifestyle. Orig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léona Gabriel
Léona Gabriel-Soïme (8 June 1891 - 11 August 1971) was a biguine singer from Martinique active in Paris during the interwar years. She married the military doctor Norbert Soïme in 1933. She was born at Rivière-Pilote. Daughter of a white creole she grew up in Martinique, going to secretarial school in Cayenne, Guyana at age 14, going on to work as a secretary for the Lesseps company during the building of the Panama Canal. After returning for a period to Martinique she moved to Paris in 1920. In France she began singing and recording with the orchestra of clarinettist Alexandre Stellio under the stage name of ''Mademoiselle Estrella''. Her career as a singer continued until the 1960s. She was the aunt of Henri Salvador and supplied him with his best known tune " Maladie d'amour".Nottingham French Studies 2001 - Volumes 40-42 - Page 84 This moment is figured in the final pages of Zonzon Tête Carrée, when Zonzon is alone in the bus station in Fort-de-France and hears a pie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zouk
Zouk is a musical movement and dance pioneered by the French Antillean band Kassav' in the early 1980s. It was originally characterized by a fast tempo (120–145 bpm), a percussion-driven rhythm, and a loud horn section. Musicians from Martinique and Guadeloupe eventually added MIDI instrumentation to their compas style, which developed into a genre called zouk-love. Zouk-love is effectively the French Lesser Antilles' compas,Popular Musics of the Non Western World. Peter Manuel, New York Oxford University Press, 1988, p74 and it gradually became indistinguishable from compas. Zouk béton The original fast carnival style of zouk, best represented by the band Kassav', became known as "zouk béton", "zouk chiré", or "zouk hard". Zouk béton is considered a synthesis of various French Antillean dance music styles of the 20th century, including kadans, konpa, and biguine. See also * Brazilian Zouk * Music of Latin America * Music of Martinique * Music of Guadeloupe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banjo
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and in modern forms is usually made of plastic, where early membranes were made of animal skin. Early forms of the instrument were fashioned by African Americans and had African antecedents. In the 19th century, interest in the instrument was spread across the United States and United Kingdom by traveling shows of the 19th-century minstrel show fad, followed by mass production and mail-order sales, including instructional books. The inexpensive or home-made banjo remained part of rural folk culture, but five-string and four-string banjos also became popular for home parlor music entertainment, college music clubs, and early 20th century jazz bands. By the early 20th century, the banjo was most frequently associated with folk, cowboy music, and country music. By mid-century it had come to be strongly associated with bluegrass. Eventu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beguine (dance)
The beguine ( ) is a dance and music form, similar to a slow rhumba. It was popular in the 1930s, coming from the islands of Guadeloupe and Martinique, where, in the local Antillean Creole language, ''beke'' or ''begue'' means a White people, White man while ''beguine'' is the Grammatical gender, female form. It is a combination of Latin dance, Latin folk dance and French ballroom dance, and is a spirited yet slow, close dance with a roll of the hips, a movement inherited from rhumba. After Cole Porter wrote the song "Begin the Beguine", the dance became more widely known beyond the Caribbean. The song was introduced in Porter's ''Jubilee (musical), Jubilee'' musical (1935). In 1984, Italian pop music duo Al Bano and Romina Power released the song "Al ritmo di beguine (Ti amo)" from their album ''Effetto amore''. See also *Biguine References Ballroom dance Latin dances {{Dance-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polka
Polka is a dance style and genre of dance music in originating in nineteenth-century Bohemia, now part of the Czech Republic. Though generally associated with Czech and Central European culture, polka is popular throughout Europe and the Americas. History Etymology The term ''polka'' referring to the dance is believed to derive from the Czech words "půlka", meaning "half-step". Czech cultural historian Čeněk Zíbrt attributes the term to the Czech word ''půlka'' (half), referring to both the half-tempo and the half-jump step of the dance.Čeněk Zíbrt, "Jak se kdy v Čechách tancovalo: dějiny tance v Čechách, na Moravě, ve Slezsku a na Slovensku z věků nejstarších až do nové doby se zvláštním zřetelem k dějinám tance vůbec", Prague, 189(Google eBook)/ref> This name has been changed to "Polka" as an expression of honour and sympathy for Poland and the Poles after the November Uprising 1830-1831. "Polka" meaning, in both the Czech and Poli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guadeloupe
Guadeloupe is an Overseas departments and regions of France, overseas department and region of France in the Caribbean. It consists of six inhabited islands—Basse-Terre Island, Basse-Terre, Grande-Terre, Guadeloupe, Grande-Terre, Marie-Galante, La Désirade, and two Îles des Saintes—as well as many uninhabited islands and outcroppings. It is south of Antigua and Barbuda and Montserrat and north of Dominica. The capital city is Basse-Terre, on the southern west coast of Basse-Terre Island; the most populous city is Les Abymes and the main centre of business is neighbouring Pointe-à-Pitre, both on Grande-Terre Island. It had a population of 395,726 in 2024. Like the other overseas departments, it is an integral part of France. As a constituent territory of the European Union and the eurozone, the euro is its official currency and any European Union citizen is free to settle and work there indefinitely, but is not part of the Schengen Area. It included Saint Barthélemy and C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calypso Music
Calypso is a style of Caribbean music that originated in Trinidad and Tobago from Afro-Trinidadians during the early- to mid-19th century and spread to the rest of the Caribbean Antilles by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century. It is characterized by highly rhythmic and harmonic vocals, and was historically most often sung in a French creole and led by a griot. As calypso developed, the role of the griot became known as a '' chantuelle'' and eventually, ''calypsonian''. As English replaced "patois" ( Antillean) as the dominant language, calypso migrated into English, and in so doing it attracted more attention from the government. It allowed the masses to challenge the actions of the unelected Governor and Legislative Council, and the elected town councils of Port of Spain and San Fernando. Calypso continued to play an important role in po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
