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Minstrel Show
The minstrel show, also called minstrelsy, was an American form of theater developed in the early 19th century. The shows were performed by mostly white actors wearing blackface makeup for the purpose of portraying racial stereotypes of African Americans. There were very few African-American performers and black-only minstrel groups that also formed and toured. Minstrel shows stereotyped blacks as dimwitted, lazy, buffoonish, cowardly, superstitious, and happy-go-lucky.The Coon Character , Jim Crow Museum of Racist Memorabilia, Ferris State University. Retrieved 29 January 2016.John Kenrick , musicals101.com. 1996, revised 2003. Retrieved 9 November 2011. A recurring character was Jim Crow, an exaggerated portray ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stereotypes Of African Americans
Stereotypes of African Americans are misleading beliefs about the African-American culture, culture of people with partial or total ancestry from any Black people, black racial groups of Africa whose ancestors resided in the United States since before 1865. These stereotypes are largely connected to the Racism against African Americans, racism and the Racial discrimination, discrimination faced by African Americans. These beliefs date back to the Slavery in the colonial history of the United States, slavery of black people during the Colonial history of the United States, colonial era and they have evolved within Culture of the United States, American society over time. The first significant display of stereotypes of African Americans was in the form of minstrel shows. Minstrel shows boomed at the beginning in the nineteenth century; these shows were theatrical plays that used White people, white actors who performed in blackface and wore torn attire to portray African-Americ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virginia Minstrels, 1843
Virginia, officially the Commonwealth of Virginia, is a state in the Southeastern and Mid-Atlantic regions of the United States between the Atlantic Coast and the Appalachian Mountains. The state's capital is Richmond and its most populous city is Virginia Beach. Its most populous subdivision is Fairfax County, part of Northern Virginia, where slightly over a third of Virginia's population of more than 8.8million live. Eastern Virginia is part of the Atlantic Plain, and the Middle Peninsula forms the mouth of the Chesapeake Bay. Central Virginia lies predominantly in the Piedmont, the foothill region of the Blue Ridge Mountains, which cross the western and southwestern parts of the state. The fertile Shenandoah Valley fosters the state's most productive agricultural counties, while the economy in Northern Virginia is driven by technology companies and U.S. federal government agencies. Hampton Roads is also the site of the region's main seaport and Naval Station Nor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wild West Shows
Wild West shows were traveling vaudeville performances in the United States and Europe that existed around 1870–1920. The shows began as theatrical stage productions and evolved into open-air shows that depicted romanticized stereotypes of cowboys, Plains Indians, army scouts, outlaws, and wild animals that existed in the American West. While some of the storylines and characters were based on historical events, others were fictional or sensationalized. American Indians in particular were portrayed in a sensationalistic and exploitative manner. The shows introduced many western performers and personalities, and romanticized the American frontier, to a wide audience. History In the 19th century, following the American Civil War, stories and inexpensive dime novels depicting the American West and frontier life were becoming common. In 1869, author Ned Buntline wrote a novel about the buffalo hunter, U.S. Army scout, and guide William F. Buffalo Bill Cody called ''Buffalo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jump Jim Crow
"Jump Jim Crow", often shortened to just "Jim Crow", is a song and dance from 1828 that was done in blackface by white minstrel performer Thomas Dartmouth (T. D.) "Daddy" Rice. The song is speculated to have been taken from Jim Crow (sometimes called Jim Cuff or Uncle Joe), a physically disabled enslaved African-American, who is variously claimed to have lived in St. Louis, Cincinnati, or Pittsburgh. The song became a 19th-century hit and Rice performed it all over the United States as "Daddy Pops Jim Crow". "Jump Jim Crow" was a key initial step in a tradition of popular music in the United States that was based on the racist "imitation" of black people. The first song sheet edition appeared in the early 1830s, published by E. Riley. A couple of decades saw the mockery genre explode in popularity with the rise of the minstrel show. " Abolitionists on both sides of the Atlantic seized upon this new format, including burnt-cork blackface, to promote the end of slavery." As orig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas D
Die Fantastischen Vier (, "The Fantastic Four"), often shortened to Fanta 4, is a German hip hop band from Stuttgart. The members are Smudo, Michael Schmidt (Smudo), Andreas Rieke, Thomas Dürr, and Michi Beck. They were, together with Advanced Chemistry, one of the earliest German-language rap groups.Brown, Timothy S. "'Keeping it Real' in a Different 'Hood: (African-) Americanization and Hip-hop in Germany." In The Vinyl Ain't Final: Hip Hop and the Globalization of Black Popular Culture, ed. by Dipannita Basu and Sidney J. Lemelle, 137–50. London History In the mid-1980s, Rieke and Schmidt formed the ''Terminal Team'', which Dürr and Beck joined in 1989. Under the new name ''Die Fantastischen Vier'' they made German hip hop, or ''Deutschen Sprechgesang'' ''(German spoken song)'' as they called it, popular in Germany. Although there were German hip-hop artists prior to them (such as Advanced Chemistry from Heidelberg), it was Die Fantastischen Vier who registered the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constance Rourke
Constance Mayfield Rourke (November 14, 1885 – March 29, 1941) was an American author and educator known for shaping the fields of American studies, American literature, and American folklore. Biography Rourke was born in Cleveland, Ohio, to Constance Davis Rourke (née Elizabeth Davis) and Henry Button Rourke. Her father died in 1888; her mother then moved to Grand Rapids, Michigan, becoming a school principal with progressive ideas regarding education. Mrs. Rourke placed a strong emphasis on her daughter's education from a young age. Enrolling in Vassar College in 1903, Rourke focused on social criticism. She learned "that the art of the common people might be as 'good' for humanity as recognized masterpieces, and that the critic could spur democratic reform." She then studied in Europe, including at the Sorbonne, learning about education and literary criticism. On returning, she taught English at Vassar from 1910 to 1915 before turning her focus toward writing. Rourke sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edwin Forrest
Edwin Forrest (March 9, 1806December 12, 1872) was a nineteenth-century American Shakespearean actor. His feud with the British actor William Macready was the cause of the deadly Astor Place Riot of 1849. Early life Forrest was born in Philadelphia, Pennsylvania, the son of Rebecca (''née'' Lauman) and William Forrest. His father, a Scottish merchandise peddler, moved from Dumfriesshire to Trenton, New Jersey in 1791. His mother was a member of an affluent German-American family. A business setback led William to relocate to Philadelphia, where he married Rebecca and was able to secure a position with a local branch of the United States Bank. As boys, Forrest and his brother William joined a local juvenile thespian club and participated in theatrical performances staged in a sparsely decorated woodshed. At the age of 11, Forrest made his first appearance on the legitimate stage at Philadelphia's South Street Theatre, playing the female role Rosalia de Borgia in the John D. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Washington Dixon
George Washington Dixon (1801?Many biographies list his birth year as 1808, but Cockrell, ''Demons of Disorder'', 189, argues that 1801 is the correct date. This is based on Dixon's records at a New Orleans hospital, which list him as 60 years old in 1861, and a December 11, 1841 article in the ''Flash'' that says he was born "some forty years ago". – March 2, 1861) was an American singer, stage actor, and newspaper editing, editor. He rose to prominence as a blackface performer (possibly the first American to do so) after performing "Coal Black Rose", "Zip Coon", and similar songs. He later turned to a career in journalism, during which he earned the enmity of members of the upper class for his frequent allegations against them. At age 15, Dixon joined the circus, where he quickly established himself as a singer. In 1829, he began performing "Coal Black Rose" in blackface; this and similar songs would propel him to stardom. In contrast to his contemporary Thomas D. Rice, Dixon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Mathews
Charles Mathews (28 June 1776, London – 28 June 1835, Devonport) was an English theatre manager and comic actor, well known during his time for his gift of impersonation and skill at table entertainment. His play ''At Home'', in which he played every character, was the first monopolylogue and the defining work in the genre. Early life Charles was born to James Mathews (died 1804), a Wesleyan Methodist bookseller, printer, and pharmacist on the Strand, who also served as minister in one of the Countess of Huntingdon's chapels. Charles was educated at Merchant Taylors' School in London, which had some openings for common boys. He was next apprenticed to his father. For religious reasons, the father forbade his children from visiting theatres. During his youth, Charles met the actor Robert William Elliston; after attending the Drury Lane theatre, he was utterly fascinated by that world. Charles left his father in September 1793 for his first public stage appearance a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yankee
The term ''Yankee'' and its contracted form ''Yank'' have several interrelated meanings, all referring to people from the United States. Their various meanings depend on the context, and may refer to New Englanders, the Northeastern United States, the Northern United States, or to people from the US in general. Many of the earlier immigrants to the northeast from Ireland, Italy, Poland, and other regions of Europe, used ''Yankees'' to refer to New England English settlers. Outside the United States, ''Yank'' is used informally to refer to a person or thing from the US. It has been especially popular in the United Kingdom, Ireland, South Africa, Australia, and New Zealand where it may be used variously, either with an uncomplimentary overtone, endearingly, or cordially. In the Southern United States, ''Yankee'' is a derisive term which refers to all Northerners, and during the American Civil War it was applied by Confederates to soldiers of the Union army in general. Elsewher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sambo (ethnic Slur)
Sambo is a derogatory label for a person of African descent in the Spanish language. Historically, it is a name in American English derived from a Spanish term for a person of African and Native American ancestry. After the Civil War, during and after the Jim Crow era the term was used in conversation, print advertising and household items as a pejorative descriptor for black people. The term is now considered offensive in American and British English. Etymology ''Sambo'' came into the English language from , the Spanish word in Latin America for a person of South American negro, mixed European, and native descent. This in turn may have come from one of three African language sources. '' Webster's Third International Dictionary'' holds that it may have come from the Kongo word ('monkey'). The Royal Spanish Academy gives the origin from a Latin word, possibly the adjective or another modern Spanish term (), both of which translate to 'bow-legged'. The equivalent term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Padlock
''The Padlock'' is a two-act ' afterpiece' opera by Charles Dibdin. The text was by Isaac Bickerstaffe. It debuted in 1768 at the Drury Lane Theatre in London as a companion piece to '' The Earl of Warwick''. It partnered other plays before a run of six performances in tandem with '' The Fatal Discovery'' by John Home. "The Padlock" was a success, largely due to Dibdin's portrayal of Mungo, a blackface caricature of a black servant from the West Indies. The company took the production to the United States the next year, where a portrayal by Lewis Hallam, Jr. as Mungo met with even greater accolades. The libretto was first published in London around 1768 and in Dublin in 1775. The play remained in regular circulation in the U.S. as late as 1843. It was revived by the Old Vic Company in London and on tour in the UK in 1979 in a new orchestration by Don Fraser and played in a double-bill with Garrick's ''Miss In Her Teens''. The role of Mungo was, again, played by a white actor. Op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
