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Your Blue Room
"Your Blue Room" is a song by Passengers, a group composed of rock band U2 and producer Brian Eno. It is the third track on the group's only release, the 1995 album ''Original Soundtracks 1''. The track was written for the 1995 Michelangelo Antonioni– Wim Wenders film '' Beyond the Clouds''. Though Eno made the majority of creative decisions during the recording sessions, "Your Blue Room" was one of the few tracks that the members from U2 tried to craft themselves. Background U2 and producer Brian Eno formed Passengers as a side-project during the preliminary recording sessions for U2's 1997 album, '' Pop''. Their intention was to record a soundtrack for Peter Greenaway's 1996 film ''The Pillow Book'' as a warm up before the main ''Pop'' sessions. Though the plan did not come to fruition, Eno suggested they continue recording for imaginary films. U2 were unsure of the idea at first, but agreed after Eno told them that producing radio hits was not the goal of the collaborati ...
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Original Soundtracks 1
''Original Soundtracks 1'' is a studio album recorded by rock band U2 and Brian Eno under the pseudonym Passengers as a side project. Released on 6 November 1995, the album is a collection of songs written for mostly imaginary films (the exceptions being songs for ''Ghost in the Shell'', ''Miss Sarajevo'', and '' Beyond the Clouds''). Owing to Eno's involvement as a full songwriting partner and the album's experimental nature, the moniker "Passengers" was chosen to distinguish it from U2's conventional albums. It was commercially unnoticed by the band's standards and received generally mixed reviews. Guest musicians on the record included Italian opera singer Luciano Pavarotti (on "Miss Sarajevo") and producer Howie B, who would co-produce U2's following album, '' Pop'' (1997). Background According to Eno, near the end of the recording sessions for U2's 1993 album ''Zooropa'', the band hit "a stone wall" and were getting obsessive about small details. At that point, Eno sugges ...
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Knight Ridder
Knight Ridder was an American media company, specializing in newspaper and Internet publishing. Until it was bought by McClatchy on June 27, 2006, it was the second largest newspaper publisher in the United States, with 32 daily newspaper brands sold. Its headquarters were located in San Jose, California. History Origins The corporate ancestors of Knight Ridder were Knight Newspapers, Inc. and Ridder Publications, Inc. The first company was founded by John S. Knight upon inheriting control of the '' Akron Beacon Journal'' from his father, Charles Landon Knight, in 1933; the second company was founded by Herman Ridder when he acquired the , a German language newspaper, in 1892. As anti-German sentiment increased in the interwar period, Ridder successfully transitioned into English language publishing by acquiring ''The Journal of Commerce'' in 1926. Both companies went public in 1969 and merged on July 11, 1974. For a brief time, the combined company was the largest newspaper p ...
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Pale Blue Eyes
"Pale Blue Eyes" is a song written and sung by Lou Reed and performed by The Velvet Underground. He recorded a demo with John Cale in May 1965. It was included on the band's 1969 album ''The Velvet Underground''. Despite the name, "Pale Blue Eyes" was written about someone whose eyes were hazel, as Reed notes in his book ''Between Thought and Expression''. The song is said to have been inspired by Shelley Albin, Reed's first love, who at the time was married to another man. Personnel * Lou Reed – lead vocals, electric guitar * Doug Yule – bass, Hammond organ, backing vocals * Sterling Morrison – electric guitar, backing vocals * Maureen Tucker – tambourine Notable cover versions "Pale Blue Eyes" has been covered by a number of artists in addition to Lou Reed and Maureen Tucker from Velvet Underground: * Patti Smith performed the song live in the mid- to late-1970s * Edwyn Collins recorded the song with Paul Quinn and released it as a single in 1984. * R.E.M. covered th ...
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Velvet Underground
Weave details visible on a purple-colored velvet fabric Velvet is a type of woven tufted fabric Textile is an umbrella term that includes various fiber-based materials, including fibers, yarns, filaments, threads, different fabric types, etc. At first, the word "textiles" only referred to woven fabrics. However, weaving is not th ... in which the cut yarn, threads are evenly distributed, with a short pile (textile), pile, giving it a distinctive soft feel. By extension, the word ''velvety'' means "smooth like velvet". In the past, velvet was typically made from silk. Today, velvet can be made from linen, cotton, wool and synthetic fibers. Construction and composition file:Velvet warp.svg, left, Illustration depicting the manufacture of velvet fabric Velvet is woven on a special loom that weaves two thicknesses of the material at the same time. The two pieces are then cut apart to create the pile effect, and the two lengths of fabric are wound on separate take ...
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The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national " newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the pa ...
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The Best Of 1990–2000
''The Best of 1990–2000'' is the second greatest hits album by Irish rock band U2. It was released on 5 November 2002 through Island Records and Interscope Records. It was issued as both a single-disc CD compilation and as a multi-disc compilation called ''The Best of 1990–2000 & B-Sides'', which included a second disc of 14 B-sides released between 1990 and 2000 and a bonus DVD. A video album of the same name was later released in December 2002. ''The Best of 1990–2000'' contained two newly recorded tracks, "Electrical Storm" and "The Hands That Built America"; the former was released as a single, while the latter was released on the soundtrack to ''Gangs of New York''. The compilation also includes "new mixes" of several songs, as well the tracks "Hold Me, Thrill Me, Kiss Me, Kill Me" (a non-album single from 1995) and "Miss Sarajevo" (which was originally credited to Passengers and also released as a single in 1995). The album charted at number one in 13 countries a ...
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Staring At The Sun (U2 Song)
"Staring at the Sun" is a song by Irish rock band U2. It is the fifth track on their 1997 album, '' Pop'', and was released as its second single on 14 April 1997. It peaked at number three on the UK Singles Chart, number one in Canada and Iceland and number 26 on the US ''Billboard'' Hot 100. In the US, it topped the ''Billboard'' Modern Rock Tracks and Adult Alternative Songs charts. It also reached the top 10 in Finland, Ireland, Italy, New Zealand and Norway. Background The song was written with the line "Stuck together with God's glue," which was taken directly from the title of the album by the Irish band Something Happens, who are good friends with U2. The band felt the song was a potential "anthem to rival ' One'." A new mix of "Staring at the Sun" was released for the compilation, '' The Best of 1990-2000''. During the summer of 2002 recording sessions in which "Electrical Storm" and "The Hands That Built America" were recorded, parts for four U2 songs were re-recorded, ...
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Slug (song)
"Slug" is a song by Passengers, a side project of rock band U2 and musician Brian Eno. It is the second track on Passengers' only release, the 1995 album '' Original Soundtracks 1''. The track was originally titled "Seibu" and was almost left off the album before it was rediscovered later during the recording sessions. Though Eno made most of the creative decisions during the recording sessions, "Slug" was one of the few tracks that the members from U2 tried to craft themselves. Lyrically, it is a portrait of a desolate soul during a time of celebration. As Passengers were writing songs for fictional soundtracks, they tried to create a visual suggestion from the music that was more important than the story within the lyrics. In "Slug", the instrumentation is intended to represent the lights turning on in a city at night. The group primarily drew inspiration for the song from U2's experiences in Tokyo at the conclusion of the Zoo TV Tour. "Slug" was praised as one of the best ...
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Miss Sarajevo
"Miss Sarajevo" is a song by U2 and Brian Eno, credited to the pseudonym "Passengers". It was released on 20 November 1995 as the only single from their album ''Original Soundtracks 1''. Luciano Pavarotti makes a vocal appearance, singing the opera solo. It also appears on U2's compilation ''The Best of 1990–2000'', and was covered by George Michael on his album ''Songs from the Last Century''. While the song did not reach the ''Billboard'' Hot 100, it reached number six on the UK Singles Chart and was a top-ten hit in many other European countries. Bono, the lead vocalist of U2, cites "Miss Sarajevo" as his favourite U2 song. History American journalist Bill Carter suggested to Bono an idea to film a documentary based on Sarajevo's underground resistance movement. Not only did Bono produce the film, he also provided the funds needed to support the project. Taken from the sleeves notes to ''Original Soundtracks 1'': Bono went on to say that he felt that these lyrics refle ...
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Two Hearts Beat As One
"Two Hearts Beat as One" is a song by Irish rock band U2. It is the seventh track on their 1983 album, ''War'', and was released as its second single in the United States, United Kingdom, and Australia on 21 March 1983. History The music video was directed by Meiert Avis and was filmed outside the Basilica of Sacré Coeur de Montmartre in Paris in March 1983 and portrays the band performing the song, intercut with scenes of an acrobat and other scenes featuring Peter Rowen (the boy who appears on the album cover). The Parisian church is dedicated to the Sacred Heart of Jesus. Unlike the other videos from the album, it has never been included on any of the band's video compilations. It was released as the album's second single in the US, UK and Australia, as opposed to "Sunday Bloody Sunday", which was released only in the mainland of Europe. Both singles were released in Japan. "Two Hearts Beat as One" features a bassline by Adam Clayton which is played at the beginning o ...
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Sunday Bloody Sunday
"Sunday Bloody Sunday" is a song by Irish rock band U2. It is the opening track from their 1983 album ''War'' and was released as the album's third single on 21 March 1983 in the Netherlands and West Germany. "Sunday Bloody Sunday" is noted for its militaristic drumbeat, harsh guitar, and melodic harmonies. One of U2's most overtly political songs, its lyrics describe the horror felt by an observer of the Troubles in Northern Ireland, mainly focusing on the 1972 Bloody Sunday incident in Derry where British troops shot and killed unarmed civil rights protesters. Along with "New Year's Day", the song helped U2 reach a wider listening audience. It was generally well received by critics on the album's release. The song has remained a staple of U2's live concerts. During its earliest performances, the song created controversy. Lead singer Bono reasserted the song's anti-sectarian-violence message to his audience for many years. Today, it is considered one of U2's signature songs, ...
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B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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