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Werner Düggelin
Werner Düggelin (7 December 1929 – 6 August 2020) was a Swiss theatre director. Life Provenance and early years Düggelin was born in Zürich. He grew up in Siebnen in the canton of Schwyz. Slightly unusually for the time, he was born into a family without any stated religious affiliation. The Düggelin family had been established in the socially and politically complicated Outer Schwyz region for several generations. Josef Düggelin, his father, was a Council of States (Switzerland), cantonal councillor (''"Kantonsrat"'') and, by trade, a joiner. Werner Düggelin attended schools successively in Siebnen, Engelberg, Trogen, Switzerland, Trogen and Neuchâtel. According to one source he was required to leave both the :de:Stiftsschule Engelberg, "Monastery School" in Engelberg and the :de:Kantonsschule Trogen, "Convict School" in Trogen (both subsequently renamed) "early". Spending the final part of his school career in the Swiss French, Francophone Romandy, west of Switzerla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Zuckmayer
Carl Zuckmayer (27 December 1896 – 18 January 1977) was a German writer and playwright. His older brother was the pedagogue, composer, conductor, and pianist Eduard Zuckmayer. His first two dramas were failures. In 1929, he wrote the script for the movie ''Der blaue Engel,'' for which he received the Georg Büchner Prize. He also wrote plays, including ''The Captain of Köpenick (play), The Captain of Köpenick'' (1931), ''Des Teufels General (play), Des Teufels General'' (1946), ''Barbara Blomberg. Ein Stück in drei Akten'' (1949), and''Kranichtanz. Ein Akt'' (1967). Zuckmayer was a recipient of numerous awards and prizes, including the Kleist Prize, Medal of the city of Göttingen, the Grand Austrian State Prize for Literature, and the Ring of Salzburg. Life and career Born in Nackenheim in Rhenish Hesse, he was the second son of Amalie (1869–1954), née Goldschmidt, and Carl Zuckmayer :de:Carl Zuckmayer (Unternehmer), de (1864–1947). When he was four years old, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romandy
Romandy ( or ; Arpitan: ''Romandia'')Before World War I, the term French Switzerland () waalso used ( or , , ) is the French-speaking historical and cultural region of Switzerland. In 2020, about 2 million people, or 22.8% of the Swiss population, lived in Romandy. The majority of the population lives in the western part of the country, especially the region along Lake Geneva, connecting Geneva, Vaud, and the Lower Valais. French is the sole official language in four Swiss cantons: Geneva, Vaud, Neuchâtel, and Jura. Additionally, French and German have co-official status in three cantons: Fribourg/Freiburg, Valais/Wallis, and Berne/Bern. Name The adjective ' (feminine ') is a regional dialectal variant of ' (modern French ', i.e. "Roman"); in Old French used as a term for the Gallo-Romance vernaculars. Use of the adjective ' (with its unetymological final ') in reference to the Franco-Provençal dialects can be traced to the 15th century; it is recorded, as ', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Blin
Roger Blin (22 March 1907 – 21 January 1984) was a French actor and director. He staged world premieres of Samuel Beckett's ''Waiting for Godot'' in 1953 and ''Endgame'' in 1957. Biography Blin was the son of a doctor; however, despite his father's wishes, Blin forged a career in the theatre. As a teenager he was 'fascinated' by the Surrealists and their conception of revolutionary art.:35 He was initially part of the left-wing theatre collectives ''The Company of Five'' and ''The October Group''. In 1935 Blin served as Antonin Artaud's assistant director for his production of '' Les Cenci'' (''The Cenci'') at the Folies-Wagrams theatre in 1935.:35 Following his work with Artaud, Blin focused on 'political street-theatre.':46 During the war, Blin was a liaison between the Resistance and the French Army. His extensive career as both director and actor in both film and theatre has been largely defined by his work and relationship with Artaud, Samuel Beckett and Jean Genet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asnières-sur-Seine
Asnières-sur-Seine () is a Communes of France, commune in the Hauts-de-Seine Departments of France, department and Île-de-France Regions of France, region of north-central France. It lies on the left bank of the river Seine, some eight kilometres from the Kilometre zero#France, centre of Paris in the north-western Banlieue, suburbs of the French capital. The area should be reached by line 15 of the Paris metro by 2030. The inhabitants are called the ''Asniérois'' and the ''Asniéroises'' in French. Name Asnières-sur-Seine was originally known simply as Asnières. The name was recorded for the first time in a papal bull of 1158 – as ''Asnerias'', from Medieval Latin ''asinaria'', meaning "donkey farm". The poor soil of Asnières, where Ericaceae, heather grew in medieval times, was probably deemed suitable only for the breeding of donkeys. By the early 20th century it had become a favourite boating centre for Parisians, and its industries included boat building. On 15 Febru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theater Manager
A theater manager, also called a general manager, managing director, or intendant (British English), is the administrator of a theater Theatre or theater is a collaborative form of performing art that uses live performers, usually actors to present experiences of a real or imagined event before a live audience in a specific place, often a stage. The performers may communi .... They often also have the responsibilities of an artistic director but in any case oversee all administrative, marketing, production, and financial functions of their theater. They often report to a board and must have excellent communication skills, the ability to work independently, and strong organizational capacity. They also typically have prior training or experience in one of the art forms and have experience working in professional productions in some capacity. They must also have experience with budget creation and management, planning, budgeting/financial tracking, contract management, ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Director
A theatre director or stage director is a professional in the theatre field who oversees and orchestrates the mounting of a theatre production such as a play, opera, dance, drama, musical theatre performance, etc. by unifying various endeavors and aspects of production. The director's function is to ensure the quality and completeness of theatre production and to lead the members of the creative team into realizing their artistic vision for it. The director thereby collaborates with a team of creative individuals and other staff to coordinate research and work on all the aspects of the production which includes the Technical and the Performance aspects. The technical aspects include: stagecraft, costume design, theatrical properties (props), lighting design, set design, and sound design for the production. The performance aspects include: acting, dance, orchestra, chants, and stage combat. If the production is a new piece of writing or a (new) translation of a play, the director ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leopold Lindtberg
Leopold Lindtberg (born in Vienna on 1 June 1902; died in Sils im Engadin/Segl on 18 April 1984) was an Austrian Swiss film and theatre director. He fled Austria due to the Machtergreifung in Germany and ultimately settled in Switzerland. His sister Hedwig was married to the Austrian/American musicologist Felix Salzer. Awards * 1941 Coppa Mussolini for ''Die Missbrauchten Liebesbriefe'' (The abused love letters) * 1946 Golden Globe for ''The Last Chance'' * 1946 International Film Festival of Cannes 1946: Grand Prix and International Peace Prize for ''The Last Chance'' * 1951 One of four inaugural Golden Bear The Golden Bear () is the highest prize awarded for the best film at the Berlin International Film Festival and is, along with the Palme d'Or and the Golden Lion, the most important international film festival award. The bear is the heraldic an ...s at the Berlinale 1951 for ''Four in a Jeep'' * 1953 Bronze Bear for ''Unser Dorf'' (Our Village) at the Berlinal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love At First Sight
Love at first sight is a personal experience and a common theme in creative works: a person or character feels an instant, extreme, and ultimately long-lasting romantic attraction for a stranger upon first seeing that stranger. It has been described by poets and critics since the emergence of ancient Greece. Historical conceptions Greek In the classical world, the phenomenon of "love at first sight" was understood within the context of a more general conception of passionate love, a kind of madness or, as the Greeks put it, ''theia mania'' ("madness from the gods"). This love passion was described through an elaborate metaphoric and mythological psychological effect involving "love's arrows" or "love darts," the source of which was often given as the mythological Eros or Cupid, sometimes by other mythological deities, such as Pheme. At times, the source of the arrows was said to be the image of the beautiful love object itself. If these arrows arrived at the lover's eyes, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schauspielhaus Zürich
The Schauspielhaus Zürich () is one of the most prominent and important theatres in the history of German-speaking theater. It is also known as "Pfauenbühne" (Peacock Stage). The large theatre has 750 seats. The also operates three stages in the ' in the western part of Zürich, the ' (400 seats), the ' (up to 200 seats) and the ' (80 seats). History The building was constructed in 1892 as the ' (People's Theater on the Pfauen Square) with a Bavarian beer garden and a bowling alley. It served initially as a music hall or vaudeville stage. In 1901 the building was rented by the director of the Zürich Opera House and opened as a play house with Goethe's comedy ' (The Accomplices). From 1903 until 1926 the play house was run by a private cooperative. In 1926 Zürich wine wholesaler and play house director Ferdinand Rieser acquired the house and had it renovated. Then in 1938 it was leased to the ', a company founded by the city of Zürich in order to save the theater from i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romance Studies
Romance studies or Romance philology (; ; ; ; ; ; ) is an academic discipline that covers the study of the languages, literatures, and cultures of areas that speak Romance languages. Romance studies departments usually include the study of Spanish, French, Italian, and Portuguese. Additional areas of study include Romanian and Catalan, on one hand, and culture, history, and politics on the other hand. Becoming proficient in Romance studies requires extensive specialized training focused on a thorough exploration of the histories of languages and literatures. This education includes detailed study in textual scholarship, paleography, and classical languages, which are core aspects of philological disciplines. Because most places in Latin America speak a Romance language, Latin America is also studied in Romance studies departments. As a result, non-Romance languages in use in Latin America, such as Quechua and Guarani, are sometimes also taught in Romance studies departme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Language
A first language (L1), native language, native tongue, or mother tongue is the first language a person has been exposed to from birth or within the critical period hypothesis, critical period. In some countries, the term ''native language'' or ''mother tongue'' refers to the language of one's ethnic group rather than the individual's actual first language. Generally, to state a language as a mother tongue, one must have full native fluency in that language. The first language of a child is part of that child's personal, social and cultural identity. Another impact of the first language is that it brings about the reflection and learning of successful social patterns of acting and speaking. Research suggests that while a non-native speaker may develop fluency in a targeted language after about two years of immersion, it can take between five and seven years for that child to be on the same working level as their native speaking counterparts. On 17 November 1999, UNESCO design ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
