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Violin Sonata No. 3 (Ysaÿe)
The ''Sonata for Solo Violin in D minor ‘Ballade’, Op. 27, No. 3'' is a sonata in one movement written in 1923, as the third sonata from the set of Six Sonatas for solo violin (Ysaÿe), Six Sonatas for solo violin by Eugène Ysaÿe. It is dedicated to the Romanian violinist and composer George Enescu. History During the 20th century, this sonata was the most often played out of the six sonatas, and it still remains one of Ysaÿe’s most popular works. Ysaÿe himself wrote of the sonata, “I have let my imagination wander at will. The memory of my friendship and admiration for George Enescu and the performances we gave together at the home of the delightful Queen Elisabeth of Wied, Carmen Sylvia have done the rest.” Structure The sonata is a single movement written in two sections. The first section, marked ''Lento molto sostenuto'', is a slow introduction in the manner of a recitative, which hints at some of the motifs to be heard later in the piece. It makes use of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Six Sonatas For Solo Violin (Ysaÿe)
Eugène Ysaÿe's set of Six Sonatas for solo violin, Op. 27, was written in July 1923. Each sonata was dedicated to one of Ysaÿe’s contemporary violinists: Joseph Szigeti (No. 1), Jacques Thibaud (No. 2), George Enescu (No. 3), Fritz Kreisler (No. 4), Mathieu Crickboom (No. 5), and Manuel Quiroga (violinist), Manuel Quiroga (No. 6). General background After having heard Joseph Szigeti perform Johann Sebastian Bach's Sonatas and partitas for solo violin (Bach), sonata for solo violin in G minor, Ysaÿe was inspired to compose violin works that represent the evolution of musical techniques and expressions of his time. As Ysaÿe claimed, "I have played everything from Bach to Claude Debussy, Debussy, for real art should be international." In this set of sonatas, he used prominent characteristics of early 20th century music, such as whole tone scale and Consonance and dissonance, dissonances. Ysaÿe also employed virtuoso bow (music), bow and left hand techniques throughout, for h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Ysaÿe
Eugène-Auguste Ysaÿe (; 16 July 185812 May 1931) was a Belgian virtuoso violinist, composer, and conductor. He was regarded as "The King of the Violin", or, as Nathan Milstein put it, the "tsar". Early years Born in Liège, Ysaÿe began violin lessons at age five with his father. He would later recognize his father's teaching as the foundation of everything he knew on his instrument, even though he went on to study with highly reputed masters. In 1867, Ysaÿe entered the Royal Conservatory of Liège to study with Désiré Heynberg, and in the process won a shared second prize with the Viotti 22nd Violin Concerto. He then went on to study with Henryk Wieniawski for two years in Brussels and Henri Vieuxtemps in Paris. Studying with these teachers meant that he was part of the so-called Franco-Belgian school of violin playing, which dates back to the development of the modern violin bow by François Tourte. Qualities of this "École" included elegance, a full tone with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Enescu
George Enescu (; – 4 May 1955), known in France as Georges Enesco, was a Romanians, Romanian composer, violinist, pianist, conductor, teacher and statesman. He is regarded as one of the greatest musicians in Romanian history. Biography Enescu was born in Romania, in the village of George Enescu, Botoșani, Liveni (later renamed "George Enescu" in his honor), then in Dorohoi County, today Botoșani County. His father was Costache Enescu, a landholder, and his mother was Maria Enescu (née Cosmovici), the daughter of an Orthodox priest. Their eighth child, he was born after all the previous siblings had died in infancy. His father later separated from Maria Enescu and had another son with Maria Ferdinand-Suschi: the painter Dumitru Bâșcu. A child prodigy, Enescu began experimenting with composing at an early age. Several, mostly very short, pieces survive, all for violin and piano. The earliest work of significant length bears the title ''Pămînt românesc'' ("Romanian L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elisabeth Of Wied
Elisabeth of Wied (Pauline Elisabeth Ottilie Luise; 29 December 18432 March 1916) was the first Queen of Romania as the wife of King Carol I from 15 March 1881 to 27 September 1914. She had been the princess consort of Romania since her marriage to then-Prince Carol on 15 November 1869. Elisabeth was born into a German noble family. She was briefly considered as a potential bride for the future British king Edward VII, but Edward rejected her. Elisabeth married Prince Carol of Romania in 1869. Their only child, Princess Maria of Romania (1870–1874), Princess Maria, died aged three in 1874, and Elisabeth never fully recovered from the loss of her daughter. When Romania became a Kingdom of Romania, kingdom in 1881, Elisabeth became queen, and she was crowned together with Carol that same year. Elisabeth was a prolific writer under the name Carmen Sylva. Family and early life Born at :File:Schloss_Monrepos_Neuwied.jpg, Castle Monrepos in Neuwied, she was the daughter of Hermann ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whole Tone Scale
In music, a whole-tone scale is a scale (music), scale in which each Musical note, note is separated from its neighbors by the interval (music), interval of a whole tone. In twelve-tone equal temperament, there are only two Complement (music)#Aggregate complementation, complementary whole-tone scales, both six-note or ''Hexatonic scale, hexatonic'' scales. A single whole-tone scale can also be thought of as a "six-tone equal temperament". : : The whole-tone scale has no leading tone and because all tones are the same distance apart, "no single tone stands out, [and] the scale creates a blurred, indistinct effect". This effect is especially emphasised by the fact that triad (music), triads built on such scale tones are all augmented triads. Indeed, all six tones of a whole-tone scale can be played simply with two augmented triads whose roots are a major second apart. Since they are symmetric scale, symmetrical, whole-tone scales do not give a strong impression of the tonic ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steps And Skips
In music, a step, or conjunct motion,Bonds, Mark Evan (2006). ''A History of Music in Western Culture'', p.123. 2nd ed. . is the difference in pitch (music), pitch between two consecutive Musical note, notes of a musical scale. In other words, it is the interval (music), interval between two consecutive Degree (music), scale degrees. Any larger interval is called a skip (also called a leap), or disjunct motion. In the diatonic scale, a step is either a minor second (sometimes also called ''half step'') or a major second (sometimes also called ''whole step''), with all intervals of a minor third or larger being skips. For example, C to D (major second) is a step, whereas C to E (major third) is a skip. More generally, a step is a smaller or narrower interval in a musical line, and a skip is a wider or larger interval with the categorization of intervals into steps and skips is determined by the Musical tuning, tuning system and the pitch space used. Melodic motion in which the i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dissonance (music)
In music, consonance and dissonance are categorizations of simultaneous or successive sounds. Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness, unpleasantness, or unacceptability, although there is broad acknowledgement that this depends also on familiarity and musical expertise. The terms form a structural dichotomy in which they define each other by mutual exclusion: a consonance is what is not dissonant, and a dissonance is what is not consonant. However, a finer consideration shows that the distinction forms a gradation, from the most consonant to the most dissonant. In casual discourse, as German composer and Music theory, music theorist Paul Hindemith stressed, : "The two concepts have never been completely explained, and for a thousand years the definitions have varied". The term ''sonance'' has been proposed to encompass or refer indistinctly to the terms ''consonance'' and ''d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromaticism
Chromaticism is a compositional technique interspersing the primary diatonic scale, diatonic pitch (music), pitches and chord (music), chords with other pitches of the chromatic scale. In simple terms, within each octave, diatonic music uses only seven different notes, rather than the twelve available on a standard piano keyboard. Music is chromatic when it uses more than just these seven notes. Chromaticism is in contrast or addition to tonality or diatonic and chromatic, diatonicism and modality (music), modality (the major scale, major and minor scale, minor, or "white key", scales). Chromatic elements are considered, "elaborations of or substitutions for diatonic scale members".Matthew Brown; Schenker, "The Diatonic and the Chromatic in Schenker's "Theory of Harmonic Relations", ''Journal of Music Theory'', Vol. 30, No. 1 (Spring 1986), pp. 1–33, citation on p. 1. Development of chromaticism Chromaticism began to develop in the late Renaissance music, Renaissance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Stop
In music, a double stop is the technique of playing two notes simultaneously on a stringed instrument such as a violin, a viola, a cello, or a double bass. On instruments such as the Hardanger fiddle it is common and often employed. In performing a double stop, two separate strings are bowed or plucked simultaneously. Although the term itself suggests these strings are to be fingered (stopped), in practice one or both strings may be open. A triple stop is the same technique applied to three strings; a quadruple stop applies to four strings. Double, triple, and quadruple stopping are collectively known as multiple stopping. Early extensive examples of the double stop and string chords appear in Carlo Farina's ''Capriccio Stravagante'' from 1627, and in certain of the sonatas of Biagio Marini's Op. 8 of 1629. Bowing On instruments with a curved bridge, it is difficult to bow more than two strings simultaneously. Early treatises make it clear that composers did not expect thr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demisemiquaver
In music, a thirty-second note (American) or demisemiquaver (British) is a note played for of the duration of a whole note (or ''semibreve''). It lasts half as long as a sixteenth note (or ''semiquaver'') and twice as long as a sixty-fourth (or ''hemidemisemiquaver''). Thirty-second notes are notated with an oval, filled-in note head and a straight note stem with three flags or beams. A single thirty-second note is always stemmed with flags, while two or more are usually beamed in groups.Gerou, Tom (1996). ''Essential Dictionary of Music Notation'', p.211. Alfred. As with all notes with stems, thirty-second notes are drawn with stems to the right of the notehead, extending up, when they are below the middle line of the musical staff. When they are on or above the middle line, they are drawn with stems on the left of the note head, extending down. Flags are always on the right side of the stem, and curve to the right. On stems extending up, the flags start at the top and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
6 Sonatas For Solo Violin, Op
6 (six) is the natural number following 5 and preceding 7. It is a composite number and the smallest perfect number. In mathematics A six-sided polygon is a hexagon, one of the three regular polygons capable of tiling the plane. A hexagon also has 6 edges as well as 6 internal and external angles. 6 is the second smallest composite number. It is also the first number that is the sum of its proper divisors, making it the smallest perfect number. It is also the only perfect number that doesn't have a digital root of 1. 6 is the first unitary perfect number, since it is the sum of its positive proper unitary divisors, without including itself. Only five such numbers are known to exist. 6 is the largest of the four all-Harshad numbers. 6 is the 2nd superior highly composite number, the 2nd colossally abundant number, the 3rd triangular number, the 4th highly composite number, a pronic number, a congruent number, a harmonic divisor number, and a semiprime. 6 is also the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Music Score Library Project
The International Music Score Library Project (IMSLP), also known as the Petrucci Music Library after publisher Ottaviano Petrucci, is a subscription-based digital library of public-domain music scores. The project uses MediaWiki software, and has uploaded more than 736,000 scores and 80,700 recordings by 1,900 performers of more than 226,000 works by 27,400 composers. IMSLP has both an iOS app and an Android app. History Overview The site was launched on February 16, 2006. The library consists mainly of scans of old musical editions out of copyright. In addition, it admits scores by contemporary composers who wish to share their music with the world by releasing it under a Creative Commons license. One of the main projects of the IMSLP was the sorting and uploading of the complete works of Johann Sebastian Bach in the Bach-Gesellschaft Ausgabe (1851–99), a task that was completed on November 3, 2008. Besides J.S. Bach's complete public domain works, many or all availab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
