Vigraha
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Vigraha
In the Hindu tradition, a ''murti'' (, ) is a devotional image, such as a statue or icon, of a deity or saint used during '' puja'' and/or in other customary forms of actively expressing devotion or reverence – whether at Hindu temples or shrines. A ''mūrti'' is a symbolic icon representing divinity for the purpose of devotional activities. Thus, not all icons of gods and saints are ''mūrti''; for example, purely decorative depictions of divine figures often adorn Hindu temple architecture in intricately carved doorframes, on colourfully painted walls, and ornately sculpted rooftop domes. A ''mūrti'' itself is not God, but it is merely a representative shape, symbolic embodiment, or iconic manifestation of God. ''Murti'' are also found in some nontheistic Jain traditions, where they serve as symbols of revered mortals inside Jain temples, and are worshiped in ''murtipujaka'' rituals. A ''murti'' is typically made by carving stone, wood working, metal casting or through ...
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Hindu Deities
Hindu deities are the gods and goddesses in Hinduism. Deities in Hinduism are as diverse as its traditions, and a Hindu can choose to be polytheistic, pantheistic, monotheistic, monistic, even agnostic, atheistic, or humanist. Julius J. Lipner (2009), Hindus: Their Religious Beliefs and Practices, 2nd edition, Routledge, , p. 8; Quote: "(...) one need not be religious in the minimal sense described to be accepted as a Hindu by Hindus, or describe oneself perfectly validly as Hindu. One may be polytheistic or monotheistic, monistic or pantheistic, even an agnostic, humanist or atheist, and still be considered a Hindu." The terms and epithets for deities within the diverse traditions of Hinduism vary, and include Deva, Devi, Ishvara, Ishvari, Bhagavān and Bhagavati. The deities of Hinduism have evolved from the Vedic era (2nd millennium BCE) through the medieval era (1st millennium CE), regionally within Nepal, Pakistan, India and in Southeast Asia, and across Hinduism ...
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Hinduism
Hinduism () is an Hypernymy and hyponymy, umbrella term for a range of Indian religions, Indian List of religions and spiritual traditions#Indian religions, religious and spiritual traditions (Sampradaya, ''sampradaya''s) that are unified by adherence to the concept of ''dharma'', a Ṛta, cosmic order maintained by its followers through rituals and righteous living, as expounded in the Vedas. The word ''Hindu'' is an exonym, and while Hinduism has been called the oldest religion in the world, it has also been described by the modern term ''Sanātana Dharma'' () emphasizing its eternal nature. ''Vaidika Dharma'' () and ''Arya dharma'' are historical endonyms for Hinduism. Hinduism entails diverse systems of thought, marked by a range of shared Glossary of Hinduism terms, concepts that discuss God in Hinduism, theology, Hindu mythology, mythology, among other topics in Hindu texts, textual sources. Hindu texts have been classified into Śruti () and Smṛti (). The major Hin ...
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Agama (Hinduism)
The Agamas (Devanagari: , IAST: ) are a collection of several Tantras (Hinduism), Tantric literature and religious text, scriptures of Hindu schools.Julius Lipner (2004), Hinduism: the way of the banyan, in The Hindu World (Editors: Sushil Mittal and Gene Thursby), Routledge, , pages 27–28 The term literally means tradition or "that which has come down", and the Agama texts describe cosmology, epistemology, philosophical doctrines, precepts on meditation and practices, four kinds of yoga, mantras, temple construction, deity worship and ways to attain sixfold desires. These canonical texts are in Sanskrit and Tamil language, Tamil. The three main branches of Agama texts are Shaivism, Shaiva, Vaishnavism, Vaishnava and Shaktism, Shakta. The Agamic traditions are sometimes called Tantrism, although the term "Tantra" is usually used specifically to refer to Shakta Agamas.Mariasusai Dhavamony (1999), Hindu Spirituality, Gregorian University and Biblical Press, , pages 31–34 with fo ...
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Arti (Hinduism)
''Arti'' () or ''Aarati'' () is a Hindu ritual employed in worship, part of a '' puja'', in which light from a flame (fuelled by camphor, ghee, or oil) is ritually waved to venerate deities. ''Arti'' also refers to the hymns sung in praise of the deity, when the light is being offered. Sikhs have ''Arti'' ''kirtan'' which involves only devotional singing; the Nihang order of Sikhs also use light for ''arti''. Etymology and origin ''Aarti'' is thought to have descended from ''Vedic'' ''fire rituals or yajna''. ''Aarati'' is derived from the Sanskrit word () which means something that removes , “darkness”.James Lochtefeld, An illustrated Encyclopedia of Hinduism, , page 51 A Marathi language reference says it is also known as (). According to Steven Rosen, ''arti'' means "before night" or symbolic end of the night to the worshipper's "material sojourn - he or she is now situated in the light of God's devotion."Rosen, Steven (2006). ''Essential Hinduism''. Praeger Publisher ...
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Naivedya
200px, ''Naivedya'' offered to Sri Maya Chandrodaya Mandir in Mayapur, India">Mayapur.html" ;"title="Sri Maya Chandrodaya Mandir, Mayapur">Sri Maya Chandrodaya Mandir in Mayapur">Sri Maya Chandrodaya Mandir, Mayapur">Sri Maya Chandrodaya Mandir in Mayapur, India Prasāda (, Sanskrit: प्रसाद), prasad or prasadam is a religious offering in Hinduism. Most often ''Prasada'' is vegetarian food especially cooked for devotees after praise and thanksgiving to a god. ''Mahaprasada'' (also called ''bhandarā''),Pashaura Singh, Louis E. Fenech, 2014The Oxford Handbook of Sikh Studies/ref> is the consecrated food offered to the deity in a Hindu temple which is then distributed and partaken by all the devotees regardless of any orientation.Chitrita Banerji, 2010Eating India: Exploring the Food and Culture of the Land of SpicesSubhakanta Behera, 2002Construction of an identity discourse: Oriya literature and the Jagannath lovers (1866–1936) pp. 140–177.Susan Pattinson, 2011Th ...
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Darshan (Indian Religions)
In Indian religions, a ''darshan'' (Sanskrit: दर्शन, ; 'showing, appearance, view, sight') or ''darshanam'' is the auspicious sight of a deity or a holy person. The term also refers to any one of the six traditional schools of Hindu philosophy and their literature on spirituality and soteriology. Etymology The word ''darshana'', also in the forms of ''darśana'' or ''darshanam'', comes from the Sanskrit root of दर्शन ''dṛś'' 'to look at', 'to view', vision (spirituality), vision, apparition or glimpse. Definition ''Darshana'' is described as an "auspicious sight" of a holy person, which bestows merit on the viewer. It is most commonly used for theophany, meaning a manifestation or vision of the divine. In Hinduism In Hindu worship, it refers to seeing a deity (especially in image form), or a very holy person or artifact. One can receive ''darshana'' or a glimpse of the deity in the temple, or from a great saintly person, such as a great guru. One can ...
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Agnicayana
The Agnicayana ('; ) or Athirathram () is a category of advanced Śrauta rituals. After one has established the routine of the twice-daily routine of Agnihotra offerings and biweekly ''darśa-purna-masa'' offerings (Full and New Moon rites), one is eligible to perform the Agnistoma, the simplest soma (drink), soma rite. After the agnistoma, one is eligible to perform more extensive soma rites and Agnicayana rites. There are various varieties of Agnicayana. Agnicayana continues to be performed in Kerala. Overview The entire ritual takes twelve days to perform, in the course of which a great bird-shaped altar, the ''uttaravedi'' "northern altar" is built out of 1005 bricks. The liturgical text is in Chapters 20 through 25 of the ''Yajurveda, Krishna Yajurveda''. The immediate purpose of the Agnicayana is to build up for the sacrificer an immortal body that is permanently beyond the reach of the transitory nature of life, suffering and death that, according to this rite, char ...
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Pāṇini
(; , ) was a Sanskrit grammarian, logician, philologist, and revered scholar in ancient India during the mid-1st millennium BCE, dated variously by most scholars between the 6th–5th and 4th century BCE. The historical facts of his life are unknown, except only what can be inferred from his works, and legends recorded long after. His most notable work, the ''Aṣṭādhyāyī,'' is conventionally taken to mark the start of Classical Sanskrit. His work formally codified Classical Sanskrit as a refined and standardized language, making use of a technical metalanguage consisting of a syntax, morphology, and lexicon, organised according to a series of meta-rules. Since the exposure of European scholars to his ''Aṣṭādhyāyī'' in the nineteenth century, Pāṇini has been considered the "first Descriptive linguistics, descriptive linguist",#FPencyclo, François & Ponsonnet (2013: 184). and even labelled as "the father of linguistics". His approach to grammar influenced such ...
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Utsavar
In Hinduism, utsava murti,James Lochtefeld (2002), The Illustrated Encyclopedia of Hinduism: A-M, The Rosen Publishing Group, , page 726 utsavar or uthsavar, is a form of a ''murti'' (icon) which represents a deity. The portable utsavar is employed in the tradition of temple processions, serving as a substitute for the central idol present in the temple shrine, called the mulavar. Etymology The term ''utsava'' is broken down into two root words ''ut'' - "removal" and ''sava'' - "sorrows." Collectively known as "removal of worldly sorrows." The second term ''murti'' means "manifestation of divinity." ''Utsava murti'' is also translated as "festival image" or "idol used for procession." Images An utsava murti is generally made of metal, whereas a mulavar murti is usually made of stone. Ablutions are performed on the utsavar images during daily prayer, or during festivals. It is performed in a sequence with various material like milk, curd, honey, and sugar. These are meant ...
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Brahman
In Hinduism, ''Brahman'' (; IAST: ''Brahman'') connotes the highest universal principle, the ultimate reality of the universe.P. T. Raju (2006), ''Idealistic Thought of India'', Routledge, , page 426 and Conclusion chapter part XII In the Vedic Upanishads, ''Brahman'' constitutes the fundamental reality that transcends the duality of existence and non-existence. It serves as the absolute ground from which time, space, and natural law emerge. It represents an unchanging, eternal principle that exists beyond all boundaries and constraints. Because it transcends all limitation, ''Brahman'' ultimately defies complete description or categorization through language. In major schools of Hindu philosophy, it is the non-physical, efficient, formal and final cause of all that exists.For dualism school of Hinduism, see: Francis X. Clooney (2010), ''Hindu God, Christian God: How Reason Helps Break Down the Boundaries between Religions'', Oxford University Press, , pages 51–58, 11 ...
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Lingam
A lingam ( , lit. "sign, symbol or mark"), sometimes referred to as linga or Shiva linga, is an abstract or Aniconism, aniconic representation of the Hinduism, Hindu Hindu deities, god Shiva in Shaivism. The word ''lingam'' is found in the Upanishads and Indian epic poetry, epic literature, where it means a "mark, sign, emblem, characteristic", the "evidence, proof, symptom" of Shiva and Shiva's power. The lingam of the Shaivism tradition is a short cylindrical pillar-like symbol of Shiva, made of stone, metal, gem, wood, clay or precious stones. It is often represented within a disc-shaped platform, the ''yoni'' – its feminine counterpart, consisting of a flat element, horizontal compared to the vertical lingam, and designed to allow liquid offerings to drain away for collection. The ''lingam'' is an emblem of generative and destructive power. While rooted in representations of the male sexual organ, the ''lingam'' is regarded as the "outward symbol" of the "formless reali ...
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Lakshmi
Lakshmi (; , , sometimes spelled Laxmi, ), also known as Shri (, , ), is one of the principal goddesses in Hinduism, revered as the goddess of wealth, fortune, prosperity, beauty, fertility, sovereignty, and abundance. She along with Parvati and Sarasvati, form the trinity of goddesses called the Tridevi. Lakshmi has been a central figure in Hindu tradition since pre-Buddhist times (1500 to 500 BCE) and remains one of the most widely worshipped goddesses in the Hindu pantheon. Although she does not appear in the earliest Vedic literature, the personification of the term '' shri''—auspiciousness, glory, and high rank, often associated with kingship—eventually led to the development of Sri-Lakshmi as a goddess in later Vedic texts, particularly the ''Shri Suktam''. Her importance grew significantly during the late epic period (around 400 CE), when she became particularly associated with the preserver god Vishnu as his consort. In this role, Lakshmi is seen as the ide ...
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