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Transfiguration Altarpiece (Perugino)
The Transfiguration Altarpiece is an altarpiece of the Transfiguration of Jesus by Perugino, dating to 1517 and now in the Galleria Nazionale dell'Umbria in Perugia. It was probably produced for Santa Maria dei Servi church in Perugia, where it remained until 1542. This church was one of the most notable in the city and housed the chapels of the Baglioni family and other notable families in the city. It was demolished in the 1540s to make way for the moat of the Rocca Paolina and the Servites moved to the church of Santa Maria Nuova with their large collection of artworks, including ''Transfiguration'', which was moved into that church's Graziani chapel, where it stayed until moving to its present home in 1863. The upper register shows Christ standing on a cloud in a contrapposto pose within a double mandorla and a ring of seraphim. Beside him are Moses and Elijah, kneeling on the same cloud. In the lower register are the apostles John (kneeling), Peter and James (to the right). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perugino
Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Early years He was born Pietro Vannucci in Città della Pieve, Umbria, the son of Cristoforo Maria Vannucci. His nickname characterizes him as from Perugia, the chief city of Umbria. Scholars continue to dispute the socioeconomic status of the Vannucci family. While certain academics maintain that Vannucci worked his way out of poverty, others argue that his family was among the wealthiest in the town. His exact date of birth is not known, but based on his age at death that was mentioned by Vasari and Giovanni Santi, it is believed that he was born between 1446 and 1452. Pietro most likely began studying painting in local workshops in Perugia such as those of Bartolomeo Caporali or Fiorenzo di Lorenzo. The date of the first Florentine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seraphim
A seraph (, "burning one"; plural seraphim ) is a type of celestial or heavenly being originating in Ancient Judaism. The term plays a role in subsequent Judaism, Christianity, and Islam. Tradition places seraphim in the highest rank in Christian angelology and in the fifth rank of ten in the Jewish angelic hierarchy. A seminal passage in the Book of Isaiah () used the term to describe six-winged beings that fly around the Throne of God crying " holy, holy, holy". This throne scene, with its triple invocation of holiness, profoundly influenced subsequent theology, literature and art. Its influence is frequently seen in works depicting angels, heaven and apotheosis. Seraphim are mentioned as celestial beings in the non-canonical Book of Enoch and the canonical Book of Revelation. Origins and development In Hebrew, the word ''saraph'' means "burning", and is used seven times throughout the text of the Hebrew Bible as a noun, usually to denote " serpent", twice in the Book o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1517 Paintings
Year 1517 ( MDXVII) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. Events January–June * January 22 – Battle of Ridaniya: The Holy Ottoman army of the sultan Selim I defeat the Mamluk army in Egypt, under Tuman bay II. * February 3 – Cairo is captured by the Ottoman Empire, and the Mamluk Sultanate falls. * March 16 – The Fifth Council of the Lateran ends. * May 1 – Evil May Day: Xenophobic riots break out in London. July–December * August 15 – Portuguese merchant Fernão Pires de Andrade meets Ming Dynasty Chinese officials through an interpreter, at the Pearl River estuary and lands, at what is now in the jurisdiction of Hong Kong. Although the first European trade expeditions to China took place in 1513 and 1516 by Jorge Álvares and Rafael Perestrello, respectively, Andrade's mission is the first official diplomatic mission of a European power to China, commis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Pietro Perugino
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altarpieces
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collegio Del Cambio Transfiguration
The Collegio del Cambio frescos are a series of allegorical fresco paintings in the Audience Chamber (Sala delle Udienze) of the Collegio del Cambio in Perugia, painted by Perugino. History In 1452 the Arte del Cambio was authorised to set up a headquarters near the fringes of the palazzo dei Priori. They built the building between 1452 and 1457. In 1496 they decided to commission Perugino to decorate the building's Audience Chamber. He was then among the most in-demand artists in Italy, leading studios in both Florence and Perugia. They signed the contract with the painter on 26 January 1496, though he mainly worked on the cycle in 1498, finishing it in 1500. His assistants on the project included Andrea d'Assisi and probably the young Raphael for the figure of Strength and the face of Solomon. He was paid 350 gold ducats on 11 June 1507. Vasari praised it in his ''Lives of the Artists ''The Lives of the Most Excellent Painters, Sculptors, and Architects'' ( it, Le vite de' pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sistine Chapel
The Sistine Chapel (; la, Sacellum Sixtinum; it, Cappella Sistina ) is a chapel in the Apostolic Palace, the official residence of the pope in Vatican City. Originally known as the ''Cappella Magna'' ('Great Chapel'), the chapel takes its name from Pope Sixtus IV, who had it built between 1473 and 1481. Since that time, the chapel has served as a place of both religious and functionary papal activity. Today, it is the site of the papal conclave, the process by which a new pope is selected. The fame of the Sistine Chapel lies mainly in the frescoes that decorate the interior, most particularly the Sistine Chapel ceiling and ''The Last Judgment'', both by Michelangelo. During the reign of Sixtus IV, a team of Renaissance painters that included Sandro Botticelli, Pietro Perugino, Pinturicchio, Domenico Ghirlandaio and Cosimo Rosselli, created a series of frescos depicting the ''Life of Moses'' and the ''Life of Christ'', offset by papal portraits above and '' trompe-l' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elijah
Elijah ( ; he, אֵלִיָּהוּ, ʾĒlīyyāhū, meaning "My God is Yahweh/ YHWH"; Greek form: Elias, ''Elías''; syr, ܐܸܠܝܼܵܐ, ''Elyāe''; Arabic: إلياس or إليا, ''Ilyās'' or ''Ilyā''. ) was, according to the Books of Kings in the Hebrew Bible, a prophet and a miracle worker who lived in the northern kingdom of Israel during the reign of King Ahab (9th century BCE). In 1 Kings 18, Elijah defended the worship of the Hebrew God over that of the Canaanite deity Baal. God also performed many miracles through Elijah, including resurrection, bringing fire down from the sky, and entering heaven alive "by fire". 2 Kings 2:11 He is also portrayed as leading a school of prophets known as "the sons of the prophets". Following his ascension, Elisha, his disciple and most devoted assistant, took over his role as leader of this school. The Book of Malachi prophesies Elijah's return "before the coming of the great and terrible day of the ", making him a harbin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moses
Moses hbo, מֹשֶׁה, Mōše; also known as Moshe or Moshe Rabbeinu ( Mishnaic Hebrew: מֹשֶׁה רַבֵּינוּ, ); syr, ܡܘܫܐ, Mūše; ar, موسى, Mūsā; grc, Mωϋσῆς, Mōÿsēs () is considered the most important prophet in Judaism and one of the most important prophets in Christianity, Islam, the Druze faith, the Baháʼí Faith and other Abrahamic religions. According to both the Bible and the Quran, Moses was the leader of the Israelites and lawgiver to whom the authorship, or "acquisition from heaven", of the Torah (the first five books of the Bible) is attributed. According to the Book of Exodus, Moses was born in a time when his people, the Israelites, an enslaved minority, were increasing in population and, as a result, the Egyptian Pharaoh worried that they might ally themselves with Egypt's enemies. Moses' Hebrew mother, Jochebed, secretly hid him when Pharaoh ordered all newborn Hebrew boys to be killed in order to reduce the popul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandorla
A mandorla is an almond-shaped aureola, i.e. a frame that surrounds the totality of an iconographic figure. It is usually synonymous with '' vesica'', a lens shape. Mandorlas often surround the figures of Jesus Christ and the Virgin Mary in traditional Christian iconography. It is distinguished from a halo in that it encircles the entire body and not just the head. It is commonly used to frame the figure of Christ in Majesty in early medieval and Romanesque art, as well as Byzantine art of the same periods. It is the shape generally used for mediaeval ecclesiastical seals, secular seals generally being round. Depictions ''Mandorla'' is Italian for the almond nut, to which shape it refers. It may be elliptical or depicted as a vesica, a lens shape as the intersection of two circles. Rhombic mandorlas are also sometimes depicted. In icons of the Eastern Orthodox Church, the mandorla is used to depict sacred moments that transcend time and space, such as the Resurrection and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrapposto
''Contrapposto'' () is an Italian term that means "counterpoise". It is used in the visual arts to describe a human figure standing with most of its weight on one foot, so that its shoulders and arms twist off-axis from the hips and legs in the axial plane. First appearing in Ancient Greece in the early 5th century BCE, contrapposto is considered a crucial development in the history of Ancient Greek art (and, by extension, Western art), as it marks the first time in Western art that the human body is used to express a psychological disposition. The style was further developed and popularized by sculptors in the Hellenistic and Imperial Roman periods, fell out of use in the Middle Ages, and was later revived during the Renaissance. Michelangelo's statue of ''David'', one of the most iconic sculptures in the world, is a famous example of contrapposto. Definition Contrapposto was historically an important sculptural development, for its appearance marks the first time in Western ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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