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Contrapposto
( 'counterpoise'), in the visual arts, is a human figure standing with most of its weight on one foot, so that its shoulders and arms twist off-axis from the hips and legs in the axial plane. First appearing in Ancient Greece in the early 5th century BCE, ''contrapposto'' is considered a crucial development in the history of Ancient Greek art (and, by extension, Western art), as it marks the first time in Western art that the human body is used to express a psychological disposition. The style was further developed and popularized by sculptors in the Hellenistic and Imperial Roman periods, fell out of use in the Middle Ages, and was later revived during the Renaissance. Michelangelo's statue of ''David'', one of the most iconic sculptures in the world, is a famous example of ''contrapposto''. Definition ''Contrapposto'' was historically an important sculptural development, for its appearance marks the first time in Western art that the human body is used to express a more re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David (Michelangelo)
''David'' is a masterpiece of Italian Renaissance sculpture in marble created from 1501 to 1504 by Michelangelo. With a height of , the ''David'' was the first colossal marble statue made in the High Renaissance, and since classical antiquity, a precedent for the 16th century and beyond. ''David'' was originally commissioned as one of a series of statues of twelve prophets to be positioned along the roofline of the east end of Florence Cathedral, but was instead placed in the public square in front of the Palazzo della Signoria, the seat of civic government in Florence, where it was unveiled on 8 September 1504. In 1873, the statue was moved to the Galleria dell'Accademia, Florence. In 1910 a replica was installed at the original site on the public square. The biblical figure David was a favoured subject in the art of Florence. Because of the nature of the figure it represented, the statue soon came to symbolize the defence of civil liberties embodied in the 1494 constit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Supernormal Stimulus
A supernormal stimulus or superstimulus is an exaggerated version of a stimulus to which there is an existing response tendency, or any stimulus that elicits a response more strongly than the stimulus for which it evolved. For example, it is possible to create artificial bird eggs which certain birds will prefer over their own eggs, particularly evident in brood parasitism. Some speculate humans can be similarly exploited by junk food. Organisms tend to show a preference for the stimulus properties (e.g. size, colour, etc.) that have evolved in nature, but when offered an artificial exaggerated stimulus, animals will show behaviour in favour of the artificial stimulus over the naturally occurring stimulus. A variety of organisms display or are susceptible to supernormal stimuli, including insects, birds, and humans. Supernormal stimuli are present in areas of biology and psychology, but are also studied within other fields like sociology and art. British academic Nigel Spive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
S-curve (art)
Wenuszmf.jpg, The ''Venus de Milo'' statue has an S-curve form. Chiasmo Contrapposto-Canone Canon policleteo (3pages)-scheme-diagram-photo Paolo Villa 2024 CC BY-SA 4.0 (and italian Law & MiC)- Doryphoros by Polykleitos, photo-scheme-diagram.pdf, Diagram S-curve form of Doryphoros by Polykleitos In the visual arts, an S-curve is an '' S''-shaped curve that serves a wide variety of compositional purposes. The term is usually applied to the standing human figure bending first one way and then back the other. It may also be applied more generally, for example in landscape painting and photography. Human figure In Ancient Greek and Roman sculpture, the S-curve is a traditional art concept where the figure's body and posture is depicted like a sinuous or serpentine manner. It is related to and is an extension of the art term of contrapposto which is when a figure is depicted slouching or placing one's weight and thus center of gravity to one side. However, the S Curve involve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polykleitos
Polykleitos (; ) was an ancient Greek sculptor, active in the 5th century BCE. Alongside the Athenian sculptors Pheidias, Myron and Praxiteles, he is considered as one of the most important sculptors of classical antiquity. The 4th century BCE catalogue attributed to Xenocrates (the "Xenocratic catalogue"), which was Pliny's guide in matters of art, ranked him between Pheidias and Myron. He is particularly known for his lost treatise, the ''Canon of Polykleitos'' (a canon of body proportions), which set out his mathematical basis of an idealised male body shape. None of his original sculptures are known to survive, but many marble works, mostly Roman, are believed to be later copies. Name His Greek name was traditionally Latinized ''Polycletus'', but is also transliterated ''Polycleitus'' (, Classical Greek , "much-renowned") and, due to iotacism in the transition from Ancient to Modern Greek, ''Polyklitos'' or ''Polyclitus''. He is called Sicyonius (lit. "The Sicyonia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Of Europe
The art of Europe, also known as Western art, encompasses the history of visual art in Europe. European prehistoric art started as mobile Upper Paleolithic rock and cave painting and petroglyph art and was characteristic of the period between the Paleolithic and the Iron Age. Written histories of European art often begin with the Aegean civilizations, dating from the 3rd millennium BC. However a consistent pattern of artistic development within Europe becomes clear only with Ancient Greek art, which was adopted and transformed by Rome and carried; with the Roman Empire, across much of Europe, North Africa and Western Asia. The influence of the art of the Classical period waxed and waned throughout the next two thousand years, seeming to slip into a distant memory in parts of the Medieval period, to re-emerge in the Renaissance, suffer a period of what some early art historians viewed as "decay" during the Baroque period, to reappear in a refined form in Neo-ClassicismMur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kritios
Kritios (, ) was an Athenian sculptor, probably a pupil of Antenor, working in the early 5th century BCE, whose manner is on the cusp of the Late Archaic and the Severe style of Early Classicism in Attica. He was the teacher of Myron. With Nesiotes (Νησιώτης,) Kritios made the replacement of the Tyrannicides ("Tyrant-killers") groupThe "Tyrant-killers" (Τυραννοκτόνοι), Harmodius and Aristogeiton, the heroic lovers who slew the tyrant Hipparchus. by Antenor, which had been carried off by the Persians in the first stage of the Greco-Persian Wars. The new group stood in the Agora of Athens and its composition is known from Roman copies. With Nesiotes Kritios made other statues, of bronze, dedicated on the Acropolis, of which only their inscribed bases remain to give testament. The head of a marble statue found on the Acropolis so much resembles the copies of one of the Tyrannicides – Harmodius – that it has been called the '' Kritios Boy'' (now in the Acr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (6March 147518February 1564), known mononymously as Michelangelo, was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early. Two of his best-known works, the ''Pietà (Michelangelo), Pietà'' and ''David (Michelangelo), David'', were sculpted before the age of 30. Although he did not consider himself a painter, Michelangelo created ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kore (sculpture)
Kore ( Greek: κόρη "maiden"; plural korai) is the modern term given to a type of free-standing ancient Greek sculpture of the Archaic period depicting female figures, always of a young age. Kouroi are the youthful male equivalent of kore statues. Korai show the restrained " archaic smile", which did not demonstrate emotion. It was the symbol of the ideal, transcending the hardships of the world. Unlike the nude kouroi, korai are depicted in thick and sometimes elaborate drapery. As fashions changed, so did the type of clothing they wore. Over time, korai went from the heavy peplos to lighter garments such as the chiton. Their posture is rigid and column-like, sometimes with an extended arm. Some korai were painted colorfully to enhance the visual impact of the garments and for narrative purposes. There are multiple theories on whether the korai represent mortals or deities. Korai also functioned as offerings to the deities or the dead. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archaic Greece
Archaic Greece was the period in History of Greece, Greek history lasting from to the second Persian invasion of Greece in 480 BC, following the Greek Dark Ages and succeeded by the Classical Greece, Classical period. In the archaic period, the Greeks settled across the Mediterranean Sea and the Black Sea: by the end of the period, they were part of a trade network that spanned the entire Mediterranean. The archaic period began with a massive increase in the Greek population and of significant changes that rendered the Greek world at the end of the 8th century entirely unrecognizable from its beginning. According to Anthony Snodgrass, the archaic period was bounded by two revolutions in the Greek world. It began with a "structural revolution" that "drew the political map of the Greek world" and established the ''Polis, poleis'', the distinctively Greek city-states, and it ended with the intellectual revolution of the Classical period. The archaic period saw developments in Greek ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kouros
Kouros (, , plural kouroi) is the modern term given to free-standing Ancient Greek sculpture, Ancient Greek sculptures that depict nude male youths. They first appear in the Archaic period in Greece and are prominent in Attica and Boeotia, with a less frequent presence in many other Ancient Greek territories such as Sicily. Such statues are found across the Greek-speaking world; the preponderance of these were found in sanctuaries of Apollo with more than one hundred from the sanctuary of Apollo Ptoion, Boeotia, alone. These free-standing sculptures were typically marble, but the form is also rendered in limestone, wood, bronze, ivory and terracotta. They are typically life-sized, though early Colossal statue, colossal examples are up to 3 meters tall. The female sculptural counterpart of the kouros is the kore (sculpture), kore. Etymology The Ancient Greek word kouros () refers to "youth, boy, especially of noble rank." When a pubescent was received into the body of grown men, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
