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Polykleitos
Polykleitos (; ) was an ancient Greek sculptor, active in the 5th century BCE. Alongside the Athenian sculptors Pheidias, Myron and Praxiteles, he is considered as one of the most important sculptors of classical antiquity. The 4th century BCE catalogue attributed to Xenocrates (the "Xenocratic catalogue"), which was Pliny's guide in matters of art, ranked him between Pheidias and Myron. He is particularly known for his lost treatise, the ''Canon of Polykleitos'' (a canon of body proportions), which set out his mathematical basis of an idealised male body shape. None of his original sculptures are known to survive, but many marble works, mostly Roman, are believed to be later copies. Name His Greek name was traditionally Latinized ''Polycletus'', but is also transliterated ''Polycleitus'' (, Classical Greek , "much-renowned") and, due to iotacism in the transition from Ancient to Modern Greek, ''Polyklitos'' or ''Polyclitus''. He is called Sicyonius (lit. "The Sicyonia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canon Of Polykleitos
Polykleitos (; ) was an ancient Greek sculptor, active in the 5th century BCE. Alongside the Athens, Athenian sculptors Pheidias, Myron and Praxiteles, he is considered as one of the most important sculptors of classical antiquity. The 4th century BCE catalogue attributed to Xenocrates (the "Xenocratic catalogue"), which was Pliny's guide in matters of art, ranked him between Pheidias and Myron. He is particularly known for his lost treatise, the ''Canon of Polykleitos'' (a artistic canons of body proportions, canon of body proportions), which set out his Mathematics and art, mathematical basis of an idealised male body shape. None of his original sculptures are known to survive, but many marble works, mostly Roman, are believed to be later copies. Name His Greek name was traditionally Latinized ''Polycletus'', but is also transliterated ''Polycleitus'' (, Classical Greek , "much-renowned") and, due to iotacism in the transition from Ancient to Modern Greek, ''Polyklitos'' or ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mathematics And Art
Mathematics and art are related in a variety of ways. Mathematics has itself been described as an art mathematical beauty, motivated by beauty. Mathematics can be discerned in arts such as Music and mathematics, music, dance, painting, Mathematics and architecture, architecture, sculpture, and Mathematics and fiber arts, textiles. This article focuses, however, on mathematics in the visual arts. Mathematics and art have a long historical relationship. List of mathematical artists, Artists have used mathematics since the 4th century BC when the Greek sculpture, sculptor Polykleitos wrote Polykleitos#Canon of Polykleitos, his ''Canon'', prescribing proportions Polykleitos#Conjectured reconstruction, conjectured to have been based on the ratio 1: for the ideal male nude. Persistent popular claims have been made for the use of the golden ratio in ancient art and architecture, without reliable evidence. In the Italian Renaissance, Luca Pacioli wrote the influential treatise ''De div ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artistic Canons Of Body Proportions
An artistic canon of body proportions (or aesthetic canon of proportion), in the sphere of visual arts, is a formally codified set of criteria deemed mandatory for a particular artistic style of figurative art. The word ''canon'' () was first used for this type of rule in Classical Greece, where it set a reference standard for body proportions, to produce a harmoniously formed figure appropriate to depict gods or kings. Other art styles have similar rules that apply particularly to the representation of royal or divine personalities. Ancient Egypt In 1961, Danish Egyptologist Erik Iverson described a canon of proportions in classical Egyptian painting. This work was based on still-detectable grid lines on tomb paintings: he determined that the grid was 18 cells high, with the base-line at the soles of the feet and the top of the grid aligned with hair line, and the navel at the eleventh line. These 'cells' were specified according to the size of the subject's fist, measured acro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polykleitos The Younger
Polykleitos the Younger (; fl. ) was an Ancient Greek sculptor of athletes. His greatest achievements, however, were as an architect. Polykleitos the Younger was the architect of the Theatre and Tholos at Epidaurus. Started around 360 BC, the Tholos exhibited elaborate detailing, especially on the Corinthian capitals of its interior columns. These columns would influence most later designs for that order. He was the son of the Classical Greek sculptor Polykleitos Polykleitos (; ) was an ancient Greek sculptor, active in the 5th century BCE. Alongside the Athenian sculptors Pheidias, Myron and Praxiteles, he is considered as one of the most important sculptors of classical antiquity. The 4th century B ..., the Elder. Later in his life, Polykleitos built many other works of art, most of his work on athletes. See also * Armed Aphrodite, Roman copy of one of his works References 4th-century BC Greek sculptors Ancient Argives {{Greece-architect-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Myron
Myron of Eleutherae (480–440 BC) (; , ''Myrōn'' ) was an Athenian sculptor from the mid-5th century BC. Alongside three other Greek sculptors, Polykleitos Pheidias, and Praxiteles, Myron is considered as one of the most important sculptors of classical antiquity. He was born in Eleutherae on the borders of Boeotia and Attica. According to ''Natural History'', a Latin encyclopedia by Pliny the Elder (AD 23 – 79), a scholar in Ancient Rome, Ageladas of Argos was his teacher. None of his original sculptures are known to survive, but there are many later copies of his works, such as his '' Discobolus'', mostly Roman. Reputation Myron worked almost exclusively in bronze and his fame rested principally upon his representations of athletes (including his iconic '' Diskobolos''), in which he made a revolution, according to commentators in Antiquity, by introducing greater boldness of pose and a more perfect rhythm, subordinating the parts to the whole. Pliny's remark that Myr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ageladas
Ageladas ( ''Agelā́dās'') or Hagelaedas ( ''Hagelā́idās'') was a celebrated Greek ( Argive) sculptor, who flourished in the latter part of the 6th and the early part of the 5th century BC. Ageladas' fame is enhanced by his having been the instructor of the three great masters, Phidias, Myron, and Polykleitos. The determination of the period when Ageladas flourished has given rise to a great deal of discussion, owing to the apparently contradictory statements of the writers who mention his name. Pausanias states that Ageladas cast a statue of Cleosthenes (who gained a victory in the chariot-race in the 66th Olympiad) with the chariot, horses, and charioteer placed at Olympia. Also at Olympia, there were statues by Ageladas of Timasitheus of Delphi and Anochus of Tarentum. Timasitheus was put to death by the Athenians for his participation in the attempt to overthrow the tyrant Isagoras during the 68th Olympiad in 507. According to Eusebius, Anochus was a victor in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Sculptor
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: Archaic Greek sculpture (from about 650 to 480 BC), Classical (480–323 BC) and Hellenistic thereafter. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials. The Greeks decided very early on that the human form was the most important subject for artistic endeavour. Since they pictured their gods as having human form, there was little distinction between the sacred and the secular in art—the human body was both secular and sacred. A male nude of Apollo or Heracles shows only slight differences in treatment from a sculpture of that year's Olympic boxing champion. The statue (originally single, but by the Hellenistic period often in group ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discophoros BM
The ''Discophoros'', also spelled ''Discophorus'' (Greek – " Discus-Bearer"), was a bronze sculpture by the classical Greek sculptor Polyclitus, creator of the ''Doryphoros'' and '' Diadumenos'', and its many Roman marble copies. It is not, however, to be confused with ''Discobolus'' of Myron, which shows a discus being thrown, not carried. Like the ''Doryphoros'' and ''Diadumenos'', it was created as an example of Polyclitus's "canon" of the ideal human form in sculpture. It features a young, muscular, solidly-built athlete in a moment of thought before throwing a discus. Most marble copies feature the addition of a marble tree stump – marble is weaker but heavier than bronze- as the stump is needed for support. These copies are also often missing their arms, which are often restored. A variant is at the Louvre Museum. See also * ''Discobolus The ''Discobolus'' by Myron (" discus thrower", , ''Diskobólos'') is an ancient Greek sculpture completed at the start of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
City State
A city-state is an independent sovereign city which serves as the center of political, economic, and cultural life over its contiguous territory. They have existed in many parts of the world throughout history, including cities such as Rome, Carthage, Athens and Sparta and the Italian city-states during the Middle Ages and Renaissance, such as Florence, Venice, Genoa and Milan. With the rise of nation states worldwide, there remains some disagreement on the number of modern city-states that still exist; Singapore, Monaco and Vatican City are the candidates most commonly discussed. Out of these, Singapore is the largest and most populous, and is generally considered to be the last real city-state left in the world, with full sovereignty, international borders, its own currency, a robust military, and substantial international influence in its own right. ''The Economist'' refers to it as the "world's only fully functioning city-state". Several non-sovereign cities enjoy a high ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phidias
Phidias or Pheidias (; , ''Pheidias''; ) was an Ancient Greek sculptor, painter, and architect, active in the 5th century BC. His Statue of Zeus at Olympia was one of the Seven Wonders of the Ancient World. Phidias also designed the statues of the goddess Athena on the Acropolis, Athens, Athenian Acropolis, namely the ''Athena Parthenos'' inside the Parthenon, and the ''Athena Promachos'', a colossal bronze which stood between it and the Propylaea (Acropolis of Athens), Propylaea, a monumental gateway that served as the entrance to the Acropolis in Athens. Phidias was the son of Charmides of Athens. The ancients believed that his masters were Hegias of Athens, Hegias and Ageladas. Plutarch discusses Phidias's friendship with the Greek statesman Pericles, recording that enemies of Pericles tried to attack him through Phidias – who was accused of stealing gold intended for the Parthenon's statue of Athena, and of impiously portraying himself and Pericles on the shield of the sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amazons
The Amazons (Ancient Greek: ', singular '; in Latin ', ') were a people in Greek mythology, portrayed in a number of ancient epic poems and legends, such as the Labours of Hercules, Labours of Heracles, the ''Argonautica'' and the ''Iliad''. They were female warriors and hunters, known for their physical agility, strength, archery, riding skills, and the arts of combat. Their society was closed to men and they raised only their daughters, returning their sons to their fathers with whom they would only socialize briefly in order to reproduce. Courageous and fiercely independent, the Amazons, commanded by their queen, regularly undertook extensive military expeditions into the far corners of the world, from Scythia to Thrace, Asia Minor, and the Aegean Islands, reaching as far as Arabia and Egypt. Besides military raids, the Amazons are also associated with the foundation of temples and the establishment of numerous ancient cities like Ephesos, Cyme (Aeolis), Cyme, Smyrna, Sino ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
