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Théâtre Des Bouffes-Parisiens
The Théâtre des Bouffes-Parisiens () is a Parisian theatre founded in 1855 by the composer A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and def ... Jacques Offenbach for the performance of opéra bouffe and operetta. The current theatre is located in the 2nd arrondissement of Paris, 2nd arrondissement at 4 rue Monsigny with an entrance at the back at 65 Passage Choiseul. In the 19th century the theatre was often referred to as the Salle Choiseul. With the decline in popularity of operetta after 1870, the theatre expanded its repertory to include comedies.Bouffes-Parisien website .Lamb, Andrew. "Offenbach, Jacques" in Sadie 199 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris 2 - Théâtre Des Bouffes-Parisiens -1
Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, largest city of France. With an estimated population of 2,048,472 residents in January 2025 in an area of more than , Paris is the List of cities in the European Union by population within city limits, fourth-most populous city in the European Union and the List of cities proper by population density, 30th most densely populated city in the world in 2022. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, culture, Fashion capital, fashion, and gastronomy. Because of its leading role in the French art, arts and Science and technology in France, sciences and its early adoption of extensive street lighting, Paris became known as the City of Light in the 19th century. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an official estimated population of 12,271,794 inhabitants in January 2023, or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Claude Brialy
Jean-Claude Brialy (30 March 1933 – 30 May 2007) was a French actor and film director. Early life Brialy was born in Aumale (now Sour El-Ghozlane), French Algeria, where his father was stationed with the French Army. Brialy moved to mainland France with his family in 1942. He was an alumnus of the Prytanée National Militaire. When he was 21 years old, he went to Paris to work as an actor. Career In 1956, Brialy acted in his first role in the short film ''Le coup du berger'' ('' Fool's Mate'') by Jacques Rivette. By the late 1950s, he'd become one of the most prolific actors in the French '' nouvelle vague'' and a star. He appeared in films of ''nouvelle vague'' directors such as Claude Chabrol ('' Le Beau Serge'', 1958; '' Les Cousins'', 1959), Louis Malle ('' Ascenseur pour l'échafaud'', 1958; '' Les Amants'', 1958), François Truffaut ('' Les 400 Coups'', 1959), Jean-Luc Godard, ('' Une femme est une femme'', 1961), Éric Rohmer ('' Claire's Knee'', 1970), as well as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Bernstein
Henri-Léon-Gustave-Charles Bernstein (20 June 1876 – 27 November 1953) was a French playwright associated with Boulevard theatre. Biography Bernstein was born in Paris. His earliest plays, including ''La Rafale'' (1905), ''Le Voleur'' (1907), ''Samson'' (1908), ''Israël'' (1908), and ''Le Secret'' (1913), are written in a realistic style and powerfully depict harsh realities of modern life and society. In late 1909, Bernstein was challenged to a duel by a critic named Chevassu in Paris. The duel originated from a letter Bernstein had sent to the French newspaper ''Comoedia''. The letter responded "in violent terms" to a critical review of Bernstein's play ''La Griffe'' that published in another newspaper (''Figaro'') by Chevassu. After Bernstein refused to retract the letter, the duel was set to take place at the Parc des Princes. Both men agreed to draw pistols at 30 paces. Chevassu fired at Bernstein and missed, while one of Bernstein's seconds discharged the playwright's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacha Guitry
Alexandre-Pierre Georges "Sacha" Guitry (; 21 February 188524 July 1957) was a French stage actor, film actor, director, screenwriter, and playwright of the boulevard theatre (aesthetic), boulevard theatre. He was the son of a leading French actor, Lucien Guitry, and followed his father into the theatrical profession. He became known for his stage performances, particularly in boulevardier roles. He was also a prolific playwright, writing 115 plays throughout his career. He was married five times, always to rising actresses whose careers he furthered. Probably his best-known wife was Yvonne Printemps to whom he was married between 1919 and 1932. Guitry's plays range from historical dramas to contemporary light comedies. Some have incidental music by composers including André Messager and Reynaldo Hahn. When silent films became popular Guitry avoided them, finding the lack of spoken dialogue fatal to dramatic impact. From the 1930s to the end of his life he enthusiastically embr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Willemetz
Albert Willemetz (14 February 1887 – 7 October 1964) was a French librettist. Career Albert Willemetz was a prolific lyricist. He invented a new type of musical, with a humorous and "sexy" style. He was the author of more than 3000 songs, including "Mon homme" (popularized in English as "My Man"), " Valentine," "Dans la vie faut pas s'en faire," "Les palétuviers," "Ramona," "Est-ce que je te demande," "Ah si vous connaissiez ma poule," "Amusez-vous," and " Félicie aussi"), more than 100 musicals (including '' Phi-Phi'', ''Ta Bouche'', ''Là-Haut'', '' Dédé'', ''3 jeunes filles nues'', ''Florestan 1er'', and ''Trois Valses''), more than 100 revues (including seven with Sacha Guitry), and work for films. He worked with some of the notable musicians of his day, including André Messager, Maurice Yvain, Arthur Honegger, Henri Christiné, José Padilla, Vincent Scotto, Reynaldo Hahn, Raoul Moretti, Moises Simons, Georges Van Parys, Henri Betti, Szulc, Borel-Clerc, Ober ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert De Flers
Robert Pellevé de La Motte-Ango, marquis de Flers (25 November 1872, Pont-l'Évêque, Calvados – 30 July 1927, Vittel) was a French playwright, opera librettist, and journalist. Pierre Barillet, ''Les Seigneurs du rire: Flers – Caillavet – Croisset'', Paris, Arthème Fayard, 1999 Biography He entered the Lycée Condorcet in 1888 where he studied law with the initial ambition of entering diplomatic service. He met and befriended fellow student and writer Marcel Proust, and that relationship had a great influence upon him. Proust exposed Flers to art, literature, and music and his interests soon switched from law to writing, journalism, and literature. The two men enjoyed a lifelong friendship. After completing his studies, he toured throughout Asia in the mid-1890s. The event inspired his earliest writings: the novel ''La Courtisane Taïa et son singe vert'' (1896), the short story ''Ilsée, princesse de Tripoli'' (1896), and the travel narrative ''Vers l’Orient'' (1897) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Terrasse
Claude Terrasse (27 January 1867 – 30 June 1923) was a French composer of operettas. Terrasse was born in L'Arbresle, Rhône. He became known by writing the music for the play ''Ubu Roi'' by Alfred Jarry in 1896. In Paris, his brother-in-law, the painter Pierre Bonnard, introduced him to the artistic world and the ''avant-garde'' literature and art of the time. Bonnard also did several portraits of him. In 1890, Terrasse married Andrée Bonnard, sister of the artist Pierre Bonnard. By 1899, they had six children, several of whom appear in Bonnard paintings. Their son Charles Terrasse published a monograph on Bonnard in 1927. Terrasse died in Paris, and was buried in the Montmartre Cemetery. Works * ''Vive la France!'' – ''Trilogie à grand spectacle'' (trilogy of a great spectacle) – libretto by Franc-Nohain – (Theater of the Pantins, Paris; 29 March 1898) * ''La petite femme de Loth'' – Opéra bouffe in 3 acts – libretto by Tristan Bernard (first presented at th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Chabrier
Alexis-Emmanuel Chabrier (; 18 January 184113 September 1894) was a French Romantic music, Romantic composer and pianist. His Bourgeoisie, bourgeois family did not approve of a musical career for him, and he studied law in Paris and then worked as a civil servant until the age of thirty-nine while immersing himself in the modernist artistic life of the French capital and composing in his spare time. From 1880 until his final illness he was a full-time composer. Although known primarily for two of his orchestral works, ''España (Chabrier), España'' and ''Joyeuse marche'', Chabrier left a List of operas and operettas by Emmanuel Chabrier, corpus of operas (including ''L'étoile (opera), L'étoile''), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important inno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florimond Ronger
Florimond is a given name. Notable people with the name include: *Florimond Cornellie, Belgian sailor *Florimond de Beaune, French jurist and mathematician *Joseph Florimond Loubat, American philanthropist *Count Claude Florimond de Mercy, Austrian Imperial field marshal *Florimond Claude, Comte de Mercy-Argenteau, Austrian diplomat * Florimond Ronger, French singer, composer, librettist, conductor and scene painter *Prince Florimund, character in some versions of "Sleeping Beauty "Sleeping Beauty" (, or ''The Beauty Sleeping in the Wood''; , or ''Little Briar Rose''), also titled in English as ''The Sleeping Beauty in the Woods'', is a fairy tale about a princess curse, cursed by an evil fairy to suspended animation in fi ..." {{given name French masculine given names Masculine given names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orphée Aux Enfers
''Orpheus in the Underworld'' and ''Orpheus in Hell'' are English names for (), a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy. It was first performed as a two-act " opéra bouffon" at the Théâtre des Bouffes-Parisiens, Paris, on 21 October 1858, and was extensively revised and expanded in a four-act " opéra féerie" version, presented at the Théâtre de la Gaîté, Paris, on 7 February 1874. The opera is a lampoon of the ancient legend of Orpheus and Eurydice. In this version Orpheus is not the son of Apollo but a rustic violin teacher. He is glad to be rid of his wife, Eurydice, when she is abducted by the god of the underworld, Pluto. Orpheus has to be bullied by Public Opinion into trying to rescue Eurydice. The reprehensible conduct of the gods of Olympus in the opera was widely seen as a veiled satire of the court and government of Napoleon III, Emperor of the French. Some critics expressed outrage at the libretti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Charles Deburau
Jean-Charles Deburau (; 15 February 1829– 19 December 1873) was an important French mime, the son and successor of the legendary Jean-Gaspard Deburau, who was immortalized as Baptiste the Pierrot in Marcel Carné's film ''Children of Paradise'' (1945). After his father's death in 1846, Charles kept alive his pantomime, pantomimic legacy, first in Paris, at the Théâtre des Funambules, and then, beginning in the late 1850s, at theaters in Bordeaux and Marseille. He is routinely credited with founding a southern "school" of pantomime; indeed, he served as tutor to the Marseille mime Louis Rouffe, who, in turn, gave instruction to Séverin Cafferra, known simply as "Séverin". But their art was nourished by the work of other mimes, particularly of Charles's rival, Paul Legrand, and by earlier developments in nineteenth-century pantomime that were alien to the Deburaux' traditions. Life and career Deburau ''père'', feeling burdened by the hardships of the performer, discouraged C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
