|
Théâtre De La Renaissance
The name Théâtre de la Renaissance () has been used successively for three distinct Parisian theatre companies. The first two companies, which were short-lived enterprises in the 19th century, used the Salle Ventadour, now an office building on the Rue Méhul in the 2nd arrondissement of Paris, 2nd arrondissement. The current company was founded in 1873, and its much smaller theatre (pictured) was built that same year next to the Porte Saint-Martin at 20 boulevard Saint-Martin, in the 10th arrondissement of Paris, 10th arrondissement. Besides performances of musical theatre, Feydeau's farces were first produced in this theatre, and plays by Victorien Sardou. Among the actors who triumphed there were Sarah Bernhardt, Eleonora Duse, and Raimu, later Agnès Jaoui and Jean-Pierre Bacri. 1838–1841 The first company to be called Théâtre de la Renaissance opened its doors in 1838 under the sponsorship of Victor Hugo and Alexandre Dumas, père, who wanted to have a location for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Theatre De La Renaissance
Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, largest city of France. With an estimated population of 2,048,472 residents in January 2025 in an area of more than , Paris is the List of cities in the European Union by population within city limits, fourth-most populous city in the European Union and the List of cities proper by population density, 30th most densely populated city in the world in 2022. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, culture, Fashion capital, fashion, and gastronomy. Because of its leading role in the French art, arts and Science and technology in France, sciences and its early adoption of extensive street lighting, Paris became known as the City of Light in the 19th century. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an official estimated population of 12,271,794 inhabitants in January 2023, or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frédérick Lemaître
Antoine Louis Prosper "Frédérick" Lemaître (; 28 July 1800 – 26 January 1876) was a French actor and playwright, one of the most famous players on the celebrated Boulevard du Crime. Biography Lemaître, the son of an architect, was born at Le Havre, Seine-Maritime. He adopted the first name "Frédérick" as a stage name. He spent two years at the Conservatoire de Paris, and made his first appearance at a variety performance in one of the basement restaurants at the Palais Royal. At the Théâtre de l'Ambigu-Comique on 12 July 1823 he played the part of Robert Macaire in ''L'Auberge des Adrets''. The melodrama was played seriously on the first night and was received with little favor, but it was changed on the second night to burlesque, and thanks to him had a great success. All of Paris came to see it, and from that day he was famous. He created a number of parts that added to his popularity, especially Cardillac, Cagliostro and Cartouche. His success in the las ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thérèse Raquin
''Thérèse Raquin'' () is an early novel by French writer Émile Zola. It appeared in serial form from August–October 1867 in the magazine ''L'Artiste'', and was published in book form later that year. Although it was Zola's third novel, it was the one that earned him fame and notoriety. The plot, with its focus on adultery and murder, was considered scandalous and described as "putrid literature" in a review in ''Le Figaro''. The novel tells the story of a young woman, Thérèse Raquin, who is coerced by an overbearing aunt into a loveless marriage with her first cousin Camille. He is sickly and egocentric and when the opportunity arises, Thérèse enters into a turbulent, sordid affair with Camille's friend, Laurent. Despite their numerous trysts, Thérèse and Laurent are convinced they can only be truly happy if they are married. To do that, they must kill Camille, and so they carry out the murderous deed. The plan worksthey wed two years after his deathbut they are so h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is a grand opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's '' Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Jose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolphe Deloffre
Louis Michel Adolphe Deloffre (28 July 1817 – 8 January 1876) was a French violinist and conductor active in London and Paris, who conducted several important operatic premieres in the latter city, particularly by Charles Gounod and Georges Bizet. Walsh TJ. ''Second Empire Opera – The Théâtre-Lyrique Paris 1851-1870.'' John Calder Ltd, London, 1981. Career Born in Paris, Deloffre's initial musical training was from his father, a violinist and guitarist. His violin teachers later included Bellon, de Lafont and Baillot, and he became recognised for his fine playing. He then set out from Paris for London with the French conductor Jullien and later became principal violinist at Her Majesty's Theatre under Balfe; he also played with the Philharmonic Society, the Sacred Harmony Society and the Musical Union. He would return each year to give concerts in Paris with his wife, a distinguished pianist, and a cellist from the Opéra, Pilet. He returned permanently to Paris to s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walsh TJ
Thomas Joseph Walsh (20 November 1911 – 8 November 1988) was an Irish doctor, writer, and founder and director of the Wexford Opera Festival.Boydell, B.: "Walsh, T(homas) J(oseph)", in ''New Grove Dictionary of Opera'' (London and New York: Macmillan, 1997). Life Walsh was born in Wexford, Ireland, and graduated in medicine from University College Dublin in 1944. During his years in Dublin he took singing lessons from Adelio Viani at the Royal Irish Academy of Music. In 1972, he completed a Ph.D. at Trinity College, Dublin, the thesis becoming the basis for his 1973 book on ''Opera in Dublin''. He became chairman and artistic director of the Wexford Festival in 1951 and established its international recognition over 15 years while still working as an anaesthetist at Wexford County Hospital. Known locally as "Doctor Tom" he "inspired great affection, admiration, and, given his great learning, even a measure of awe".Obituary in ''Opera'' magazine, January 1989, p. 38. Writings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Lyrique
The Théâtre Lyrique () was one of four opera companies performing in Paris during the middle of the 19th century (the other three being the Paris Opera, Opéra, the Opéra-Comique, and the Théâtre-Italien (1801–1878), Théâtre-Italien). The company was founded in 1847 as the Opéra-National by the French composer Adolphe Adam and renamed Théâtre Lyrique in 1852. It used four different theatres in succession, the Cirque Olympique (boulevard du Temple), Cirque Olympique, the Théâtre Historique, the Salle du Théâtre-Lyrique (now the Théâtre de la Ville), and the Salle de l'Athénée, until it ceased operations in 1872.Charlton 1992, p. 871. The diverse repertoire of the company "cracked the strict organization of the Parisian operatic world by breaking away from the principle that institution and genre were of one substance." The company was generally most successful with revivals of foreign works translated into French, particularly operas by Gluck, Mozart, Carl Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léon Carvalho
Léon Carvalho (18 January 1825 – 29 December 1897) was a French impresario and stage director. Biography Born Léon Carvaille in Port Louis, British Mauritius, he came to France at an early age. He studied at the Paris Conservatory and sang as a baritone at the Opéra-Comique (1850–55), where he met the soprano Marie Caroline Miolan, whom he married in 1853. He then gave up singing and took on the direction of the Théâtre Lyrique in 1856, where he presented works by Beethoven, Mozart, Rossini, Weber, but most importantly opened his doors to new French composers turned down by the Opéra and the Opéra-Comique, such as Berlioz (he staged the first, very incomplete, performance of '' Les Troyens'' in 1863), Gounod, Bizet, Saint-Saëns and Delibes. He also staged the premiere of the revised version in a French translation of Verdi's ''Macbeth ''The Tragedy of Macbeth'', often shortened to ''Macbeth'' (), is a tragedy by William Shakespeare, estima ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandre Dumas
Alexandre Dumas (born Alexandre Dumas Davy de la Pailleterie, 24 July 1802 – 5 December 1870), also known as Alexandre Dumas , was a French novelist and playwright. His works have been translated into many languages and he is one of the most widely read French authors. Many of his historical novels of adventure were originally published as serial (literature), serials, including ''The Count of Monte Cristo'', ''The Three Musketeers'', ''Twenty Years After'' and ''The Vicomte of Bragelonne: Ten Years Later''. Since the early 20th century, his novels have been adapted into nearly 200 films. Prolific in several genres, Dumas began his career by writing plays, which were successfully produced from the first. He wrote numerous magazine essay, articles and travel books; his published works totalled 100,000 pages. In the 1840s, Dumas founded the Théâtre Historique in Paris. His father, General Thomas-Alexandre Dumas, Thomas-Alexandre Dumas Davy de la Pailleterie, was born in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Favorite
''La favorite'' (''The Favourite'', frequently referred to by its Italian title: ''La favorita'') is a grand opera in four acts by Gaetano Donizetti to a French-language libretto by Alphonse Royer and Gustave Vaëz, based on the play ''Le comte de Comminges'' by Baculard d'Arnaud with additions by Eugène Scribe based on the story of Leonora de Guzman. The opera concerns the romantic struggles of the King of Castile, Alfonso XI, and his mistress, the "favourite" Leonora, against the backdrop of the political wiles of receding Moorish Spain and the life of the Catholic Church. It premiered on 2 December 1840 at the Académie Royale de Musique (Salle Le Peletier) in Paris. Background Originally, Donizetti had been composing an opera by the name of ''Le Duc d'Albe'' as his second work for the Opéra in Paris. However, the director, Léon Pillet, objected to an opera without a prominent role for his mistress, mezzo-soprano Rosine Stoltz. Donizetti therefore abandoned ''Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'ange De Nisida
''L'Ange de Nisida'' (''The Angel of Nisida'') is an ''opera semiseria'' in four acts by Italian composer Gaetano Donizetti, from a French-language libretto by Alphonse Royer and Gustave Vaëz. Parts of the libretto are considered analogous with the libretto for Giovanni Pacini's ''Adelaide e Comingio'', and the final scene is based on the François-Thomas-Marie de Baculard d'Arnaud play ''Les Amants malheureux, ou le comte de Comminges''. Donizetti worked on the opera in late 1839—its final page is dated 27 December 1839. Because the subject matter involved the mistress of a Neapolitan king, and may thus have caused difficulties with the Italian censors, Donizetti decided that the opera should be presented in France. The theater company Donizetti contracted went bankrupt; the opera was reworked as ''La favorite'' in September 1840. ''L'Ange'' finally received its premiere in its original form in 2018 in a concert performance at London's Royal Opera House. Composition histor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
