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Shvi
The shvi ( hy, շվի, "whistle", pronounced ''sh-vee'') is an Armenian fipple flute with a labium mouth piece. Commonly made of wood (apricot, boxwood, or ebony) or bamboo and up to in length, it typically has a range of an octave and a-half. The ''tav shvi'' is made from apricot wood, it is up to long, and is tuned 1/4 lower producing a more lyrical and intimate sound. The shvi is up to 12 inches in length and is made of reed, bark of willows, or walnut wood. It has 8 holes on the front, 7 of which are used while playing, and one thumbhole. One octave is obtained by blowing normally into the shvi and a second octave is attained by blowing with slightly more force (i.e., overblowing). The lower octave has a timbre similar to a recorder whereas the higher octave sounds similar to a piccolo or flute. 8-hole traditional flute. The shvi is played with the mouth. Typically, most Armenian duduk or zurna players learn the shvi before moving on to either instrument. See also * ...
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Kaval
The kaval is a chromatic end-blown flute traditionally played throughout the Balkans (in Albania, Romania, Bulgaria, Southern Serbia, Kosovo, North Macedonia, Northern Greece, and elsewhere) and Anatolia (including Turkey and Armenia). The kaval is primarily associated with mountain shepherds. Unlike the transverse flute, the kaval is fully open at both ends, and is played by blowing on the sharpened edge of one end. The kaval has eight playing holes (seven in front and one in the back for the thumb) and usually four more unfingered intonation holes near the bottom of the kaval. As a wooden rim-blown flute, kaval is similar to the '' kawala'' of the Arab world and '' ney'' of the Middle East. Construction While typically made of wood ( cornel cherry, apricot, plum, boxwood, mountain ash, etc.), kavals are also made from water buffalo horn, '' Arundo donax'' 1753 (Persian reed), metal and plastic. A kaval made without joints is usually mounted on a wooden holder, which ...
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Duduk
The duduk ( ; hy, դուդուկ ) or tsiranapogh ( hy, ծիրանափող, meaning “apricot-made wind instrument”), is an ancient Armenian double reed woodwind instrument made of apricot wood. It is indigenous to Armenia. Variations of the Armenian duduk appear throughout the Caucasus and the Middle East, including Azerbaijan, Georgia, Russia, Turkey, and Iran. Duduk, Balaban, and Mey are almost identical, except for historical and geographical differences. It is commonly played in pairs: while the first player plays the melody, the second plays a steady drone called ''dum'', and the sound of the two instruments together creates a richer, more haunting sound. The unflattened reed and cylindrical body produce a sound closer to the English horn than the oboe or bassoon. Unlike other double reed instruments like the oboe or shawm, the duduk has a very large reed proportional to its size. UNESCO proclaimed the Armenian duduk and its music as a Masterpiece of the Intang ...
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Fipple Flute
The term fipple specifies a variety of end-blown flute that includes the flageolet, recorder, and tin whistle. The Hornbostel–Sachs system for classifying musical instruments places this group under the heading "Flutes with duct or duct flutes." The label "fipple flute" is frequently applied to members of the subgroup but there is no general agreement about the structural detail of the sound-producing mechanism that constitutes the fipple, itself. Nomenclature The accompanying illustration of the mouthpiece of a recorder shows a wooden block (A) with a channel carved into the body of the instrument (B), together forming a duct that directs a ribbon of air across an opening toward a sharp edge (C). The edge splits the air in a manner that alternately directs it into and outside of the tube, setting the contained column of air into periodic vibration. This flow-controlled "air reed" is a definitive characteristic of all flutes, which therefore all have an edge or equivalent ai ...
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Salamuri
The salamuri ( ka, სალამური) is a Georgian, recorder-like instrument. One player can sometimes play two salamuris at once by using either hand. The salamuri is a widespread wind musical instrument found in all regions of Georgia (especially in Kartli, Kakheti, Meskheti, Tusheti, Pshavi, and Imereti). Relics obtained from archaeological excavations prove the existence of the salamuri in Georgia during ancient times. Among the relics found by an archaeological expedition in Mtskheta (Eastern part of Georgia), an interesting aspect of Georgian musical culture attracts attention. This is a bone pipe, found in 1938 at the northern section of Samtavro's sepulchre. This salamuri is made of swan (shin) bone. It is unreeded and has only three small keys on the front side. The surface of the instrument is well polished. Its length is 19,9 cm. The size of blowing part is 1,1 cm and the bottom's part is 1,8 cm. It was found along with the remains of a 14-15-ye ...
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Duduk
The duduk ( ; hy, դուդուկ ) or tsiranapogh ( hy, ծիրանափող, meaning “apricot-made wind instrument”), is an ancient Armenian double reed woodwind instrument made of apricot wood. It is indigenous to Armenia. Variations of the Armenian duduk appear throughout the Caucasus and the Middle East, including Azerbaijan, Georgia, Russia, Turkey, and Iran. Duduk, Balaban, and Mey are almost identical, except for historical and geographical differences. It is commonly played in pairs: while the first player plays the melody, the second plays a steady drone called ''dum'', and the sound of the two instruments together creates a richer, more haunting sound. The unflattened reed and cylindrical body produce a sound closer to the English horn than the oboe or bassoon. Unlike other double reed instruments like the oboe or shawm, the duduk has a very large reed proportional to its size. UNESCO proclaimed the Armenian duduk and its music as a Masterpiece of the Intang ...
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Woodwind
Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and reed instruments (otherwise called reed pipes). The main distinction between these instruments and other wind instruments is the way in which they produce sound. All woodwinds produce sound by splitting the air blown into them on a sharp edge, such as a reed or a fipple. Despite the name, a woodwind may be made of any material, not just wood. Common examples include brass, silver, cane, as well as other metals such as gold and platinum. The saxophone, for example, though made of brass, is considered a woodwind because it requires a reed to produce sound. Occasionally, woodwinds are made of earthen materials, especially ocarinas. Flutes Flutes produce sound by directing a focused stream of air below the edge of a hole in a cylindrical tub ...
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Recorder (musical Instrument)
The recorder is a family of woodwind musical instruments in the group known as ''internal duct flutes'': flutes with a whistle mouthpiece, also known as fipple flutes. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and seven finger-holes: three for the upper hand and four for the lower. It is the most prominent duct flute in the western classical tradition. Recorders are made in various sizes with names and compasses roughly corresponding to various vocal ranges. The sizes most commonly in use today are the soprano (also known as descant, lowest note C5), alto (also known as treble, lowest note F4), tenor (lowest note C4), and bass (lowest note F3). Recorders were traditionally constructed from wood or ivory. Modern professional instruments are almost invariably of wood, often boxwood; student and scholastic recorders are commonly of molded plastic. The recorders' internal and external proportions vary, but the bore ...
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Sring
The sring ( hy, սրինգ, also transliterated as ) is a shepherd's flute originating in Armenia. Sring is also the common term for end-blown flutes in general. These flutes are made either of a stork bone, bamboo, wood from the apricot tree or cane and have or eight finger holes, producing a diatonic scale. The Armenian musicologist Komitas believed that the sring was the most characteristic among the Armenian instruments. Blul The ' instrument, which is similar in structure to the kaval The kaval is a chromatic end-blown flute traditionally played throughout the Balkans (in Albania, Romania, Bulgaria, Southern Serbia, Kosovo, North Macedonia, Northern Greece, and elsewhere) and Anatolia (including Turkey and Armenia). The ..., is a particular variety of the sring family of flutes. It is often considered a modern evolution of the medieval sring, with the primary differences being the presence of ring-shaped zones, both ends being thickened, and the resulting sound bei ...
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Zurna
The zurna (Armenian: զուռնա zuṙna; Old Armenian: սուռնայ suṙnay; Albanian: surle/surla; Persian: karna/Kornay/surnay; Macedonian: зурла/сурла zurla/surla; Bulgarian: ''зурна/зурла''; Serbian: зурла/zurla; Syriac Aramaic: ܙܘܪܢܐ/zurna; Tat: zurna; Turkish: zurna; Kurdish: zirne; Greek : ζουρνας; Azeri: zurna) is a double reed wind instrument played in central Eurasia, Western Asia and parts of North Africa. It is usually accompanied by a davul (bass drum) in Armenian, Anatolian and Assyrian folk music. Characteristics and history The zurna, like the duduk and kaval, is a woodwind instrument used to play folk music. The zurna is made from the slow-growing and hardwood of fruit trees such as plum or apricot (''Prunus armeniaca''). There are several different types of zurnas. The longest (and lowest-pitched) is the kaba zurna, used in western Turkey and Bulgaria, the shortest (and highest-pitched), which can be made of bo ...
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Overblowing
Overblowing is the manipulation of supplied air through a wind instrument that causes the sounded pitch to jump to a higher one without a fingering change or the operation of a slide. Overblowing may involve a change in the air pressure, in the point at which the air is directed, or in the resonance characteristics of the chamber formed by the mouth and throat of the player. (The latter is a feature of embouchure.) In some instruments, overblowing involves the direct manipulation of the vibrating reed(s), and/or the pushing of a register key while otherwise leaving fingering unaltered. With the exception of harmonica overblowing, the pitch jump is from one vibratory mode of the reed or air column, e.g., its fundamental, to an overtone. Overblowing can be done deliberately in order to get a higher pitch, or inadvertently, resulting in the production of a note other than intended. Characteristics In simple woodwind instruments, overblowing can cause the pitch to change into ...
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Wind Instrument
A wind instrument is a musical instrument that contains some type of resonator (usually a tube) in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound. Methods for obtaining different notes * Using different air columns for different tones, such as in the pan flute. These instruments can play several notes at once. * Changing the length of the vibrating air column by changing the length of the tube through engaging valves ''(see rotary valve, piston valve)'' which route the air through additional tub ...
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