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Fipple Flute
The term fipple specifies a variety of end-blown flute that includes the flageolet, recorder, and tin whistle. The Hornbostel–Sachs system for classifying musical instruments places this group under the heading "Flutes with duct or duct flutes." The label "fipple flute" is frequently applied to members of the subgroup but there is no general agreement about the structural detail of the sound-producing mechanism that constitutes the fipple, itself. Nomenclature The accompanying illustration of the mouthpiece of a recorder shows a wooden block (A) with a channel carved into the body of the instrument (B), together forming a duct that directs a ribbon of air across an opening toward a sharp edge (C). The edge splits the air in a manner that alternately directs it into and outside of the tube, setting the contained column of air into periodic vibration. This flow-controlled "air reed" is a definitive characteristic of all flutes, which therefore all have an edge or equivalent ai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Embouchure Fipple Flute
Embouchure () or lipping is the use of the lips, facial muscles, tongue, and teeth in playing a wind instrument. This includes shaping the lips to the mouthpiece of a woodwind instrument or the mouthpiece of a brass instrument. The word is of French origin and is related to the root ', 'mouth'. Proper embouchure allows instrumentalists to play their instrument at its full range with a full, clear tone and without strain or damage to their muscles. Brass embouchure While performing on a brass instrument, the sound is produced by the player buzzing their lips into a mouthpiece. Pitches are changed in part through altering the amount of muscular contraction in the lip formation. The performer's use of the air, tightening of cheek and jaw muscles, as well as tongue manipulation can affect how the embouchure works. Maintaining an effective embouchure is an essential skill for any brass instrumentalist, but its personal and particular characteristics mean that different pedagogues ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Netherlands
) , anthem = ( en, "William of Nassau") , image_map = , map_caption = , subdivision_type = Sovereign state , subdivision_name = Kingdom of the Netherlands , established_title = Before independence , established_date = Spanish Netherlands , established_title2 = Act of Abjuration , established_date2 = 26 July 1581 , established_title3 = Peace of Münster , established_date3 = 30 January 1648 , established_title4 = Kingdom established , established_date4 = 16 March 1815 , established_title5 = Liberation Day (Netherlands), Liberation Day , established_date5 = 5 May 1945 , established_title6 = Charter for the Kingdom of the Netherlands, Kingdom Charter , established_date6 = 15 December 1954 , established_title7 = Dissolution of the Netherlands Antilles, Caribbean reorganisation , established_date7 = 10 October 2010 , official_languages = Dutch language, Dutch , languages_type = Regional languages , languages_sub = yes , languages = , languages2_type = Reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flue Pipe
A flue pipe (also referred to as a ''labial'' pipe) is an organ pipe that produces sound through the vibration of air molecules, in the same manner as a recorder or a whistle. Air under pressure (called ''wind'') is driven through a flue and against a sharp lip called a ''labium'', causing the column of air in the pipe to resonate at a frequency determined by the pipe length (see wind instrument). Thus, there are no moving parts in a flue pipe. This is in contrast to reed pipes, whose sound is driven by beating reeds, as in a clarinet. Flue pipes are common components of pipe organs. Stop Flue pipes include all stops of the "Principal", "Flute", and "String" classes, and some stops from the "Hybrid" class. Construction Flue pipes may be metallic or wooden. Metal pipes are usually circular in cross section; wooden pipes are usually square or rectangular, though triangular and round wooden pipes do exist. A flue pipe has two major parts, a foot and a resonator. The ''fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gemshorn
The gemshorn is an instrument of the ocarina family that was historically made from the horn of a chamois, goat, or other suitable animal.Windkanal 2/01 p. 9 The gemshorn receives its name from the , in which ''Gemshorn'' means a "chamois horn". History The gemshorn was in use in the 15th century. Examples have been unearthed in Italy, in Hungary and in Germany, including one intact instrument made of clay which dates at least to 1450, as it was found buried beneath the foundation of a house built at that time. The early history of the instrument is not well-known, but the oldest known illustration of one ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ocarina
The ocarina is a wind musical instrument; it is a type of vessel flute. Variations exist, but a typical ocarina is an enclosed space with four to twelve finger holes and a mouthpiece that projects from the body. It is traditionally made from clay or ceramic, but other materials are also used, such as plastic, wood, glass, metal, or bone. History The ocarina belongs to a very old family of instruments, believed to date back over 12,000 years. Ocarina-type instruments have been of particular importance in Chinese and Mesoamerican cultures. For the Chinese, the instrument played an important role in their long history of song and dance. The ocarina has similar features to the Xun (塤), another important Chinese instrument (but is different in that the ocarina uses an internal duct, whereas the Xun is blown across the outer edge). In Japan, the traditional ocarina is known as the ''tsuchibue'' (kanji: 土笛; literally "earthen flute"). Different expeditions to Mesoamerica, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Native American Flute
The Native American flute is a flute that is held in front of the player, has open finger holes, and has two chambers: one for collecting the breath of the player and a second chamber which creates sound. The player breathes into one end of the flute without the need for an embouchure. A ''block'' on the outside of the instrument directs the player's breath from the first chamber—called the slow air chamber—into the second chamber—called the sound chamber. The design of a ''sound hole'' at the proximal end of the sound chamber causes air from the player's breath to vibrate. This vibration causes a steady resonance of air pressure in the sound chamber that creates sound. Native American flutes comprise a wide range of designs, sizes, and variations—far more varied than most other classes of woodwind instruments. Names The instrument is known by many names. Some of the reasons for the variety of names include: the varied uses of the instrument (e.g. courting), the wid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kuisi
A kuisi (or kuizi) is a Native Colombian fipple (or duct) flute made from a hollowed cactus stem, with a beeswax and charcoal powder mixture for the head, with a thin quill made from the feather of a large bird for the mouthpiece. Seagull, turkey and eagle feathers are among the feathers commonly used. Kuisi bunsi and kuisi sigi There are male and female versions of the kuisi (or gaita, the Spanish for pipe). The female ''kuisi bunsi'' (also rendered ''kuisi abundjí'' in Spanish) is also commonly known as a ''gaita hembra'' in Spanish, and has 5 holes; the male ''kuisi sigi'' (or ''kuisi azigí'') is called a ''gaita macho'' in Spanish and has two holes. Players often use wax to close fingerholes and alter the sound of the flute, blocking one or other tone hole on the kuisi sigi, and on the kuisi bunzi either the upper or lower fingerhole so that only four holes are in use at any one time. The change of wax from one fingerhole to another alters the fundamental tone and seri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khlui
The ''khlui'' ( th, ขลุ่ย, ) is a vertical duct bamboo flute from Thailand. Originated before or during the Sukhothai period (AD 1238–1583) along with many other Thai instruments. But, it was officially recorded as a Thai instrument by king Trailokkanat (1431–1488), who sets the official model of the instruments. It is a reedless instrument, generally made of bamboo, though instruments are also made from hardwood or plastic. After many generations of modifications, it survives to the present day as the khlui phiang aw. Types The Thai Khlui keeps its beauty and look since its ancient times. With a long history, the instrument had been modified to be used in other occasions, making new types of Khlui that was invented. There are 3 main types of Khlui, although there are also many others. The 3 types of Khlui, that is still popular to the present day. # Khlui phiang aw ( ขลุ่ยเพียงออ) # Khlui lib ( ขลุ่ยหลิบ) # Khlui u ( � ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khloy
A khloy ( km, ខ្លុយ, Burmese: ပုလွေ, ) is an ancient traditional bamboo flute from Cambodia and more specifically the Khmer people. The khloy and other similar bamboo flutes can be found throughout Asia, due to bamboo’s abundance in the region. The khloy is a duct flute and has two sizes: smaller, higher-pitched (''khloy ek'') and larger, lower-pitched (''khloy thomm''). It has six finger holes and a thumb hole, or seven finger holes and no thumb hole. A hole above the highest finger hole may be covered with a membrane made of rice paper or bamboo inner skin, similar to ''di mo''. The Cambodian khloy is often mistaken for its close relative of Thailand, the klui flute, however Khmer ''khloy'' is aged older. Unlike the klui flute, the khloy is generally played solo in an informal setting. The khloy is mostly played using the pentatonic scale. Etymology ''Khloy'' or ''khluy'' is a Khmer word for flute. The word ''kluy'' appears on a pedestal at Kuk Prasat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hydraulophone
A hydraulophone is a tonal acoustic musical instrument played by direct physical contact with water (sometimes other fluids) where sound is generated or affected hydraulically."Fluid Melodies: The hydraulophones of Professor Steve Mann" In WaterShapes, Volume 10, Number 2, Pp 36–44, New York, NY, USA. Volume 10, No 2, 2008 February Oct 27, 2006 The hydraulophone was described and named by Steve Mann in 2005, and patented in 2011. Typically, sound is produced by the same hydraulic fluid in contact with the player's fingers. It has been used as a sensory exploration device for low-vision individuals. Types and basic operation The term may be applied based on the interface used to play the instrument, in which a player blocks the flow of water through a particular hole in order to sound a particular note, or based on a hydraulic sound production mechanism. Hydraulophones use water-flow sound-producing mechanisms. They have a user interface, which is blocking water jets to p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fujara
The fujara () is a large wind instrument of the tabor pipe class. It originated in central Slovakia as a sophisticated folk shepherd's overtone fipple flute of unique design in the contrabass range. Ranging from 160 to 200 cm long (5'3" – 6'6")"The Fujara and its Music": Description, Slideshow, Video , 2005, 2008. (Accessed 2012-08-12) and tuned in A, G, or F. It has three [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flageolet
The flageolet is a woodwind instrument and a member of the fipple flute family which includes recorders and tin whistles. Its invention was erroneously ascribed to the 16th-century Sieur Juvigny in 1581. There are two basic forms of the instrument: the French, having four finger holes on the front and two thumb holes on the back; and the English, having six finger holes on the front and sometimes a single thumb hole on the back. The latter was developed by English instrument maker William Bainbridge, resulting in the "improved English flageolet" in 1803. There are also double and triple flageolets, having two or three bodies that allowed for a drone and countermelody. Flageolets were made until the 19th century. Flageolets have varied greatly during the last 400 years. The first flageolets were called "French flageolets", and have four tone-holes on the front and two on the back. This instrument was played by Hector Berlioz, Frédéric Chalon, Samuel Pepys, and Robert Louis St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
