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Symphony No. 5 (Chávez)
Symphony No. 5, also called ''Sinfonía para cuerdas'' (Symphony for Strings) is a composition for string orchestra by Carlos Chávez, composed in 1953. History The Fifth Symphony was commissioned on 24 September 1952 by the Koussevitzky Music Foundation, and was sketched in July and August 1953. Chávez composed all of it during the month of September, while he was living in Acapulco, completing the fair copy of the score the following month. The score is dedicated to the memory of Serge and Natalie Koussevitsky. It was premiered in Royce Hall, Los Angeles, by the Los Angeles Chamber Orchestra, conducted by the composer, on either 1 December or 10 December 1953. Instrumentation The work is scored for a conventional string orchestra of violins I and II, violas, cellos, and double basses. Analysis The Symphony is in three movements: #Allegro molto moderato #Molto lento #Allegro con brio In contrast to the Romantic character of the Fourth Symphony, Chávez here adopts a neoclassi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sensemayá
''Sensemayá'' is a composition for orchestra by the Mexican composer Silvestre Revueltas, which is based on the poem of the same title by the Cuban poet Nicolás Guillén. It is one of Revueltas's most famous compositions. Poem Guillén's poem evokes a ritual Afro-Caribbean chant performed while killing a snake: : The poem "Sensemayá" is based on Afro-Cuban religious cults, preserved in the cabildos, self-organized social clubs for the African slaves. African religions were transmitted from generation to generation. In this poem we meet an adept known as the ''mayombero''. He is knowledgeable in the area of herbal medicine, as well as being the leader of rituals. In ''Sensemayá'', the mayombero leads a ritual which offers the sacrifice of a snake to a god. One of the main motives in ''Sensemayá'' is based on this word ''mayombero''. This chant "mayombe, bombe mayombé", is an example of Guillén's use of repetition, derived from an actual ceremony. Orchestral composition R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonies For String Orchestra
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movement (music), movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), Brass instrument, brass, Woodwind instrument, woodwind, and Percussion instrument, percussion Musical instrument, instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a Full score, musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Ludwig van Beethoven, Beethoven's Symphony No. 9 (B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gramophone (magazine)
''Gramophone'' (known as ''The Gramophone'' prior to 1970) is a magazine published monthly in London, devoted to classical music, particularly to reviews of recordings. It was founded in 1923 by the Scottish author Compton Mackenzie who continued to edit the magazine until 1961. It was acquired by Haymarket in 1999. In 2013 the Mark Allen Group became the publisher. The magazine presents the Gramophone Awards each year to the classical recordings which it considers the finest in a variety of categories. On its website ''Gramophone'' claims to be: "The world's authority on classical music since 1923." This used to appear on the front cover of every issue; recent editions have changed the wording to "The world's best classical music reviews." Its circulation, including digital subscribers, was 24,380 in 2014. Listings and the ''Gramophone'' Hall of Fame Apart from the annual Gramophone Classical Music Awards, each month features a dozen recordings as Gramophone Editor's Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Tyrrell (musicologist)
John Tyrrell (17 August 1942 – 4 October 2018) was a British musicologist. He published several books on Leoš Janáček, including an authoritative and largely definitive two-volume biography. Tyrrell was born in Salisbury, Zimbabwe and worked as a professor of music and executive editor of ''The New Grove Dictionary of Music and Musicians''. He died in 2018, aged 76. Early life and education Tyrrell was born in Salisbury, Southern Rhodesia (now Harare, Zimbabwe), he studied at the universities of Cape Town, Oxford and Brno. He graduated Bachelor of Music at the University of Cape Town following which he moved to the University of Oxford to pursue a doctoral degree under the supervision of Edmund Rubbra. Career Tyrrell started his career working in an editorial capacity at '' The Musical Times''. He was a Lecturer in Music at the University of Nottingham (1976), becoming Reader in Opera Studies (1987) and Professor (1996). From 1996 to 2000 he was Executive Editor o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was a British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to music journalism, beco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 189 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aaron Copland
Aaron Copland (, ; November 14, 1900December 2, 1990) was an American composer, critic, writer, teacher, pianist, and conductor of his own and other American music. Copland was referred to by his peers and critics as the "Dean of American Composers". The open, slowly changing harmonies in much of his music are typical of what many consider the sound of American music, evoking the vast American landscape and pioneer spirit. He is best known for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as "populist" and which he called his "vernacular" style. Works in this vein include the ballets ''Appalachian Spring'', ''Billy the Kid (ballet), Billy the Kid'' and ''Rodeo (ballet), Rodeo'', his ''Fanfare for the Common Man'' and Symphony No. 3 (Copland), Third Symphony. In addition to his ballets and orchestral works, he produced music in many other genres, including chamber music, vocal works, opera, and film scores. After some initial studie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julián Orbón
Julián Orbón de Soto (August 7, 1925, Avilés, Spain – May 21, 1991, Miami, Florida was a Cuban composer who lived and composed in Spain, Cuba, Mexico, and the United States of America. Aaron Copland referred to Orbón as "Cuba's most gifted composer of the new generation." Life Family and early years Julián Orbón was born on August 7, 1925, in Avilés, Spain, to Benjamín Orbón. Julián Orbón was exposed to music at a very early age because his father, Benjamín, was a composer and pianist. In 1932, Julián Orbón began taking piano lessons and basic music lessons from his father. At the age of ten, Julián Orbón attended the Oviedo Conservatory, where he received his first formal training. In 1938, the Orbón family moved to Havana, Cuba. Here Orbón continued his musical training in piano under his father and his training in composition under José Ardévol, a Cuban composer and conductor. While teaching at the Havana Conservatory, Ardévol co-founded a Cuban scho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberto García Morillo
Roberto García Morillo (January 22, 1911 – October 26, 2003) was an Argentine composer, musicologist, music professor and music critic. Biography García Morillo was born in Buenos Aires, Argentina, where he studied at the Conservatorio Nacional de Música "Carlos López Buchardo" (with José André, Floro M. Ugarte, José Gil, and Constantino Gaito), and in Paris studied piano with Yves Nat . Morillo died on October 26, 2003. He worked as a music critic for the newspaper ''La Nación'' starting in 1938, and subsequently published in many Argentine and North American periodicals. He was appointed to joint positions as professor of composition in both the national and the municipal conservatories in Buenos Aires in 1942 . Curriculum: *Director of the Conservatorio Nacional de Música "Carlos López Buchardo" (1972–79) *Professor of Composition at the Conservatorio Municipal de Música and at the Antiguo Conservatorio "Beethoven" *Music critic of the newspaper ''La Nación ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elena Durán
Elena Duran (born February 21, 1949, East Oakland, California) is an American flautist. Duran's parents were from Aguascalientes City, Aguascalientes, Mexico. She has made concerto appearances and recordings with many major orchestras including the Royal Philharmonic Orchestra, the English Chamber Orchestra, Bournemouth Sinfonietta, the Moscow Virtuosi, many orchestras in the United States, U.S. and virtually every orchestra in Mexico. She has also played regularly for members of the British royal family including two televised Royal Galas from the Royal Albert Hall in London. She has twice had the honour of appearing before Queen Elizabeth II. Since the 1990s Duran has been artistic director of the International Flute Festival in Stratford-upon-Avon, the largest annual flute festival in Europe. References External linksElena Duran official website Mexican emigrants to the United States American classical flautists American musicians of Mexican descent American music edu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
