Sensemayá
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''Sensemayá'' is a composition for orchestra by the Mexican composer
Silvestre Revueltas Silvestre Revueltas Sánchez (December 31, 1899 – October 5, 1940) was a Mexican classical music composer, a violinist, and conductor. Life Revueltas was born in Santiago Papasquiaro in Durango, and studied at the National Conservatory of Mu ...
, which is based on the
poem Poetry (from the Greek language, Greek word ''poiesis'', "making") is a form of literature, literary art that uses aesthetics, aesthetic and often rhythmic qualities of language to evoke meaning (linguistics), meanings in addition to, or in ...
of the same title by the
Cuba Cuba, officially the Republic of Cuba, is an island country, comprising the island of Cuba (largest island), Isla de la Juventud, and List of islands of Cuba, 4,195 islands, islets and cays surrounding the main island. It is located where the ...
n poet Nicolás Guillén. It is one of Revueltas's most famous compositions.


Poem

Guillén's poem evokes a ritual Afro-Caribbean chant performed while killing a snake: : The poem "Sensemayá" is based on
Afro-Cuban Afro-Cubans () or Black Cubans are Cubans of full or partial sub-Saharan African ancestry. The term ''Afro-Cuban'' can also refer to historical or cultural elements in Cuba associated with this community, and the combining of native African a ...
religious cults, preserved in the cabildos, self-organized social clubs for the African slaves. African religions were transmitted from generation to generation. In this poem we meet an adept known as the ''mayombero''. He is knowledgeable in the area of
herbal medicine Herbal medicine (also called herbalism, phytomedicine or phytotherapy) is the study of pharmacognosy and the use of medicinal plants, which are a basis of traditional medicine. Scientific evidence for the effectiveness of many herbal treatments ...
, as well as being the leader of rituals. In ''Sensemayá'', the mayombero leads a ritual which offers the sacrifice of a snake to a god. One of the main motives in ''Sensemayá'' is based on this word ''mayombero''. This chant "mayombe, bombe mayombé", is an example of Guillén's use of repetition, derived from an actual ceremony.


Orchestral composition

Revueltas first composed ''Sensemayá'' in
Mexico City Mexico City is the capital city, capital and List of cities in Mexico, largest city of Mexico, as well as the List of North American cities by population, most populous city in North America. It is one of the most important cultural and finan ...
in 1937, in a version for small orchestra. In 1938, he expanded it into a full-scale orchestral work for 27 wind instruments (woodwinds and brass), 14 percussion instruments, and strings. As one advertising blurb for the score describes it:
The work begins with a slow trill in the bass clarinet as the percussion plays the sinuous, syncopated rhythm that drives the work. Soon a solo bassoon enters playing an eerie but rhythmic ostinato bassline. The tuba then enters playing the first of this work's two major themes, a muscular, ominous motif. Other brass join in to play the theme, growing louder and more emphatic, but rigorously yoked to the underlying rhythm. Eventually the horns blast as loudly as they can, with obsessive trills on the low clarinets far underneath, and the strings enter with the slashing second theme. The brass take up this new theme and bring it to a climax, after which the music returns to its opening texture. This recapitulation brings with it a mood of foreboding. The rhythm becomes even more obsessive, and finally the music reaches a massive climax during which both themes are played, overlapping, sometimes in part and sometimes in whole, by the entire orchestra in what sounds like a musical riot. The coda feels like the final dropping of a knife.Anonymous, "Silvestre Revueltas: ''Sensemayá'' (score)". Musicroom.com
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Instrumentation

The score of the second version of Revueltas's composition calls for a large orchestra consisting of: * woodwinds: 4
flutes The flute is a member of a family of musical instruments in the woodwind group. Like all woodwinds, flutes are aerophones, producing sound with a vibrating column of air. Flutes produce sound when the player's air flows across an opening. In th ...
(2 doubling piccolos), 2
oboe The oboe ( ) is a type of double-reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common type of oboe, the soprano oboe pitched in C, ...
s, an
English horn The cor anglais (, or original ; plural: ''cors anglais''), or English horn (mainly North America), is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially ...
, a piccolo clarinet in E-flat, 2 soprano clarinets in B-flat, a
bass clarinet The bass clarinet is a musical instrument of the clarinet family. Like the more common Soprano clarinet, soprano B clarinet, it is usually pitched in B (meaning it is a transposing instrument on which a written C sounds as B), but it plays no ...
, 3
bassoon The bassoon is a musical instrument in the woodwind family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity ...
s, a
contrabassoon The contrabassoon, also known as the double bassoon, is a larger version of the bassoon, sounding an octave lower. Its technique is similar to its smaller cousin, with a few notable differences. Differences from the bassoon The Reed (mouthpie ...
; * brasses: 4 horns in F, 4
trumpet The trumpet is a brass instrument commonly used in classical and jazz musical ensemble, ensembles. The trumpet group ranges from the piccolo trumpet—with the highest Register (music), register in the brass family—to the bass trumpet, pitche ...
s in C, 3
trombone The trombone (, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's lips vibrate inside a mouthpiece, causing the Standing wave, air c ...
s and a
tuba The tuba (; ) is the largest and lowest-pitched musical instrument in the brass instrument, brass family. As with all brass instruments, the sound is produced by lip vibrationa buzzinto a mouthpiece (brass), mouthpiece. It first appeared in th ...
; *
timpani Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion instrument, percussion family. A type of drum categorised as a hemispherical drum, they consist of a Membranophone, membrane called a drumhead, ...
and percussion (3 players): xylophone, claves, maracas, raspador, gourd, small Indian drum,
bass drum The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter usually greater than its depth, with a struck head at both ends of the cylinder. The head ...
, 2 tom-toms (high and low),
cymbal A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs sou ...
s, 2
gongs A gongFrom Indonesian and ; ; zh, c=鑼, p=luó; ; ; ; ; is a percussion instrument originating from Southeast Asia, and used widely in Southeast Asian and East Asian musical traditions. Gongs are made of metal and are circular and fl ...
(large and small), a
glockenspiel The glockenspiel ( ; or , : bells and : play) or bells is a percussion instrument consisting of pitched aluminum or steel bars arranged in a Musical keyboard, keyboard layout. This makes the glockenspiel a type of metallophone, similar to the v ...
; * keyboards: a
piano A piano is a keyboard instrument that produces sound when its keys are depressed, activating an Action (music), action mechanism where hammers strike String (music), strings. Modern pianos have a row of 88 black and white keys, tuned to a c ...
, a
celesta The celesta () or celeste (), also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five-octave), albeit with smaller keys and a much smaller cabinet, or a large wooden music ...
; * strings:
violin The violin, sometimes referred to as a fiddle, is a wooden chordophone, and is the smallest, and thus highest-pitched instrument (soprano) in regular use in the violin family. Smaller violin-type instruments exist, including the violino picc ...
s (1st and 2nd),
viola The viola ( , () ) is a string instrument of the violin family, and is usually bowed when played. Violas are slightly larger than violins, and have a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the ...
s,
violoncello The violoncello ( , ), commonly abbreviated as cello ( ), is a middle pitched bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C ...
s and basses.


Notes


Sources

*


Further reading

* Ellis, Keith. 1983. ''Cuba's Nicolás Guillén: Poetry and Ideology''. Toronto: University of Toronto Press. * González Aktories, Susana, and Roberto Kolb. 1997. ''Sensemayá: Un juego de espejos entre música y poesía''. México: JGH Editores. . * González Aktories, Susana, and Roberto Kolb. 2011. "''Sensemayá'', entre rito, palabra y sonido: transposición intersemiótica y ecfrasis como condiciones de una mitopoiesis literaria y musical". In ''Entre artes, entre actos: Écfrasis e intermedialidad'', edited by Susana Gonzáles Aktories and Irene Artigas, 293–316. México: UNAM. *Hoag, Charles K. 1987. "''Sensemayá'': A Chant for Killing a Snake." ''Latin American Music Review / Revista de Música Latinoamericana'' 8, no. 2 (Autumn): 172–84. *Jacobs, Glenn. ''Cuba's Bola de Nieve: A Creative Looking Glass for Culture and the Artistic Self''. ''Latin American Music Review / Revista de Música Latinoamericana'' 9, no. 1 (Spring–Summer): 18–49. *Kaufman, Christopher. 1991. "''Sensemayá'': The Layer Procedures of Silvestre Revueltas". DMA thesis. Ithaca, New York: Cornell University. * Malone, Andrew Lindemann. n.d.
''Sensemaya'', for orchestra
. Allmusic.com (accessed 30 October 2015). * Mayer-Serra, Otto. 1941. "Silvestre Revueltas and Musical Nationalism in Mexico." ''Musical Quarterly'' 27:123–45. * Rodríguez, Nilo. 1974. "Guillén va con la música". In ''Recopilación de textos sobre Nicolás Guillén'', edited by Nancy Morejón, 171–75. Serie Valoración Múltiple. Havana: Casa de las Américas. * Sardinha, Dennis. 1976. ''The Poetry of Nicolás Guillén: An Introduction''. London and Port of Spain: New Beacon Books. ; . * Williams, Lorna V. 1982. ''Self and Society in the Poetry of Nicolás Guillén''. Baltimore: Johns Hopkins University Press. *Zohn-Muldoon, Ricardo. 1998. "The Song of the Snake: Silvestre Revueltas' ''Sensemayá''." ''Latin American Music Review / Revista de Música Latinoamericana'' 19, no. 2 (Autumn): 133–59.


External links


Text of the poem
(English and Spanish) *
Revueltas's ''Sensemayá''
Leonard Bernstein Leonard Bernstein ( ; born Louis Bernstein; August 25, 1918 – October 14, 1990) was an American conductor, composer, pianist, music educator, author, and humanitarian. Considered to be one of the most important conductors of his time, he was th ...
's marked copy of the published study score ( Schirmer). Leon Levy Digital Collection: International Era 1943–1970.
New York Philharmonic The New York Philharmonic is an American symphony orchestra based in New York City. Known officially as the ''Philharmonic-Symphony Society of New York, Inc.'', and globally known as the ''New York Philharmonic Orchestra'' (NYPO) or the ''New Yo ...
Digital Archive (Accessed 6 July 2012).
Revueltas's ''Sensemayá''
Leonard Bernstein's marked copy of the manuscript full score. Leon Levy Digital Collection: International Era 1943–1970. New York Philharmonic Digital Archive (Accessed 6 July 2012). {{DEFAULTSORT:Sensemaya Symphonic poems Compositions by Silvestre Revueltas 1937 compositions