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Stichomythia
Stichomythia () is a technique in verse drama in which sequences of single alternating lines, or half-lines (hemistichomythia
Antilabe Rebuilt by Robert Hogan.
) or two-line speeches (distichomythia
Die stichomythie in der griechischen tragödie und komödie: ihre anwendung und ihr ursprung by Adolf Gross (German).
) are given to alternating Character (arts), characters. It typically features repetition and . The term originated in the

Antilabe
Antilabe (from the Greek: ἀντι "mutually" or "corresponding", λαβή, "grip" or "handle") is a rhetorical technique in verse drama or closet drama, in which a single verse line of dialogue is distributed on two or more characters, voices, or entities. The verse usually maintains its metric integrity, while the line fragments spoken by the characters may or may not be complete sentences. In the layout of the text the line fragments following the first one are often indented ("dropped line") to show the unity of the verse line. These are three sentences spoken by two persons. But it is only one single line in blank verse: :Peace then. No words. I'll rather kill myself. In Ancient Greek drama "The device originated in classical tragedy as a means of heightening dramatic tension." "It figures in almost all the plays of Sophocles and Euripides. It renders dialogue less stately and more agitated: the technique is well suited to scenes of excitement, in which one speaker is ...
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Hamlet
''The Tragedy of Hamlet, Prince of Denmark'', often shortened to ''Hamlet'' (), is a Shakespearean tragedy, tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play. Set in Denmark, the play (theatre), play depicts Prince Hamlet and his attempts to exact revenge against his uncle, King Claudius, Claudius, who has murdered Ghost (Hamlet), Hamlet's father in order to seize his throne and marry Gertrude (Hamlet), Hamlet's mother. ''Hamlet'' is considered among the "most powerful and influential tragedies in the English language", with a story capable of "seemingly endless retelling and adaptation by others." It is widely considered one of the greatest plays of all time. Three different early versions of the play are extant: the Hamlet Q1, First Quarto (Q1, 1603); the Second Quarto (Q2, 1604); and the First Folio (F1, 1623). Each version includes lines and passages missing from the others. Many works have been pointed to as possible s ...
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Verse Drama
Verse drama is any drama written significantly in poetry, verse (that is: with line endings) to be performed by an actor before an audience. Although verse drama does not need to be ''primarily'' in verse to be considered verse drama, significant portions of the play should be in verse to qualify. For a very long period, verse drama was the dominant form of drama in Europe (and was also important in non-European cultures). Greek tragedy and Jean Racine, Racine's plays are written in verse, as is almost all of William Shakespeare's, Ben Jonson's and John Fletcher (playwright), John Fletcher's drama, and other works like Johann Wolfgang von Goethe, Goethe's ''Faust (Goethe), Faust'' and Henrik Ibsen's early plays. In most of Europe, verse drama has remained a prominent art form, while at least popularly, it has been tied almost exclusively to Shakespeare in the English tradition. In the English language, verse has continued. In the new millennium, there has been a resurgence in ...
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Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi ( ; ; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for List of compositions by Giuseppe Verdi, his operas. He was born near Busseto, a small town in the province of Parma, to a family of moderate means, receiving a musical education with the help of a local patron, Antonio Barezzi. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Vincenzo Bellini, and Gaetano Donizetti, whose works significantly influenced him. In his early operas, Verdi demonstrated sympathy with the Risorgimento movement which sought the unification of Italy. He also served briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate hims ...
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Andrea Maffei
Andrea Maffei (1798 – 1885) was an Italian poet, translator and librettist. He was born in Molina di Ledro, Trentino. A follower of Vincenzo Monti, he formed part of the 19th-century Italian classicist literary culture. Gaining laurea in jurisprudence, he moved for some years to Verona, then to Venice and finally to Milan, where in 1831 he married contessa Clara Spinelli. They separated by mutual consent on 15 June 1846. As well as Verdi, Maffei also built up close relationships with others in the Italian cultural scene of the time, including Vincenzo Monti, Antonio Rosmini, Gino Capponi, Mario Rapisardi, Carlo Tenca, the painter Francesco Hayez, and the sculptors Vincenzo Vela and Giovanni Duprè. Key cultural figures from the rest of Europe also passed through the lounge of his house in Milan, including Liszt and Stendhal. In 1879 Andrea Maffei was made a senator of the Kingdom of Italy and participated in Italian political life. In the mid-19th century he fre ...
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Lorenzo Da Ponte
Lorenzo Da Ponte (; 10 March 174917 August 1838) was an Italians, Italian, later American, opera libretto, librettist, poet and Catholic Church, Roman Catholic priest. He wrote the libretti for 28 operas by 11 composers, including three of Wolfgang Amadeus Mozart, Mozart's most celebrated operas: ''The Marriage of Figaro'' (1786), ''Don Giovanni'' (1787), and ''Così fan tutte'' (1790). He was the first professor of Italian literature at Columbia University, and with Manuel García (tenor), Manuel Garcia, the first to introduce Italian opera#Gluck's reforms and Mozart, Italian opera to America.Music View, Did Casanova Lend a Helping Hand?
The New York Times, Donald Henahan, Nov. 10, 1985
Smith, Howard Jay (2022)

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Libretto
A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. The Italian language, Italian word (, ) is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language cognates, equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15- to 40-page books which were on sale to 19th century ballet audiences in Paris and contained ...
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The Marriage Of Figaro
''The Marriage of Figaro'' (, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of the 20 operas featured, with t ...
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Opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ...
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Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his rapid pace of composition and proficiency from an early age resulted in List of compositions by Wolfgang Amadeus Mozart, more than 800 works representing virtually every Western classical genre of his time. Many of these compositions are acknowledged as pinnacles of the symphony, symphonic, concerto, concertante, chamber music, chamber, operatic, and choir, choral repertoires. Mozart is widely regarded as one of the greatest composers in the history of Classical music, Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, Mozart showed Child prodigy, prodigious ability from his earliest childhood. At age five, he was already competent on keyboard and violin, had begun to compose, and performed before European r ...
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Pierre Corneille
Pierre Corneille (; ; 6 June 1606 – 1 October 1684) was a French tragedian. He is generally considered one of the three great 17th-century French dramatists, along with Molière and Racine. As a young man, he earned the valuable patronage of Cardinal Richelieu, who was trying to promote classical tragedy along formal lines, but later quarrelled with him, especially over his best-known play, '' Le Cid'', about a medieval Spanish warrior, which was denounced by the newly formed for breaching the unities. He continued to write well-received tragedies for nearly forty years. Biography Early years Corneille was born in Rouen, Normandy, France, to Marthe Le Pesant and Pierre Corneille, a distinguished lawyer. His younger brother, Thomas Corneille, also became a noted playwright. He was given a rigorous Jesuit education at the ''Collège de Bourbon'' ( Lycée Pierre-Corneille since 1873), where acting on the stage was part of the training. At 18 he began to study law, but ...
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