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SoundFont
SoundFont is a brand name that collectively refers to a file format and associated technology that uses sample-based synthesis to play MIDI files. It was first used on the Sound Blaster AWE32 sound card for its General MIDI support. SoundFont is a registered trademark of Creative Technology, Ltd., and the exclusive license for re-formatting and managing historical SoundFont content has been acquired by Digital Sound Factory. Starting in the late 2010s, the derived term ''soundfont'' has gradually gained online colloquial status to refer to chiptune – specifically the soundscape of a console's sound chip. Any video game console that utilizes sequenced audio is often referred as having "the onsolesoundfont", similar to the usage of Coke to refer to any soft drink. Additionally, it can also refer to a video game's audio data that specifically uses reusable digital samples. Specification The newest version of the SoundFont file format is 2.04 (or 2.4), released in 2005. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soundfont Comparison (Updated)
SoundFont is a brand name that collectively refers to a file format and associated technology that uses sample-based synthesis to play MIDI files. It was first used on the Sound Blaster AWE32 sound card for its General MIDI support. SoundFont is a trademark, registered trademark of Creative Technology, Creative Technology, Ltd., and the exclusive license for re-formatting and managing historical SoundFont content has been acquired by Digital Sound Factory. Starting in the late 2010s, the derived term ''soundfont'' has gradually gained online colloquial status to refer to chiptune – specifically the soundscape of a console's sound chip. Any video game console that utilizes sequenced audio is often referred as having "the [console] soundfont", similar to the usage of wikt:Coke#Noun, Coke to refer to any soft drink. Additionally, it can also refer to a video game's audio data that specifically uses Video game music#Early digital synthesis and sampling, reusable digital samples. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Blaster AWE32
The Sound Blaster AWE32 is an ISA sound card from Creative Technology. It is an expansion board for PCs and is part of the Sound Blaster family of products. The Sound Blaster AWE32, introduced in March 1994, was a near full-length ISA sound card, measuring 14 inches (356 mm) in length, due to the number of features included. Sound Blaster AWE32 Backward compatibility The AWE32's digital audio section was basically an entire Sound Blaster 16, and as such, was compatible with Creative's earlier Sound Blaster 2.0 (minus the C/MS audio chips.) Its specifications included 16-bit 44.1 kHz AD/ DA conversion with real-time on-board compression / decompression and the Yamaha OPL3 FM synthesizer chip. However, compatibility was not always perfect and there were situations where various bugs could arise in games. Many of the Sound Blaster AWE32 cards had codecs that supported bass, treble, and gain adjustments through Creative's included mixer software. There were many varian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Sound Factory
Digital Sound Factory is a sound design company that creates sound libraries, known as SoundFont libraries, for playback on synthesizers and computers compatible with Steinberg Cubase, Cakewalk Sonar, Reasonstudios, Steinberg Halion, Native Instruments Kontakt, Apple GarageBand, Apple Logic, Ableton Live, GenieSoft Overture, Finale, Creative Labs Audigy/X-Fi, E-MU Systems EmulatorX/Proteus X, LMMS, FL Studio, MuseScore, Mixcraft, VSamp, SFZ, SynthFont, Ardour, FluidSynth and more. History Digital Sound Factory was founded by Timothy Swartz in 2007 and employs musicians and performs detailed recordings of their instruments. The recordings are processed using digital signal processors and mapped to a MIDI piano keyboard. Modern music, television, movies, and advertisements are composed using these sounds by electronic musicians Using software synthesizers, composers can have a large collection of sound content on command. Since 1971 the sound libraries at E-mu Systems were recorde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Software Synthesizers
A software synthesizer or softsynth is a computer program that generates digital audio, usually for music. Computer software that can create sounds or music is not new, but advances in processing speed now allow softsynths to accomplish the same tasks that previously required the dedicated hardware of a conventional synthesizer. Softsynths may be readily interfaced with other music software such as music sequencers typically in the context of a digital audio workstation. Softsynths are usually less expensive and can be more portable than dedicated hardware. Types Softsynths can cover a range of synthesis methods, including subtractive synthesis (including analog modeling, a subtype), FM synthesis (including the similar phase distortion synthesis), physical modelling synthesis, additive synthesis (including the related resynthesis), and sample-based synthesis. Many popular hardware synthesizers are no longer manufactured but have been emulated in software. The emulation can ev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MIDI
Musical Instrument Digital Interface (; MIDI) is an American-Japanese technical standard that describes a communication protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and velocity. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which the audience hears produced by a keyboard amplifier. MIDI data can be transferred via MIDI or USB cable, or recorded to a sequencer or digital audio workstation to be edited or played back. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creative Technology
Creative Technology Ltd., or Creative Labs Pte Ltd., is a Singaporean multinational electronics company mainly dealing with Audio equipment, audio technologies and products such as speakers, headphones, sound cards and other digital media. Founded by Sim Wong Hoo, Creative was highly influential in the advancement of IBM PC–compatible, PC audio in the 1990s following the introduction of its Sound Blaster card and technologies; the company continues to develop Sound Blaster products including embedding them within partnered mainboard manufacturers and laptops. The company also has overseas offices in Shanghai, Tokyo, Dublin and the Silicon Valley. Creative Technology has been listed on the Singapore Exchange (SGX) since 1994. History 1981–1996 Creative Technology was founded in 1981 by childhood friends and Ngee Ann Polytechnic schoolmates Sim Wong Hoo and Ng Kai Wa. Originally a computer repair shop in Pearl's Centre in Chinatown, Singapore, Chinatown, the company event ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creative Labs
Creative Technology Ltd., or Creative Labs Pte Ltd., is a Singaporean multinational electronics company mainly dealing with audio technologies and products such as speakers, headphones, sound cards and other digital media. Founded by Sim Wong Hoo, Creative was highly influential in the advancement of PC audio in the 1990s following the introduction of its Sound Blaster card and technologies; the company continues to develop Sound Blaster products including embedding them within partnered mainboard manufacturers and laptops. The company also has overseas offices in Shanghai, Tokyo, Dublin and the Silicon Valley. Creative Technology has been listed on the Singapore Exchange (SGX) since 1994. History 1981–1996 Creative Technology was founded in 1981 by childhood friends and Ngee Ann Polytechnic schoolmates Sim Wong Hoo and Ng Kai Wa. Originally a computer repair shop in Pearl's Centre in Chinatown, the company eventually developed an add-on memory board for the Apple II ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sample-based Synthesis
Sample-based synthesis is a form of audio synthesis that can be contrasted to either subtractive synthesis or additive synthesis. The principal difference with sample-based synthesis is that the seed waveforms are sampled sounds or instruments instead of fundamental waveforms such as sine and saw waves used in other types of synthesis.''Synthesizer Basics''. United States, H. Leonard Books, 1988. 72f. History Before digital recording became practical, instruments such as the Welte (1930s), phonogene (1950s) and the Mellotron (1960s) used analog optical disks or analog tape decks to play back sampled sounds. When sample-based synthesis was first developed, most affordable consumer synthesizers could not record arbitrary samples, but instead formed timbres by combining pre-recorded samples from ROM before routing the result through analog or digital filters. These synthesizers and their more complex descendants are often referred to as ROMplers. Sample-based instr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Blaster X-Fi
Sound Blaster X-Fi is a lineup of sound cards in Creative Technology's Sound Blaster series. History The series was launched in August 2005 as a lineup of PCI sound cards, which served as the introduction for their X-Fi audio processing chip, with models ranging from ''XtremeMusic'' (lower end), to ''Platinum'', '' Fatal1ty FPS'', and ''Elite Pro'' (top of the range). The top-end ''Elite Pro'' model was aimed at musicians, bundled with the X-Fi external I/O box (offering phono with preamp inputs for turntables, high-impedance input for guitars, inch mic input, headphone output, line-in, and full size MIDI I/O, as well as optical and RCA Coaxial digital inputs and outputs), and remote control. The Platinum and Fatal1ty FPS models both offer a front-panel drive-bay control unit and remote control, while the base model was supplied without any such accessories. All but the top model claimed 109 dB signal-to-noise ratio, while the ''Elite Pro'' model uses a higher-e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulse-code Modulation
Pulse-code modulation (PCM) is a method used to digitally represent analog signals. It is the standard form of digital audio in computers, compact discs, digital telephony and other digital audio applications. In a PCM stream, the amplitude of the analog signal is sampled at uniform intervals, and each sample is quantized to the nearest value within a range of digital steps. Alec Reeves, Claude Shannon, Barney Oliver and John R. Pierce are credited with its invention. Linear pulse-code modulation (LPCM) is a specific type of PCM in which the quantization levels are linearly uniform. This is in contrast to PCM encodings in which quantization levels vary as a function of amplitude (as with the A-law algorithm or the μ-law algorithm). Though ''PCM'' is a more general term, it is often used to describe data encoded as LPCM. A PCM stream has two basic properties that determine the stream's fidelity to the original analog signal: the sampling rate, which is the number of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Software
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound *Audio signal, an electrical representation of sound * Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing * Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment * AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 * Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD *"Audios", a song by Black Eyed Peas from ''Elevation'' Computing * HTML audio, identified by the tag See ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Codecs
An audio codec is a device or computer program capable of encoding or decoding a digital data stream (a codec) that encodes or decodes audio. In software, an audio codec is a computer program implementing an algorithm that compresses and decompresses digital audio data according to a given audio file or streaming media audio coding format. The objective of the algorithm is to represent the high-fidelity audio signal with a minimum number of bits while retaining quality. This can effectively reduce the storage space and the bandwidth required for transmission of the stored audio file. Most software codecs are implemented as libraries which interface to one or more multimedia players. Most modern audio compression algorithms are based on modified discrete cosine transform (MDCT) coding and linear predictive coding (LPC). In hardware, audio codec refers to a single device that encodes analog audio as digital signals and decodes digital back into analog. In other words, it cont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
