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Requiems
A Requiem (Latin: ''rest'') or Requiem Mass, also known as Mass for the dead () or Mass of the dead (), is a Mass (liturgy), Mass of the Catholic Church offered for the repose of the Soul (spirit), souls of the deceased, using a particular form of the Roman Missal. It is usually celebrated in the context of a funeral (where in some countries it is often called a Funeral Mass). Music for the Requiem Mass, Musical settings of the Proper (liturgy), propers of the Requiem Mass are also called Requiems, and the term has subsequently been applied to other musical compositions associated with death, dying, and mourning, even when they lack religious or liturgical relevance. The term is also used for similar ceremonies outside the Catholic Church, especially in Western Rite Orthodoxy, Western Rite Orthodox Christianity, the Anglo-Catholic tradition of Anglicanism, and in certain Lutheran churches. A Memorial service (Orthodox), comparable service, with a wholly different ritual form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music For The Requiem Mass
Music for the Requiem Mass is any music that accompanies the Requiem, or Mass for the Dead, in the Mass in the Catholic Church, Catholic Church. This church service has inspired hundreds of compositions, including settings by Officium Defunctorum (Victoria), Victoria, Requiem (Mozart), Mozart, Requiem (Berlioz), Berlioz, Requiem (Verdi), Verdi, Requiem (Fauré), Fauré, Requiem (Dvořák), Dvořák, Requiem (Duruflé), Duruflé and War Requiem, Britten. For centuries settings of the Mass for the Dead were to be chanted in Catholic liturgy, liturgical service Monophony, monophonically. Later the settings became Polyphony, polyphonic, Victoria's famous 1605 ''a cappella'' work being an example. By Mozart's time (1791) it was standard to embed the dramatic and long Dies irae, Day of Wrath sequence, and to score with orchestra. Eventually many settings of the Requiem, not least Verdi's (1874), were essentially concert pieces unsuitable for church service. Common texts The following ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eastern Catholic Churches
The Eastern Catholic Churches or Oriental Catholic Churches, also known as the Eastern-Rite Catholic Churches, Eastern Rite Catholicism, or simply the Eastern Churches, are 23 Eastern Christian autonomous (''sui iuris'') particular churches of the Catholic Church in full communion with the pope in Holy See, Rome. Although they are distinct theologically, liturgically, and historically from the Latin Church, they are all in full communion with it and with each other. Eastern Catholics are a minority within the Catholic Church; of the 1.3 billion Catholics in communion with the pope, approximately 18 million are members of the eastern churches. The largest numbers of Eastern Catholics are found in Eastern Europe, Eastern Africa, the Middle East, and India. As of 2022, the Syro-Malabar Church is the largest Eastern Catholic Church, followed by the Ukrainian Greek Catholic Church. With the exception of the Maronite Church, the Eastern Catholic Churches are groups that, at different ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alleluia
''Hallelujah'' (; , Modern Hebrew, Modern ) is an interjection from the Hebrew language, used as an expression of gratitude to God. The term is used 24 times in the Hebrew Bible, Tanakh (in the book of Psalms), twice in deuterocanonical books, and four times in the Christian Book of Revelation. The phrase is used in Judaism as part of the Hallel prayers, and in Christianity, Christian prayer, where since the earliest timesScott Nash, "Hallelujah" in ''Mercer Dictionary of the Bible'' (Mercer University Press 1990 ), p. 355 it is used in various ways in liturgy, liturgies, especially those of the Catholic Church, the Lutheran Churches and the Eastern Orthodox Church, the three of which use the Latin form '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Credo
In Christian liturgy, the credo (; Latin for "I believe") is the portion of the Mass where a creed is recited or sung. The Nicene-Constantinopolitan Creed or the Apostles' Creed are the primary creeds used for this purpose. History After the formulation of the Nicene Creed, its initial liturgical use was in baptism, which explains why the text uses the singular "I ..." instead of "we ...". The text was gradually incorporated into the liturgies, first in the east and in Spain, and gradually into the north, from the sixth to the ninth centuries. In 1014 it was accepted by the Church of Rome as a legitimate part of the Mass. It is recited in the Western Mass directly after the homily on all Sundays and solemnities; in modern celebrations of the Tridentine Mass as an extraordinary form of the Roman Rite, the Credo is recited on all Sundays, feasts of the I class, II class feasts of the Lord and of the Blessed Virgin, on the days within the octaves of Christmas, Easter, and Pente ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gloria In Excelsis Deo
"" (Latin for "Glory to God in the highest") is a Christianity, Christian Hymn#Christian hymnody, hymn known also as the Greater Doxology (as distinguished from the "Minor Doxology" or Gloria Patri) and the Angelic Hymn/Hymn of the Angels. The name is often abbreviated to Gloria in Excelsis or simply Gloria. The hymn begins with the words that the angels sang when announcing the birth of Christ to shepherds in : Douay-Rheims Bible, Douay-Rheims (in Latin). Other verses were added very early, forming a doxology. An article by David Flusser links the text of the verse in Luke with ancient Jewish liturgy. History is an example of the ''psalmi idiotici'' ("private psalms", i.e., compositions by individuals in imitation of the biblical Psalter) that were popular in the 2nd and 3rd centuries. Other surviving examples of this lyric poetry are the Te Deum and the Phos Hilaron. In the 4th century it became part of morning prayers, and is still recited in the Byzantine Rite Matins, Or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incense
Incense is an aromatic biotic material that releases fragrant smoke when burnt. The term is used for either the material or the aroma. Incense is used for aesthetic reasons, religious worship, aromatherapy, meditation, and ceremonial reasons. It may also be used as a simple deodorant or insect repellent. Incense is composed of aromatic plant materials, often combined with essential oils. The forms taken by incense differ with the underlying culture, and have changed with advances in technology and increasing number of uses. Incense can generally be separated into two main types: "indirect-burning" and "direct-burning." Indirect-burning incense (or "non-combustible incense") is not capable of burning on its own, and requires a separate heat source. Direct-burning incense (or "combustible incense") is lit directly by a flame and then fanned or blown out, leaving a glowing ember that smoulders and releases a smoky fragrance. Direct-burning incense is either a paste formed around a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funeral Mass Of Bishop Vitus Huonder 1
A funeral is a ceremony connected with the Disposal of human corpses, final disposition of a corpse, such as a burial or cremation, with the attendant observances. Funerary customs comprise the complex of beliefs and practices used by a culture to remember and respect the dead, from interment, to various monuments, prayers, and rituals undertaken in their honour. Customs vary between cultures and Religion, religious groups. Funerals have both normative and legal components. Common secular motivations for funerals include mourning the deceased, celebrating their life, and offering support and sympathy to the bereaved; additionally, funerals may have religious aspects that are intended to help the soul of the deceased reach the afterlife, resurrection or reincarnation. The funeral usually includes a ritual through which the corpse receives a final disposition. Depending on culture and religion, these can involve either the destruction of the body (for example, by cremation, sky bur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiphon
An antiphon ( Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are usually taken from the Psalms or Scripture, but may also be freely composed. Their form was favored by St Ambrose and they feature prominently in Ambrosian chant, but they are used widely in Gregorian chant as well. They may be used during Mass, for the Introit, the Offertory or the Communion. They may also be used in the Liturgy of the Hours, typically for Lauds or Vespers. They should not be confused with Marian antiphons or processional antiphons. When a chant consists of alternating verses (usually sung by a cantor) and responses (usually sung by the congregation), a refrain is needed. The looser term antiphony is generally used for any call and response style of singing, such as the kirtan or the sea shanty and other work songs, and songs and worship in African and African-American cultu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accusative Case
In grammar, the accusative case ( abbreviated ) of a noun is the grammatical case used to receive the direct object of a transitive verb. In the English language, the only words that occur in the accusative case are pronouns: "me", "him", "her", "us", "whom", and "them". For example, the pronoun ''she'', as the subject of a clause, is in the nominative case ("She wrote a book"); but if the pronoun is instead the object of the verb, it is in the accusative case and ''she'' becomes ''her'' ("Fred greeted her"). For compound direct objects, it would be, e.g., "Fred invited her and me to the party". The accusative case is used in many languages for the objects of (some or all) prepositions. It is usually combined with the nominative case (for example in Latin). The English term, "accusative", derives from the Latin , which, in turn, is a translation of the Greek . The word can also mean "causative", and that might have derived from the Greeks, but the sense of the Roman transla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2 Esdras
2 Esdras, also called 4 Esdras, Latin Esdras, or Latin Ezra, is an apocalyptic book in some English versions of the Bible. Tradition ascribes it to Ezra, a scribe and priest of the fifth century BC, whom the book identifies with the sixth-century figure Shealtiel. 2 Esdras forms a part of the canon of Scripture in the Ethiopian Orthodox Church (an Oriental Orthodoxy body), though it is reckoned among the apocrypha by Roman Catholics and Protestants. Within Eastern Orthodoxy it forms a part of the canon although its usage varies by different traditions. 2 Esdras was translated by Jerome as part of the Vulgate, though he placed it in an appendix. Naming conventions As with 1 Esdras, some confusion exists about the numbering of this book. The Vulgate of Jerome includes only a single book of Ezra, but in the Clementine Vulgate, 1, 2, 3 and 4 Esdras are separate books. Protestant writers, after the Geneva Bible, called 1 and 2 Esdras of the Vulgate Ezra and Nehemiah, res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
