Antiphon
An antiphon ( Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are usually taken from the Psalms or Scripture, but may also be freely composed. Their form was favored by St Ambrose and they feature prominently in Ambrosian chant, but they are used widely in Gregorian chant as well. They may be used during Mass, for the Introit, the Offertory or the Communion. They may also be used in the Liturgy of the Hours, typically for Lauds or Vespers. They should not be confused with Marian antiphons or processional antiphons. When a chant consists of alternating verses (usually sung by a cantor) and responses (usually sung by the congregation), a refrain is needed. The looser term antiphony is generally used for any call and response style of singing, such as the kirtan or the sea shanty and other work songs, and songs and worship in African and African-American cultu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gregorian Chant
Gregorian chant is the central tradition of Western plainsong, plainchant, a form of monophony, monophonic, unaccompanied sacred song in Latin (and occasionally Greek language, Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that he only ordered a compilation of melodies throughout the whole Christian world, after having instructed his emissaries in the Schola cantorum, where the Neume, neumatical notation was perfected, with the result of most of those melodies being a later Carolingian synthesis of the Old Roman chant and Gallican chant. Gregorian chants were organized initially into four, then eight, and finally 12 mode (music), modes. Typical melodic features include a characteristic Ambitus (music), ambitus, and also characteristic intervallic patterns relat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Introit
The Introit () is part of the opening of the liturgical celebration of the Eucharist for many Christian denominations. In its most complete version, it consists of an antiphon, psalm verse and '' Gloria Patri'', which are spoken or sung at the beginning of the celebration. It is part of the '' proper'' of the liturgy: that is, the part that changes over the liturgical year. In the Roman Rite of the Catholic Church it is known as the ''antiphona ad introitum'' (Entrance antiphon), as in the text for each day's Mass, or as the ''cantus ad introitum'' (Entrance chant) as in the General Instruction of the Roman Missal, 47 and the First Roman Ordo (sixth to seventh century).Fortescue, A. (1910)"Introit" ''The Catholic Encyclopedia''. Retrieved 2 May 2009 In pre-1970 editions of the Roman Missal, the word ''Introitus'' was used, distinguished from the normal meaning of the word (entrance) by being capitalized. In Ambrosian chant and Beneventan chant, the counterpart of the Introit is ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vespers
Vespers /ˈvɛspərz/ () is a Christian liturgy, liturgy of evening prayer, one of the canonical hours in Catholic (both Latin liturgical rites, Latin and Eastern Catholic liturgy, Eastern Catholic liturgical rites), Eastern Orthodox, Oriental Orthodox, Anglican, and Lutheran liturgies. The word for this prayer time comes from the Latin ''vesper'', meaning "evening". Vespers typically follows a set order that focuses on the performance of psalms and other biblical canticles. Eastern Orthodox liturgies recognised as vespers (, ) often conclude with compline, especially the all-night vigil. Performing these liturgies together without break was also a common practice in medieval Europe, especially outside of monastic and religious communities. Old English speakers translated the Latin word as , which became evensong in modern English. The term is now usually applied to the Anglican variant of the liturgy that combines vespers with compline, following the conception of early sixtee ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Liturgy Of The Hours
The Liturgy of the Hours (), Divine Office (), or ''Opus Dei'' ("Work of God") are a set of Catholic prayers comprising the canonical hours, often also referred to as the breviary, of the Latin Church. The Liturgy of the Hours forms the official set of prayers "marking the hours of each day and sanctifying the day with prayer." The term "Liturgy of the Hours" has been retroactively applied to the practices of saying the canonical hours in both the Christian East and West–particularly within the Latin liturgical rites–prior to the Second Vatican Council, and is the official term for the canonical hours promulgated for usage by the Latin Church in 1971. Before 1971, the official form for the Latin Church was the '' Breviarium Romanum'', first published in 1568 with major editions through 1962. The Liturgy of the Hours, like many other forms of the canonical hours, consists primarily of psalms supplemented by hymns, readings, and other prayers and antiphons prayed at fixe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ambrosian Chant
Ambrosian chant (also known as Milanese chant) is the liturgical plainsong, plainchant repertory of the Ambrosian rite of the Roman Catholic Church, distinct from the more widely known Gregorian chant. It is primarily associated with the Roman Catholic Archdiocese of Milan, Archdiocese of Milan, and named after St. Ambrose much as Gregorian chant is named after Gregory the Great. It is the only surviving plainchant tradition besides the Gregorian to maintain the official sanction of the Roman Catholic Church. History The history of Milan as a centre for religious music goes back to St. Ambrose, who is not known to have composed any of the Ambrosian chant repertory, much as Gregory the Great is not known to have composed any Gregorian chant. However, during his 4th-century tenure as bishop of Milan, he is credited with introducing hymnody from the Eastern Church to the West. Ambrose composed original hymns as well, four of which still survive, along with music that may not have ch ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hymns To Mary
Marian hymns are Christian songs focused on Mary, mother of Jesus. They are used in devotional and liturgical services, particularly by the Roman Catholic, Eastern Orthodox, Oriental Orthodox, Anglican, and Lutheran churches. Some have been adopted as Christmas hymns. Marian hymns are not popular among Protestants who see Marian veneration as idolatry. The Eastern Orthodox yearly cycle of liturgy has more hymns to Mary than does the liturgy of Roman Catholicism, which often uses them in month-of-May devotions. These liturgies include the Magnificat hymn, which is one of the eight most ancient Christian hymns—perhaps the earliest, according to historian Marjorie Reeves. It is named after its first word in the 4th-century Vulgate Bible, based on , and is widely used by Roman Catholics, Anglicans, and the Eastern Orthodox. Some Marian hymns are shared by different groups of Christians, or are influenced by other hymns. For instance, the second stanza of the Anglican hymn Y ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Call And Response (music)
In music, call and response is a compositional technique, often a succession of two distinct phrase (music), phrases that works like a conversation in music. One musician offers a phrase, and a second player answers with a direct commentary or response. The phrases can be vocal, instrumental, or both. Additionally, they can take form as commentary to a statement, an answer to a question or repetition of a phrase following or slightly overlapping the initial speaker(s). It corresponds to the call and response pattern in human communication and is found as a basic element of musical form, such as the verse-chorus form, in many traditions. By region Africa In many African cultures, call and response is a pervasive pattern of democracy, democratic participation—in public gatherings in the discussion of civic affairs, in religious rituals, as well as in vocal and instrumental West African music, musical expression. Most of the call and response practices found in modern culture ori ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lauds
Lauds is a canonical hour of the Divine office. In the Roman Rite Liturgy of the Hours it is one of the major hours, usually held after Matins, in the early morning hours (between 3:00:00 and 5:59:59). Name The name is derived from the three last psalms of the psalter (148, 149, 150), the Laudate psalms, which in former versions of the Lauds of the Roman Rite occurred every day, and in all of which the word ''laudate'' is repeated frequently. At first, the word ''Lauds'' designated only the end, that is to say, these three psalms. Over time, ''Lauds'' came to be applied to the whole office. History Lauds, or the morning prayer or Office of Aurora, is one of the most ancient offices and can be traced back to Apostolic times. The earliest evidence of Lauds appears in the second and third centuries in the Canons of Hippolytus and in writings by St. Cyprian, and the Apostolic Fathers. Descriptions during the fourth and fifth centuries appear in writings by Ss. John Cassian, Me ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Psalms
The Book of Psalms ( , ; ; ; ; , in Islam also called Zabur, ), also known as the Psalter, is the first book of the third section of the Tanakh (Hebrew Bible) called ('Writings'), and a book of the Old Testament. The book is an anthology of Biblical Hebrew, Hebrew religious hymns. In the Judaism, Jewish and Western Christianity, Western Christian traditions, there are 150 psalms, and several more in the Eastern Christianity, Eastern Christian churches. The book is divided into five sections, each ending with a doxology, a hymn of praise. There are several types of psalms, including hymns or songs of praise, communal and individual laments, royal psalms, Imprecatory Psalms, imprecation, and individual thanksgivings. The book also includes psalms of communal thanksgiving, wisdom, pilgrimage and other categories. Many of the psalms contain attributions to the name of David, King David and other Biblical figures including Asaph (biblical figure), Asaph, the Korahites, sons of Kora ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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St Ambrose
Ambrose of Milan (; 4 April 397), venerated as Saint Ambrose, was a theologian and statesman who served as Bishop of Milan from 374 to 397. He expressed himself prominently as a public figure, fiercely promoting Roman Christianity against Arianism and paganism. He left a substantial collection of writings, of which the best known include the ethical commentary ''De officiis ministrorum'' (377–391), and the exegetical (386–390). His preaching, his actions and his literary works, in addition to his innovative musical hymnography, made him one of the most influential ecclesiastical figures of the 4th century. Ambrose was serving as the Roman governor of Aemilia-Liguria in Milan when he was unexpectedly made Bishop of Milan in 374 by popular acclamation. As bishop, he took a firm position against Arianism and attempted to mediate the conflict between the emperors Theodosius I and Magnus Maximus. Tradition credits Ambrose with developing an antiphonal chant, known as Ambrosia ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kirtan
Sikh ''kirta''n with Indian harmoniums and '' Kenya.html" ;"title="tabla'' drums (a common and popular pairing), in Kenya">tabla'' drums (a common and popular pairing), in Kenya (1960s) ''Kirtana'' (; ), also rendered as ''Kiirtan'', ''Kirtan'' or ''Keertan'', is a Sanskrit word that means "narrating, Bhajan, reciting, telling, describing" of an idea or story, specifically in Indian religions. It also refers to a genre of religious performance arts, connoting a musical form of narration, shared recitation, or devotional singing, particularly of spiritual or religious ideas, native to the Indian subcontinent. A person performing kirtan is known as a ''kirtankara'' (or ''kirtankar,'' कीर्तनकार). With roots in the Vedic ''anukirtana'' tradition, a kirtan is a call-and-response or antiphonal style song or chant, set to music, wherein multiple singers recite the names of a deity, describe a legend, express loving devotion to a deity, or discuss spiritual idea ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Psalm
The Book of Psalms ( , ; ; ; ; , in Islam also called Zabur, ), also known as the Psalter, is the first book of the third section of the Tanakh (Hebrew Bible) called ('Writings'), and a book of the Old Testament. The book is an anthology of Hebrew religious hymns. In the Jewish and Western Christian traditions, there are 150 psalms, and several more in the Eastern Christian churches. The book is divided into five sections, each ending with a doxology, a hymn of praise. There are several types of psalms, including hymns or songs of praise, communal and individual laments, royal psalms, imprecation, and individual thanksgivings. The book also includes psalms of communal thanksgiving, wisdom, pilgrimage and other categories. Many of the psalms contain attributions to the name of King David and other Biblical figures including Asaph, the sons of Korah, Moses and Solomon. Davidic authorship of the Psalms is not accepted as historical fact by modern scholars, who view it as ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |