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Qu (poetry)
The ''Qu'' form of poetry is a type of Classical Chinese poetry form, consisting of words written in one of a number of certain, set tone patterns, based upon the tunes of various songs. Thus ''Qu'' poems are lyrics with lines of varying longer and shorter lengths, set according to the certain and specific, fixed patterns of rhyme and tone of conventional musical pieces upon which they are based and after which these matched variations in lyrics (or individual ''Qu'' poems) generally take their name.Yip, 306-308 The fixed-tone type of verse such as the ''Qu'' and the '' ci'' together with the '' shi'' and '' fu'' forms of poetry comprise the three main forms of Classical Chinese poetry. Names and types In Chinese literature, the ''Qu'' () form of poetry from the Yuan Dynasty may be called ''Yuanqu'' (元曲 P: ''Yuánqǔ'', W: ''Yüan-ch'ü''). Qu may be derived from Chinese opera, such as the ''Zaju'' (雜劇), in which case these Qu may be referred to as ''sanqu'' (散曲). San ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Chinese Poetry Forms
Classical Chinese poetry forms are poetry forms or modes which typify the traditional Chinese poems written in Literary Chinese or Classical Chinese. Classical Chinese poetry has various characteristic forms, some attested to as early as the publication of the ''Classic of Poetry'', dating from a traditionally, and roughly, estimated time of around 10th–7th century BCE. The term "forms" refers to various formal and technical aspects applied to poems: this includes such poetic characteristics as meter (such as, line length and number of lines), rhythm (for example, presence of caesuras, end-stopping, and tone contour), and other considerations such as vocabulary and style. These forms and modes are generally, but not invariably, independent of the Classical Chinese poetry genres. Many or most of these were developed by the time of the Tang Dynasty, and the use and development of Classical Chinese poetry and genres actively continued up until the May Fourth Movement, and still ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Sanqu Poetry
''Sanqu'' () is a fixed-rhythm form of Classical Chinese poetry or "literary song".Crump (1990), 125 Specifically ''sanqu'' is a subtype of the '' qu'' formal type of poetry. ''Sanqu'' was a notable Chinese poetic form, possibly beginning in the Jin dynasty (1115–1234), but especially associated with the Yuan (1271–1368), Ming (1368–1644) and Qing (1644–1912) dynasties. The tonal patterns modeled on tunes drawn from folk songs or other music. Overview The ''sanqu'' were literary lyrics directly related to the ''zaju'' arias: these were dramatic lyrics written to fixed musical modes or metrical forms and could contain several aria or lyric song segments in one suite. ''Sanqu'', however, could be composed in single discrete sections. It is often said that the ''sanqu'' verses tend to reflect excess energies and resentments of contemporary disenfranchised Chinese literati, due to contemporary Jurchen and Mongol political domination. Often the poetry could be humorous as is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wai-lim Yip
Wai-lim Yip (; Jyutping:Jip6 Wai4-lim4, pinyin: Yè Wéilián; born June 20, 1937), is a Chinese poet, translator, critic, editor, and professor of Chinese and comparative literature at UC San Diego. He received his PhD in comparative literature from Princeton University. He is also a visiting teacher at China's Peking University and Tsinghua University. Life Yip was born in Guangdong province. At the age of 12, he moved to Hong Kong, where he started writing poetry and was active on the poetry scene. He graduated from National Taiwan University (BA, 1959) and went on to National Taiwan Normal University (MA, 1961), where he did a thesis on T.S. Eliot and translated "The Waste Land." In 1963 he went to the United States to attend the Iowa Writers' Workshop at the University of Iowa, whose director, Paul Engle, went to Taipei to negotiate permission for Yip's wife Tzu-mei and their daughter to leave Taiwan; he received an MFA in 1964. He then did graduate work at Princeton Univ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Poetry
Song poetry refers to Classical Chinese poetry of or typical of the Song dynasty of China (960–1279). The dynasty was established by the Zhao family in China in 960 and lasted until 1279. Many of the best known Classical Chinese poems, popular also in translation, are from the Song dynasty poets, such as Su Shi (Dongpo), Ouyang Xiu, Lu You and Yang Wanli. This was also a time of great achievement in painting and literature, and many artists were accomplished in more than one of these, as well as often being government officials. Historical background The Song dynasty (960–1279) was the first time that China was unified into one state since the Tang dynasty, the two dynasties were separated from each other by the Tang-Song transition period, known as the Five Dynasties and Ten Kingdoms period, a period of disunity. The Song period is divided into two parts, the first being the Northern Song (960–1127) which consisted of the China as reunified by the dynastic founder Empe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melisma
Melisma ( grc-gre, μέλισμα, , ; from grc, , melos, song, melody, label=none, plural: ''melismata'') is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is referred to as ''melismatic'', as opposed to ''syllabic'', in which each syllable of text is matched to a single note. An informal term for melisma is a vocal run. The term roulade is also sometimes used interchangeably with melisma. History General The term melisma may be used to describe music of any genre, including baroque singing, opera, and later gospel. Within the tradition of Religious Jewish music, melisma is still commonly used in the chanting of Torah, readings from the Prophets, and in the body of a service. Today, melisma is commonly used in Middle Eastern, African, and African American music, Irish sean nós singing, and flamenco. Melisma is also commonly featured in Western popular music. Prevalence in western popular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandarin Chinese
Mandarin (; ) is a group of Chinese (Sinitic) dialects that are natively spoken across most of northern and southwestern China. The group includes the Beijing dialect, the basis of the phonology of Standard Chinese, the official language of China. Because Mandarin originated in North China and most Mandarin dialects are found in the north, the group is sometimes referred to as Northern Chinese (). Many varieties of Mandarin, such as those of the Southwest (including Sichuanese) and the Lower Yangtze, are not mutually intelligible with the standard language (or are only partially intelligible). Nevertheless, Mandarin as a group is often placed first in lists of languages by number of native speakers (with nearly one billion). Mandarin is by far the largest of the seven or ten Chinese dialect groups; it is spoken by 70 percent of all Chinese speakers over a large geographical area that stretches from Yunnan in the southwest to Xinjiang in the northwest and Heilongji ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yuan Poetry
Yuan may refer to: Currency * Yuan (currency), the basic unit of currency in historic and contemporary mainland China and Taiwan **Renminbi, the current currency used in mainland China, whose basic unit is yuan ** New Taiwan dollar, the current currency used in Taiwan, whose basic unit is yuán in Mandarin ** Manchukuo yuan, the unit of currency that was used in the Japanese puppet state of Manchukuo Governmental organ * " Government branch" or "Court" (), the Chinese name for a kind of executive institution. Government of Taiwan * Control Yuan * Examination Yuan * Executive Yuan * Judicial Yuan * Legislative Yuan Government of Imperial China * Xuanzheng Yuan, or Bureau of Buddhist and Tibetan Affairs during the Yuan dynasty * Lifan Yuan during the Qing dynasty Dynasties * Yuan dynasty (元朝), a dynasty of China ruled by the Mongol Borjigin clan ** Northern Yuan dynasty (北元), the Yuan dynasty's successor state in northern China and the Mongolian Plateau People and langua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Southern Song
The Song dynasty (; ; 960–1279) was an imperial dynasty of China that began in 960 and lasted until 1279. The dynasty was founded by Emperor Taizu of Song following his usurpation of the throne of the Later Zhou. The Song conquered the rest of the Ten Kingdoms, ending the Five Dynasties and Ten Kingdoms period. The Song often came into conflict with the contemporaneous Liao, Western Xia and Jin dynasties in northern China. After retreating to southern China, the Song was eventually conquered by the Mongol-led Yuan dynasty. The dynasty is divided into two periods: Northern Song and Southern Song. During the Northern Song (; 960–1127), the capital was in the northern city of Bianjing (now Kaifeng) and the dynasty controlled most of what is now Eastern China. The Southern Song (; 1127–1279) refers to the period after the Song lost control of its northern half to the Jurchen-led Jin dynasty in the Jin–Song Wars. At that time, the Song court retreated south of the Yangt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zaju
''Zaju'' was a form of Chinese opera which provided entertainment through a synthesis of recitations of prose and poetry, dance, singing, and mime, with a certain emphasis on comedy (or, happy endings). Although with diverse and earlier roots, ''zaju'' has particularly been associated with the time of the Yuan dynasty (1271–1368), and ''zaju'' remains important in terms of the historical study of the theater arts as well as Classical Chinese literature and poetry. ''Zaju'' is known to have been performed during the earlier Song (960–1279) and Jin (1115–1234) dynasties. The various particulars of the ''zaju'' multimedia performance were derived from many and diverse sources of musical, dance, poetry, and theater traditions. Characteristics The Yuan ''zaju'' were poetic music dramas comprising four acts, with the "act" (齣, ''chu'') defined as a set of songs following and completing a certain musical modal progression. Occasionally one or two "wedges" (楔子, ''xiezi''), or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tone Pattern
Tone patterns () are common constraints in classical Chinese poetry. The four tones of Middle Chinese—''level'' (平), ''rising'' (上), ''departing'' (去), and ''entering'' (入) tones—are categorized into level (平) tones and oblique (仄) tones. Tones that are not ''level'' are ''oblique''. When tone patterns are used in poetry, the pattern in which level and oblique tones occur in one line is often the inverse of that of the line next to it. For example, in the poem 春望 (pinyin: chūn wàng, ''Spring View'') by Du Fu, the tone pattern of the first line is 仄仄平平仄, while that of the second line is 平平仄仄平: In poetry In Classical Chinese poetry, the presence or absence of formal tonal constraints regarding tone pattern varies according to the poetic form of a specific poem. Sometimes the rules governing the permissible tone patterns for a poem were quite strict, yet still allowed for a certain amount of liberty and variation, as in the case of regulat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Opera
Traditional Chinese opera (), or ''Xiqu'', is a form of musical theatre in China with roots going back to the early periods in China. It is an amalgamation of various art forms that existed in ancient China, and evolved gradually over more than a thousand years, reaching its mature form in the 13th century, during the Song dynasty (960–1279). Early forms of Chinese theater are simple, but over time various art forms such as music, song and dance, martial arts, acrobatics, costume and make-up art, as well as literary art forms were incorporated to form traditional Chinese opera. Performers had to practice for many years to gain an understanding of the roles. Exaggerated features and colors made it easier for the audience to identify the roles portrayed. There are over a hundred regional branches of traditional Chinese opera today. In the 20th century the Peking opera emerged in popularity and has come to known as the "national theatre" of China, but other genres like Yue ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yuan Dynasty
The Yuan dynasty (), officially the Great Yuan (; xng, , , literally "Great Yuan State"), was a Mongol-led imperial dynasty of China and a successor state to the Mongol Empire after its division. It was established by Kublai, the fifth khagan-emperor of the Mongol Empire from the Borjigin clan, and lasted from 1271 to 1368. In orthodox Chinese historiography, the Yuan dynasty followed the Song dynasty and preceded the Ming dynasty. Although Genghis Khan had been enthroned with the Han-style title of Emperor in 1206 and the Mongol Empire had ruled territories including modern-day northern China for decades, it was not until 1271 that Kublai Khan officially proclaimed the dynasty in the traditional Han style, and the conquest was not complete until 1279 when the Southern Song dynasty was defeated in the Battle of Yamen. His realm was, by this point, isolated from the other Mongol-led khanates and controlled most of modern-day China and its surrounding areas, inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
