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Chinese Sanqu Poetry
''Sanqu'' () is a fixed-rhythm form of Classical Chinese poetry or "literary song".Crump (1990), 125 Specifically ''sanqu'' is a subtype of the '' qu'' formal type of poetry. ''Sanqu'' was a notable Chinese poetic form, possibly beginning in the Jin dynasty (1115–1234), but especially associated with the Yuan (1271–1368), Ming (1368–1644) and Qing (1644–1912) dynasties. The tonal patterns modeled on tunes drawn from folk songs or other music. Overview The ''sanqu'' were literary lyrics directly related to the ''zaju'' arias: these were dramatic lyrics written to fixed musical modes or metrical forms and could contain several aria or lyric song segments in one suite. ''Sanqu'', however, could be composed in single discrete sections. It is often said that the ''sanqu'' verses tend to reflect excess energies and resentments of contemporary disenfranchised Chinese literati, due to contemporary Jurchen and Mongol political domination. Often the poetry could be humorous as is ...
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Classical Chinese Poetry
Classical Chinese poetry is traditional Chinese poetry written in Classical Chinese and typified by certain traditional forms, or modes; traditional genres; and connections with particular historical periods, such as the poetry of the Tang dynasty. The existence of classical Chinese poetry is documented at least as early as the publication of the ''Classic of Poetry'' (''Shijing''). Various combinations of forms and genres have developed over the ages. Many or most of these poetic forms were developed by the end of the Tang dynasty, in 907 CE. The use and development of Classical Chinese poetry actively continued up until the May Fourth Movement, in 1919, and is still developed even today. Poetry created during this period of more-or-less continuous development displays a great deal of diversity – categorized by both major historical periods and by dynastic periods (the traditional Chinese historical method). Another key aspect of Classical Chinese poetry is its intense int ...
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Ma Zhiyuan
Ma Zhiyuan (, 1250–1321), courtesy name Dongli (), was a Chinese poet and celebrated playwright, a native of Dadu (present-day Beijing) during the Yuan dynasty.Cihai: Page 1132-1133. Among his achievements is the development and popularizing of the ''sanqu'' () lyric type of Classical Chinese poetry forms. The poem "Autumn Thoughts" () from the book "" is the most widely known of his sanqu poems. Works Poems Ma Zhiyuan's ''sanqu'' poem "Autumn Thoughts" (), composed to the metric pattern Tianjingsha (), uses ten images in twenty-two monosyllables to preamble a state of emotion, and is considered as the penultimate piece in Chinese poetry to convey the typical Chinese male literati's melancholy during late autumn: : ''Autumn Thoughts'' : Over old trees wreathed with rotten vines fly evening crows; : Under a small bridge near a cottage a stream flows; : On ancient road in the west wind a lean horse goes. : Westward declines the sun; Far, far from home is the heartbroken one. ...
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Yuan Poetry
Yuan may refer to: Currency * Yuan (currency), the basic unit of currency in historic and contemporary mainland China and Taiwan **Renminbi, the current currency used in mainland China, whose basic unit is yuan ** New Taiwan dollar, the current currency used in Taiwan, whose basic unit is yuán in Mandarin ** Manchukuo yuan, the unit of currency that was used in the Japanese puppet state of Manchukuo Governmental organ * " Government branch" or "Court" (), the Chinese name for a kind of executive institution. Government of Taiwan * Control Yuan * Examination Yuan * Executive Yuan * Judicial Yuan * Legislative Yuan Government of Imperial China * Xuanzheng Yuan, or Bureau of Buddhist and Tibetan Affairs during the Yuan dynasty * Lifan Yuan during the Qing dynasty Dynasties * Yuan dynasty (元朝), a dynasty of China ruled by the Mongol Borjigin clan ** Northern Yuan dynasty (北元), the Yuan dynasty's successor state in northern China and the Mongolian Plateau People and langua ...
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Ming Poetry
Ming poetry refers to the poetry of or typical of the Ming dynasty (1368–1644).Davis, lxxi With over one million specimens of Ming poetry surviving today, the poetry of the Ming dynasty represents one of the major periods of Classical Chinese poetry, as well as an area of active modern academic research. Ming poetry (and Chinese art and literature in general) is marked by 2 transitional phases, the transition between the Yuan dynasty which was the predecessor to the Ming, and the Qing-Ming transition which eventually resulted in the succeeding Qing dynasty. Although in politico-dynastic terms, the dynastic leadership of China is historically relatively clear-cut, the poetic periods involved encompass the lifespans and works of poets whose lives and poetic output transcend both the end of one dynasty and the initiatory period of the next. Background Following the collapse of the Mongol-led Yuan dynasty, and upon its establishment, the Ming dynasty for much or most of its existe ...
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Mandarin Chinese
Mandarin (; ) is a group of Chinese (Sinitic) dialects that are natively spoken across most of northern and southwestern China. The group includes the Beijing dialect, the basis of the phonology of Standard Chinese, the official language of China. Because Mandarin originated in North China and most Mandarin dialects are found in the north, the group is sometimes referred to as Northern Chinese (). Many varieties of Mandarin, such as those of the Southwest (including Sichuanese) and the Lower Yangtze, are not mutually intelligible with the standard language (or are only partially intelligible). Nevertheless, Mandarin as a group is often placed first in lists of languages by number of native speakers (with nearly one billion). Mandarin is by far the largest of the seven or ten Chinese dialect groups; it is spoken by 70 percent of all Chinese speakers over a large geographical area that stretches from Yunnan in the southwest to Xinjiang in the northwest and Heilongjiang in ...
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Classical Chinese Poetry Forms
Classical Chinese poetry forms are poetry forms or modes which typify the traditional Chinese poems written in Literary Chinese or Classical Chinese. Classical Chinese poetry has various characteristic forms, some attested to as early as the publication of the ''Classic of Poetry'', dating from a traditionally, and roughly, estimated time of around 10th–7th century BCE. The term "forms" refers to various formal and technical aspects applied to poems: this includes such poetic characteristics as meter (such as, line length and number of lines), rhythm (for example, presence of caesuras, end-stopping, and tone contour), and other considerations such as vocabulary and style. These forms and modes are generally, but not invariably, independent of the Classical Chinese poetry genres. Many or most of these were developed by the time of the Tang Dynasty, and the use and development of Classical Chinese poetry and genres actively continued up until the May Fourth Movement, and still c ...
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Classical Chinese
Classical Chinese, also known as Literary Chinese (古文 ''gǔwén'' "ancient text", or 文言 ''wényán'' "text speak", meaning "literary language/speech"; modern vernacular: 文言文 ''wényánwén'' "text speak text", meaning "literary language writing"), is the language of the classic literature from the end of the Spring and Autumn period through to the either the start of the Qin dynasty or the end of the Han dynasty, a written form of Old Chinese (上古漢語, ''Shànɡɡǔ Hànyǔ''). Classical Chinese is a traditional style of written Chinese that evolved from the classical language, making it different from any modern spoken form of Chinese. Literary Chinese was used for almost all formal writing in China until the early 20th century, and also, during various periods, in Japan, Ryukyu, Korea and Vietnam. Among Chinese speakers, Literary Chinese has been largely replaced by written vernacular Chinese, a style of writing that is similar to modern spoken Mandarin ...
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Guan Hanqing
Guan Hanqing ( 1241–1320), sobriquet "the Oldman of the Studio" (齋叟 Zhāisǒu), was a notable Chinese playwright and poet in the Yuan Dynasty. He has been described as among the most prolific and highly regarded dramatists of the Yuan period. Life Guan Hanqing was undoubtedly the most productive and creative playwright of northern plays. Described by Jia Zhongming as “the leader of the Pear Garden” (liyuan lingxiu 梨園領袖), Guan was fully immersed in the theatrical scene of his time and was well known amongst both actors and his fellow peers. He is even said to have painted and powdered his face (mianfu fenmo 面傅粉墨) while acting on stage. He is credited with the writing of 68 plays, of which only 18 survive, three in fragments. These were written mostly in the vernacular of the time. In some cases, attribution is highly disputed. In addition to playwriting, Guan Hanqing is also said to be a master of songs (sanqu 散曲). 57 of his songs (xiaoling 小令) ...
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Mongols
The Mongols ( mn, Монголчууд, , , ; ; russian: Монголы) are an East Asian ethnic group native to Mongolia, Inner Mongolia in China and the Buryatia Republic of the Russian Federation. The Mongols are the principal member of the large family of Mongolic peoples. The Oirats in Western Mongolia as well as the Buryats and Kalmyks of Russia are classified either as distinct ethno-linguistic groups or subgroups of Mongols. The Mongols are bound together by a common heritage and ethnic identity. Their indigenous dialects are collectively known as the Mongolian language. The ancestors of the modern-day Mongols are referred to as Proto-Mongols. Definition Broadly defined, the term includes the Mongols proper (also known as the Khalkha Mongols), Buryats, Oirats, the Kalmyk people and the Southern Mongols. The latter comprises the Abaga Mongols, Abaganar, Aohans, Baarins, Chahars, Eastern Dorbets, Gorlos Mongols, Jalaids, Jaruud, Kharchins, Khishig ...
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Qu (poetry)
The ''Qu'' form of poetry is a type of Classical Chinese poetry form, consisting of words written in one of a number of certain, set tone patterns, based upon the tunes of various songs. Thus ''Qu'' poems are lyrics with lines of varying longer and shorter lengths, set according to the certain and specific, fixed patterns of rhyme and tone of conventional musical pieces upon which they are based and after which these matched variations in lyrics (or individual ''Qu'' poems) generally take their name.Yip, 306-308 The fixed-tone type of verse such as the ''Qu'' and the '' ci'' together with the ''shi'' and '' fu'' forms of poetry comprise the three main forms of Classical Chinese poetry. Names and types In Chinese literature, the ''Qu'' () form of poetry from the Yuan Dynasty may be called ''Yuanqu'' (元曲 P: ''Yuánqǔ'', W: ''Yüan-ch'ü''). Qu may be derived from Chinese opera, such as the ''Zaju'' (雜劇), in which case these Qu may be referred to as ''sanqu'' (散曲). Sanqu ...
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Jurchen People
Jurchen (Manchu: ''Jušen'', ; zh, 女真, ''Nǚzhēn'', ) is a term used to collectively describe a number of East Asian Tungusic-speaking peoples, descended from the Donghu people. They lived in the northeast of China, later known as Manchuria, before the 18th century. The Jurchens were renamed Manchus in 1635 by Hong Taiji. Different Jurchen groups lived as hunter-gatherers, pastoralist semi-nomads, or sedentary agriculturists. Generally lacking a central authority, and having little communication with each other, many Jurchen groups fell under the influence of neighbouring dynasties, their chiefs paying tribute and holding nominal posts as effectively hereditary commanders of border guards. Chinese officials of the Ming dynasty (1368-1644) classified them into three groups, reflecting relative proximity to China: # Jianzhou (Chinese: 建州) Jurchens, some of whom were mixed with Korean and Chinese populations, lived in the proximity of the Mudan river, the Changbai mo ...
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Arias
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; melod ...
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