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Pokvarena Mašta I Prljave Strasti
''Pokvarena mašta i prljave strasti'' (trans. ''Perverted Imagination and Sordid Passions'') is the second studio album from Serbian and former Yugoslav rock band Riblja Čorba, released in 1981. In 1998, the album was polled as the 23rd on the list of 100 greatest Yugoslav rock and pop albums in the book '' YU 100: najbolji albumi jugoslovenske rok i pop muzike'' (''YU 100: The Best albums of Yugoslav pop and rock music''). In 2015, the album was pronounced the 13th on the list of 100 greatest Yugoslav albums published by Croatian edition of ''Rolling Stone''. Album cover The album cover was designed by Jugoslav Vlahović. The original album cover was supposed to display a photograph of naked Mrs. Adela, an eighty-year-old model at the University of Arts' Faculty of Fine Arts in Belgrade. However, shortly before the album was released, Bijelo Dugme's ''Doživjeti stotu'' came out with a naked old woman on the three-piece cover, so the ''Pokvarena mašta i prljave strasti'' cov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings (e.g., music) issued on a medium such as compact disc (CD), Phonograph record, vinyl (record), audio tape (like 8-track cartridge, 8-track or Cassette tape, cassette), or digital distribution, digital. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records (78s) collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the ''album era''. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983, being gradually supplanted by the cassette tape throughout the 1970s and early 1980s; the popul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bijelo Dugme
() is a Socialist Federal Republic of Yugoslavia, Yugoslav Rock music, rock band, formed in Sarajevo, SR Bosnia and Herzegovina in 1974. is widely considered to have been the most popular and the best-selling band ever to exist in the former Socialist Federal Republic of Yugoslavia and one of the most prominent acts of the Yugoslav rock scene and Yugoslav popular music in general. was officially formed in 1974, although the members of its default lineup—guitarist Goran Bregović, vocalist Željko Bebek, drummer Ipe Ivandić, keyboardist Vlado Pravdić and bass guitarist Zoran Redžić—had previously played together under the name Jutro (Sarajevo band), Jutro. The band's 1974 debut album ''Kad bi' bio bijelo dugme'' brought them nationwide popularity with its Balkan folk music, Balkan folk-influenced hard rock sound. The band's subsequent several studio releases, featuring similar sound, maintained their huge popularity, described by the Yugoslav press as "Dugmemania". Simu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Music In Yugoslavia
New wave in Yugoslavia ( sr-Cyrl-Latn, Нови талас, Novi talas; ; ; ) was the new wave music scene of the Socialist Federal Republic of Yugoslavia. As its counterparts, the British and the American new wave, from which the main influences came, the Yugoslav scene was also closely related to punk rock, ska, reggae, 2 tone, power pop and mod revival. Some of its acts are also counted as belonging to the Yugoslav punk scene which already existed prior to new wave. Such artists were labeled as both punk rock and new wave (the term "new wave" was initially interchangeable with "punk"). Overview The new wave scene in Yugoslavia emerged in the late 1970s and had a significant impact on the Yugoslav culture. The Yugoslav rock scene in general, including the freshly arrived new wave music, was socially accepted, well developed and covered in the media. New wave was especially advocated by the magazines ''Polet'' from Zagreb and '' Džuboks'' from Belgrade, as well as the TV sho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Branimir Štulić
Branimir "Johnny" Štulić (born April 11, 1953) is a Yugoslav singer-songwriter, musician and author, best known for being the frontman of the popular Yugoslav rock group Azra. He is known for his charismatic stage performances and inspiring song lyrics that often combined rock poetry with a strong sense for social commentary, which is the cause for him becoming a cult figure. Early life Štulić was born on April 11, 1953, in Skopje, where his mother Slavica (née Milovac) and father Ivan Štulić–an officer in the Yugoslav People's Army–were stationed at the time. His paternal Croatian family originates from Nin, belonging to one of the town's oldest families. His family background is ethnic Croat but he declares himself a "Balkanian". At the age of seven, Štulić moved with his family to Jastrebarsko. In January 1967, Štulić moved to Zagreb, where he attended high school and later studied phonetics and history at the University of Zagreb's Faculty of Philosophy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buvlja Pijaca
''Buvlja pijaca'' (trans. ''Flea Market'') is the fourth studio album from Serbian and former Yugoslav rock band Riblja Čorba, released in 1982. The album is the second Riblja Čorba album produced by John McCoy. It featured a softer sound than previous Riblja Čorba releases, as some of the songs featured string and brass instruments and had elements of acoustic rock. The album was polled in 1998 as the 64th on the list of 100 greatest Yugoslav rock and pop albums in the book '' YU 100: najbolji albumi jugoslovenske rok i pop muzike'' (''YU 100: The Best albums of Yugoslav pop and rock music''). Album cover The album cover features the iconic ''kaiju'' monster Godzilla blowing his signature atomic breath on King Kong. It was designed by Jugoslav Vlahović and is the only Riblja Čorba cover which does not feature their logo. Track listing Personnel *Bora Đorđević - vocals *Rajko Kojić - guitar *Momčilo Bajagić - guitar *Miša Aleksić - bass guitar *Miroslav Milatovi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Popular Music In The Socialist Federal Republic Of Yugoslavia
Popular music in Yugoslavia includes the pop and rock music of the former SFR Yugoslavia, including all their genres and subgenres. The scene included the constituent republics: SR Slovenia, SR Croatia, SR Bosnia and Herzegovina, SR Montenegro, SR Macedonia and SR Serbia and its subunits: SAP Vojvodina and SAP Kosovo. The pop and rock scene was a part of the general Music of Yugoslavia, which also included folk, classical music, jazz etc. Within Yugoslavia and internationally, the phrases ex-YU or ''ex-Yugoslav Pop and Rock'' both formally and informally generally to the SFRY period, though in some cases also to its successor the FR Yugoslavia including Serbia and Montenegro which existed until 2006 (such as the book title '' Ex YU rock enciklopedija 1960 - 2006''). History Although sometimes considered as an Eastern Bloc country, the Socialist Federal Republic of Yugoslavia was a founding member of the Non-Aligned Movement and as such, it was far more open to western influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Džuboks
''Džuboks'' ( sr-cyr, italic=no, Џубокс, trans. ''Jukebox'') was a Yugoslav music magazine. Launched in 1966, it was the first magazine in SFR Yugoslavia dedicated predominantly to rock music and the first rock music magazine to be published in a communist country. History Launch ''Džuboks'' was launched during spring 1966 by the Belgrade-based Duga publishing company in the aftermath of the three-day Gitarijada music festival, whose large attendance and euphoric atmosphere several months earlier at the Belgrade Fair were indicative of the rising popularity of rock music locally. The idea for a monthly rock music magazine came from Duga staff journalists that had already been writing for the company's weekly film magazine, ''Filmski svet'' (Film World); they now felt that an entirely new publication catering to the growing number of rock music fans in Yugoslavia could prove successful. As Duga employed no rock music writers or reviewers among its staff at the time, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vicko Milatović
Miroslav "Vicko" Milatović (Serbian Cyrillic: Мирослав-Вицко Милатовић) is a Serbian musician best known as the drummer for the Serbian and Yugoslav rock band Riblja Čorba. Milatović first gained prominence in the late 1970s. as the member of the Belgrade band SOS, which enjoyed some local popularity. In 1978, SOS members and vocalist Bora Đorđević formed the band Riblja Čorba, which went on to become one of the most popular and influential acts of the Yugoslav rock scene. Milatović has been the member of Riblja Čorba throughout the band's whole career, with only a short one-year absence from the group due to his mandatory army stint. In addition to working with Riblja Čorba, he started two side projects—the heavy metal band Warriors and the hard rock band Indijanci—and released two solo albums. Biography Early career (1976–1978) Miroslav Milatović started his career as the drummer for the band Born, also featuring Željko Nikolić (who wou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yugoslav Dinar
The dinar ( sh-Cyrl, динар) was the currency of Yugoslavia. It was introduced in 1920 in the Kingdom of Serbs, Croats and Slovenes, which was replaced by the Kingdom of Yugoslavia, and then the Socialist Federal Republic of Yugoslavia. The dinar was subdivided into 100 Para (currency), para ( sh-Cyrl, пара, link=no). One of the successor states to former Yugoslavia, the Federal Republic of Yugoslavia, continued to use the same name for its currency until 2003, though Montenegro stopped exclusively using it in 1999 and moved away from it in 2000. In the early 1990s, economic mismanagement made the government bankrupt and forced it to take money from the savings of the country's citizens. Following the breakup of Yugoslavia, this caused severe and prolonged hyperinflation in the Federal Republic of Yugoslavia, which has been described as the worst in history. Large amounts of money were printed, with coins becoming redundant and inflation rates reaching over one billion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miša Aleksić
Miroslav "Miša" Aleksić (Serbian Cyrillic: Мирослав Миша Алексић, 16 August 1953 — 29 November 2020) was a Serbian musician, best known as the bass guitarist for the Serbian and former Yugoslav rock band Riblja Čorba. Biography Miša Aleksić started his career in 1970 in a band called Royali as their bass guitarist and vocalist. In 1970 the band won second place at the contest organized by editors of Radio Belgrade show ''Veče uz radio''. In 1971, Aleksić went to the United States where he graduated at Pikesville High School in Pikesville, Maryland. With other students he formed rockabilly band Shih-Muh-Fuh (abbreviation from Shit Motherfucker). Influenced by the music of Grand Funk Railroad, Deep Purple and Led Zeppelin, after returning to Yugoslavia, Aleksić formed SOS with Dragan Štulović (guitar), Dragan Tasić (guitar) and Stevan Stevanović (drums). After Tasić left the band SOS continued performing as a trio. In 1977 Štulović and Stevanov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rajko Kojić
Radislav "Rajko" Kojić (Serbian Cyrillic: Радислав-Рајко Којић; 12 April 1956 – 11 April 1997) was a Serbian guitarist best known for his work with band Riblja Čorba. Biography Rajko Kojić was born on 12 April 1956 in Jarkovac. He started dealing with music, when he was in high school, when he started to play guitar. Kojić started his career in 1973 as the guitarist for the band Demoni from Jarkovac. As the band did not have a bass guitarist Kojić would sometimes play bass guitar. In 1974, he joined band MBG. He played only three concerts with MBG before moving to Belgrade at the end of 1975. In 1976, Kojić formed band MBG II with another former MBG member Borivoje Knežević. Kojić soon met Momčilo Bajagić with whom he formed band Glogov Kolac, which performed only once in Uljma. After Glogov Kolac disbanded, Kojić joined band ''SOS'' led by Miša Aleksić. In 1978, SOS members Kojić, Aleksić and Vicko Milatović formed Riblja Čorba with a for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bora Đorđević
Borisav "Bora" Đorđević ( sr-Cyrl, Борисав, Бора Ђорђевић; 1 November 1952 – 4 September 2024), also known as Bora Čorba ( sr-Cyrl, Бора Чорба), was a Serbian singer-songwriter and poet. He was best known as the frontman of the rock band Riblja Čorba. Early life Čačak years Đorđević was born in Čačak in 1952 to machinist father Dragoljub and mother Nerandža, who taught Serbo-Croatian and Russian. At the age of thirteen, he formed his first band, Hermelini ("The Stoat, Ermines"), with Borko Ilić (lead guitar), Prvoslav Savić (rhythm guitar), and Aca Dimitrijević (drums). Đorđević played bass guitar, and the band's sound was influenced by the Zagreb-based Beat music, beat band . Two years later, Đorđević switched to rhythm guitar and began writing song lyrics and poetry. One of his earliest poems, "Moje tuge", would later be recorded as a song and released on the band Suncokret's debut single "Kara Mustafa" / "Moje tuge", as we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
