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Pierina España
Pierina Legnani (30 September 1863 – 15 November 1930) was an Italian ballerina considered one of the greatest ballerinas of all time. Biography Legnani was born in 1863, in Milan and originally studied with famous ballet dancer Caterina Beretta at La Scala, where she developed her technical expertise. Her professional career took off when she appeared as prima ballerina in the Casati ballet, Salandra, at Alhambra Theatre in London. She was titled prima ballerina for La Scala in 1892, before moving to St Petersburg in 1892, where she reached fame dancing with the Imperial Ballet at the Maryinsky Theatre until 1901. Under the direction of famous ballet choreographer Marius Petipa, Legnani originated numerous roles including, ''Cinderella'' in 1893, ''Swan Lake'' in 1895, ''Raymonda'' in 1898, and '' La Camargo'' in 1901. She is widely reputed to be the first ballerina to perform 32 fouettés en tournant in the '' coda'' of the Grand Pas d'action of the ballet ''Cinderella'' ...
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Milan
Milan ( , , ; ) is a city in northern Italy, regional capital of Lombardy, the largest city in Italy by urban area and the List of cities in Italy, second-most-populous city proper in Italy after Rome. The city proper has a population of nearly 1.4 million, while its Metropolitan City of Milan, metropolitan city has 3.2 million residents. Within Europe, Milan is the fourth-most-populous List of urban areas in the European Union, urban area of the EU with 6.17 million inhabitants. According to national sources, the population within the wider Milan metropolitan area (also known as Greater Milan) is estimated between 7.5 million and 8.2 million, making it by far the List of metropolitan areas of Italy, largest metropolitan area in Italy and List of metropolitan areas in Europe, one of the largest in the EU.* * * * Milan is the economic capital of Italy, one of the economic capitals of Europe and a global centre for business, fashion and finance. Milan is reco ...
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Bravura
In classical music a bravura is a style of both music and its performance intended to show off the skill of a performer. John Alexander Fuller-Maitland, ''A dictionary of music and musicians (A.D. 1450-1889)'p. 271-272/ref> Commonly, it is a virtuosic passage performed as a solo, and often in a cadenza. The term implies "effect for effect's sake", therefore, while many pieces of Beethoven do require a high skill, they are not described as "bravura". Fuller-Maitland suggests the following arias as examples of bravura: "Let the bright Seraphim" from '' Samson'', " Der Hölle Rache kocht in meinem Herzen" (Act II of ''The Magic Flute'') and "Non più mesta" from '' La Cenerentola''. Musical terms "allegro di bravura" and "con bravura" indicate boldness, fire and brilliance. The term "bravura" also refers to daring performance in ballet, e.g., in reference of the ''pas de deux'' from '' Le Corsaire''. Lynn Garafola describes the Russian ballet school of Marius Petipa Mari ...
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Prima Ballerina Assolutas
''Prima ballerina assoluta'' is a title awarded to the most notable of female ballet dancers. To be recognised as a ''prima ballerina assoluta'' is a rare honour, traditionally reserved for the most exceptional dancers of their generation. Originally inspired by the Italian ballet masters of the early Romantic ballet and literally meaning 'absolute first ballerina', the title was bestowed on prima ballerinas who were considered exceptionally talented, performing to a higher standard than other leading ballerinas. The title is rarely applied to dancers today. Recent titles have been awarded symbolically (though no less well-deservedly). Reasons for granting have included public recognition and praise for a prestigious international career, and/or for giving 'exceptional service' to their ballet company. Currently, no universal procedure or common criteria exists for ballet companies to determine whether to grant this title to a dancer. This has led to disputes & conflict amon ...
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Nikolai Legat
Nikolai Gustavovich Legat () (30 December 1869, in Moscow – 24 January 1937, in London) was a ballet dancer, choreographer and teacher. Life and career Nikolai Legat was born to a family of Swedish origin, all of whom were dancers—his father Gustav Legat was a ''soloist'' of the Imperial Ballet of St. Petersburg and teacher of ballet at the Moscow Theatrical School while his mother Maria Semyonovna Legat (née Granken) was a character dancer. Like his four siblings, the young Nikolai was accepted into the Imperial Ballet School at the age of ten, and during his years there, he counted Marius Petipa, Pavel Gerdt and Christian Johansson among his teachers. Legat graduated in 1888 and was immediately offered a position with the Imperial Ballet in the rank of ''sujet'' (''soloist''), completely bypassing having to dance in the ''corps de ballet''. Both he and his younger brother, Sergey, became ballet masters and caricaturists. Legat is considered to be the main succe ...
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Alfred Bekefi
Alfred may refer to: Arts and entertainment *''Alfred J. Kwak'', Dutch-German-Japanese anime television series * ''Alfred'' (Arne opera), a 1740 masque by Thomas Arne * ''Alfred'' (Dvořák), an 1870 opera by Antonín Dvořák *"Alfred (Interlude)" and "Alfred (Outro)", songs by Eminem from the 2020 album ''Music to Be Murdered By'' Business and organisations * Alfred, a radio station in Shaftesbury, England *Alfred Music, an American music publisher *Alfred University, New York, U.S. *The Alfred Hospital, a hospital in Melbourne, Australia People * Alfred (name) includes a list of people and fictional characters called Alfred * Alfred the Great (848/49 – 899), or Alfred I, a king of the West Saxons and of the Anglo-Saxons Places Antarctica * Mount Alfred (Antarctica) Australia * Alfredtown, New South Wales * County of Alfred, South Australia Canada * Alfred and Plantagenet, Ontario ** Alfred, Ontario, a community in Alfred and Plantagenet * Alfred Island, Nunavut * Mo ...
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Pavel Gerdt
Pavel Andreyevich Gerdt (), also known as Paul Gerdt (22 November 1844, near Saint Petersburg, Russia – 12 August 1917, in Vamaloki, Finland, Russian Republic), was the ''Premier Danseur Noble'' of the Mariinsky Ballet, Imperial Ballet, the Bolshoi Theatre, Saint Petersburg, Bolshoi Kamenny Theatre, and the Mariinsky Theatre for 56 years, making his debut in 1860, and retiring in 1916.Gerdt Family, in: The International Encyclopedia of Dance, Oxford University Press, 1998/2005 His daughter Elizaveta Gerdt was also a prominent ballerina and teacher. Gerdt studied under Christian Johansson, Alexander Pimenov (a pupil of the legendary Charles Didelot), and with Jean-Antoine Petipa (Marius Petipa's father, a master of the old pantomime and a student of Auguste Vestris). He was known as the "Blue Cavalier" of the Saint Petersburg stage, creating the roles of nearly every lead male character throughout the latter half of the 19th century, among them Prince Désiré in ''The Sleeping B ...
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The Little Humpbacked Horse (ballet)
''The Little Humpbacked Horse, or The Tsar Maiden'' (a.k.a. ''Konyok Gorbunok ili Tsar-Devitsa'', or ''Le Petit cheval bossu, ou La Tsar-Demoiselle'') is a ballet in four acts and eight scenes with apotheosis. Story of the ballet The libretto is by Arthur Saint-Léon, based on the fairy tale ''The Little Humpbacked Horse'' by Pyotr Pavlovich Yershov, Pyotr Yershov. However, the choreographer substantially deviated from Yershov's original tale. The ballet shows how Ivan the fool, with the aid of a magical horse, defeats an evil Khan (title), Khan and wins the hand of the Tsar-Maiden. Eventually Ivan replaces the ineffective and incompetent Tsar and becomes Tsar himself. Choreography of Saint-Léon The original choreography was created by Arthur Saint-Léon and was set to music by Cesare Pugni. The ballet was first presented by the Mariinsky Ballet, Imperial Ballet on at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia. Marfa Muravyova (as the Tsar Maiden) and ...
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Tsar Maiden
''The Maiden Tsar'' (, Tsar-Maiden, Tsar-Maid) is a character in East Slavic folktales. It is best known from Alexander Afanasyev's eight-volume collection ''Narodnye russkie skazki'' (1855—1863), folktale "Царь-девица"; variants recorded in Orenburg Governorate (number 232) and Perm Governorate (number 233). The tale is classified - and gives its name - to tale type SUS 400/2, "", of the East Slavic Folktale Catalogue (). The East Slavic type corresponds, in the international catalogue of the Aarne-Thompson-Uther Index, to tale type ATU 400, "The Quest for the Lost Wife". Synopsis by Afanasyev, 232 The synopsis below follows version 232. s:ru:Народные русские сказки (Афанасьев)/Царь-девица (Wikisource) In version 233 the protagonist is Vasily Tsarevich, son of tsar and tsarina. A merchant and his wife have a son who they name Ivan. The mother dies and the merchant puts Ivan in the care of a tutor, meanwhile, he marries agai ...
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Léo Delibes
Clément Philibert Léo Delibes (; 21 February 1836 – 16 January 1891) was a French Romantic music, Romantic composer, best known for his ballets and French opera, operas. His works include the ballets ''Coppélia'' (1870) and ''Sylvia (ballet), Sylvia'' (1876) and the opera ''Lakmé'' (1883), which includes the well-known "Flower Duet". Born into a musical family, Delibes enrolled at France's foremost music academy, the Conservatoire de Paris, when he was twelve, studying under several professors including Adolphe Adam. After composing light comic opérettes in the 1850s and 1860s, while also serving as a church organist, Delibes achieved public recognition for his music for the ballet ''La source (Saint-Léon), La Source'' in 1866. His later ballets ''Coppélia'' and ''Sylvia'' were key works in the development of modern ballet, giving the music much greater importance than previously. He composed a small number of mélodies, some of which are still performed frequently. ...
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Coppélia
''Coppélia'' (sometimes subtitled: ''La Fille aux Yeux d'Émail'' (The Girl with the Enamel Eyes)) is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter. Nuitter's libretto and mise-en-scène was based upon E. T. A. Hoffmann's short story ''Der Sandmann'' (''The Sandman''). In Greek, ''κοπέλα'' (or ''κοπελιά'' in some dialects) means ''young woman''. ''Coppélia'' premiered on 25 May 1870 at the Théâtre Impérial de l'Opéra, with the 16-year-old Giuseppina Bozzacchi in the principal role of Swanhilda and ballerina Eugénie Fiocre playing the part of Frantz '' en travesti''. The costumes were designed by Paul Lormier and Alfred Albert, the scenery by Charles-Antoine Cambon (Act I, scene 1; Act II, scene 1), and Édouard Desplechin and Jean-Baptiste Lavastre (Act I, scene 2). The ballet's first flush of success was interrupted by the Franco-Prussian War and ...
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Alexander Glazunov
Alexander Konstantinovich Glazunov ( – 21 March 1936) was a Russian composer, music teacher, and conductor of the late Russian Romantic period. He was director of the Saint Petersburg Conservatory between 1905 and 1928 and was instrumental in the reorganization of the institute into the Petrograd Conservatory, then the Leningrad Conservatory, following the Bolshevik Revolution. He continued as head of the Conservatory until 1930, though he had left the Soviet Union in 1928 and did not return. The best-known student under his tenure during the early Soviet years was Dmitri Shostakovich. Glazunov successfully reconciled nationalism and cosmopolitanism in Russian music. While he was the direct successor to Balakirev's nationalism, he tended more towards Borodin's epic grandeur while absorbing a number of other influences. These included Rimsky-Korsakov's orchestral virtuosity, Tchaikovsky's lyricism and Taneyev's contrapuntal skill. Younger composers such as Prokofiev an ...
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Riccardo Drigo
Riccardo Eugenio Drigo (; 30 June 1846 – 1 October 1930) was an Italian composer of ballet music and Italian opera, a theatrical Conducting, conductor, and a pianist. Drigo is most noted for his long career as kapellmeister and Director of Music of the Mariinsky Ballet, Imperial Ballet of Saint Petersburg, Russia, for which he composed music for the original works and revivals of the choreographers Marius Petipa and Lev Ivanov. Drigo also served as Chef d'orchestre for Italian opera performances of the orchestra of the Imperial Mariinsky Theatre. During his career in Saint Petersburg, Drigo conducted the premieres and regular performances of nearly every ballet and Italian opera performed on the Tsarist stage. Drigo is equally noted for his original full-length compositions for the ballet as well as his large catalog of supplemental music written ad hoc for insertion into already-existing works. Drigo is also noted for his adaptations of already-existing scores, such as his 18 ...
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