|
Pavla Vykopalová
Pavla Vykopalová (born 23 March 1972) is a Czech operatic soprano. Life and career Born in Prague, Vykopalová studied singing at the Prague Conservatory and graduated in 1993; she then became a member of the Prague Philharmonic Choir. She began her soloist career as a mezzo-soprano receiving singing lessons from Lenka Šmídová und since 1997 from Jiří Kotouč. In 2006, she made the transition from mezzo to soprano and has studied further with Marie Urbanová. Vykopalová's repertoire includes roles from Baroque period until the 20th century; beside opera roles she devotes herself to oratorios, cantatas and songs, including contemporary works. During her studies at the conservatory, Vykopalová performed with the "Opera Mozart" company in Prague; in 1988 she was engaged at the opera of the Plzeň (Pilsen) Theatre. She has appeared from 1999 as a permanent guest artist at the National Theatre in Prague and the Prague State Opera. In 2003, she sang the role of Karolka in J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano (, ), or mezzo ( ), is a type of classical music, classical female singing human voice, voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Georges Bizet, Bizet's ''Carmen'', Angelina (Cinderella) in Gioachino Rossini, Rossini's ''La Cenerentola'', and Rosina in Rossini's ''The Barber of Seville, Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Così Fan Tutte
(''Women are like that, or The School for Lovers''), Köchel catalogue, K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote ''The Marriage of Figaro, Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Joseph II, Holy Roman Emperor, Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John A. Rice (musicologist), John Rice uncovered two String trio, terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural (''wikt:tutte#Italian, tutte'') to indicate women. It is usually translated into English as "Women are like that". The words a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pagliacci
''Pagliacci'' (; literal translation, 'Clowns') is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who murders his wife Nedda and her lover Silvio on stage during a performance. ''Pagliacci'' premiered at the Teatro Dal Verme in Milan on 21 May 1892, conducted by Arturo Toscanini, with Adelina Stehle as Nedda, Fiorello Giraud as Canio, Victor Maurel as Tonio, and Mario Ancona as Silvio. Soon after its Italian premiere, the opera played in London (with Nellie Melba as Nedda) and in New York (on 15 June 1893, with Agostino Montegriffo as Canio). ''Pagliacci'' is the best-known of Leoncavallo's ten operas and remains a staple of the repertoire. ''Pagliacci'' is often staged with ''Cavalleria rusticana'' by Pietro Mascagni, a double bill known colloquially as "Cav/Pag". Origin and disputes Leoncavallo was a little-known composer when Pietro Masc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gianni Schicchi
() is a comic opera in one act by Giacomo Puccini to an Italian libretto by Giovacchino Forzano, composed in 1917–18. The libretto is based on an incident mentioned in Dante's ''Divine Comedy''. The work is the third and final part of Puccini's (The Triptych)three one-act operas with contrasting themes, originally written to be presented together. Although it continues to be performed with one or both of the other operas, is now more frequently staged either alone or with short operas by other composers. The aria is one of Puccini's best known, and one of the most popular arias in opera. Puccini had long considered writing a set of one-act operas which would be performed together in a single evening, but faced with a lack of suitable subjects and opposition from his publisher, he repeatedly put the project aside. However, by 1916 Puccini had completed the one-act tragedy and, after considering various ideas, he began work the following year on the solemn, religious, all- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Fledermaus
' (, ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach. ''Le Réveillon'' later was adapted as the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve '' réveillon'', or supper party, was not considered to provi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turandot
''Turandot'' ( ; see #Origin and pronunciation of the name, below) is an opera in three acts by Giacomo Puccini to a libretto in Italian by Giuseppe Adami and Renato Simoni. Puccini left the opera unfinished at the time of his death in 1924; it premiered in 1926 after the music was posthumously completed by Franco Alfano. The opera is set in China and follows the Prince Calaf, who falls in love with the cold-hearted Princess Turandot. In order to win her hand in marriage, a suitor must solve three riddles, with a wrong answer resulting in his execution. Calaf passes the test, but Turandot refuses to marry him. He offers her a way out: if she is able to guess his name before dawn the next day, he will accept death. Origin and pronunciation of the name The title of the opera is derived from the Persian term ''Turandokht'' (, 'daughter of Turan'), a name frequently given to Central Asian princesses in Persian poetry. Turan is a region of Central Asia that was once part of the Ach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical canon; the " Habanera" and "Seguidilla" from act 1 and the " Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen. Jos� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( ) is an ''opera buffa'' (comic opera) in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy '' The Barber of Seville'' (1775). The premiere of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' is considered to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two centuries, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera '' The Marriage of Figaro,'' composed 30 years earlier in 178 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bohème
''La bohème'' ( , ) is an opera in four acts,Puccini called the divisions '':wikt:quadro, quadri'', ''wikt:tableau, tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''La Vie de Bohème, Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemianism, Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio (Turin), Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, 50 years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rusalka (opera)
''Rusalka'' (), Op. 114, is an opera ('lyric fairy tale') by Antonín Dvořák. His ninth opera (1900–1901), it became his most successful, frequenting the standard repertoire worldwide. Jaroslav Kvapil wrote the libretto on Karel Jaromír Erben's and Božena Němcová's fairy tales. The rusalka is a water sprite from Slavic mythology; it usually inhabits a lake or river. For many years unfamiliarity with Dvořák's operas outside the Czech lands helped reinforce a perception that composition of operas was a marginal activity, and that despite the beauty of its melodies and orchestral timbres ''Rusalka'' was not a central part of his output or of international lyric theatre. In recent years it has been performed more regularly by major opera companies. In the five seasons from 2008 to 2013 it was performed by opera companies worldwide far more than all of Dvořák's other operas combined. The most popular excerpt from ''Rusalka'' is the soprano aria, the "Song to the Moon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otello
''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on William Shakespeare, Shakespeare's play ''Othello''. It was Verdi's penultimate opera, first performed at the La Scala, Teatro alla Scala, Milan, on 5 February 1887. The composer was reluctant to write anything new after the success of ''Aida'' in 1871, and he retreated into retirement. It took his Milan publisher Giulio Ricordi the next ten years, first to encourage the revision of Verdi's 1857 ''Simon Boccanegra'' by introducing Boito as librettist and then to begin the arduous process of persuading and cajoling Verdi to see Boito's completed libretto for ''Otello'' in July/August 1881. However, the process of writing the first drafts of the libretto and the years of their revision, with Verdi all along not promising anything, dragged on. It was not until 1884, five years after the first drafts of the libretto, that composition began, with most of the work finishing in late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Magic Flute
''The Magic Flute'' (, ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. It is a ''Singspiel'', a popular form that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before Mozart's death. It was Mozart's last opera. It was an outstanding success from its first performances, and remains a staple of the opera repertory. In the opera the Queen of the Night persuades Prince Tamino to rescue her daughter Pamina from captivity under the high priest Sarastro; instead, he learns the high ideals of Sarastro's community and seeks to join it. Separately, then together, Tamino and Pamina undergo severe trials of initiation, which end in triumph, with the Queen and her cohorts vanquished. The earthy Papageno, who accompanies Tamino on his quest, fails the trials completely but is rewarded anyway with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
