(''Women are like that, or The School for Lovers''), K. 588, is an

opera buffa Opera buffa (, "comic opera"; : ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramma bernesc ...

in two acts by

Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his rapid pace of composition and proficiency from an early age ...

. It was first performed on 26 January 1790 at the

Burgtheater The Burgtheater (; literally: "Castle Theater" but alternatively translated as "(Imperial) Court Theater", originally known as '' K.K. Theater an der Burg'', then until 1918 as the ''K.K. Hofburgtheater'', is the national theater of Austria in ...

in Vienna, Austria. The

libretto A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to th ...

was written by

Lorenzo Da Ponte Lorenzo Da Ponte (; 10 March 174917 August 1838) was an Italians, Italian, later American, opera libretto, librettist, poet and Catholic Church, Roman Catholic priest. He wrote the libretti for 28 operas by 11 composers, including three of Wolfgan ...

who also wrote ''

Le nozze di Figaro ''The Marriage of Figaro'' (, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna ...

'' and ''

Don Giovanni ''Don Giovanni'' (; K. 527; full title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legen ...

''. Although it is commonly held that was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary

Antonio Salieri Antonio Salieri (18 August 17507 May 1825) was an Italian composer and teacher of the classical period (music), classical period. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subje ...

tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the

Austrian National Library The Austrian National Library (, ) is the largest library in Austria, with more than 12 million items in its various collections. The library is located in the Hofburg#Neue Burg, Neue Burg Wing of the Hofburg in Innere Stadt, center of Vienna. Sin ...

. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural ('' tutte'') to indicate women. It is usually translated into English as "Women are like that". The words are sung by the three men in act 2, scene 3, just before the finale; this melodic phrase is also quoted in the overture to the opera. Da Ponte had used the line "Così fan tutte le belle" earlier in ''Le nozze di Figaro'' (in act 1, scene 7).

Performance history

The first performance of Mozart's setting took place at the

in Vienna on 26 January 1790. It was given only five times before the run was stopped by the death of the Emperor Joseph II and the resulting period of court mourning. It was performed twice in June 1790 with the composer conducting the second performance, and again in July (twice) and August (once). After that it was not performed in Vienna during Mozart's lifetime. The first British performance was in May 1811 at the King's Theatre, London. ''Così fan tutte'' was not performed in the United States until 1922, when it was given at the

Metropolitan Opera The Metropolitan Opera is an American opera company based in New York City, currently resident at the Metropolitan Opera House (Lincoln Center), Metropolitan Opera House at Lincoln Center, situated on the Upper West Side of Manhattan. Referred ...

. According to William Mann, Mozart disliked prima donna Adriana Ferrarese del Bene, da Ponte's arrogant mistress for whom the role of Fiordiligi had been created. Knowing her idiosyncratic tendency to drop her chin on low notes and throw back her head on high ones, Mozart filled her showpiece aria "Come scoglio" with constant leaps from low to high and high to low in order to make Ferrarese's head "bob like a chicken" onstage. The subject matter (see synopsis below) did not offend Viennese sensibilities of the time, but in the 19th and early 20th centuries was considered risqué, vulgar, and even immoral. The opera was rarely performed, and when it did appear it was presented in one of several bowdlerised versions. After World War II it regained a place in the standard operatic repertoire and is now frequently performed. A comedic adaptation, '' Covid fan tutte'', (also using other music by Mozart) depicting life during the first several months of the

COVID-19 pandemic The COVID-19 pandemic (also known as the coronavirus pandemic and COVID pandemic), caused by severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2), began with an disease outbreak, outbreak of COVID-19 in Wuhan, China, in December ...

was produced by the

Finnish National Opera The Finnish National Opera and Ballet (; ) is a Finnish opera company and ballet company based in Helsinki. It is headquartered in the Opera House on the coast of the Töölönlahti bay in Töölö, which opened in 1993, and is state-owned throu ...

in 2020.

Roles

While the use of modern fach titles and voice categories for these roles has become customary, Mozart was far more general in his own descriptions of the voice types, as shown above. Occasionally these voice types are varied in performance practice. Don Alfonso is sometimes performed by baritones such as Thomas Allen, Bo Skovhus, and Thomas Hampson, and Dorabella is almost always performed by a

mezzo-soprano A mezzo-soprano (, ), or mezzo ( ), is a type of classical music, classical female singing human voice, voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A bel ...

. Despina is occasionally performed by a mezzo-soprano, such as

Cecilia Bartoli Cecilia Bartoli Order of Merit of the Italian Republic, OMRI (; born 4 June 1966) is an Italian mezzo-soprano widely known in the music of Vincenzo Bellini, Bellini, George Frideric Handel, Handel, Wolfgang Amadeus Mozart, Mozart, Gioachino Ross ...

Frederica von Stade Frederica von Stade (born 1 June 1945) is a semi-retired American classical singer. Best known for her work in opera, she was also a recitalist and concert artist, and she recorded more than a hundred albums and videos. She is especially associa ...

, Agnes Baltsa, Ann Murray and Ginger Costa-Jackson. Ferrando and Fiordiligi, however, can only be sung by a tenor and a soprano because of the high

tessitura In music, tessitura ( , , ; ; ) is the most acceptable and comfortable vocal range for a given singer (or, less frequently, musical instrument). It is the range in which a given type of voice presents its best-sounding (or characteristic) tim ...

of their roles.

Instrumentation

The instrumentation is as follows: * Woodwinds: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons. Fiordiligi's aria "Per pietà, ben mio, perdona", act 2, contains a rare instance of clarinets in B-natural (key of the aria is E major which transposes to F major for the clarinet part, explaining the use of B clarinets). In most modern editions this is made into a part for A clarinets. The '' NMA'' keeps the notation for the B clarinet. There is evidence that some of the clarinet writing was intended for basset clarinet due to its low range. *

Brass Brass is an alloy of copper and zinc, in proportions which can be varied to achieve different colours and mechanical, electrical, acoustic and chemical properties, but copper typically has the larger proportion, generally copper and zinc. I ...

: 2 horns, 2 trumpets. * Percussion: 2

timpani Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion instrument, percussion family. A type of drum categorised as a hemispherical drum, they consist of a Membranophone, membrane called a drumhead, ...

– an additional military drum is used on stage. * Strings: first violins, second violins, violas, violoncellos, double basses. *

Basso continuo Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing th ...

in secco recitatives of

harpsichord A harpsichord is a musical instrument played by means of a musical keyboard, keyboard. Depressing a key raises its back end within the instrument, which in turn raises a mechanism with a small plectrum made from quill or plastic that plucks one ...

and

violoncello The violoncello ( , ), commonly abbreviated as cello ( ), is a middle pitched bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C ...

(period performance practice often uses a

fortepiano A fortepiano is an early piano. In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1700 up to the early 19th century. Most typically, however, it is used to ref ...

only).

Synopsis

Mozart and Da Ponte use the theme of "fiancée swapping", which dates back to the 13th century; notable earlier versions are found in

Boccaccio Giovanni Boccaccio ( , ; ; 16 June 1313 – 21 December 1375) was an Italian writer, poet, correspondent of Petrarch, and an important Renaissance humanist. Born in the town of Certaldo, he became so well known as a writer that he was s ...

's '' Decameron'' and

Shakespeare William Shakespeare ( 23 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's natio ...

's play ''

Cymbeline ''Cymbeline'' (), also known as ''The Tragedie of Cymbeline'' or ''Cymbeline, King of Britain'', is a play by William Shakespeare set in British Iron Age, Ancient Britain () and based on legends that formed part of the Matter of Britain concer ...

''. Elements from Shakespeare's ''

The Merchant of Venice ''The Merchant of Venice'' is a play by William Shakespeare, believed to have been written between 1596 and 1598. A merchant in Venice named Antonio defaults on a large loan taken out on behalf of his dear friend, Bassanio, and provided by a ...

'' and ''

The Taming of the Shrew ''The Taming of the Shrew'' is a comedy by William Shakespeare, believed to have been written between 1590 and 1592. The play begins with a framing device, often referred to as the induction, in which a mischievous nobleman tricks a drunke ...

'' are also present. Furthermore, it incorporates elements of the myth of

Procris In Greek mythology, Procris (, ''gen''.: Πρόκριδος) was an Athenian princess, the third daughter of Erechtheus, king of Athens and his wife, Praxithea. Homer mentions her in the ''Odyssey'' as one of the many dead spirits Odysseus sa ...

as found in

Ovid Publius Ovidius Naso (; 20 March 43 BC – AD 17/18), known in English as Ovid ( ), was a Augustan literature (ancient Rome), Roman poet who lived during the reign of Augustus. He was a younger contemporary of Virgil and Horace, with whom he i ...

's ''

Metamorphoses The ''Metamorphoses'' (, , ) is a Latin Narrative poetry, narrative poem from 8 Common Era, CE by the Ancient Rome, Roman poet Ovid. It is considered his ''Masterpiece, magnum opus''. The poem chronicles the history of the world from its Cre ...

'', vii.Synopsis taken from ,
The Opera Goer's Complete Guide
', 1921 version, pp
55–56
:Place:

Naples Naples ( ; ; ) is the Regions of Italy, regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 908,082 within the city's administrative limits as of 2025, while its Metropolitan City of N ...

:Time: the 18th century

Act 1

Scene 1: A
coffeehouse A coffeehouse, coffee shop, or café (), is an establishment that serves various types of coffee, espresso, latte, americano and cappuccino, among other hot beverages. Many coffeehouses in West Asia offer ''shisha'' (actually called ''nargi ...

In a cafe, Ferrando and Guglielmo (two officers) express certainty that their fiancées (Dorabella and Fiordiligi, respectively) will be eternally faithful. Don Alfonso expresses skepticism and claims that there is no such thing as a faithful woman. He lays a wager with the two officers, claiming he can prove in a day's time that those two, like all women, are fickle. The wager is accepted: the two officers will pretend to have been called off to war; soon thereafter they will return in disguise and each attempt to seduce the other's lover. The scene shifts to the two women, who are praising their men (duet: "Ah guarda sorella"—"Ah look sister"). Alfonso arrives to announce the bad news: the officers have been called off to war. Ferrando and Guglielmo arrive, brokenhearted, and bid farewell (quintet: "Sento, o Dio, che questo piede è restio"—"I feel, oh God, that my foot is reluctant"). As the boat with the men sails off to sea, Alfonso and the sisters wish them safe travel (trio: "Soave sia il vento"—"May the wind be gentle"). Alfonso, left alone, gloatingly predicts that the women (like all women) will prove unfaithful (arioso: "Oh, poverini, per femmina giocare cento zecchini?"—"Oh, poor little ones, to wager 100

sequins A sequin ( ) is a small, typically shiny, generally disk-shaped ornament. Sequins are also referred to as paillettes, spangles, or ''diamanté'' (also spelled ''diamante''). Although the words sequins, paillettes, lentejuelas, and spangles can ...

on a woman").

Scene 2: A room in the sisters' home

Despina, the

maid A maid, housemaid, or maidservant is a female domestic worker. In the Victorian era, domestic service was the second-largest category of employment in England and Wales, after agricultural work. In developed Western nations, full-time maids a ...

, arrives and asks what is wrong. Dorabella bemoans the torment of having been left alone (aria: "Smanie implacabili"—"Torments implacable"). Despina mocks the sisters, advising them to take new lovers while their betrotheds are away (aria: "In uomini, in soldati, sperare fedeltà?"—"In men, in soldiers, you hope for faithfulness?"). After they leave, Alfonso arrives. He fears Despina will recognize the men through their disguises, so he bribes her into helping him to win the bet. The two men then arrive, dressed as mustachioed Albanians (sextet: "Alla bella Despinetta"—"Meet the pretty Despinetta"). The sisters enter and are alarmed by the presence of strange men in their home. The "Albanians" tell the sisters that they were led by love to them (the sisters). However, the sisters refuse to give in. Fiordiligi asks the "Albanians" to leave and pledges to remain faithful (aria: "Come scoglio"—"Like a rock"). The "Albanians" continue the attempt to win over the sisters' hearts, Guglielmo going so far as to point out all of his manly attributes (aria: "Non siate ritrosi"—"Don't be shy"), but to no avail. Ferrando, left alone and sensing victory, praises his love (aria: "Un'aura amorosa"—"A loving breath").

Scene 3: A garden

The sisters are still pining. Despina has asked Don Alfonso to let her take over the seduction plan. Suddenly, the "Albanians" burst in the scene and threaten to poison themselves if they are not allowed the chance to woo the sisters. As Alfonso tries to calm them, they drink the "poison" and pretend to pass out. Soon thereafter, a "doctor" (Despina in disguise) arrives on the scene and, using

magnet therapy Magnetic therapy is a pseudoscientific alternative medicine practice involving the weak static magnetic field produced by a permanent magnet which is placed on the body. It is similar to the alternative medicine practice of electromagnetic the ...

, is able to revive the "Albanians". The men, pretending to hallucinate, demand a kiss from Dorabella and Fiordiligi (whom the "Albanians" call goddesses) who stand before them. The sisters refuse, even as Alfonso and the doctor (Despina) urge them to acquiesce.

Act 2

Scene 1: The sisters' bedroom

Despina urges them to succumb to the "Albanians overtures (aria: "Una donna a quindici anni"—"A fifteen year old woman"). After she leaves, Dorabella confesses to Fiordiligi that she is tempted, and the two agree that a mere flirtation will do no harm and will help them pass the time while they wait for their lovers to return (duet: "Prenderò quel brunettino"—"I will take the dark haired one").

Scene 2: The garden

Dorabella and the disguised Guglielmo pair off, as do Ferrando and Fiordiligi. The conversation is halting and uncomfortable, and Ferrando departs with Fiordiligi. Now alone with Dorabella, Guglielmo attempts to woo her. She puts up a token resistance, and soon she has given him a medallion (with Ferrando's portrait inside) in exchange for a heart-shaped

locket A locket is a pendant that opens to reveal a space used for storing a photograph or other small item such as a lock of hair. Lockets are usually given to loved ones on holidays such as Valentine's Day and occasions such as christenings, weddin ...

(duet: "Il core vi dono"—"I give you my heart"). Ferrando is less successful with Fiordiligi (Ferrando's aria: "Ah, lo veggio"—"Ah, I see it" and Fiordiligi's aria: "Per pietà, ben mio, perdona"—"Please, my beloved, forgive"), so he is enraged when he later finds out from Guglielmo that the medallion with his portrait has been so quickly given away to a new lover. Guglielmo at first sympathises with Ferrando (aria: "Donne mie, la fate a tanti"—"My ladies, you do it to so many"), but then gloats, because his betrothed is faithful.

Scene 3: The sisters' room

Dorabella admits her indiscretion to Fiordiligi ("È amore un ladroncello"—"Love is a little thief"). Fiordiligi, upset by this development, decides to go to the army and find her betrothed. Before she can leave, though, Ferrando arrives and continues his attempted seduction. Fiordiligi finally succumbs and falls into his arms (duet: "Fra gli amplessi"—"In the embraces"). Guglielmo is distraught while Ferrando turns Guglielmo's earlier gloating back on him. Alfonso, winner of the wager, tells the men to forgive their fiancées. After all: "Così fan tutte"—"All women are like that".

Scene 4

The scene begins as a double wedding for the sisters and their "Albanian" grooms. Despina, in disguise as a

notary A notary is a person authorised to perform acts in legal affairs, in particular witnessing signatures on documents. The form that the notarial profession takes varies with local legal systems. A notary, while a legal professional, is distin ...

, presents the marriage contract, which only the ladies sign. (The men, of course, realise that this wedding is a sham, and are only playing along with it in order to teach their unfaithful lovers a lesson.) Directly thereafter, military music is heard in the distance, indicating the return of the officers. Alfonso confirms the sisters' fears: Ferrando and Guglielmo are on their way to the house. The "Albanians" hurry off to hide (actually, to change out of their disguises). They return as the officers, professing their love. Alfonso drops the marriage contract in front of the officers, and, when they read it, they become enraged. They then depart and return moments later, half in Albanian disguise, half as officers. Despina has been revealed to be the notary, and the sisters realize they have been duped. All is ultimately forgiven, as the entire group praises the ability to accept life's unavoidable good times and bad times.

Recordings

References

Notes Citations Sources * * Als
here
academia.edu . * * Further reading * * Whitfield, Sarah (2011)
"''Così fan tutte'': Brilliance or Buffoonery?"
''Musical Offerings'', vol. 2, no. 2, article 1.

External links

"''Così fan tutte'', act 2
Mozart's autograph manuscript in the

Berlin State Library The Berlin State Library (; officially abbreviated as ''SBB'', colloquially ''Stabi'') is a universal library in Berlin, Germany, and a property of the German public cultural organization the Prussian Cultural Heritage Foundation (). Founded in ...

*
Libretto

critical edition Textual criticism is a branch of textual scholarship, philology, and literary criticism that is concerned with the identification of textual variants, or different versions, of either manuscripts (mss) or of printed books. Such texts may range i ...

s, diplomatic editions, source evaluation (German only), links to online DME recordings; Digital Mozart Edition *
Complete libretto, scores
opera-guide.ch

dlib.indiana.edu

''

Time Time is the continuous progression of existence that occurs in an apparently irreversible process, irreversible succession from the past, through the present, and into the future. It is a component quantity of various measurements used to sequ ...

'', 7 January 1952
''Così fan tutte''
at the

Internet Movie Database IMDb, historically known as the Internet Movie Database, is an online database of information related to films, television series, podcasts, home videos, video games, and streaming content online – including cast, production crew and biograp ...

Opera guide and synopsis
opera-inside.com * {{DEFAULTSORT:Cosi Fan Tutte Italian-language operas Opera buffa Operas by Wolfgang Amadeus Mozart 1790 operas Operas Operas set in Naples Libretti by Lorenzo Da Ponte