Nicole Chevalier
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Nicole Chevalier
Nicole Chevalier is an American operatic soprano, who debuted at the renowned Salzburg Festival in the summer of 2019. She was a member of the Komische Oper Berlin, and has been a freelance artist since 2017. Her repertoire includes bel canto as well as Mozart heroines such as Verdi's ''La Traviata'', Donizetti's ''Maria Stuarda'' and ''Lucia di Lammermoor'', Mozart's Konstanze in Die Entführung aus dem Serail, Elettra in Idomeneo, and stretches till Aribert Reimann's ''Medea''. In 2016, she was awarded the German National Theatre prize Der Faust for all four female characters in Offenbach's ''Les Contes d'Hoffmann''. Career Born in Chicago, Illinois, Chevalier studied at the Northwestern University and at the Indiana University Bloomington, music and voice with Virginia Zeani, and also acting and literature. During that time, she appeared in university productions, in roles such as Lauretta in Puccini's ''Gianni Schicchi'', the First Niece in Britten's ''Peter Grimes'', and R ...
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Komische Oper Berlin
The Komische Oper Berlin is a German opera company based in Berlin. The company produces opera, operetta and musicals. The opera house is located on Behrenstraße, just a few steps from Unter den Linden. Since 2004, the Komische Oper Berlin, along with the Berlin State Opera, the Deutsche Oper Berlin, the Berlin State Ballet, and the Bühnenservice Berlin (Stage and Costume Design), has been a member of the Berlin Opera Foundation. History of the building The theatre was built between 1891 and 1892 by architects Ferdinand Fellner and Hermann Helmer for a private society. It first opened on 24 September 1892 as ''"Theater Unter den Linden"'' with Adolf Ferron's operetta ''Daphne'' and Gaul and Haßreiter's ballet ''Die Welt in Bild und Tanz''. The theatre was primarily a vehicle for operetta, but was also used for various other events and balls. Around 800 people could be seated in the stalls, and the balconies and various en-suite dinner rooms housed about a further 1,70 ...
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Peter Grimes
''Peter Grimes'', Op. 33, is an opera in three acts by Benjamin Britten, with a libretto by Montagu Slater based on the section "Peter Grimes", in George Crabbe's long narrative poem '' The Borough''. The "borough" of the opera is a fictional small town that bears some resemblance to Crabbe's – and later Britten's – home of Aldeburgh, Suffolk, on England's east coast. The work was conceived while Britten was living in the US in the early years of the Second World War and completed when he returned to Britain in 1943. It was first performed at Sadler's Wells in London on 7 June 1945, conducted by Reginald Goodall, and was a critical and popular success. It is still widely performed, both in Britain and internationally, and has become part of the standard repertoire. Among the tenors who have performed the title role in the opera house, or on record, or both are Britten's partner Peter Pears, who sang the part at the premiere, and Allan Clayton, Ben Heppner, Jonas Kaufmann, P ...
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André Richard
André Richard (born 18 April 1944) is a Swiss composer and conductor. Life Born in Bern, Richard studied singing, music theory and music composition first at the Conservatoire de musique de Genève and later at the Hochschule für Musik Freiburg with Klaus Huber and Brian Ferneyhough. This was followed by studies in live electronic music with Hans Peter Haller at the Freiburg and at IRCAM in Paris. In the 1980s, he worked closely with Luigi Nono on performances of ''Prometeo'', ''Caminantes...'', ''Ayacucho'' and other works by the composer. In 1983, on the occasion of a performance of Luigi Nono's work ''The Breathing Clarity'', he founded, together with Arturo Tamayo, the Freiburg Soloists' Choir, of which he has been the director since 1984. He made his conducting debut at the Warsaw Autumn in 1988 with the Polish premiere of Nono's ''Diario Polacco no 2, Quando stanno morendo''. From December 1989 to December 2005, he was director of the experimental studio of the Heinrich S ...
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L'elisir D'amore
''L'elisir d'amore'' (''The Elixir of Love'', ) is a ' (opera buffa) in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's ' (1831). The opera premiered on 12 May 1832 at the Teatro della Canobbiana in Milan. Background Written in haste in a six-week period, ''L'elisir d'amore'' was the most often performed opera in Italy between 1838 and 1848 and has remained continually in the international opera repertory. Today it is one of the most frequently performed of all Donizetti's operas: it appears as number 13 on the Operabase list of the most-performed operas worldwide in the five seasons between 2008 and 2013. There are a large number of recordings. It contains the popular tenor aria "Una furtiva lagrima", a ''romanza'' that has a considerable performance history in the concert hall. Donizetti insisted on a number of changes from the original Scribe libretto. The best known of these ...
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Max Färberböck
Max Färberböck (born 22 September 1950) is a German film director and writer. He was born in Brannenburg, Bavaria. He began his career at theaters in Buenos Aires and in Italy. He later studied at the University of Television and Film Munich, University of Television and Film in Munich and worked for Constantin Film and as an assistant for Peter Zadek at the Deutsches Schauspielhaus in Hamburg. After producing several plays at theaters in Hamburg, Heidelberg and Cologne, he began to write and direct episodes for the TV series ''Der Fahnder''. Later Färberböck produced several TV films, before making his first feature film, ''Aimée & Jaguar'' (1998). It was nominated for the Golden Globe Award for Golden Globe Award for Best Foreign Language Film, Best Foreign Language Film. The film was also nominated for the Golden Bear at 49th Berlin International Film Festival. He directed ''A Woman in Berlin (film), A Woman in Berlin'' (2008), based on the memoir by the same name. A new ...
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Così Fan Tutte
(''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote ''Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural (''tutte'') to indicate women. It is usually translated into English as "Women are like that". The words are sung by the three men in act 2, scene 3, just before the finale; this melodic phrase is also quoted in the overture to the opera. Da P ...
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The Marriage Of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ...
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Idomeneo
' (Italian for ''Idomeneus, King of Crete, or, Ilia and Idamante''; usually referred to simply as ''Idomeneo'', K. 366) is an Italian language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, based on a 1705 play by Crébillion père, which had been set to music by André Campra as ''Idoménée'' in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it may have been Mozart. The work premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany. Composition The libretto clearly draws inspiration from Metastasio in its overall layout, the type of character development, and the highly poetic language used in the various numbers and the ''secco'' and ''stromentato'' recitatives. The style of the choruses, marches, and ballets is very French, and the shipwreck scene towards the end of act I is alm ...
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Dardanus (opera)
''Dardanus'' is an opera by Jean-Philippe Rameau with a French-language libretto by Charles-Antoine Leclerc de La Bruère. It takes the form of a ''tragédie en musique'' in a prologue and five acts. ''Dardanus'' premiered at the Paris Opéra on 19 November 1739 to mixed success, mainly because of the dramatic weakness of the libretto. This caused Rameau and La Bruère to rework the opera, completely rewriting the last three acts, for a revival in 1744. Only when ''Dardanus'' was again performed in 1760 did it win acclaim as one of Rameau's greatest works. The original story is loosely based on that of Dardanus, the son of Zeus and Electra, and ancestor of the Trojans. However, in the opera, Dardanus is at war with King Teucer, who has promised to marry his daughter Iphise to King Anténor. Dardanus and Iphise meet through the intervention of the magician Isménor and fall in love. Dardanus attacks a monster ravaging Teucer's kingdom, saving the life of Anténor who is attempti ...
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Milan
Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city has 3.26 million inhabitants. Its continuously built-up urban area (whose outer suburbs extend well beyond the boundaries of the administrative metropolitan city and even stretch into the nearby country of Switzerland) is the fourth largest in the EU with 5.27 million inhabitants. According to national sources, the population within the wider Milan metropolitan area (also known as Greater Milan), is estimated between 8.2 million and 12.5 million making it by far the largest metropolitan area in Italy and one of the largest in the EU.* * * * Milan is considered a leading alpha global city, with strengths in the fields of art, chemicals, commerce, design, education, entertainment, fashion, finance, healthcar ...
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Giorgio Tozzi
Giorgio Tozzi (January 8, 1923 – May 30, 2011) was an American operatic bass. He was a mainstay for many years with the Metropolitan Opera, and sang principal bass roles in nearly every major opera house worldwide. Career Tozzi was born George John Tozzi in Chicago, Illinois. He studied at DePaul University with Rosa Raisa, Giacomo Rimini and John Daggett Howell. He later studied singing in New York City with Beverley Peck Johnson. He made his professional debut in the Broadway production of Britten's ''The Rape of Lucretia'' in 1948 as Tarquinius. His signature roles included Figaro in Mozart's ''The Marriage of Figaro'', Philip II in Verdi's ''Don Carlos'', Hans Sachs in Wagner's ''Die Meistersinger von Nürnberg'', and Méphistophélès in Gounod's ''Faust''. In 1957 he portrayed the title role in a nationally broadcast performance of Mussorgsky's ''Boris Godunov'' with the NBC Opera Theatre. In 1958 he created the role of The Doctor in Barber's ''Vanessa''. In July 1958, ...
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Renata Scotto
Renata Scotto (born 24 February 1934) is an Italian soprano and opera director. Recognized for her sense of style, her musicality, and as a remarkable singer-actress, Scotto is considered one of the preeminent singers of her generation. Since retiring from the stage as a singer in 2002, she has turned successfully to directing opera as well as teaching in Italy and America, along with academic posts at the Accademia Nazionale di Santa Cecilia in Rome and the Juilliard School in New York. Singing career Renata Scotto was born in Savona, Italy. She made her operatic debut in her home town on Christmas Eve of 1952 at the age of 18 in front of a sold-out house as Violetta in Verdi's '' La traviata''.The next day, she made her 'official' opera debut at the Teatro Nuovo in Milan as Violetta. Shortly after, she performed in her first Puccini opera, ''Madama Butterfly'', in Savona and was paid twenty-five thousand lire. Both roles would later become closely associated with her name. ...
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