Giorgio Tozzi
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Giorgio Tozzi
Giorgio Tozzi (January 8, 1923 – May 30, 2011) was an American operatic bass. He was a mainstay for many years with the Metropolitan Opera, and sang principal bass roles in nearly every major opera house worldwide. Career Tozzi was born George John Tozzi in Chicago, Illinois. He studied at DePaul University with Rosa Raisa, Giacomo Rimini and John Daggett Howell. He later studied singing in New York City with Beverley Peck Johnson. He made his professional debut in the Broadway production of Britten's ''The Rape of Lucretia'' in 1948 as Tarquinius. His signature roles included Figaro in Mozart's ''The Marriage of Figaro'', Philip II in Verdi's ''Don Carlos'', Hans Sachs in Wagner's ''Die Meistersinger von Nürnberg'', and Méphistophélès in Gounod's ''Faust''. In 1957 he portrayed the title role in a nationally broadcast performance of Mussorgsky's ''Boris Godunov'' with the NBC Opera Theatre. In 1958 he created the role of The Doctor in Barber's ''Vanessa''. In July 1958, ...
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Americans
Americans are the Citizenship of the United States, citizens and United States nationality law, nationals of the United States, United States of America.; ; Although direct citizens and nationals make up the majority of Americans, many Multiple citizenship, dual citizens, expatriates, and green card, permanent residents could also legally claim American nationality. The United States is home to race and ethnicity in the United States, people of many racial and ethnic origins; consequently, culture of the United States, American culture and Law of the United States, law do not equate nationality with Race (human categorization), race or Ethnic group, ethnicity, but with citizenship and an Oath of Allegiance (United States), oath of permanent allegiance. Overview The majority of Americans or their ancestors Immigration to the United States, immigrated to the United States or are descended from people who were Trans Atlantic Slave Trade, brought as Slavery in the United States ...
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Charles Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (Bach/Gounod), Ave Maria (an elaboration of a Johann Sebastian Bach, Bach piece), and ''Funeral March of a Marionette''. Born in Paris into an artistic and musical family Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ...
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Aida
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebratory ...
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Georg Solti
Sir Georg Solti ( , ; born György Stern; 21 October 1912 – 5 September 1997) was a Hungarian-British orchestral and operatic conductor, known for his appearances with opera companies in Munich, Frankfurt and London, and as a long-serving music director of the Chicago Symphony Orchestra. Born in Budapest, he studied there with Béla Bartók, Leó Weiner and Ernő Dohnányi. In the 1930s, he was a répétiteur at the Hungarian State Opera and worked at the Salzburg Festival for Arturo Toscanini. His career was interrupted by the rise of the Nazis' influence on Hungarian politics and, being of Jewish background, he fled the increasingly harsh Hungarian anti-Jewish laws in 1938. After conducting a season of Russian ballet in London at the Royal Opera House he found refuge in Switzerland, where he remained during the Second World War. Prohibited from conducting there, he earned a living as a pianist. After the war, Solti was appointed musical director of the Bavarian State O ...
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Turandot
''Turandot'' (; see below) is an opera in three acts by Giacomo Puccini, posthumously completed by Franco Alfano in 1926, and set to a libretto in Italian by Giuseppe Adami and Renato Simoni. ''Turandot'' best-known aria is "Nessun dorma", which became globally popular in the 1990s following Luciano Pavarotti's performance of it for the 1990 FIFA World Cup. Though Puccini first became interested in the subject matter when reading Friedrich Schiller's 1801 adaptation,. ''Freely translated from Schiller by Sabilla Novello:'' . he based his work more closely on the earlier play ''Turandot'' (1762) by Count Carlo Gozzi. The original story is one of the seven stories in the epic ''Haft Peykar''—a work by twelfth-century Persian poet Nizami ( 1141–1209). Nizami aligned his seven stories with the seven days of the week, the seven colors, and the seven planets known in his era. This particular narrative is the story of Tuesday, as told to the king of Iran, Bahram V (), by his c ...
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Grammy Award For Best Opera Recording
The Grammy Award The Grammy Awards (stylized as GRAMMY), or simply known as the Grammys, are awards presented by the Recording Academy of the United States to recognize "outstanding" achievements in the music industry. They are regarded by many as the most pres ... for Best Opera Recording has been awarded since 1961. The award was originally titled Best Classical Opera Production. The current title has been used since 1962. Prior to 1961 the awards for operatic and choral performances were combined in a single award for Best Classical Performance, Operatic or Choral. According to the list of nominees for the 2023 Grammy season, the award goes to the conductor, album producer(s) and principal soloists, and also to the composer and librettist (if applicable) of a world premiere opera recording only. Years reflect the year in which the Grammy Awards were presented, for works released in the previous year. ''Note: Performers who did not receive a nomination and/or an award (s ...
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Erich Leinsdorf
Erich Leinsdorf (born Erich Landauer; February 4, 1912 – September 11, 1993) was an Austrian-born American conductor. He performed and recorded with leading orchestras and opera companies throughout the United States and Europe, earning a reputation for exacting standards as well as an acerbic personality. He also published books and essays on musical matters. Biography Leinsdorf was born to a Jewish family in Vienna, and was studying music at a local school by the age of 5. He played the cello and studied composition. In his teens, Leinsdorf worked as a piano accompanist for singers. He studied conducting at the Mozarteum in Salzburg, and later at the University of Vienna and the Vienna Academy of Music. From 1934 to 1937 he worked as an assistant to the noted conductors Bruno Walter and Arturo Toscanini at the Salzburg Festival. In November 1937, Leinsdorf travelled to the United States to take up a position as assistant conductor at the Metropolitan Opera in New Yor ...
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Grammy Award For Best Classical Performance, Operatic Or Choral
The Grammy Award for Best Classical Performance - Operatic or Choral was awarded in 1959. The equivalent award, Best Classical Performance - Opera Cast or Choral was awarded in 1960. Since 1962 the award has been divided into separate awards for opera and choral performances. See Grammy Award for Best Opera Recording and Grammy Award for Best Choral Performance The Grammy Award for Best Choral Performance has been awarded since 1961. There have been several minor changes to the name of the award over this time: *In 1961 the award was known as Best Classical Performance - Choral (including oratorio) *Fro .... Years reflect the year in which the Grammy Awards were presented, for works released in the previous year. Recipients References {{Grammy Award categories Grammy Awards for classical music * ...
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Grammy Award
The Grammy Awards (stylized as GRAMMY), or simply known as the Grammys, are awards presented by the Recording Academy of the United States to recognize "outstanding" achievements in the music industry. They are regarded by many as the most prestigious, significant awards in the music industry worldwide. It was originally called the Gramophone Awards, as the trophy depicts a gilded Phonograph, gramophone. The Grammys are the first of the Big Three television networks, Big Three networks' major music awards held annually, and is considered one of the EGOT, four major annual American entertainment awards, alongside the Academy Awards (for films), the Emmy Awards (for television), and the Tony Awards (for theater). The 1st Annual Grammy Awards, first Grammy Awards ceremony was held on May 4, 1959, to honor the musical accomplishments of performers for the year 1958. After the 2011 ceremony, the Recording Academy overhauled many Grammy Award categories for 2012. History The Grammys ...
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Vanessa (opera)
''Vanessa'' is an American opera in three (originally four) acts by Samuel Barber, opus 32, with an original English libretto by Gian Carlo Menotti. It was composed in 1956–1957 and was first performed at the Metropolitan Opera in New York City on January 15, 1958 under the baton of Dimitri Mitropoulos in a production designed by Cecil Beaton and directed by Menotti. Barber revised the opera in 1964, reducing the four acts to the three-act version most commonly performed today. Performance history For the Met premiere, Sena Jurinac was contracted to sing the title role. However, she cancelled six weeks before the opening night and Eleanor Steber replaced her, making the role her own for a long time. In the role of Erika, Vanessa's niece, was Rosalind Elias, then a young mezzo-soprano. Nicolai Gedda sang the lover Anatol, mezzo Regina Resnik sang the Baroness, Vanessa's mother, while bass Giorgio Tozzi sang the old doctor. It was the first American opera in 11 years to be seen ...
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Samuel Barber
Samuel Osmond Barber II (March 9, 1910 – January 23, 1981) was an American composer, pianist, conductor, baritone, and music educator, and one of the most celebrated composers of the 20th century. The music critic Donal Henahan said, "Probably no other American composer has ever enjoyed such early, such persistent and such long-lasting acclaim." Principally influenced by nine years' composition studies with Rosario Scalero at the Curtis Institute and more than 25 years' study with his uncle, the composer Sidney Homer, Barber's music usually eschewed the experimental trends of musical modernism in favor of traditional 19th-century harmonic language and formal structure embracing lyricism and emotional expression. However, he adopted elements of modernism after 1940 in some of his compositions, such as an increased use of dissonance and chromaticism in the '' Cello Concerto'' (1945) and '' Medea's Dance of Vengeance'' (1955); and the use of tonal ambiguity and a narrow use of ...
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NBC Opera Theatre
The NBC Opera Theatre (sometimes mistakenly spelled NBC Opera Theater and sometimes referred to as the NBC Opera Company) was an American opera company operated by the National Broadcasting Company from 1949 to 1964. The company was established specifically for the purpose of televising both established and new operas for television in English. Additionally, the company also gave live theatrical presentations of operas, sponsoring several touring productions in the United States and mounting works on Broadway."Less Tuneful Season in the Offing for TV" by Larry Wolters, ''The Chicago Tribune'', October 18, 1964 Conductor Peter Herman Adler served as the NBCOT's music and artistic director, and Samuel Chotzinoff as the company's producer. Conductor Herbert Grossman was an associate conductor with the company when it was founded, but was later promoted to conductor in 1956. From that point on Adler and Grossman shared the conducting load while Adler remained Music Director. NBC disban ...
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