Nagareru
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Nagareru
is a 1956 Japanese drama film directed by Mikio Naruse. It is based on the novel ''Nagareru'' by Aya Kōda. Plot Widow Rika starts working as a maid in the okiya (geisha lodging house) of geisha Otsuta, who lives with her daughter Katsuyo, her younger sister Yoneko and Yoneko's child, and geisha Nanako. Of the seven geisha who once worked for Otsuta, only Nanako and Someka are left; a third girl, Namie, has just run away, convinced that she has been tricked out of her share. Otsuta's older sister Otoyo tries to pressure Otsuta into finding a financially secured husband to pay back the loans on the house which the two of them mortgaged together. Ohama, a former geisha sister of Otsuta, tries to help by making contact between her and her nephew's employer Hanayama, a former patron of Otsuta. The situation tightens when Namie's uncle shows up, demanding the money which he thinks his niece is entitled to. Otsuta tries to compensate him with 50,000 yen, half of Hanayama's onetime dona ...
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Aya Kōda
was a Japanese writer of novels, short stories and essays. She was the daughter of writer Kōda Rohan, Rohan Kōda. Among her most noted works is the 1955 novel ''Nagareru''. Biography Kōda was born in Terajima, Minami Katsushika-gun, Tokyo Prefecture (1868–1943), Tokyo, as the second child of Rohan Kōda and his wife Kimiko. At the age of five, she lost her mother, the following year her older sister and still later her younger brother. The relationship with her stepmother Yayoko, a well-read woman, poet, and a devout Christian, but suffering from rheumatism and unable to run a household, proved to be difficult. After failing the entrance exams for the Tokyo Women’s Higher Normal School, she entered the Joshigakuin, a Christian high school for girls, and graduated in 1922. She married the son of a sake wholesaler at age 24, but divorced after 10 years and returned with her daughter, Tama, to live with her father. The following years, overshadowed by World War II, she ran t ...
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Sumiko Kurishima
(15 March 1902 – 16 August 1987) was a Japanese actress and master of traditional Japanese dance. She is often considered Japan's first female movie star. Career On her father's side, Kurishima was the daughter of , an actor and newspaper reporter, and the granddaughter of Ayasegawa Sanzaemon, a profesionnal sumo wrestler who reached the rank of '' ōzeki''. Her aunt on her mother's side, Fumiko Katsuragi, was also an actress. She learned traditional Japanese dance from an early age and used the name Kakō Mizuki when performing. Also appearing on stage, she entered the Shōchiku studio in 1921 and debuted in Henry Kotani's adaptation of Natsume Sōseki's '' The Poppy''. Often appearing as the tragic heroine of films directed by her future husband, Yoshinobu Ikeda, she is considered Japan's first popular female movie star, especially considering that male onnagata played female roles in the movies up until the early 1920s. She retired from the screen in 1938 and conce ...
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Mariko Okada
is a Japanese stage and film actress who starred in films of directors Mikio Naruse, Yasujirō Ozu, Keisuke Kinoshita and others. She was married to film director Yoshishige Yoshida. Biography Okada was born the daughter of silent film actor Tokihiko Okada (real name Eiichi Takahashi), who died the year following her birth, and raised by her mother's sister in her early childhood. She gave her film debut in Mikio Naruse's 1951 ''Dancing Girl'', for whom she worked again in '' Husband and Wife'', ''Floating Clouds'' and '' Nagareru''. Unsatisfied with the roles she was assigned to, she left Toho studios after her contract expired, and signed with Shochiku. In the following years, she starred in Yasujirō Ozu's '' Late Autumn'' and ''An Autumn Afternoon'', Keisuke Kinoshita's ''Spring Dreams'' and '' The Scent of Incense'', and Heinosuke Gosho's ''Hunting Rifle''. The 1962 '' Akitsu Springs'' was Okada's 100th film and the first under the direction of her future husband Yoshishi ...
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Seiji Miyaguchi
was a Japanese actor who appeared in films of Akira Kurosawa, Yasujirō Ozu, Mikio Naruse, Tadashi Imai and many others. He succumbed to lung cancer at the age of 71. Distinctions One of Kurosawa's iconic ''Seven Samurai'', Miyaguchi won the 1955 Mainichi Film Concours Best Supporting Actor award for his role. In 1983 he was awarded Japan's Medal with Purple Ribbon. A character designed as a caricature of Miyaguchi is regularly featured in the cat-oriented manga ''Mon-chan and Me'', published in Fusosha's popular webzine ''Joshi Spa!'' (Women's Spa!). Selected filmography *1945: ''Sanshiro Sugata Part II'' - Kohei Tsuzaki *1946: ''Urashima Tarô no kôei'' *1947: ''Sanbon yubi no otoko'' *1951: '' The Good Fairy'' - Editor-in-chief *1951: ''Early Summer'' - Nishiwaki *1951: '' Fireworks over the Sea'' - Gunzô Ishiguro *1951: ''Inochi uruwashi'' - Oshima *1952: ''Ikiru'' - Yakuza Boss *1953: ''The Last Embrace'' - Gangster *1953: ''Senkan Yamato'' *1953: '' An Inlet of Muddy ...
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Sanezumi Fujimoto
was a Japanese film producer. He served as the head of production for Toho Studios. He was co-producer of Akira Kurosawa's ''The Hidden Fortress''. He also produced many other films, including Yasujirō Ozu's ''The End of Summer'', Kihachi Okamoto's ''The Sword of Doom'' and ''Japan's Longest Day'' and several films directed by Mikio Naruse. After co-producing ''The Hidden Fortress'', Fujimoto had the task as Toho's head of production of convincing Kurosawa to form his own production company. He had to convince Kurosawa that his own production company would be to his advantage, even though the main reason Toho wanted Kurosawa to form his own production company was to avoid the risk of cost overruns as had happened on ''The Hidden Fortress''. Fujimoto then became a board member of Kurosawa Productions. Selected filmography *'' Repast'' (めし Meshi), Mikio Naruse, (1951) *'' Husband and Wife'' (夫婦 Fûfu), Mikio Naruse, (1953) *'' Mr. Pu'' (Pu-san), Kon Ichikawa, (1953) *''Wif ...
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Ichirō Saitō
Saito Ichiro. (August 23, 1909 – November 16, 1979) was a Japanese film composer. Film score He made film music for 334 films including: * '' The Record of a Tenement Gentleman'' (長屋紳士録 Nagaya shinshiroku) (1947) * ''Mother'' (おかあさん Okaasan) (1952) * '' Lightning (1952 film), Lightning'' (稲妻 Inazuma) (1952) * ''Tea Over Rice'' or ''The Flavor of Green Tea over Rice'' (お茶漬けの味 Ochazuke no aji) (1952) * ''The Life of Oharu'' (西鶴一代女 Saikaku Ichidai Onna) (1952) * ''Wife'' (妻 Tsuma) (1953) * ''A Geisha'' (祇園囃子 Gion Bayashi) (1953) * '' Older Brother, Younger Sister'' (あにいもうと Ani Imōto) (1953) * ''Sound of the Mountain'' (山の音 Yama no Oto) (1954) * ''Onna no Koyomi'' (1954) * ''Late Chrysanthemums'' (晩菊 Bangiku) (1954) * '' Floating Clouds'' (浮雲 Ukigumo) (1955) * '' The Romance of Yushima'' (婦系図 湯島の白梅 Onna Keizu Yushima no Shiraume) (1955) * (驟雨 Shūu) (1956) * ''A Wife's Heart'' ...
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Toho
is a Japanese film, theatre production and distribution company. It has its headquarters in Chiyoda, Tokyo, and is one of the core companies of the Osaka-based Hankyu Hanshin Toho Group. Outside of Japan, it is best known as the producer and distributor of many '' kaiju'' and ''tokusatsu'' films, the Chouseishin ''tokusatsu'' superhero television franchise, the films of Akira Kurosawa, and the anime films of Studio Ghibli, CoMix Wave Films, TMS Entertainment and OLM, Inc. All nine of the highest-grossing Japanese films are released by Toho. Other famous directors, including Yasujirō Ozu, Kenji Mizoguchi, Masaki Kobayashi, and Mikio Naruse, also directed films for Toho. Toho's most famous creation is Godzilla, who is featured in 32 of the company's films. Godzilla, Rodan, Mothra, King Ghidorah and Mechagodzilla are described as Toho's Big Five because of the monsters' numerous appearances throughout the franchise, as well as spin-offs. Toho has also been involved in the pro ...
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Mikio Naruse
was a Japanese filmmaker who directed 89 films spanning the period 1930 to 1967. Naruse is known for imbuing his films with a bleak and pessimistic outlook. He made primarily shomin-geki ("common people drama") films with female protagonists, portrayed by actresses such as Hideko Takamine, Kinuyo Tanaka, and Setsuko Hara. Because of his focus on family drama and the intersection of traditional and modern Japanese culture, his films have been compared with the works of Yasujirō Ozu. Many of his films in his later career were adaptations of the works of acknowledged Japanese writers. Titled a "major figure of Japan's golden age" and "supremely intelligent dramatist", he remains lesser known than his contemporaries Akira Kurosawa, Kenji Mizoguchi, and Ozu. Among his most noted films are ''Sound of the Mountain'', ''Late Chrysanthemums'', ''Floating Clouds'' and ''When A Woman Ascends The Stairs''. Biography Early years Mikio Naruse was born in Tokyo in 1905 and raised by his brot ...
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Blue Ribbon Award For Best Actress
The Blue Ribbon Award for Best Actress is as part of its annual Blue Ribbon Awards for Japanese film, to recognize a female actor who has delivered an outstanding performance in a leading role. The award was first given in 1954 for the films released in preceding year 1950. List of winners External linksBlue Ribbon Awards on IMDb {{Blue Ribbon Award for Best Actress Awards established in 1950 Recurring events established in 1950 1950 establishments in Japan Actress An actor or actress is a person who portrays a Character (arts), character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek ... Film awards for lead actress ...
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Nobuo Nakamura
was a Japanese actor, who made notable appearances in the films of Akira Kurosawa and Yasujirō Ozu in the 1950s and 1960s. Perhaps his most famous roles in the West were those of the callous deputy mayor in Kurosawa's ''Ikiru'' (1952), and the hairdresser's henpecked husband in Ozu's ''Tokyo Story'' (1953). Nakamura was also famous for many notable contributions to Japanese modern theatre. In 1937, he founded the Bungakuza company along with Haruko Sugimura, Seiji Miyaguchi, and Masayuki Mori. Nakamura played Polonius in ''Hamlet'', Herod in Wilde's '' Salome'', Aleksandr Vladimirovich Serebryakov in Chekov's ''Uncle Vanya'', and Krapp in ''Krapp's Last Tape''. He also appeared in ''Macbeth'', ''The Merchant of Venice'', and ''The Cherry Orchard'' . In the 1950s and 1960s, he played major roles in Yukio Mishima's plays such as ''Rokumeikan'', '' My Friend Hitler'', and so on. In 1963, Nakamura left Bungakuza company and founded the NLT company with Mishima. His most famous and ...
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Daisuke Katō
was a Japanese actor. He appeared in over 200 films, including Akira Kurosawa's ''Seven Samurai'', ''Rashomon'', ''Yojimbo'', and ''Ikiru''. He also worked repeatedly for noted directors such as Yasujirō Ozu, Mikio Naruse and Kenji Mizoguchi. Career Born as Tokunosuke Katō to a theatrical family, his older brother was the actor Kunitarō Sawamura and his older sister the actress Sadako Sawamura. He joined the Zenshinza Theatre Company in 1933 and appeared in a number of stage and film productions under the stage name Enji Ichikawa, including Sadao Yamanaka's '' Humanity and Paper Balloons'' and Kenji Mizoguchi's '' The 47 Ronin''. After spending the war in New Guinea, he returned to Japan and signed with the Daiei Film studio, appearing now under the name Daisuke Katō. In addition to appearing in traditional jidaigeki roles, notably as one of Kurosawa's ''Seven Samurai'', Katō became a popular everyman in contemporary shōshimin-eiga movies. His transfer to Toho in 1951 wa ...
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Haruko Sugimura
was a Japanese stage and film actress, best known for her appearances in the films of Yasujirō Ozu and Mikio Naruse from the late 1940s to the early 1960s. Biography Sugimura was born in Nishi-ku, Hiroshima. After the death of her parents, she was adopted at an early age by affluent lumber dealers, only learning much later that they were not her biological parents. (Sugimura reputedly claimed that she was the illegitimate child of a geisha.) Her adoptive parents took her to performances of both classical Japanese stage arts like kabuki and bunraku, and western ballet and opera. They also encouraged her to enroll at the Tokyo Ongaku Gakko (now Tokyo University of the Arts), where she failed the exams. She then joined the Tsukiji Shōgekijō (Tsukiji Little Theatre), Tokyo, in 1927, and later the Bungakuza theatre company, which she remained affiliated with from 1937 until her retirement in 1996. She gave her film debut in 1932 in Eizo Tanaka's ''Namiko'' (1932). Between 1937 ...
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