Nicoló Beatricio
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Nicoló Beatricio
__NOTOC__ Nicolas Béatrizet (or ''Beatrizet'', or ''Beatricetto'') was a 16th century French engraver, working in Rome. Life Béatrizet was born at Luneville in or before 1520. From his style, it has been conjectured that he was a scholar of Ghisi and Agostino Veneziano de Musis. From 1540 to 1560, he engraved under the direction of Michelangelo. He died at Rome after 1560. Joseph Strutt believed that the importance of Béatrizet's works lay rather in the fact that his engravings were unique records of pictures by some of the greatest artists rather than their inherent quality. He wrote that "they seem to want any requisite, that a fine engraving ought to possess, namely, drawing, character, effect, and mechanical execution". Works He usually signed his plates with the letters "N. B. L. F.". Their number is considerable, but most of them are included in the following list: Portraits *''Bust of Pius III''. *''Pope Paul III'', an oval. *''Pope Paul IV''; dated 1558. *'' He ...
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Parmigiano
Parmesan (, ) is an Italian hard, granular cheese produced from cow's milk and aged at least 12 months. It is a grana-type cheese, along with Grana Padano, the historic , and others. The term ''Parmesan'' may refer to either Parmigiano Reggiano or, when outside the European Union and Lisbon Agreement countries, a locally produced imitation. Parmigiano Reggiano is named after two of the areas which produce it, the Italian provinces of Parma and Reggio Emilia (''Parmigiano'' is the Italian adjective for the city and province of Parma and ''Reggiano'' is the adjective for the province of Reggio Emilia); it is also produced in the part of Bologna west of the River Reno and in Modena (all of the above being located in the Emilia-Romagna region), as well as in the part of Mantua (Lombardy) on the south bank of the River Po. The names ''Parmigiano Reggiano'' and ''Parmesan'' are protected designations of origin (PDO) for cheeses produced in these provinces under Italian and E ...
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People From Lunéville
The term "the people" refers to the public or common mass of people of a polity. As such it is a concept of human rights law, international law as well as constitutional law, particularly used for claims of popular sovereignty. In contrast, a people is any plurality of persons considered as a whole. Used in politics and law, the term "a people" refers to the collective or community of an ethnic group or nation. Concepts Legal Chapter One, Article One of the Charter of the United Nations states that "peoples" have the right to self-determination. Though the mere status as peoples and the right to self-determination, as for example in the case of Indigenous peoples (''peoples'', as in all groups of indigenous people, not merely all indigenous persons as in ''indigenous people''), does not automatically provide for independent sovereignty and therefore secession. Indeed, judge Ivor Jennings identified the inherent problems in the right of "peoples" to self-determination, as i ...
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16th-century French People
The 16th century began with the Julian year 1501 (represented by the Roman numerals MDI) and ended with either the Julian or the Gregorian year 1600 (MDC), depending on the reckoning used (the Gregorian calendar introduced a lapse of 10 days in October 1582). The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion of the new sciences, invented the first thermometer and made substantial contributions in the fields of phy ...
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Year Of Death Unknown
A year is a unit of time based on how long it takes the Earth to orbit the Sun. In scientific use, the tropical year (approximately 365 solar days, 5 hours, 48 minutes, 45 seconds) and the sidereal year (about 20 minutes longer) are more exact. The modern calendar year, as reckoned according to the Gregorian calendar, approximates the tropical year by using a system of leap years. The term 'year' is also used to indicate other periods of roughly similar duration, such as the lunar year (a roughly 354-day cycle of twelve of the Moon's phasessee lunar calendar), as well as periods loosely associated with the calendar or astronomical year, such as the seasonal year, the fiscal year, the academic year, etc. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by changes in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons ar ...
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Anaximenes Of Miletus
Anaximenes of Miletus (; ; ) was an Ancient Greece, Ancient Greek, Pre-Socratic philosophy, Pre-Socratic philosopher from Miletus in Anatolia (modern-day Turkey). He was the last of the three philosophers of the Ionian School (philosophy), Milesian School, after Thales of Miletus, Thales and Anaximander. These three are regarded by historians as the first philosophers of the Western world. Anaximenes is known for his belief that air is the ''arche'', or the basic element of the universe from which all things are created. Little is known of Anaximenes's life and work, as all of his original texts are lost. Historians and philosophers have reconstructed information about Anaximenes by interpreting texts about him by later writers. All three Milesian philosophers were monists who believed in a single foundational source of everything: Anaximenes believed it to be air, while Thales and Anaximander believed it to be water and Apeiron, an undefined infinity, respectively. It is generally ...
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Arch Of Constantine
The Arch of Constantine () is a triumphal arch in Rome dedicated to the emperor Constantine the Great. The arch was commissioned by the Roman Senate to commemorate Constantine's victory over Maxentius at the Battle of the Milvian Bridge in AD 312. Situated between the Colosseum and the Palatine Hill, the arch spans the '' Via Triumphalis'', the route taken by victorious military leaders when they entered the city in a triumphal procession. Dedicated in 315, it is the largest Roman triumphal arch, with overall dimensions of high, wide and deep. It has three bays, the central one being high and wide and the laterals by each. The arch is constructed of brick-faced concrete covered in marble. The three-bay design with detached columns was first used for the Arch of Septimius Severus in the Roman Forum (which stands at the end of the triumph route) and repeated in several other arches now lost. Though dedicated to Constantine, much of the sculptural decoration consists of rel ...
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Relief
Relief is a sculpture, sculptural method in which the sculpted pieces remain attached to a solid background of the same material. The term ''wikt:relief, relief'' is from the Latin verb , to raise (). To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background Plane (geometry), plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires chiselling away of the background, which can be time-intensive. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the bac ...
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Giulio Romano
Giulio Pippi ( – 1 November 1546), known as Giulio Romano and Jules Romain ( , ; ), was an Italian Renaissance painter and architect. He was a pupil of Raphael, and his stylistic deviations from High Renaissance classicism help define the sixteenth-century style known as Mannerism. Giulio's drawings have long been treasured by collectors; contemporary prints of them engraved by Marcantonio Raimondi were a significant contribution to the spread of sixteenth-century Italian style throughout Europe. Biography Giulio Pippi was born in Rome and he began his career there as a young assistant to the leading painter and architect Raphael. He became an important member of Raphael's large team working on the frescos in the Raphael Rooms and Vatican loggias using designs by Raphael and, later painting a group of figures in the '' Fire in the Borgo'' fresco. He also collaborated on the decoration of the ceiling of the Villa Farnesina. Despite his relative youth, increasingly ...
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Pontormo
Jacopo Carucci or Carrucci (; May 24, 1494 – January 2, 1557), usually known as Jacopo (da) Pontormo or simply Pontormo (), was an Italian Mannerist painter and portraitist from the Florentine School. His work represents a profound stylistic shift from the calm perspectival regularity that characterized the art of the Florentine Renaissance. He is famous for his use of twining poses, coupled with ambiguous perspective; his figures often seem to float in an uncertain environment, unhampered by the forces of gravity. Biography and early work Jacopo Carucci was born at Pontorme (then known as Pontormo or Puntormo), near Empoli, to Bartolomeo di Jacopo di Martino Carrucci and Alessandra di Pasquale di Zanobi. Vasari relates how the orphaned boy, "young, melancholy, and lonely", was shuttled around as a young apprentice: Pontormo painted in and around Florence, often supported by Medici patronage. A foray to Rome, largely to see Michelangelo's work, influenced his later sty ...
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The Fall Of Phaeton (Michelangelo)
''The Fall of Phaeton'' is a c.1533 charcoal on paper drawing of Apollo's son Phaeton from Ovid's ''Metamorphoses'' by Michelangelo, now in the British Museum in London. History It was maded for Tommaso dei Cavalieri, who the artist had met in 1532, with a dedication at the bottom calling it an unfinished presentation drawing and stating that (if dei Cavalieri did not like it) Michelangelo would finish it for him or make another the following evening. At the top is Jupiter hurling a thunderbolt. At the base is a thicket with two Heliades (who, looking at the sky, despair at their brother's fate and are transformed into poplars), Cycnus hiding his face in his hands, and the reclining river god Eridanos. A second sheet on the same subject by the artist (now in the Royal Collection at Windsor Castle Windsor Castle is a List of British royal residences, royal residence at Windsor, Berkshire, Windsor in the English county of Berkshire, about west of central London. It is ...
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