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Neyzen Emîn Efendi
The ney ( ; ) is an end-blown flute that figures prominently in traditional Persian, Turkish, Jewish, Arab, and Egyptian music. In some of these musical traditions, it is the only wind instrument used. The ney has been played for over 4,500 years, dating back to ancient Egypt, making it one of the oldest musical instruments still in use. The ney consists of a piece of hollow cane or giant reed with five or six finger holes and one thumb hole. The Arabic ney is played without any mouthpiece. This contrasts with the Turkish ney that sometimes have a brass, horn, or plastic mouthpiece which is placed at the top to protect the wood, to produce a steeper sound, and protect it from damage, with a better edge to blow on. Modern neys may instead be made of metal or plastic tubing. The pitch of the ney varies depending on the region and the finger arrangement. A highly skilled ney player, called ''neyzen'', can reach more than three octaves, though it is more common to have several "hel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ney Range
The ney ( ; ) is an end-blown flute that figures prominently in traditional Persian traditional music, Persian, Turkish music, Turkish, Jewish music, Jewish, Arab music, Arab, and Egyptian music, Egyptian music. In some of these musical traditions, it is the only wind instrument used. The ney has been played for over 4,500 years, dating back to ancient Egypt, making it one of the oldest musical instruments still in use. The ney consists of a piece of hollow cane or Arundo donax, giant reed with five or six finger holes and one thumb hole. The Arabic ney is played without any Mouthpiece (brass), mouthpiece. This contrasts with the Turkish ney that sometimes have a Brass instrument, brass, Horn (anatomy)#Human uses of horns, horn, or plastic mouthpiece which is placed at the top to protect the wood, to produce a steeper sound, and protect it from damage, with a better edge to blow on. Modern neys may instead be made of metal or plastic tubing. The Pitch (music), pitch of the ney var ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taqsim
''Taqsim'' ( / ALA-LC: ''taqsīm'', , , ) is a melodic musical improvisation that usually precedes the performance of a traditional Arabic, Kurdish, Greek, Middle Eastern, Iranian, Azerbaijani or Turkish musical composition. ''Taqsim'' traditionally follows a certain melodic progression. Starting from the tonic of a particular Arabic maqam (or a Turkish '' makam''), the first few measures of the improvisation remain in the lower ajnas of the maqam, thereby introducing the maqam to the listener. After this introduction, the performer is free to move anywhere in the maqam, and even to modulate to other maqams, as long as they return to the original one. ''Taqsim'' is either a solo instrument In music, a solo () is a piece or a section of a piece played or sung featuring a single performer, who may be performing completely alone or supported by an accompanying instrument such as a piano or organ, a continuo group (in Baroque musi ... performance, or one that is backed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Embouchure
Embouchure () or lipping is the use of the lips, facial muscles, tongue, and teeth in playing a wind instrument. This includes shaping the lips to the mouthpiece (woodwind), mouthpiece of a woodwind or brass instrument. The word is of French language, French origin and is related to the root ', 'mouth'. Proper embouchure allows instrumentalists to play their instrument at its full range with a full, clear tone and without strain or damage to their muscles. Brass embouchure While performing on a brass instrument, the sound is produced by the player buzzing their lips into a mouthpiece. Pitches are changed in part through altering the amount of muscular contraction in the lip formation. The performer's use of the air, tightening of cheek and jaw muscles, as well as tongue manipulation can affect how the embouchure works. Maintaining an effective embouchure is an essential skill for any brass instrumentalist, but its personal and particular characteristics mean that different pedag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Microtones
Microtonality is the use in music of microtones — intervals smaller than a semitone, also called "microintervals". It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave. In other words, a microtone may be thought of as a note that falls "between the keys" of a piano tuned in equal temperament. Terminology Microtone ''Microtonal music'' can refer to any music containing microtones. The words "microtone" and "microtonal" were coined before 1912 by Maud MacCarthy Mann in order to avoid the misnomer "quarter tone" when speaking of the srutis of Indian music. Prior to this time the term "quarter tone" was used, confusingly, not only for an interval actually half the size of a semitone, but also for all intervals (considerably) smaller than a semitone. It may have been even slightly earlier, perhaps as early as 1895, that the Mexican composer Julián Carrillo, writing in Spanish or French ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quarter Tone
A quarter tone is a pitch halfway between the usual notes of a chromatic scale or an interval about half as wide (orally, or logarithmically) as a semitone, which itself is half a whole tone. Quarter tones divide the octave by 50 cents each, and have 24 different pitches. Quarter tones have their roots in the music of the Middle East and more specifically in Persian traditional music. However, the first evidenced proposal of the equally-tempered quarter tone scale, or 24 equal temperament, was made by 19th-century music theorists Heinrich Richter in 1823 Julian Rushton, "Quarter-Tone", ''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan, 2001). and Mikhail Mishaqa about 1840. Composers who have written music using this scale include: Pierre Boulez, Julián Carrillo, Mildred Couper, George Enescu, Alberto Ginastera, Gérard Grisey, Alois Hába, Ljubica Marić, Charles Ives, Tristan Murail, Kr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semitone
A semitone, also called a minor second, half step, or a half tone, is the smallest musical interval commonly used in Western tonal music, and it is considered the most dissonant when sounded harmonically. It is defined as the interval between two adjacent notes in a 12-tone scale (or half of a whole step), visually seen on a keyboard as the distance between two keys that are adjacent to each other. For example, C is adjacent to C; the interval between them is a semitone. In a 12-note approximately equally divided scale, any interval can be defined in terms of an appropriate number of semitones (e.g. a whole tone or major second is 2 semitones wide, a major third 4 semitones, and a perfect fifth 7 semitones). In music theory, a distinction is made between a diatonic semitone, or minor second (an interval encompassing two different staff positions, e.g. from C to D) and a chromatic semitone or augmented unison (an interval between two notes at the same staff position, e.g. f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Ney
The Turkish ney is an end-blown flute made of reed, an Ottoman Empire, Ottoman variation on the ancient ney. Together with the Turkish tanbur lute and Turkish kemençe fiddle are considered the most typical instruments of Ottoman classical music, Classical Turkish music. The ney also plays a primary role in the music of the Mevlevi Sufi rites (''semâ''). Description A rim-blown, oblique flute made of giant reed (''Arundo donax''), the Turkish ney has six finger-holes on the front and a high-set thumb-hole on the back. The thumb hole is not centered but rather is angled to the left or right depending on whether the instrument was intended to be played with the left or right hand on top. A feature that distinguishes it from similar instruments of other cultures is the flared mouthpiece or lip rest, called a ''bashpare'', traditionally made of water buffalo horn, ivory, or ebony, but in modern times many are Polyoxymethylene, plastic or similar durable material. The Turkish ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iran
Iran, officially the Islamic Republic of Iran (IRI) and also known as Persia, is a country in West Asia. It borders Iraq to the west, Turkey, Azerbaijan, and Armenia to the northwest, the Caspian Sea to the north, Turkmenistan to the northeast, Afghanistan to the east, Pakistan to the southeast, and the Gulf of Oman and the Persian Gulf to the south. With a Ethnicities in Iran, multi-ethnic population of over 92 million in an area of , Iran ranks 17th globally in both List of countries and dependencies by area, geographic size and List of countries and dependencies by population, population. It is the List of Asian countries by area, sixth-largest country entirely in Asia and one of the world's List of mountains in Iran, most mountainous countries. Officially an Islamic republic, Iran is divided into Regions of Iran, five regions with Provinces of Iran, 31 provinces. Tehran is the nation's Capital city, capital, List of cities in Iran by province, largest city and financial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pan Flute
A pan flute (also known as panpipes or syrinx) is a musical instrument based on the principle of the closed tube, consisting of multiple pipes of gradually increasing length (and occasionally girth). Multiple varieties of pan flutes have been popular as folk instruments. The pipes are typically made from bamboo, Arundo donax, giant cane, or local reeds. Other materials include wood, plastic, metal, and clay. Name The pan flute is named after Pan (god), Pan, the List of Greek deities, Greek god of nature and shepherds, often depicted with such an instrument. The pan flute has become widely associated with the character Peter Pan created by Sir James Matthew Barrie, whose name was inspired by the god Pan. In Greek mythology, Syrinx (Σύριγξ) was a forest nymph. In her attempt to escape the affection of god Pan (a creature half goat and half man), she was transformed into a water-reed or calamos (cane-reed). Then, Pan cut several reeds, placed them in parallel one next t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academia Română
The Romanian Academy ( ) is a cultural forum founded in Bucharest, Romania, in 1866. It covers the scientific, artistic and literary domains. The academy has 181 active members who are elected for life. According to its bylaws, the academy's main goals are the cultivation of Romanian language and Romanian literature, the study of the national history of Romania and research into major scientific domains. Some of the academy's fundamental projects are the Romanian language dictionary ('' Dicționarul explicativ al limbii române''), the dictionary of Romanian literature, and the treatise on the history of the Romanian people. History On the initiative of C. A. Rosetti, the Academy was founded on April 1, 1866, as ''Societatea Literară Română''. The founding members were illustrious members of the Romanian society of the age. The name changed to ''Societatea Academică Romînă'' in 1867, and finally to ''Academia Română'' in 1879, during the reign of Carol I. The foundin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
