Embouchure () or lipping is the use of the lips, facial muscles, tongue, and teeth in playing a
wind instrument
A wind instrument is a musical instrument that contains some type of resonator (usually a tube) in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece set at or near the end of the resonator. The pitc ...
. This includes shaping the lips to the
mouthpiece
Mouthpiece may refer to:
* The part of an object which comes near or in contact with one's mouth or nose during use
** Mouthpiece (smoking pipe) or cigarette holder
** Mouthpiece (telephone handset)
** Mouthpiece (woodwind), a component of a woodw ...
of a
woodwind instrument
Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and ...
or the
mouthpiece
Mouthpiece may refer to:
* The part of an object which comes near or in contact with one's mouth or nose during use
** Mouthpiece (smoking pipe) or cigarette holder
** Mouthpiece (telephone handset)
** Mouthpiece (woodwind), a component of a woodw ...
of a
brass instrument
A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. Brass instruments are also called labrosones or labrophones, from Latin an ...
. The word is of
French
French (french: français(e), link=no) may refer to:
* Something of, from, or related to France
** French language, which originated in France, and its various dialects and accents
** French people, a nation and ethnic group identified with Franc ...
origin and is related to the root ', 'mouth'. Proper embouchure allows instrumentalists to play their instrument at its full range with a full, clear tone and without strain or damage to their muscles.
Brass embouchure
While performing on a brass instrument, the sound is produced by the player buzzing their lips into a mouthpiece. Pitches are changed in part through altering the amount of muscular contraction in the lip formation. The performer's use of the air, tightening of cheek and jaw muscles, as well as tongue manipulation can affect how the embouchure works.
Maintaining an effective embouchure is an essential skill for any brass instrumentalist, but its personal and particular characteristics mean that different pedagogues and researchers have advocated differing, even contradictory, advice on what proper embouchure is and how it should be taught. One point on which there is some agreement is that proper embouchure is not one-size-fits-all: individual differences in dental structure, lip shape and size, jaw shape and the degree of jaw malocclusion, and other anatomical factors will affect whether a particular embouchure technique will be effective or not.
In 1962,