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Napoléon (1927 Film)
''Napoléon'' (on-screen title: ''Napoléon vu par Abel Gance'', "Napoleon as seen by Abel Gance") is a 1927 French Silent film, silent Epic film, epic historical film, produced and directed by Abel Gance, that tells the story of Napoleon's early years. The only film to use Polyvision (for the finale), it is recognised as a masterwork of fluid camera motion, produced in a time when most camera shots were static. Many innovative techniques were used to make the film, including fast cutting, extensive close-ups, a wide variety of hand-held camera shots, location shooting, point of view shots, multiple-camera setups, multiple exposure, superimposition, underwater camera, kaleidoscopic images, film tinting, Split screen (filmmaking), split screen and mosaic shots, multi-screen projection, and other visual effects. A revival of ''Napoléon'' in the mid-1950s influenced the filmmakers of the French New Wave. The film used the Keller-Dorian cinematography for its color sequences. The f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abel Gance
Abel Gance (; born Abel Eugène Alexandre Péréthon; 25 October 188910 November 1981) was a French film director, producer, writer and actor. A pioneer in the theory and practice of montage, he is best known for three major silent films: ''J'accuse (1919 film), J'accuse'' (1919), ''La Roue'' (1923), and ''Napoléon (1927 film), Napoléon'' (1927). Early life Born in Paris in 1889, Abel Gance was the illegitimate son of a prosperous doctor, Abel Flamant, and a working-class mother, Françoise Péréthon (or Perthon). Initially taking his mother's name, he was brought up until the age of eight by his maternal grandparents in the coal-mining town of Commentry in central France. He then returned to Paris to rejoin his mother, who had by then married Adolphe Gance, a chauffeur and mechanic, whose name Abel then adopted. Although he later fabricated the history of a brilliant school career and middle-class background, Gance left school at the age of 14, and the love of literature an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Close-up
A close-up or closeup in filmmaking, television production A television show, TV program (), or simply a TV show, is the general reference to any content produced for viewing on a television set that is broadcast via over-the-air, satellite, and cable, or distributed digitally on streaming plat ..., photography, still photography, and the comic strip medium is a type of shot (filmmaking), shot that tightly film frame, frames a person or object. Close-ups are one of the standard shots used regularly with medium and long shots (cinematic techniques). Close-ups display the most detail, but they do not include the broader scene. Moving toward or away from a close-up is a common type of zooming (filmmaking), zooming. A close up is taken from head to neck, giving the viewer a detailed view of the subject's face. History Most early filmmakers, such as Thomas Edison, Auguste and Louis Lumière and Georges Méliès, tended not to use close-ups and preferred to frame their s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brienne-le-Château
Brienne-le-Château () is a commune in the Aube department in north-central France. It is located from the right bank of the river Aube and 26 miles northeast of Troyes. History It was the centre of the medieval County of Brienne, whose lords, first counts and eventually dukes, had a claim to the Kingdom of Jerusalem. John of Brienne ( c. 1170 – 27 March 1237), also known as John I, was King of Jerusalem from 1210 to 1225 (and Latin Emperor of Constantinople from 1229 to 1237). He was the youngest son of Erard II of Brienne, a wealthy nobleman in Champagne. The École de Brienne was established in 1730 and remained active until it was closed in 1790. It is currently a museum. Notable students included: * Napoleon Bonaparte (1779 to 1784) (French Emperor) * Louis-Nicolas Davout (French Marshal) * Antoine Le Picard de Phélippeaux (French emigre soldier) In 1814, it was the site of the Battle of Brienne, when the Sixth Coalition invaded France. Population See al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keller-Dorian Cinematography
Keller-Dorian cinematography was a French technique from the 1920s for filming movies in color, using a lenticular process to separate red, green and blue colors and record them on a single frame of black-and-white film. Keller-Dorian was primarily a manufacturer of paper and aluminum foil (tin foil). It was granted 38 patents. While researching how to create dies to color aluminum foil, they accidentally stumbled on this cinematography technique. This additive color system differs from other systems, for example, Technicolor, which divided the colors into more than one frame on one or more pieces of film. The system was used to film several scenes of Abel Gance's ''Napoléon'' (1927) and '' La Femme et le Pantin'' by Jacques de Baroncelli (1928). However, the projection of this process in movie theaters seems to have been more difficult, so neither of these films was ever presented using this technique. Also, making prints was described by one source as "impossible." This pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French New Wave
The New Wave (, ), also called the French New Wave, is a French European art cinema, art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to film editing, editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The New Wave is often considered one of the most influential movements in the history of cinematography, cinema. However, contemporary critics have also argued that historians have not sufficiently credited its female co-founder, Agnès Varda, and have criticized the movement's prevailing themes of sexism towards women. The term was first used by a group of French film critics and cinephiles associated with the magazine in the late 1950s and 1960s. These critics rejected the ("T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visual Effects
Visual effects (sometimes abbreviated as VFX) is the process by which imagery is created or manipulated outside the context of a live-action shot in filmmaking and video production. The integration of live-action footage and other live-action footage or CGI elements to create realistic imagery is called VFX. VFX involves the integration of live-action footage (which may include in-camera special effects) and generated-imagery (digital or optics, animals or creatures) which look realistic, but would be dangerous, expensive, impractical, time-consuming or impossible to capture on film. Visual effects using computer-generated imagery (CGI) have more recently become accessible to the independent filmmaker with the introduction of affordable and relatively easy-to-use animation and compositing software. History Early developments In 1857, Oscar Gustave Rejlander, Oscar Rejlander created the world's first "special effects" image by combining different sections of 32 negatives into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Split Screen (filmmaking)
In film and video production, split screen is the visible division of the screen, traditionally in half, but also in several simultaneous images, rupturing the illusion that the screen's frame is a seamless view of reality, similar to that of the human eye. There may or may not be an explicit borderline. Until the arrival of digital technology, a split screen in films was accomplished by using an optical printer to combine two or more actions filmed separately by copying them onto the same negative, called the composite. In filmmaking split screen is also a technique that allows one actor to appear twice in a scene. The simplest technique is to lock down the camera and shoot the scene twice, with one "version" of the actor appearing on the left side, and the other on the right side. The seam between the two splits is intended to be invisible, making the duplication seem realistic. Influences An influential arena for the great split screen movies of the 1960s were two world's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Tinting
Film tinting is the process of adding color to black-and-white film, usually by means of soaking the film in dye and staining the film emulsion. The effect is that all of the light shining through is filtered, so that what would be white light becomes light of some color. Film toning is the process of replacing the silver particles in the emulsion with colored, silver salts, by means of chemicals. Unlike tinting, toning colored the darkest areas, leaving the white areas largely untouched. Tinting was very popular in the silent film era. By 1920, tinting was used for 80 to 90 percent of all films. History Tinting in the silent era The process began in the 1890s, originally as a copy-guard against film pirates. The film was tinted amber, the color of the safelight on film printers. The discovery of bleaching methods by pirates soon put an end to this. Both the Edison Studios and the Biograph Company began tinting their films for setting moods. Because orthochromatic film stock could ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Superimposition
Superimposition is the placement of one thing over another, typically so that both are still evident. Superimpositions are often related to the mathematical procedure of superposition. Audio Superimposition (SI) during sound recording and reproduction (commonly called overdubbing) is the process of adding new sounds over existing without completely erasing or masking the existing sound. Some reel-to-reel tape recorders of the mid 20th century provided crude superimposition facilities that were implemented by killing the high-frequency AC feed to the erase head while recording as normal via the read-write head. 2D images In graphics, superimposition is the placement of an image or video on top of an already-existing image or video, usually to add to the overall image effect, but also sometimes to conceal something (such as when a different face is superimposed over the original face in a photograph). Superimposition of two-dimensional images containing correlated periodic grid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multiple Exposure
In photography and cinematography, a multiple exposure is the superimposition of two or more exposures to create a single image, and double exposure has a corresponding meaning in respect of two images. The exposure values may or may not be identical to each other. Overview Ordinarily, cameras have a sensitivity to light that is a function of time. For example, a one-second exposure is an exposure in which the camera image is equally responsive to light over the exposure time of one second. The criterion for determining that something is a double exposure is that the sensitivity goes up and then back down. The simplest example of a multiple exposure is a double exposure without flash, i.e. two partial exposures are made and then combined into one complete exposure. Some single exposures, such as "flash and blur" use a combination of electronic flash and ambient exposure. This effect can be approximated by a Dirac delta measure (flash) and a constant finite rectangular window, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multiple-camera Setup
The multiple-camera setup, multiple-camera mode of production, multi-camera or simply multicam is a method of filmmaking, television production and video production. Several cameras—either film cameras, film or professional video cameras—are employed on the set and simultaneously record or broadcast a scene. It is often contrasted with a single-camera setup, which uses one camera. Description Generally, the two outer cameras shoot close-up shots or "crosses" of the two most active characters on the set at any given time, while the central camera or cameras shoot a wider master shot to capture the overall action and establish the geography of the room. In this way, multiple shots are obtained in a single take without having to start and stop the action. This is more efficient for programs that are to be shown a short time after being shot, as it reduces the time spent in film editing, film or video editing. It is also a virtual necessity for regular, high-output shows like d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
