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Nana (Manet)
''Nana'' is a painting by French painter Édouard Manet. It was completed in 1877 and was refused at the Salon of Paris the same year. Manet decided to show his painting in the window of a shop on the Boulevard des Capucines, one of Paris’s main streets. The painting gathered attention and crowds during its exhibition, due to Manet's fame in Paris. The work is now at the Kunsthalle Hamburg art museum in Germany. Description The painting shows a young and beautiful woman who stands before a mirror with two extinguished candles, her face turned to the spectator. Her dress is incomplete; she wears a white chemise, blue corset, silk stockings and high-heeled footwear. The interior suggests that it is a boudoir. Behind the woman is a sofa with two pillows. An elegantly dressed man, sitting on the sofa, can be partly seen on the right of the painting. On the left side, there is a chair, a table and a flowerpot. Interpretations Both the title and the numerous details suggest that t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Édouard Manet
Édouard Manet (, ; ; 23 January 1832 – 30 April 1883) was a French Modernism, modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism (art movement), Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, Le Déjeuner sur l'herbe, ''The Luncheon on the Grass'' (''Le déjeuner sur l'herbe'') and ''Olympia (Manet), Olympia'', premiering in 1863 and '65, respectively, caused great controversy with both critics and the Academy of Fine Arts, but soon were praised by progressive artists as the breakthrough acts to the new style, Impressionism. These works, along with others, are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Henriette Hauser
Henriette Hauser ( 1830-1895), also known as Henriette Hausser and nicknamed Citron, was a French actress, courtesan, and artist's model active during the Second Empire. She is widely believed to have posed for Édouard Manet's 1877 painting ''Nana'', one of his most iconic and controversial depictions of modern Parisian femininity. Hauser also performed on stage in both Paris and The Hague, and became a well-known figure in fashionable and artistic circles during the 1860s and 1870s. Early life and nickname Hauser was likely born in Paris around 1830. She began her stage career in the early 1860s and gained public attention not only for her acting but also her associations with influential figures of the time. While performing in The Hague, she reportedly became the mistress of the Prince of Orange, the heir to the Dutch throne. This relationship earned her the nickname "Citron", a satirical reference to the prince's title. Career and modeling Hauser performed regularly a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
19th-century Portraits
The 19th century began on 1 January 1801 (represented by the Roman numerals MDCCCI), and ended on 31 December 1900 (MCM). It was the 9th century of the 2nd millennium. It was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanded beyond its British homeland for the first time during the 19th century, particularly remaking the economies and societies of the Low Countries, France, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Catholic Church, in response to the growing influence and power of modernism, secularism and materialism, formed the First Vatican Council in the late 19th century to deal with such problems and confirm ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
1877 Paintings
Events January * January 1 – Queen Victoria is proclaimed Empress of India by the Royal Titles Act 1876, introduced by Benjamin Disraeli, the Prime Minister of the United Kingdom . * January 8 – Great Sioux War of 1876: Battle of Wolf Mountain – Crazy Horse and his warriors fight their last battle with the United States Cavalry in Montana. * January 20 – The Conference of Constantinople ends, with Ottoman Turkey rejecting proposals of internal reform and Balkan provisions. * January 29 – The Satsuma Rebellion, a revolt of disaffected samurai in Japan, breaks out against the new imperial government; it lasts until September, when it is crushed by a professionally led army of draftees. February * February 17 – Major General Charles George Gordon of the British Army is appointed Governor-General of the Sudan. March * March 2 – Compromise of 1877: The 1876 United States presidential election is resolved with the selection of Rutherfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Portraits Of Women
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face is always predominant. In arts, a portrait may be represented as half body and even full body. If the subject in full body better represents personality and mood, this type of presentation may be chosen. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, to most successfully engage the subject with the viewer, but portrait may be represented as a profile (from aside) and 3/4. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle Eas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
List Of Paintings By Édouard Manet
This is a list of some of the more well-known paintings of French artist Édouard Manet (1832–1883). List External links * Manet overview pages at museum web sites with collection databases: *Art Institute of Chicago*Barnes Foundation*Bridgestone Museum of Art, Tokyo*Foundation E.G. Bührle*Guggenheim*J. Paul Getty Museum*Metropolitan Museum of Art*** [http://masp.art.br/masp2010/acervo_busca_autor.php Museu de Arte de São Paulo] *Museum of Fine Arts, Boston*National Gallery, London*National Gallery of Art, Washington, D.C.*National Gallery of Victoria*National Museum Cardiff*National Museum of Western Art, Tokyo* * [http://www.googleartproject.com/artist/%C3%A9douard-manet/4128003/ Google Art Project] {{DEFAULTSORT:List of paintings by Edouard Manet Lists of paintings, Manet, Edouard Paintings by Édouard Manet, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
L'Assommoir
, published as a serial in 1876, and in book form in 1877, is the seventh novel in Émile Zola's twenty-volume series '' Les Rougon-Macquart''. Usually considered one of Zola's masterpieces, the novel — a study of alcoholism and poverty in the working-class districts of Paris — was a huge commercial success and helped establish Zola's fame and reputation throughout France and the world. Plot summary The novel is principally the story of Gervaise Macquart, who is featured briefly in the first novel in the series, , running away to Paris with her shiftless lover Lantier to work as a washerwoman in a hot, busy laundry in one of the seedier areas of the city. begins with Gervaise and her two young sons being abandoned by Lantier, who takes off for parts unknown with another woman. Though at first she swears off men altogether, eventually she gives in to the advances of Coupeau, a teetotal roofer, and they are married. The marriage sequence is one of the most famous set-pieces ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Les Rougon-Macquart
''Les Rougon-Macquart'' () is the collective title given to a cycle of twenty novels by France, French writer Émile Zola. Subtitled ''Histoire naturelle et sociale d'une famille sous le Second Empire'' (''Natural and social history of a family under the Second Empire''), it follows the lives of the members of the two titular branches of a fictional family living during the Second French Empire (1852–1870) and is one of the most prominent works of the French Naturalism (literature), naturalism literary movement. Influences Early in his life, Zola discovered the work of Honoré de Balzac and his famous cycle ''La Comédie humaine''. This had a profound impact on Zola, who decided to write his own, unique cycle. However, in 1869, he explained in ''Différences entre Balzac et moi'', why he would not make the same kind of book as Balzac: In one word, his work wants to be the mirror of the contemporary society. My work, mine, will be something else entirely. The scope will be narr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Nana (novel)
''Nana'' is a novel by the French naturalist author Émile Zola. Completed in 1880, ''Nana'' is the ninth installment in the 20-volume ''Les Rougon-Macquart'' series. Origins A year before he started to write ''Nana'', Zola knew nothing about the Théâtre des Variétés. Ludovic Halévy invited him to attend an operetta with him there on February 15, 1878, and took him backstage. Halévy told him innumerable stories about the amorous life of the star, Anna Judic, whose ménage à trois served as the model for the relationships of Rose Mignon, her husband, and Steiner in Zola's novel. Halévy also provided Zola with stories about famous prostitutes such as Blanche d'Antigny, Anna Deslions, Delphine de Lizy, and Hortense Schneider, upon which Zola drew in developing the character of his title character. Yet it was Valtesse de la Bigne, painted by both Manet and Henri Gervex, who most inspired him; it is she who is immortalised in his scandalous novel Nana. Synopsis ''Nana' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Émile Zola
Émile Édouard Charles Antoine Zola (, ; ; 2 April 184029 September 1902) was a French novelist, journalist, playwright, the best-known practitioner of the literary school of Naturalism (literature), naturalism, and an important contributor to the development of Naturalism (theatre), theatrical naturalism. He was a major figure in the political liberalization of France and in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus, which is encapsulated in his renowned newspaper opinion headlined ''J'Accuse...!'' Zola was nominated for the first and second Nobel Prize in Literature, Nobel Prizes in Literature in 1901 and 1902. Early life Zola was born in Paris in 1840 to François Zola (originally Francesco Zolla) and Émilie Aubert. His father was an Italian engineer with some Greeks, Greek ancestry, who was born in Venice in 1795, and engineered the Zola Dam in Aix-en-Provence; his mother was French. The family moved to Aix-en-Provence in the Provence, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Courtesan
A courtesan is a prostitute with a courtly, wealthy, or upper-class clientele. Historically, the term referred to a courtier, a person who attended the court of a monarch or other powerful person. History In European feudal society, the court was the centre of government as well as the residence of the monarch, and social and political life were often completely mixed together. Prior to the Renaissance, courtesans served to convey information to visiting dignitaries, when servants could not be trusted. In Renaissance Europe, courtiers played an extremely important role in upper-class society. As it was customary during this time for royal couples to lead separate lives—commonly marrying simply to preserve bloodlines and to secure political alliances—men and women would often seek gratification and companionship from people living at court. In fact, the verb 'to court' originally meant "to be or reside at court", and later came to mean "to behave as a courtier" and then ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
