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NIN (cuneiform)
The Sumerian word NIN ( đ), later borrowed into Akkadian, was used to denote a queen or a priestess, and is often translated as "lady". Other translations include "queen", "mistress", "proprietress", and "lord". The word EREĆ , also meaning "queen" or "lady",J A Halloran ïżœSumerian Lexicon Version 3.0 Retrieved 2023-09-05. is written using the cuneiform sign for NIN as well. Many goddesses are called NIN or EREĆ , such as D NIN.GAL ("great lady"), D Ă.NIN.GAL ("lady of the great temple"), D EREĆ .KI.GAL, and D NIN.TI. The compound form NIN. DINGIR ("divine lady" or "lady f agod"), denotes a priestess. In writing NIN originated as a ligature of the cuneiform glyphs of MUNUS () and TĂG (); the NIN sign was written as MUNUS.TĂG () in archaic cuneiform, notably in the Codex Hammurabi. The syllable ''nin'', on the other hand, was written as MUNUS.KA () in Assyrian cuneiform. MUNUS.KU = NIN9 () means "sister". File:MUNUS-SAL-sinnishtu Cuneiform.svg, Basic cuneiform ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ninsun
Ninsun (also called Ninsumun, cuneiform: dNIN.SUMUN2; Sumerian: ''Nin-sumun(ak)'' "lady of the wild cows") was a Mesopotamian goddess. She is best known as the mother of the hero Gilgamesh and wife of deified legendary king Lugalbanda, and appears in this role in most versions of the ''Epic of Gilgamesh''. She was associated with Uruk, where she lives in this composition, but she was also worshiped in other cities of ancient Mesopotamia, such as Nippur and Ur, and her main cult center was the settlement KI.KALki. The degree of Ninsun's involvement in Gilgamesh's life varies between various versions of the ''Epic''. She only plays an active role in the so-called "Standard Babylonian" version, in which she advises her son and interprets his dreams, petitions the sun god Shamash to protect him, and accepts Enkidu as a member of her family. In the Old Babylonian version her role is passive, with her actions being merely briefly discussed by Shamhat, while a Hittite translation of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nin-imma
Ninimma was a Mesopotamian goddess best known as a courtier of Enlil. She is well attested as a deity associated with scribal arts, and is variously described as a divine scholar, scribe or librarian by modern Assyriologists. She could also serve as an assistant of the birth goddess Ninmah, and a hymn describes her partaking in cutting of umbilical cords and determination of fates. It has also been suggested that she was associated with vegetation. In the Middle Babylonian period she additionally came to be viewed as a healing deity. Nippur was Ninimma's main cult center, though she is also known from documents from other cities, such as Adab and Uruk. In various sources, she appears alongside deities such as Nisaba, who like her was associated with scribes, or other members of Enlil's court, such as Shuzianna and Ninkasi. She is sparsely attested in literary texts, with only two hymns dedicated to her presently known. She also appears in the myth ''Enki and Ninmah'' and in a va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ninhursag
Nináž«ursaÄ ( ''Nináž«arsang''; ), sometimes transcribed Ninursag, Nináž«arsag, or Nináž«ursaÄa, also known as Damgalnuna or Ninmah, was the ancient Sumerian mother goddess of the mountains, and one of the seven great deities of Sumer. She is known earliest as a nurturing or fertility goddess. Temple hymn sources identify her as the "true and great lady of heaven" (possibly in relation to her standing on the mountain) and kings of Lagash were "nourished by Ninhursag's milk". She is the tutelary deity to several Sumerian leaders. Her best-known myths are ''Enki and Ninhursag'' describing her dealings with Enki resulting from his sexual exploits, and ''Enki and Ninmah'' a creation myth wherein the two deities compete to create humans. She is referenced or makes brief appearances in others as well, most notably as the mother of Ninurta in the AnzĂ» Epic. Name Ninhursag means "lady of the sacred mountain" from Sumerian NIN "lady" and ážȘAR.SAGÌ "sacred mountain, foothil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Queen Of Heaven (antiquity)
Queen of Heaven was a title given to several ancient sky goddesses worshipped throughout the ancient Mediterranean and the ancient Near East. Goddesses known to have been referred to by the title include Inanna, Anat, Isis, Nut, Astarte, and possibly Asherah (by the prophet Jeremiah). In Greco-Roman times, Hera and Juno bore this title. Forms and content of worship varied. Inanna Inanna is the Sumerian goddess of love and war. Despite her association with mating and fertility of humans and animals, Inanna was not a mother goddess and is rarely associated with childbirth. Inanna was also associated with rain and storms and with the planet Venus. The Venus tablet of Ammisaduqa, believed to have been compiled around the mid-seventeenth century BCE, referred to the planet Venus in the tablet as the "bright queen of the sky" or "bright Queen of Heaven". Although the title of Queen of Heaven was often applied to many different goddesses throughout antiquity, Inanna is the one t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EN (cuneiform)
En (Borger 2003 nr. 164 ; Unicode, U+12097 đ, see also EnsĂ) is the Sumer, Sumerian cuneiform for 'lord/lady' or 'priest[ess]'. Originally, it seems to have been used to designate a high priest or priestess of a Sumerian city-state's patron-deity â a position that entailed political power as well. It may also have been the original title of the ruler of Uruk. See Lugal#Lugal, ensi and en, ''Lugal, ensi and en'' for more details. Deities including En as part of their name include dingir, DEnlil, DEnki, DEngurun, and DSin (mythology), Enzu. Enheduanna, Akkadian language, Akkadian 2285 BC â 2250 BC was the first known holder of the title En, here meaning 'Priestess'. Archaic forms The corresponding Emesal, Emesal dialect word was UMUN, which may preserve an archaic form of the word. Earlier EmegÌir (the standard dialect of Sumerian) forms can be postulated as *''ewen'' or *''emen'', eventually dropping the middle consonant and becoming the familiar EN. Amarna letters: ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bel (mythology)
BĂȘl (; from ) is a title signifying 'lord' or 'master' applied to various gods in the Mesopotamian religion of Akkad, Assyria, and Babylonia. The feminine form is ''BĂȘlit'' ('Lady, Mistress') in Akkadian. ''Bel'' is represented in Greek as Belos and in Latin as Belus. ''Belit'' appears in Greek form as Beltis (ÎΔλÏÎčÏ). Linguistically, ''Bel'' is an East Semitic form cognate with the Northwest Semitic Baal with the same meaning. ''Bel'' was especially used for the Babylonian god Marduk in Assyrian and neo-Babylonian personal names or mentioned in inscriptions in a Mesopotamian context. Similarly, ''BĂȘlit'' mostly refers to Marduk's spouse Sarpanit. Marduk's mother, the Sumerian goddess often referred to in the Sumerian language as Ninhursag, Damkina, and Ninmah, was often known as ''Belit-ili'' ('Lady of the Gods') in Akkadian. Other gods called "Lord" were sometimes identified totally or in part with Bel Marduk. The god Malak-bel of Palmyra is an exampl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enkidu
Enkidu ( ''EN.KI.DU10'') was a legendary figure in Mesopotamian mythology, ancient Mesopotamian mythology, wartime comrade and friend of Gilgamesh, king of Uruk. Their exploits were composed in Sumerian language, Sumerian poems and in the Akkadian language, Akkadian ''Epic of Gilgamesh'', written during the 2nd millennium BCE, 2nd millennium BC. He is the oldest literary representation of the wild man, a recurrent motif in artistic representations in Mesopotamia and in Ancient Near East literature. The apparition of Enkidu as a primitive man seems to be a potential parallel of the Kassites, Old Babylonian version (1300â1000 BC), in which he was depicted as a servant-warrior in the Sumerian poems. There have been suggestions that he may be the "bull-man" shown in Mesopotamian art, having the head, arms, and body of a man, and the horns, ears, tail and legs of a bull. Thereafter a series of interactions with humans and human ways bring him closer to civilization, culminating i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Segue
A segue ( , ; ) is a transition from one topic or section to the next. In music In music, ''segue'' is a direction to the performer. It means ''continue (the next section) without a pause''. The term ''attacca'' is used synonymously. For written music, it implies a transition from one section to the next without any break. In improvisation, it is often used for transitions created as a part of the performance, leading from one section to another. In recorded music, a segue sometimes means a seamless change between one song and another, sometimes achieved through beatmatching, especially on dance and disco recordings. However, as noted by composer John Williams in the liner notes for his Star Wars soundtrack album, a series of musical ideas can be juxtaposed with no transitions whatsoever. Arrangements that involve or create the effect of a classical musical suite, may be used in many pieces or progressive rock recordings, but by definition, a segue does not involve a brid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conjunction (grammar)
In grammar, a conjunction (List of glossing abbreviations, abbreviated or ) is a part of speech that connects Word, words, phrases, or Clause, clauses'','' which are called its conjuncts. That description is vague enough to overlap with those of other parts of speech because what constitutes a "conjunction" must be defined for each language. In English language, English, a given word may have several Word sense, senses and in some contexts be a Preposition and postposition, preposition but a conjunction in others, depending on the syntax. For example, ''after'' is a preposition in "he left after the fight" but a conjunction in "he left after they fought". In general, a conjunction is an invariant (non-Inflection, inflecting) grammatical particle that stands between conjuncts. A conjunction may be placed at the beginning of a sentence, but some superstition about the practice persists. The definition may be extended to idiomatic phrases that behave as a unit and perform the same ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deluge (mythology)
A flood myth or a deluge myth is a myth in which a great flood, usually sent by a deity or deities, destroys civilization, often in an act of divine retribution. Parallels are often drawn between the flood waters of these myths and the primeval cosmic ocean which appear in certain creation myths, as the flood waters are described as a measure for the cleansing of humanity, for example in preparation for rebirth. Most flood myths also contain a culture hero, who "represents the human craving for life". The oldest known narrative of a divinely inititated flood originates from the Sumerian culture in Mesopotamia, among others expressed in the Akkadian Athra-Hasis epic, which dates to the 18th century BCE. Comparable flood narratives appear in many other cultures, including the biblical Genesis flood narrative, ''manvantara-sandhya'' in Hinduism, Deucalion and Pyrrha in Greek mythology, also the Cheyenne, Blackfeet and Puebloan traditions. Mythologies The ''Epic of Gilgam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ninurta
Ninurta (: , possible meaning "Lord [of] Barley"), also known as NinÄirsu (: , meaning "Lord [of] Girsu"), is an List of Mesopotamian deities, ancient Mesopotamian god associated with farming, healing, hunting, law, scribes, and war who was first worshipped in early Sumer. In the earliest records, he is a god of agriculture and healing, who cures humans of sicknesses and releases them from the power of Demons#Mesopotamia, demons. In later times, as Mesopotamia grew more militarized, he became a warrior deity, though he retained many of his earlier agricultural attributes. He was regarded as the son of the chief god Enlil and his main Cult (religious practice), cult center in Sumer was the Eshumesha temple in Nippur. NinÄirsu was honored by Gudea, King Gudea of Lagash (ruled 2144â2124 BC), who rebuilt NinÄirsu's temple in Lagash. Later, Ninurta became beloved by the Assyrians as a formidable warrior. The Assyrian king Ashurnasirpal II (ruled 883â859 BC) built a massive tem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
