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Metro (typeface)
Metro is a sans-serif typeface family created by William Addison Dwiggins and released by the American Mergenthaler Linotype Company from 1929 onwards. Metro was Dwiggins's first typeface, which he created at the age of 49 after establishing himself as one of the pre-eminent lettering artists and book designers of the early 20th century. In 1928, Dwiggins wrote ''Layout in Advertising'', in which he criticized the lack of "good" sans-serif types available. Harry L. Gage, assistant director of typography at Linotype, reviewed the book, and in 1929 he offered to hire Dwiggins to design the "good" sans-serif he felt was lacking. Dwiggins was brought in as a consultant and quickly established a rapport with Chauncey H. Griffith, the company's head of type design, who would manage the production of all his typefaces for the rest of his career. Metro was inspired by a wave of new "geometric" sans-serif designs such as Futura, which had attracted attention for their basis on simple geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sans-Serif
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called " serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text. Before the term "sans-serif" became common in English typography, a number of other terms had been used. One of these outmoded terms for sans-serif was gothic, which is still used in East Asian typography and sometimes seen in typefac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnston (typeface)
Johnston (or Johnston Sans) is a sans-serif typeface designed by and named after Edward Johnston. The typeface was commissioned in 1913 by Frank Pick, commercial manager of the Underground Electric Railways Company of London (also known as 'The Underground Group'), as part of his plan to strengthen the company's corporate identity. Johnston was originally created for printing (with a planned height of 1 inch or 2.5 cm), but it rapidly became used for the enamel station signs of the Underground system as well. It has been the corporate font of public transport in London since the foundation of the London Passenger Transport Board in 1933, and of predecessor companies since its introduction in 1916, making its use one of the world's longest-lasting examples of corporate branding. It was a copyrighted property of the LPTB's successor, Transport for London, until Public Domain Day 2015 (Johnston died in 1944). Johnston's work originated the genre of the humanist sans-serif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyrus Highsmith
Cyrus Highsmith (born 1973) is an American typeface designer, illustrator, and author. After graduating from the Rhode Island School of Design in 1997, he worked at Font Bureau in Boston as Senior Type Designer until founding his own type foundry, Occupant Fonts, in 2016, distributing alongside his former employers via the Type Network service. Some of Highsmith’s most well-known typefaces are Zócalo, used by the Mexican daily '' El Universal'', and the Antenna series, which was used in several magazine designs as well as by Ford and the official Star Wars website. Other clients for custom fonts include or have included ''The Wall Street Journal'', ''Martha Stewart Living'', ''La Prensa Gráfica'' of El Salvador, ''ESPN'', and '' Men’s Health''. His typefaces Prensa and Relay won the 2001 ''Bukvaːraz!'' award, organized by ATypI (the International Typographic Association) in 2001. In 2015, Cyrus Highsmith received the Gerrit Noordzij Prize by the Royal Academy of Art, The Hag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bitstream Inc
Bitstream Inc. was a type foundry that produced digital typefaces. It was founded in 1981 by Matthew Carter and Mike Parker (typographer), Mike Parker among others. It was located in Marlborough, Massachusetts. The font business, including MyFonts, was acquired by Monotype Corporation, Monotype Imaging in March 2012. The remainder of the business, responsible for Pageflex and Bolt (web browser), Bolt Browser, was spun off to a new entity named Marlborough Software Development Holdings Inc. It was later renamed Pageflex, Inc following a successful management buyout in December 2013. Products Bitstream created a library of "classic" fonts (usually under different names for trademark reasons) in digital form (for example, Times New Roman, Times Ten as 'Dutch 801'). The Bitstream font collection is most widely used through its inclusion with the CorelDRAW software. The company received extensive criticism for its strategy of cheaply offering digitisations of pre-existing typefaces th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Small Caps
In typography, small caps (short for "small capitals") are characters typeset with glyphs that resemble uppercase letters (capitals) but reduced in height and weight close to the surrounding lowercase letters or text figures. This is technically not a case-transformation, but a substitution of glyphs, although the effect is often approximated by case-transformation and scaling. Small caps are used in running text as a form of emphasis that is less dominant than all uppercase text, and as a method of emphasis or distinctiveness for text alongside or instead of italics, or when boldface is inappropriate. For example, the text "Text in small caps" appears as in small caps. Small caps can be used to draw attention to the opening phrase or line of a new section of text, or to provide an additional style in a dictionary entry where many parts must be typographically differentiated. Well-designed small capitals are not simply scaled-down versions of normal capitals; they normally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Text Figures
Text figures (also known as non-lining, lowercase, old style, ranging, hanging, medieval, billing, or antique figures or numerals) are numerals designed with varying heights in a fashion that resembles a typical line of running text, hence the name. They are contrasted with lining figures (also called titling or modern figures), which are the same height as upper-case letters. Georgia is an example of a popular typeface that employs text figures by default. Design In text figures, the shape and positioning of the numerals vary as those of lowercase letters do. In the most common scheme, '' 0'', '' 1'', and '' 2'' are of x-height, having neither ascenders nor descenders; '' 6'' and '' 8'' have ascenders; and '' 3'', '' 4'', '' 5'', '' 7'', and '' 9'' have descenders. Other schemes exist; for example, the types cut by the Didot family of punchcutters and typographers in France between the late 18th and early 19th centuries typically had an ascending ''3'' and ''5'', a form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Streamline Moderne
Streamline Moderne is an international style of Art Deco architecture and design that emerged in the 1930s. Inspired by aerodynamic design, it emphasized curving forms, long horizontal lines, and sometimes nautical elements. In industrial design, it was used in railroad locomotives, telephones, toasters, buses, appliances, and other devices to give the impression of sleekness and modernity. In France, it was called the ''style paquebot'', or "ocean liner style", and was influenced by the design of the luxury ocean liner SS ''Normandie'', launched in 1932. Influences and origins As the Great Depression of the 1930s progressed, Americans saw a new aspect of Art Deco, ''i.e.'', streamlining, a concept first conceived by industrial designers who stripped Art Deco design of its ornament in favor of the aerodynamic pure-line concept of motion and speed developed from scientific thinking. The cylindrical forms and long horizontal windowing in architecture may also have been influenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bauer Type Foundry
Bauer is a German surname meaning "peasant" or "farmer". For notable people sharing the surname, see Bauer (surname). Bauer may also refer to: Education and literature * Bauer's Lexicon, a dictionary of Biblical Greek * Bauer College of Business, the business school of the University of Houston * Bauer Elementary, a school in Miamisburg, Ohio * Bauer Hall, a residence hall at Cornell University Entertainment and sport * Bauer (band), a Dutch band * Bauer Media Group, a German publishing company ** Bauer Radio, its UK-based radio division * ''Bauer'' (play), a 2014 play by Lauren Gunderson about the artist Rudolf Bauer Industry * Bauer AG, a German construction and machinery manufacturing concern * Bauer Pottery, an American pottery * Bauer Type Foundry, a German type foundry * Bauer Kompressoren, Germany, high pressure Gas compressor systems * Bauer piping and pumps, Voitsberg, Austria, for irrigation and sewage Military * USS ''Bauer'' (DE-1025), a Dealey-class d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matrix (printing)
In the manufacture of metal type used in letterpress printing, a matrix (from the Latin meaning ''womb'' or ''a female breeding animal'') is the mould used to cast a letter, known as a sort. Matrices for printing types were made of copper. However, in printmaking the matrix is whatever is used, with ink, to hold the image that makes up the print, whether a plate in etching and engraving or a woodblock in woodcut. Description In letterpress or "cold metal" typesetting, used from the beginning of printing to the late nineteenth century, the matrix of one letter is inserted into the bottom of an adjustable-width hand mould, the mould is locked and molten type metal is poured into a straight-sided vertical cavity above the matrix. When the metal has cooled and solidified the mould is unlocked and the newly cast metal sort is removed. The matrix can then be reused to produce more copies of the sort.Meggs, Philip B. ''A History of Graphic Design.'' John Wiley & Sons, Inc. 1998. (pp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rockwell Kent
Rockwell Kent (June 21, 1882 – March 13, 1971) was an American painter, printmaker, illustrator, writer, sailor, adventurer and voyager. Biography Rockwell Kent was born in Tarrytown, New York. Kent was of English descent. He lived much of his early life in and around New York City, where he attended the Horace Mann School. Kent studied with several influential painters and theorists of his day. He studied composition and design with Arthur Wesley Dow at the Art Students League in the fall of 1900, and he studied painting with William Merritt Chase each of the three summers between 1900 and 1902 at the Shinnecock Hills Summer School of Art, after which he entered in the fall of 1902 Robert Henri's class at the New York School of Art, which Chase had founded. During the summer of 1903, in Dublin, New Hampshire, Kent was apprenticed to painter and naturalist Abbott Handerson Thayer. An undergraduate background in architecture at Columbia University prepared Kent for occasion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Metal Typesetting
In printing and typography, hot metal typesetting (also called mechanical typesetting, hot lead typesetting, hot metal, and hot type) is a technology for typesetting text in letterpress printing. This method injects molten type metal into a mold that has the shape of one or more glyphs. The resulting sorts or slugs are later used to press ink onto paper. Normally the typecasting machine would be controlled by a keyboard or by a paper tape. It was the standard technology used for mass-market printing from the late nineteenth century until the arrival of phototypesetting and then electronic processes in the 1950s to 1980s. History Hot metal typesetting was developed in the late nineteenth century as a development of conventional cast metal type. The technology had several advantages: it reduced labour since type sorts did not need to be slotted into position manually, and each casting created crisp new type for each printing job. In the case of Linotype machines, each line w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metrolite And Metroblack
Metrolite is a light rail (LRT) urban transit system being planned in India for cities with lower ridership projection and as a feeder system for the existing metro systems. It will cater to lower passenger capacity at a reduced cost than a metro line. It will have dedicated tracks, separated from the road. Route and stations The route alignment and stations will be at-grade, as far as possible to reduce construction cost and time. The system will have shelter island platforms and AFC gates, platform screen doors, X-ray machines and baggage scanners will not be present similar to a bus stop. Fencing will be provided on both sides of the track to segregate it from the road traffic. The at-grade stations will have 5.5 m width, and in case road width does not permit, one line will be provided on adjacent road parallel to the previous one. Entire roads might be closed for road traffic and converted to metrolite network. For the elevated section, there will be side platforms each ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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