Mẫu Thoải
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Mẫu Thoải
Mẫu Thoải (Chữ Hán: 母水, or Thủy Cung Thánh Mẫu (Chữ Hán: ) is a goddess in Vietnamese non-Buddhist Vietnamese folk religion, traditional religion. The goddess features in Chầu văn religious ceremonies and music. She presides over the heavenly water palace Thoải Phủ, one of the Four Palaces (Tứ Phủ) where the "spirits of the Four Palaces" (thánh Tứ Phủ) correspond to the elements.Karen Fjelstad, Thị Hiền Nguyễn - Possessed by the spirits: mediumship in contemporary Vietnamese ... - Page 20 2006 "A number of goddesses have been elevated to the rank of mau (mothers). ... presides over each one of the four realms or "palaces" (tu phu): Heaven (thien phu), Earth (dia phu), Water (thoai phu), and Forests and Mountains (nhac phu)." References

Vietnamese goddesses Culture of Vietnam Vietnamese folk religion Vietnamese deities Vietnamese gods {{Vietnam-stub ...
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Mother Goddess Of Water Mẫu Thoải - Artist Lunae Lumen - Four Palaces Tứ Phủ
A mother is the female parent of a child. A woman may be considered a mother by virtue of having given childbirth, birth, by raising a child who may or may not be her biological offspring, or by supplying her ovum for fertilisation in the case of gestational surrogacy. A biological mother is the female genetic contributor to the creation of the infant, through sexual intercourse or egg donation. A biological mother may have legal obligations to a child not raised by her, such as an obligation of monetary support. An adoptive mother is a female who has become the child's parent through the legal process of adoption. A putative mother is a female whose biological relationship to a child is alleged but has not been established. A stepmother is a non-biological female parent married to a child's preexisting parent, and may form a family unit but generally does not have the legal rights and responsibilities of a parent in relation to the child. A father is the male counterpart of a ...
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Chữ Hán
( , ) are the Chinese characters that were used to write Literary Chinese in Vietnam, Literary Chinese (; ) and Sino-Vietnamese vocabulary in Vietnamese language, Vietnamese. They were officially used in Vietnam after the Red River Delta region was incorporated into the Han dynasty and continued to be used until the early 20th century. Terminology The main Vietnamese term used for Chinese characters is (). It is made of meaning 'character' and 'Han (referring to the Han dynasty)'. Other synonyms of includes ( , literally 'Confucianism, Confucian characters') and ( ) which was borrowed directly from Chinese. was first mentioned in Phạm Đình Hổ's essay ( ), where it initially described a calligraphic style of writing Chinese characters. Over time, however, the term evolved and broadened in scope, eventually coming to refer to the Chinese script in general. This meaning came from the viewpoint that the script belonged to followers of Confucianism. This is further s ...
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Vietnamese Folk Religion
Vietnamese folk religion () or Đạo Lương (道良) is a group of spiritual beliefs and practices adhered to by the Vietnamese people. About 86% of the population in Vietnam are reported irreligion, irreligious, but are associated with this tradition. Vietnamese folk religion is not an Organized religion, organized religious system, but a set of local worship traditions devoted to the "thần", a term which can be translated as "spirits", "gods" or with the more exhaustive locution "generative powers". These gods can be List of nature deities, nature deities or national god, national, community or kinship tutelary deity, tutelary deities or ancestral gods and the veneration of the dead, ancestral gods of a specific family. Ancestral gods are often deified heroic persons. Vietnamese mythology preserves narratives telling of the actions of many of the cosmic gods and cultural heroes. is a distinct form of Vietnamese shamanism, giving prominence to some mother goddesses into it ...
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Chầu Văn
Hát chầu văn (, chữ Nôm: 喝朝文), or in secular form hát văn (喝文),Dale Alan Olsen, ''Popular music of Vietnam: the politics of remembering'', 2008. p 278. index "chầu văn, ..." several entries. is a traditional folk art of northern Vietnam which combines trance singing and dancing. Its music and poetry are combined with a variety of instruments, rhythms, pauses, and tempos. Hát chầu văn originated in the 16th century and spread quickly. The main musical instrument used in hat van performance is the đàn nguyệt The ''đàn nguyệt'' ( Vietnamese pronunciation: Help:IPA/Vietnamese, ǎn ŋwiə̂ˀt"moon-shaped lute", Chữ Nôm: 彈月) also called ''nguyệt cầm'' (Chữ Hán: 月琴), ''đàn kìm'', is a two-stringed Vietnam, Vietnamese tradit ... or moon-shaped lute. The genre is famous for its use in rituals for deity mediumship. Chầu văn serves two purposes: to help hypnotize the medium for reception of the deities and to accompany the medium ...
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Four Palaces
Four Palaces (; chữ Hán: ) is a major denomination of the Đạo Mẫu, an indigenous shamanic belief in Vietnam. This branch is popular in the North of Vietnam and has a profound association with Thánh Trần worship, the worship of Đức Thánh Trần. Its name means "Four Palaces" as its deities are believed to reside in four palaces, each of which serves as a ministry governing one realm of the universe. There are four realms: Heaven, Earth, Water and Mountain. The palaces governing those realms are named as follows: * Thiên phủ (Heaven Palace): ruled by Mother Goddess of Heaven (Mẫu Thượng Thiên, Mẫu Đệ Nhất Thiên Tiên) * Địa phủ (Earth Palace): ruled by Mother Goddess of Earth (Mẫu Địa, Mẫu Đệ Nhị Địa Tiên), also known as Mother Goddess Liễu Hạnh. * Thoải phủ (Water Palace): ruled by Mother Goddess of Water (Mẫu Thoải, Mẫu Đệ Tam Thuỷ Tiên), also known as Mother Goddess of Water Residence (Thủy Cung Thán ...
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