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Musée Thomas-Henry
The Musée des beaux-arts Thomas Henry is a museum at Cherbourg-en-Cotentin (Manche) with around 300 artworks, mainly paintings from the 15th to 19th centuries. It has been rated as the third most important collection in Normandy.�Musée des beaux-arts Thomas Henry », ''www.ville-cherbourg.fr'' History It was formed after a series of anonymous donations to the city between 1831 and 1835, totalling 163 paintings and later revealed to have been made by Thomas Henry, town councillor and art critic France Huser, « Le mécène de la Normandie », ''Le Nouvel Observateur'' n°2022, 6 August 2003 — having lost his two sons, he wanted to allow the city's young people to gain an education in art. These young people included Jean-François Millet, who copied paintings in the museum. In 1835, a museum was formed from these 163 paintings, including works by Italian 'primitives' such as Fra Angelico (''The Conversion of Saint Augustine'') and Filippo Lippi (''The Burial''). The foundatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cherbourg-en-Cotentin
Cherbourg-en-Cotentin (, ; Norman: ''Tchidbouo'') is a port city in the department of Manche, Normandy, northwestern France, established on 1 January 2016.Arrêté préfectoral 1 December 2015 The commune takes its name from , the main town of the commune, and from the . Cherbourg is an important commercial, ferry and military port on the . Cherbourg-en-Cotentin is a [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Solimena
Francesco Solimena (4 October 1657 – 3 April 1747) was a prolific Italian Baroque painter, one of an established family of painters and draughtsmen. Biography Francesco Solimena was born in Canale di Serino in the province of Avellino. He received early training from his father, Angelo Solimena, with whom he executed a ''Paradise'' for the cathedral of Nocera Inferiore, Nocera (a place where he spent a big part of his life) and a ''Vision of St. Cyril of Alexandria'' for the church of San Domenico at Solofra. He settled in Naples in 1674, where he worked in the studio of Francesco di Maria.Pavone, Mario Alberto (2003, January 1). "Solimena family". Grove Art Online. He was patronized early on, and encouraged to become an artist by Cardinal Vincenzo Orsini (later Pope Benedict XIII). By the 1680s, he had independent fresco commissions, and his active studio came to dominate Neapolitan painting from the 1690s through the first four decades of the 18th century. He modeled h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Brueghel The Elder
Jan Brueghel (also Bruegel or Breughel) the Elder ( , ; ; 1568 – 13 January 1625) was a Flemish painting, Flemish painter and Draughtsmanship, draughtsman. He was the younger son of the eminent Dutch and Flemish Renaissance painting, Flemish Renaissance painter Pieter Bruegel the Elder. A close friend and frequent collaborator with Peter Paul Rubens, the two artists were the leading Flemish painters in the Flemish Baroque painting of the first three decades of the 17th century. Brueghel worked in many genres including history paintings, flower still lifes, allegorical and mythological scenes, landscapes and seascapes, hunting pieces, village scenes, battle scenes and scenes of hellfire and the underworld. He was an important innovator who invented new types of paintings such as flower garland paintings, paradise landscapes, and gallery paintings in the first quarter of the 17th century.Kolb, 2005, p. 1 However, he generally avoided painting large figures, as in portraits, tho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gérard De Lairesse
Gerard or Gérard (de) Lairesse (; 11 September 1641 – June 1711) was a Dutch Golden Age painter and art theorist. His broad range of skills included music, poetry, and theatre. De Lairesse was influenced by the Perugian Cesare Ripa and French classicist painters such as Charles le Brun, Simon Vouet and authors such as Pierre Corneille and Jean Racine. His importance grew in the period following the death of Rembrandt. His treatises on painting and drawing, ''Grondlegginge Ter Teekenkonst'' (1701), Lairesse, Gérard de, ''Grondlegginge ter teekenkonst'' 1701, full digital copy [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rachel Ruysch
Rachel Ruysch (3 June 1664 – 12 October 1750) was a Dutch still-life painter from the Northern Netherlands. She specialized in flowers, inventing her own style and achieving international fame in her lifetime. Due to a long and successful career that spanned over six decades, she became the best documented female painter of the Dutch Golden Age. Personal life and career Rachel Ruysch was born on 3 June 1664 in The Hague to the scientist Frederik Ruysch and Maria Post, the daughter of the architect Pieter Post. Her father was also a professor of anatomy and botany and an amateur painter. He had a vast collection of animal skeletons, and mineral and botany samples which Rachel used to practice her drawing skills. At a young age she began to paint the flowers and insects of her father's collection in the popular manner of Otto Marseus van Schrieck. Working from these samples Rachel matched her father's ability to depict nature with great accuracy. Later, as Rachel became mor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melchior D'Hondecoeter
Melchior is the name traditionally given to one of the biblical Magi appearing in the Gospel of Matthew. There are many notable people with this name, or close variations. As a first name * Melchior Anderegg (1828–1914), Swiss mountain guide * Melchora Aquino (1812-1919), Filipino revolutionary * Melchior Berri (1801–1854), Swiss architect * Melchior Broederlam (c. 1350 – after 1409), Dutch painter * Melchior Buliński (1810–1877), Polish priest and historian * Melchior Cano (1525–1560), Spanish theologian * Melchior Cibinensis, 16th century Hungarian alchemical writer * Melchior Goldast (1576–1635), Swiss writer * Melchior d'Hondecoeter (1636–1695), Dutch animalier * Melchior de Polignac (1661–1742), French diplomat, Roman Catholic cardinal * Melchior de Vogüé (1848–1910), French diplomat, travel writer, archaeologist, philanthropist * Melchior Franck (1579–1639), German composer * Melchior Grodziecki (1584–1619), Catholic saint * Melchior Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Frans Van Bloemen
Jan Frans van Bloemen (baptized 12 May 1662 - buried 13 June 1749)Vici 1974, pp. 222, 225. was a Flemish landscape painter mainly active in Rome. Here he was able to establish himself as the leading painter of views ( vedute) of the Roman countryside depicted in the aesthetic of the classical landscape tradition.Hills 2013. Life Born in Antwerp, Jan Frans van Bloemen was a younger brother of Pieter van Bloemen. He likely trained with his brother. Between 1681 and 1684, he was in his native Antwerp a pupil of Anton Goubau, a painter of market scenes and bamboccianti (low-life) subjects situated in Roman or Mediterranean settings.Bowron & Rishel 2000, pp. 331-334. He travelled to Paris around 1682 and resided there for a few years.Liedtke 1984, pp. 3-4. He then moved to Lyon where his brother Pieter van Bloemen was staying. He probably met the painter Adriaen van der Kabel around this time. Via Turin, Jan Frans and Pieter van Bloemen travelled on to Rome where in 1688 they w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Van Loo
Jacob van Loo (1614 – 26 November 1670) was a Painting, painter of the Dutch Golden Age, chiefly active in Amsterdam and, after 1660, in Paris. Van Loo is known for his conversational groupings; particularly his mythological and biblical scenes generally attributed to the genre of History painting. He was especially celebrated for the quality of his nudes to the extent that, during his lifetime, particularly his female figures were said to have been considered superior and more popular than those of his Amsterdam contemporary and competitor Rembrandt.Pilkington, Matthew, A.M, ''A General Dictionary of Painters'', vol II, London 1829, p.485. Unlike Rembrandt, he drew these nudes on blue paper. In 1663, three years after fleeing to Paris, Jacob van Loo was accepted into the Académie royale de peinture et de sculpture. Though his father also painted, Jacob's success ensured that he would forever be referred to as the founder of the Van Loo family of painters; a dynasty which was i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Van Kessel, Senior
Jan van Kessel the Elder or Jan van Kessel (I) (baptized 5 April 1626, Antwerp – 17 April 1679, Antwerp) was a Flemish painter active in Antwerp in the mid-17th century. A versatile artist, he practiced in many genres including studies of insects, floral still lifes, marines, river landscapes, paradise landscapes, allegorical compositions, scenes with animals and genre art, genre scenes.Jan van Kessel (I) at the Netherlands Institute for Art History A scion of the Brueghel family many of his subjects took inspiration of the work of his grandfather Jan Brueghel the Elder as well as from the earlier generation of Flemish painters such as Daniel Seghers, Joris Hoefnagel and Frans Snyders.Willy Laureyssens. "Kessel, van." Grove Art Online. Oxford Art Online. Oxford University Press. Accessed 17 January 2017 Van Kessel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willem Van Aelst
Willem van Aelst (16 May 1627 – buried 22 May 1683)Aelst, Willem van at the RKD was a Dutch Golden Age artist who specialized in still-life paintings, painting with flowers or game. Biography Van Aelst was born in Delft to a family of prominent city magistrates. He learned to paint from his uncle, the still-life painter Evert van Aelst. On 9 November 1643 he enrolled as a master of the Guild of Saint Luke at Delft. Between 1645 and 1649 he lived in France. In 1649 Van Aelst travelled to Florence, where he served as court painter to Ferdinando II de' Medici, grand duke of Tuscany. Here he was known as ''Guillielmo d'Olanda''. At this time, the grand duke also employed two fellow Dutchmen Matthias Withoos and Otto Marseus van Schrieck, the latter also a still-life painter who pro ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frans II Francken
Frans Francken the Younger (1581, Antwerp – 6 May 1642, Antwerp) was a Flemish painter and the best-known and most prolific member of the large Francken family of artists.Frans Francken the Younger at the J. Paul Getty Museum He painted large altarpieces for churches as well as smaller historical, mythological and allegorical scenes. His depictions of collectors' cabinets established a popular new genre of art in the era. Francken often collaborated with other artists, adding figures and narrative elements to scenes created by specialists in landscape, architectural and floral still life paintings. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
