Musée Imaginaire Of Mihail Chemiakin
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Musée Imaginaire Of Mihail Chemiakin
Mihail Chemiakin's Musée Imaginaire is a research project of the artist Mihail Chemiakin, who considered the history of art from the point of view of the transformation of images. The basis of the research methodology is the interpretation and systematization of visual images. The studies are presented in the form of sheets with images pasted on them, grouped according to the principle of visual commonality, be it thematic, stylistic, figurative, or iconographic. ''Musée Imaginaire'' Mihail Chemiakin's project was partially inspired by an essay by Andre Malraux, who first formulated the concept of "Musée Imaginaire". He suggested comparing works of art from different cultures and eras in order to analyze the change in the image or, as Malraux writes, ''metamorphoses''. In addition, he suggested that each person create his own personal museum, selecting works without relying on the opinion and limited choice of large institutions. This became possible thanks to the mass d ...
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Mihail Chemiakin
Mihail Mikhailovich Chemiakin or Shemyakin (; born 4 May 1943) is a Russian-American painter, stage designer, sculptor and publisher, and a controversial representative of the nonconformist art tradition of St. Petersburg. Early life Chemiakin was born to a military family. His father, a Kabardian from the Caucasus Mountains Mikhail Kardanov, had lost his parents and was adopted by a friend of his father's, White Army officer Piotr Chemiakin. The artist's father eventually became a Soviet Army officer. He received one of the first Orders of the Red Banner at the age of thirteen. Chemiakin's mother was an actress and poet Yulia Nikolaevna Predtechenskaya of Russian noble heritage. She met her future husband in 1941 when he came to the Moscow circus to recruit volunteers to fight in World War II, and accompanied him to the front. She served in the cavalry under the command of Lev Dovator and took part in battles alongside her husband. Mihail Chemiakin's Musée Imaginaire ...
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Musée Imaginaire
A musée imaginaire or imaginary museum is a collection of works of art that a person holds as essential or favourite, so that given the opportunity he or she would bring them together in a single ideal museum. The term is closely associated with André Malraux's ''Musée imaginaire'', an essay from 1947 in which the principle it refers to is dramatised. Malraux organized an actual imaginary museum exhibition at the Fondation Maeght in 1973. To his own admission, "" () Despite that, he believed that the "birth" of the imaginary museum and the one of contemporary art were intertwined phenomenon. Other personalities have since made their own selection known, such as Michel Butor in ''Le Musée imaginaire de Michel Butor'', published in 2015 and republished in 2019. More recently, Nicolas Malevé has compared the scale of Malraux's ''Musée imaginaire'' to that of datasets for training computer vision, such as ImageNet. As Douglas Crimp John Douglas Crimp (August 19, 1944 July 5 ...
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André Malraux
Georges André Malraux ( ; ; 3 November 1901 – 23 November 1976) was a French novelist, art theorist, and minister of cultural affairs. Malraux's novel ''La Condition Humaine'' (''Man's Fate'') (1933) won the Prix Goncourt. He was appointed by President Charles de Gaulle as information minister (1945–46) and subsequently as France's first cultural affairs minister during de Gaulle's presidency (1959–1969). Early years Malraux was born in Paris in 1901, the son of Fernand-Georges Malraux (1875–1930) and Berthe Félicie Lamy (1877–1932). His parents separated in 1905 and eventually divorced. There are suggestions that Malraux's paternal grandfather committed suicide in 1909."Biographie détaillée"
, André Malraux Website, accessed 3 September 2010
Malraux was raised by his mother, his mate ...
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Photographs And Reproductions Of Art Works
A photograph (also known as a photo, or more generically referred to as an ''image'' or ''picture'') is an image created by light falling on a photosensitive surface, usually photographic film or an electronic image sensor. The process and practice of creating such images is called photography. Most photographs are now created using a smartphone or camera, which uses a lens to focus the scene's visible wavelengths of light into a reproduction of what the human eye would perceive. Etymology The word ''photograph'' was coined in 1839 by Sir John Herschel and is based on the Greek φῶς (''phos''), meaning "light", and γραφή (''graphê''), meaning "drawing, writing", together meaning "drawing with light". History The first permanent photograph, a contact-exposed copy of an engraving, was made in 1822 using the bitumen-based "heliography" process developed by Nicéphore Niépce. The first photographs of a real-world scene, made using a camera obscura, followed a few years ...
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