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Museo Civico, Viterbo
Museo Civico di Viterbo (Italian for ''Civic Museum of Viterbo'') is an archeologic and art museum located on Piazza Francesco Crispi #13 in Viterbo, region of Lazio, Italy. The museum is housed in the former 12th-century convent adjacent to the church of Santa Maria della Verità in the center of town. History The museum was founded in 1955, and since 2011 has been dedicated to Luigi Rossi Danielli, an architect from Viterbo. Around the cloister are a series of Etruscan sarcophagi from 4th to 3rd century BCE coming from tombs in Musarna, Cipollaretta, Norchia and Castel d’Asso. In the museum are also terracotta sarcophagi from the Etruscan town of Surina and the ancient Sarcophagus of Bella Galiana. There is also an archeologic collection from Musarna, Ferento, and San Giuliano, and donated in 1912 to his native city by Luigi Rossi Danielli. The first floor houses the Pinacoteca or Art Gallery, established in the nineteenth century. It contains the artworks expropriated to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viterbo
Viterbo (; Viterbese: ; lat-med, Viterbium) is a city and ''comune'' in the Lazio region of central Italy, the capital of the province of Viterbo. It conquered and absorbed the neighboring town of Ferento (see Ferentium) in its early history. It is approximately north of GRA (Rome) on the Via Cassia, and it is surrounded by the Monti Cimini and Monti Volsini. The historic center of the city is surrounded by medieval walls, still intact, built during the 11th and 12th centuries. Entrance to the walled center of the city is through ancient gates. Apart from agriculture, the main resources of Viterbo's area are pottery, marble, and wood. The town is home to the Italian gold reserves, an important Academy of Fine Arts, the University of Tuscia, and the Italian Army's Aviation Command headquarters and training centre. It is located in a wide thermal area, attracting many tourists from the whole of central Italy. History The first report of the new city dates to the eighth cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoniazzo Romano
Antoniazzo Romano, born Antonio di Benedetto Aquilo degli Aquili (c. 1430 – c. 1510) was an Italian Early Renaissance painter, the leading figure of the Roman school during the latter part of the 15th century. He "made a speciality of repainting or interpreting older images, or generating new cult images with an archaic flavor",Nagel, Alexander, and Wood, Christopher S., ''Anachronic Renaissance'', pp 323-324, 2020, Zone Books, MIT Press, google books/ref> in particular by very often using the gold ground style, which was unusual by this period. Biography Antoniazzo was born in the Colonna '' rione'' of Rome. He was influenced at first by the decorative manner of Benozzo Gozzoli and Beato Angelico, as well as by the local painters of Lazio. His first recorded work is from 1461, a replica (untraced) of the miraculous ''Virgin and Child of St. Luke'' in the Basilica of Santa Maria Maggiore of Rome, for the seignior of Pesaro, Alessandro Sforza. From 1464 he worked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Sabatini
Francesco Sabatini (1721 – 19 February 1797), also known as Francisco Sabatini, was an Italian architect of the 18th century who worked in Spain. Biography Born in Palermo, he studied architecture in Rome. His first contacts with the Spanish monarchy was when he participated in the construction of the Palace of Caserta for the King of Naples and Duke of Parma and Tuscany, Charles VII, the future King Charles III of Spain. When he was raised to the Spanish throne, he called Sabatini to Madrid in 1760, where he was positioned above the most outstanding Spanish architects of the time. He was appointed as Great Master of Royal Works, with the rank of lieutenant colonel at the Engineers Corps, simultaneously designated also as an honorary academician of the Academia Real de Bellas Artes de San Fernando. Sabatini's works are all encompassed within the neoclassical tradition, but he was not inspired fundamentally by ancient Greece and Rome, but by Italian Renaissance architec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benozzo Gozzoli
Benozzo Gozzoli (4 October 1497) was an Italian Renaissance painter from Florence. A pupil of Fra Angelico, Gozzoli is best known for a series of murals in the Magi Chapel of the Palazzo Medici-Riccardi, depicting festive, vibrant processions with fine attention to detail and a pronounced International Gothic influence. The chapel's fresco cycle reveals a new Renaissance interest in nature with its realistic depiction of landscapes and vivid human portraits. Gozzoli is considered one of the most prolific fresco painters of his generation. While he was mainly active in Tuscany, he also worked in Umbria and Rome.Ailsa Turner. "Gozzoli, Benozzo." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 7 June 2016 Biography Apprenticeship Gozzoli was born Benozzo di Lese, son of a tailor, in the village of Sant'Ilario a Colombano around 1421. His family moved to nearby Florence in 1427. According to the 16th century Italian biographer Giorgio Vasari, Gozzoli was a pup ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Corvi
Domenico Corvi (1721–1803) was an Italian painter at the close of the 18th century, active in an early Neoclassic style in Rome and surrounding sites. Biography Corvi was born in Viterbo. After some early works in Viterbo and Palestrina, Corvi moved on to Rome to work under Francesco Mancini, working in a Roman milieu where late-Rococo of Pompeo Batoni and the incipient Neoclassicism of Anton Raphael Mengs coexisted, and fashioned a style in between. His first major set of independent works in Rome were a series of canvases completed in 1758 and currently in Vedana, commissioned by the Cardinal Domenico Amedeo Orsini and including the altarpiece of ''St Michael Archangel'' for the church of Trinità dei Monti. In 1756, along with Vincenzo Strigelli and Anton Angelo Falaschi, he frescoed the Viterbese ''Oratorio del Gonfalone''. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marco Benefial
Marco Benefial (25 April 1684 – 9 April 1764) "Marco Benefial (Getty Museum)" (history), The Getty Museum, 2006, webpage: GM-Benefial. was an Italian, proto- Neoclassical painter, mainly active in Rome. Benefial is best known for his repudiation of 18th century decorative Rococo styles pre-eminent in the Rome dominated by Carlo Maratta pupils. His paintings portrayed tangible human figures, with complex treatment of space, and luminous, warm colors. Along with the altarpieces and frescoes, he also painted many portraits. Because he partnered with some inferior artists who subsequently received credit, some of his paintings have been frequently misidentified. Life and work Marco Benefial was born in Rome in 1684, and died there in 1764. ''Rest of the Holy Family'' Musée des Beaux-Arts Carcassonne When at the age of 19 years, one of his paintings, an altarpiece with ''Apotheosis of San Filippo Neri'', was rejected for exhibition at the yearly Pantheon show in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiveduto Grammatica
Antiveduto Grammatica (1571 – April 1626) was a proto-Baroque Italian painter, active near Rome. Grammatica was born in either Siena or Rome. According to Giovanni Baglione the artist was given the name Antiveduto ("foreseen") because his father had a premonition that he would soon be born during a journey between his native Siena and Rome. It was in Rome that Antiveduto was baptised, raised and based his career. His apprenticeship with the Perugian artist Giovanni Domenico Angelini (Giandomenico Perugino) introduced him to small-scale work, mostly on copper. He gained the nickname "gran Capocciante" because he specialised in painting heads of famous men. A decade later, in 1591, Antiveduto set up as an independent artist. Grammatica's earliest surviving public commission, an old-fashioned configuration depicting ''Christ the Saviour with St. Stanislaus of Krakow, St. Adalbert of Prague and St Hyacinth Odrowaz'', was painted for the high altar of Santo Stanislao dei Pola ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Francesco Romanelli
Giovanni Francesco Romanelli (Viterbo, 1610Baldinucci claims the date is May 14, 1617.– Viterbo, 1662) was a major Italian painter of the Baroque period, celebrated for his use of bright, vivid colors and also for his clarity of detail. Many of his works are on display in the Louvre. Biography Romanelli was trained in Rome in the studio of Pietro da Cortona, the leading painter of his day. Born in Viterbo to Laura de Angelis and Bartolomeo Romanelli, he went to Rome at age 14 to study to become an artist, and within a few years became part of the household of Cardinal Francesco Barberini. He was a pupil in the painting studio of Pietro da Cortona, the leading painter of his day, but the two eventually quarreled and so Romanelli left. In 1639 he was elected director of the prestigious Academy of Saint Luke. With the death of Urban VIII and the accession of Innocent X, the Barberini family fell from favour and Romanelli's patronage ebbed. He was then summoned to work in Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Ghepardi
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Angelo Bonifazi , the championship trophy of the Swedish junior hocke ...
Anton may refer to: People *Anton (given name), including a list of people with the given name *Anton (surname) Places *Anton Municipality, Bulgaria **Anton, Sofia Province, a village *Antón District, Panama **Antón, a town and capital of the district *Anton, Colorado, an unincorporated town *Anton, Texas, a city *Anton, Wisconsin, an unincorporated community *River Anton, Hampshire, United Kingdom Other uses * Case Anton, codename for the German and Italian occupation of Vichy France in 1942 *Anton (computer), a highly parallel supercomputer for molecular dynamics simulations * ''Anton'' (1973 film), a Norwegian film * ''Anton'' (2008 film), an Irish film *Anton Cup The Anton Cup is the championship trophy of the Swedish junior hockey league, J20 SuperElit. The trophy was donated by Anton Johansson, chairman of the Swedish Ice Hockey Association between 1924 and 1948, in 1952, as an award for Sweden's top-ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salvator Rosa
Salvator Rosa (1615 –1673) is best known today as an Italian Baroque painter, whose romanticized landscapes and history paintings, often set in dark and untamed nature, exerted considerable influence from the 17th century into the early 19th century. In his lifetime he was among the most famous painters,Jaffé, Hans L. C., editor. 1967. ''20,000 Years of World Painting.'' Harry N. Abrams, Inc., Publishers. New York. 418 pp. age 228/ref> known for his flamboyant personality, and regarded as an accomplished poet, satirist, actor, musician, and printmaker, as well. He was active in Naples, Rome, and Florence, where on occasion he was compelled to move between cities, as his caustic satire earned him enemies in the artistic and intellectual circles of the day. As a history painter, he often selected obscure and esoteric subjects from the Bible, mythology, and the lives of philosophers, that were seldom addressed by other artists. He rarely painted the common religious subjects, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aurelio Lomi
Aurelio Lomi (29 February 1556 – 1622) was an Italian painter of the late- Renaissance and early-Baroque periods, active mainly in his native town of Pisa, Tuscany. __NOTOC__ Biography He may have initially been trained by his father, Giovanni Battista Lomi, but soon he worked in Florence (1580-1590) under the painters Alessandro Allori, then Lodovico Cardi (known as Cigoli).Fabroni, page 371. He was the nephew of the painter Baccio Lomi. He painted in Pisa, Florence, Rome, and Genoa. He painted a ''St. Jerome'' (1595) for the Duomo of Pisa. In addition he painted frescoes of San Frediano and Santo Stefano. He painted an altarpiece for Santa Apollonia. He painted a ''St Anthony of Padua'' for the church of San Francesco di Casteletto in Genoa, and a ''Resurrection of Christ'' and ''Last Judgement'' for Santa Maria Assunta in Carignano. In Rome, he painted frescoes in the Pinelli chapel of Chiesa Nuova, including ''Scenes from the life of the Virgin'' and ''Birth of Jesu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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