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Menaka Suresh Kumar
Menaka ( ) is a prominent figure in Hindu mythology, celebrated as one of the most beautiful apsaras (celestial nymphs) in the court of Indra, the king of the gods. She is frequently sent by the gods to disturb the penance of sages whose growing powers threatened the celestial order. Menaka is best known for her role in the seduction of the sage Vishvamitra, a story found in various Hindu scriptures and dramatized in Kalidasa's classical Sanskrit play ''Shakuntala''. In this episode, the gods, fearing Vishvamitra's ascetic strength, send Menaka to tempt him. Renowned for her beauty and charm, she succeeds in captivating him and becomes the mother of Shakuntala, a central figure in Indian literary tradition. Mythology and literary accounts ''Mahabharata'' Menaka is prominently attested in the ancient Hindu epic ''Mahabharata'' (c. 400 BC - 400 AD) as an apsara (celestial nymphs) of extraordinary beauty. The ''Adi Parva (1.74.68)'' of the ''Mahabharata'' describes Menaka as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishvamitra
Vishvamitra (, ) is one of the most venerated rishis or sages of ancient India. Vishvamitra is one of the seven Brahmarshi. According to Hindu tradition, he is stated to have written most of the Mandala 3 of the Rigveda, including the Gayatri Mantra (3.62.10). The Puranas mention that only 24 rishis since antiquity have understood the whole meaning of —and thus wielded the whole power of — the Gayatri Mantra. Vishvamitra is supposed to have been the first, and Yajnavalkya the last. Before renouncing his kingdom and royal status, Brahmarishi Vishvamitra was a king, and thus he retained the title of Rajarshi, or 'royal sage'. Textual background Historically, Viśvāmitra Gāthina was a Rigvedic rishi who was the chief author of Mandala 3 of the Rigveda. Viśvāmitra was taught by Jamadagni Bhārgava. He was the purohita of the Bharata tribal king Sudās, until he was replaced by Vasiṣṭha. He aided the Bharatas in crossing the Vipāśa and Śutudrī rivers (mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urvashi
Urvashi (, ) is the most prominent apsara mentioned in the Hindu scriptures like the ''Vedas'', the epics ''Ramayana'' and ''Mahabharata'', as well as the ''Puranas''. She is regarded as the most beautiful of all the apsaras, and an expert dancer. Urvashi has been featured in many mythological events. She emerged out of the thigh of sage Narayana and occupies a special place in the court of Indra, the king of the gods and ruler of svarga. She is famous for her marriage with Pururavas, the first king of the legendary ''Chandravamsha'', whom she later abandoned. She also plays a significant part in the birth of Vashishtha and Agastya, two of the most revered sages in Hinduism. Urvashi's story has been an inspiration for various arts, performances and literature. The poet Kalidasa (fl. 4th -5th century CE) has adapted Urvashi and Pururavas as the main characters in his play Vikramorvashiyam. Etymology The Sanskrit name ''"Urvaśī"'' is derived from roots''uru'' and ''aś''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bala Kanda
''Bala Kanda'' (; IAST: ', ) is the first Book of the Valmiki ''Ramayana.'' The ''Bala Kanda,'' in partif not in its entiretyis generally regarded as an interpolation to the original epic.'''' Structure The book consists of seventy-six ''sargas'' (sometimes translated as ''chapters'' or "cantos") of Sanskrit verse. Synopsis The Bāla Kāṇḍa begins with the sage Vālmīki asking Nārada if there is a righteous man still left in the world, to which Nārada replies that such a man is Rāma. After seeing two birds being shot, Vālmīki creates a new form of meter called ''śloka'', and then is granted the ability to compose an epic poem about Rāma. He teaches his poem to the boys Lava and Kuśa, who recite it throughout the land and eventually at the court of king Rāma, which then begins the main narrative. The king of Kosala, Daśaratha, lives in Ayodhyā, a utopian city, however he has no son. He and his court resolve to bring the sage R̥śyaśr̥ṅga in order to grant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramayana
The ''Ramayana'' (; ), also known as ''Valmiki Ramayana'', as traditionally attributed to Valmiki, is a smriti text (also described as a Sanskrit literature, Sanskrit Indian epic poetry, epic) from ancient India, one of the two important epics of Hinduism known as the ''Itihasas'', the other being the ''Mahabharata''. The epic narrates the life of Rama, the seventh ''avatar'' of the Hindu deity Vishnu, who is a prince of Ayodhya (Ramayana), Ayodhya in the kingdom of Kosala. The epic follows Exile of Lord Rama, his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across the forests in the Indian subcontinent with his wife Sita and brother Lakshmana; the kidnapping of Sita by Ravana, the king of Lanka, that resulted in bloodbath; and Rama's eventual return to Ayodhya (Ramayana), Ayodhya along with Sita to be crowned as a king amidst jubilation and celebration. Scholarly estimates for the earliest stage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visvamitra Entice By Apsara Menaka
Vishvamitra (, ) is one of the most venerated rishis or sages of ancient India. Vishvamitra is one of the seven Brahmarshi. According to Hindu tradition, he is stated to have written most of the Mandala 3 of the Rigveda, including the Gayatri Mantra (3.62.10). The Puranas mention that only 24 rishis since antiquity have understood the whole meaning of —and thus wielded the whole power of — the Gayatri Mantra. Vishvamitra is supposed to have been the first, and Yajnavalkya the last. Before renouncing his kingdom and royal status, Brahmarishi Vishvamitra was a king, and thus he retained the title of Rajarshi, or 'royal sage'. Textual background Historically, Viśvāmitra Gāthina was a Rigvedic rishi who was the chief author of Mandala 3 of the Rigveda. Viśvāmitra was taught by Jamadagni Bhārgava. He was the purohita of the Bharata tribal king Sudās, until he was replaced by Vasiṣṭha. He aided the Bharatas in crossing the Vipāśa and Śutudrī rivers (moder ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandharva
A ''gandharva'' () is a member of a class of celestial beings in Indian religions, such as Hinduism, Buddhism, and Jainism, whose males are divine performers such as musicians and singers, and the females are divine dancers. In Hinduism, they are regarded to be the celestial demigods who serve as the musicians of the devas. It is also a term for skilled singers in Indian classical music. In Buddhism, this term also refers to a being in the intermediate state (between death and rebirth). In Hinduism In Hinduism, the gandharvas () are a class of minor deities who serve as divine musicians in Hindu mythology. The term gandharva is present in Vedic sources (including in the Rigveda) as a singular deity. According to Oberlies, "In mandala I, IX and X the gandharva is presented as a celestial being (dwelling near the Sun / in the heavenly waters) which watches over the Soma (apparently) for the benefit of the gods and the sacrificers." The gandharva also "receives the Soma from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanva
Kanva or Kanwa (, ), also called Karnesh, was an ancient Hindu rishi of the ''Treta Yuga'', to whom some of the hymns of the ''Rig Veda'' are ascribed. He was one of the Angirasas. He has been called a son of Ghora, but this lineage belongs to Pragatha Kanva, a subsequent Kanva of which there were many., a reprint of the 1922 London Oxford University Press edition. However, Puranic literature has other different lineages for him, one as the son of Apratiratha and grandson of King Matinara, and another as the son of Ajamidha, who was a descendant in the ninth generation of Tansu, the brother of Apratiratha (Atiratha), or Ajamidha who was a contemporary of Matinara. This last seems to be the modern consensus. He is sometimes included in the list of the seven sages (the Saptarishis). Kanva had a son Medhatithi. Kanva is also mentioned in Mahabharata as the adoptive father of Shakuntala. * Kanva (Karnesh) is also the name of a founder of a Vedic shakha of the Shukla Yajur Veda, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Himalayas
The Himalayas, or Himalaya ( ), is a mountain range in Asia, separating the plains of the Indian subcontinent from the Tibetan Plateau. The range has some of the Earth's highest peaks, including the highest, Mount Everest. More than list of highest mountains on Earth, 100 peaks exceeding elevations of above sea level lie in the Himalayas. The Himalayas abut on or cross territories of Himalayan states, six countries: Nepal, China, Pakistan, Bhutan, India and Afghanistan. The sovereignty of the range in the Kashmir region is disputed among India, Pakistan, and China. The Himalayan range is bordered on the northwest by the Karakoram and Hindu Kush ranges, on the north by the Tibetan Plateau, and on the south by the Indo-Gangetic Plain. Some of the world's major rivers, the Indus River, Indus, the Ganges river, Ganges, and the Yarlung Tsangpo River, Tsangpo–Brahmaputra River, Brahmaputra, rise in the vicinity of the Himalayas, and their combined drainage basin is home to some 6 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamadeva
Kamadeva (, ), also known as Kama, Manmatha, and Madana is the Deva (Hinduism), Hindu god of Eroticism, erotic love, carnal desire, attraction, pleasure and beauty, as well as the personification of the concept of ''kāma''. He is depicted as a handsome young man decked with ornaments and flowers, armed with a bow of sugarcane and shooting arrows of flowers. He often portrayed alongside his consort and female counterpart, Rati. Kamadeva's origins are traced to the verses of the ''Rig Veda'' and ''Atharva Veda'', although he is better known from the stories of the Purana, ''Puranas''. The ''Atharva Veda'' regards Kamadeva as a powerful god, the wielder of the creative power of the universe, also describing him to have been "born at first, him neither the gods nor the fathers ever equaled". In the ''Puranas,'' Kamadeva is generally mentioned as a ''manasputra, manasaputra'' (mind-born son) of the creator god Brahma. His most popular myth is his incineration by the god Shiva's thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vayu
Vayu (; ), also known as Vata () and Pavana (), is the Hindu deities, Hindu god of the winds as well as the divine messenger of the gods. In the ''Vedic scriptures'', Vayu is an important deity and is closely associated with Indra, the king of gods. He is mentioned to be born from the breath of Supreme Being Vishvarupa, Vishvapurusha and also the first one to drink Soma (drink), Soma. The ''Upanishads'' praise him as ''Prana'' or 'life breath of the world'. In the later Hindu scriptures, he is described as a dikpala (one of the guardians of the direction), who looks over the north-west direction. The Hindu epics describe him as the father of the god Hanuman and Bhima. The followers of the 13th-century saint Madhva believe their guru as an avatar, incarnation of Vāyu. They worship the wind deity as Mukhyaprana () and consider him as the son of the god Vishnu. Connotations The word for air (classical element), air (''vāyu'') or wind (''pavana'') is one of the Classical eleme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vana Parva
The Vana Parva ("Book of the Forest") is the third of the eighteen ''parvas'' (books) of the Indian epic ''Mahabharata''.van Buitenen, J.A.B. (1975) ''The Mahabharata: Book 2: The Book of the Assembly Hall; Book 3: The Book of the Forest''. Chicago, IL: University of Chicago Press Vana Parva traditionally has 21 parts and 324 chapters.Dutt, M.N. (1896) ''The Mahabharata (Volume 3): Vana Parva''. Calcutta: Elysium Press The Textual criticism, critical edition of Vana Parva contains 16 parts and 299 chapters. The parva is a chronicle of the twelve-year journey of the Pandavas in a forest, where they learn life lessons and build character.Bibek Debroy (2011), The Mahābhārata, Volume 3, , Penguin Books Vana Parva contains discourses on virtues and ethics; myths of Arjuna, Yudhishthara, and Bhima; and the tales of "Nahusha the Snake and Yudhishthira" and "Ushinara and the Hawk". It also includes the love stories of "Nala and Damayanti" and "Savitri and Satyavan". Structure and chapt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sabha Parva
The Sabha Parva ("Book of the Assembly Hall") is the second of the eighteen ''parvas'' (books) of the Indian epic '' Mahabharata''.van Buitenen, J. A. B. (1978) ''The Mahabharata: Book 2: The Book of the Assembly Hall; Book 3: The Book of the Forest''. Chicago: University of Chicago Press Sabha Parva traditionally has 10 parts and 81 chapters. The critical edition of Sabha Parva has 9 parts and 72 chapters. Sabha Parva starts with the description of the palace and assembly hall (''sabha'') built by Maya, at Indraprastha. Chapter 5 of the book outlines over a hundred principles of governance and administration necessary for a kingdom and its citizens to be prosperous, virtuous and happy. The middle parts describe life at the court, Yudhishthira's Rajasuya Yajna that leads to the expansion of the Pandava brothers' empire. The last two parts describe the one vice and addiction of the virtuous king Yudhishthira – gambling. Shakuni, encouraged by Duryodhana, mocks Yudhishthira and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
