''Bala Kanda'' (;
IAST
The International Alphabet of Sanskrit Transliteration (IAST) is a transliteration scheme that allows the lossless romanisation of Brahmic family, Indic scripts as employed by Sanskrit and related Indic languages. It is based on a scheme that ...
: ', ) is the first Book of the
Valmiki
Valmiki (; , ) was a legendary poet who is celebrated as the traditional author of the epic ''Ramayana'', based on the attribution in the text itself. He is revered as ''Ādi Kavi'', the first poet, author of ''Ramayana'', the first epic poe ...
''
Ramayana
The ''Ramayana'' (; ), also known as ''Valmiki Ramayana'', as traditionally attributed to Valmiki, is a smriti text (also described as a Sanskrit literature, Sanskrit Indian epic poetry, epic) from ancient India, one of the two important epics ...
.'' The ''Bala Kanda,'' in partif not in its entiretyis generally regarded as an
interpolation
In the mathematics, mathematical field of numerical analysis, interpolation is a type of estimation, a method of constructing (finding) new data points based on the range of a discrete set of known data points.
In engineering and science, one ...
to the original epic.''
''
Structure
The book consists of seventy-six ''sargas'' (sometimes translated as ''chapters'' or "cantos") of Sanskrit verse.
Synopsis
The Bāla Kāṇḍa begins with the sage Vālmīki asking Nārada if there is a righteous man still left in the world, to which Nārada replies that such a man is Rāma. After seeing two birds being shot, Vālmīki creates a new form of meter called ''śloka'', and then is granted the ability to compose an epic poem about Rāma. He teaches his poem to the boys Lava and Kuśa, who recite it throughout the land and eventually at the court of king Rāma, which then begins the main narrative.

The king of
Kosala
Kosala, sometimes referred to as Uttara Kosala () was one of the Mahajanapadas of ancient India. It emerged as a small state during the Late Vedic period and became (along with Magadha) one of the earliest states to transition from a lineage ...
, Daśaratha, lives in
Ayodhyā, a utopian city, however he has no son. He and his court resolve to bring the sage
R̥śyaśr̥ṅga in order to grant him sons. After the performance of an
Aśvamedha (Horse Sacrifice), R̥śyaśr̥ṅga performs a Putrīyā Iṣṭi for the attainment of sons. Meanwhile the gods have petitioned to
Brahmā and
Viṣṇu about Rāvaṇa, a
rākṣasa who has been oppressing
rṣis,
yakṣas,
gandharvas,
asuras
Asuras () are a class of beings in Indian religions, and later Persian and Turkic mythology. They are described as power-seeking beings related to the more benevolent Deva (Hinduism), Devas (also known as Suras) in Hinduism. In its Buddhism, ...
, and
brāhmaṇas
The Brahmanas (; Sanskrit: , IAST: ''Brāhmaṇam'') are Vedic śruti works attached to the Samhitas (hymns and mantras) of the Rig, Sama, Yajur, and Atharva Vedas. They are a secondary layer or classification of Sanskrit texts embedded wi ...
. Due to a boon from Brahmā,
Rāvaṇa
According to the Mahakavya, Hindu epic, ''Ramayana'', Ravana was a kingJustin W. Henry, ''Ravana's Kingdom: The Ramayana and Sri Lankan History from Below'', Oxford University Press, p.3 of the island of Lanka, in which he is the chief antag ...
is invincible to all beings except humans, so Viṣṇu decides to be born as the sons of Daśaratha. Back at the sacrifice outside Ayodhyā, a being emerges from the sacrificial fire carrying a celestial porridge. The being tells Daśaratha to distribute the porridge amongst his wives in order to bear sons. At the same time, Brahmā orders the gods to father monkey-sons who will assist Rāma later in the epic to defeat Rāvaṇa. After distributing the porridge, Daśaratha's wives
Kausalyā,
Kaikeyī, and
Sumitrā bear Rāma,
Bharata, and the twins
Lakṣmaṇa and
Śatrughna respectively. Years later, the sage
Viśvāmitra
Vishvamitra (, ) is one of the most venerated rishis or sages of ancient India. Vishvamitra is one of the seven Brahmarshi. According to Hindu tradition, he is stated to have written most of the Mandala 3 of the Rigveda, including the Gayatr ...
arrives in Ayodhyā.
Viśvāmitra requests Daśaratha to lend him his eldest (but still adolescent) son Rāma to slay the rākṣasas
Mārīca and
Subāhu, who are disrupting Viśvāmitra's sacrifice. Daśaratha, who is initially reluctant to part with his dearest son, is eventually convinced to send Rāma with Viśvāmitra, along with Lakṣmaṇa. Eventually they reach a terrible, wild forest inhabited by
Tāṭakā. Tāṭakā, as Viśvāmitra explains, is a yakṣa woman who gave birth to the rākṣasa Mārīca, and was herself cursed to become a rakṣasa. Rāma kills her with a single shot from his bow, and in reward Viśvāmitra bestows on him numerous divine weapons. The party eventually reaches Viśvāmitra's ashram, where Rāma defeats Mārīca and kills Subāhu while Viśvāmitra completes his sacrifice.
The group, successful in their objective, then decide to go to attend king
Janaka's sacrifice in the kingdom of
Mithilā. There the seers at the ashram say that Janaka has a bow that no one has been able to string. Throughout the entire journey from Ayodhyā to the ashram to Mithilā, Viśvāmitra recounts the lore of the landscape the party travels through, as well as expounding on the deeds of the ancestors of Viśvāmitra and Rāma, respectively.
Once the group reaches Mithilā, a minister in Janaka’s court narrates the life of Viśvāmitra, and his journey from king to brahman-seer (“brahmarṣi”). Janaka recounts the history of the famed bow, and informs them that whoever strings the bow will win the hand of his daughter
Sītā, whom he had found in the earth when plowing a field. Rāma then proceeds to not only string the bow, but snap it in the process. Rāma then marries Sītā, with the rest of his brothers marrying Sītā’s sister and cousins. On the way back from Mithilā to Ayodhyā, the procession encounters
Rāma Jāmadagnya, who challenges Rāma to lift another bow and engage him in single combat. Rāma Dāśarathi seizes the bow and tells him that he will not kill him, and Rāma Jāmadagnya, now humbled, retreats. The book ends when the group returns to Ayodhyā and a scene is set for an idyllic married life.
References
External links
Baal Kaand (बालकाण्ड) रामायणat
WikiSource
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.
E-text of Baal Kaand
{{Ramayana
Ramayana