|
Lệnh Thư
Lệnh thư (; 'edict script') is a writing style for Chinese characters (chữ Hán) and chữ Nôm in Vietnamese calligraphy. It was first developed during the Revival Lê dynasty. It was mainly at first used for official edict by the emperor and by officials in the imperial court, but then became widely used in all of Vietnam. It is not used in other countries that also use Chinese characters (such as China, Korea, and Japan) but rather is unique to Vietnam. Characteristics The writing script is defined by its distinct sharp upward hooks. It has strokes that are merged, similar to the style seen in cursive script. Even though the script has merged strokes and is written quickly, it is just as readable as regular script is. In the essay (), wrote that the edict script mimics the style of cursive script (, ), which is described as imitating the motion of a sword dance. But the edict script underwent changes where strokes were written fluidly with distinctive hooks. He fur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Logographic
In a written language, a logogram (from Ancient Greek 'word', and 'that which is drawn or written'), also logograph or lexigraph, is a written character that represents a semantic component of a language, such as a word or morpheme. Chinese characters as used in Written Chinese, Chinese as well as other languages are logograms, as are Egyptian hieroglyphs and characters in cuneiform script. A writing system that primarily uses logograms is called a ''logography''. Non-logographic writing systems, such as alphabets and syllabaries, are ''phonemic'': their individual symbols represent sounds directly and lack any inherent meaning. However, all known logographies have some phonetic component, generally based on the rebus principle, and the addition of a phonetic component to pure ideographs is considered to be a key innovation in enabling the writing system to adequately encode human language. Types of logographic systems Some of the earliest recorded writing systems are logograp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vietnamese Calligraphy
Vietnamese calligraphy (Vietnamese alphabet: , ) relates to the calligraphic traditions of Vietnam. It includes calligraphic works using a variety of scripts, including historical chữ Hán (Chinese characters), chữ Nôm (Vietnamese-derived characters), and the Latin-based Vietnamese alphabet. Historically, calligraphers used the former two scripts. However, due to the adoption of the Latin-based chữ Vietnamese alphabet, modern Vietnamese calligraphy also uses Latin script alongside . Traditional Vietnamese calligraphy is strongly affected by that of China. Chữ Hán was often used as a literary language in ancient Vietnam, and as a result, Vietnamese calligraphy also used to follow Chinese calligraphy’s standard and used chữ Hán in many of its writings. For example, during the Lý dynasty, its style was similar to China’s Tang dynasty (618-907). During the Trần dynasty, it was influenced strongly by China’s Song (960-1279) and Yuan (1271-1368) dynasties. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chữ Hán
( , ) are the Chinese characters that were used to write Literary Chinese in Vietnam, Literary Chinese (; ) and Sino-Vietnamese vocabulary in Vietnamese language, Vietnamese. They were officially used in Vietnam after the Red River Delta region was incorporated into the Han dynasty and continued to be used until the early 20th century. Terminology The main Vietnamese term used for Chinese characters is (). It is made of meaning 'character' and 'Han (referring to the Han dynasty)'. Other synonyms of includes ( , literally 'Confucianism, Confucian characters') and ( ) which was borrowed directly from Chinese. was first mentioned in Phạm Đình Hổ's essay ( ), where it initially described a calligraphic style of writing Chinese characters. Over time, however, the term evolved and broadened in scope, eventually coming to refer to the Chinese script in general. This meaning came from the viewpoint that the script belonged to followers of Confucianism. This is further s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Temple Of Literature, Hanoi
Văn Miếu (, chữ Hán: 文廟), literally translated as Temple of Literature (although a more accurate name should be Temple of Confucius, as ''Văn'' refers to Confucius), is a temple dedicated to Confucius in Hanoi, northern Vietnam. The temple was founded and first built in 1070 at the time of Emperor Lý Thánh Tông, and it hosted the Imperial Academy (, ), Vietnam's first national university, from 1076 to 1779. In 1803, The academy was moved to the new capital of Nguyen dynasty in Hue. The Văn Miếu is one of several temples in Vietnam which is dedicated to Confucius, sages, and scholars. The temple is located to the south of the Imperial Citadel of Thăng Long. The various pavilions, halls, statues, and stelae of doctors are places where offering ceremonies, study sessions, and the strict exams of the Đại Việt took place. The temple is featured on the back of the 100,000 Vietnamese đồng banknote. Just before the Tết Vietnamese New Year celebration, callig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lê Ý Tông
Lê Ý Tông (黎懿宗 29 March 1719 – 10 August 1759) was the third-last emperor of the Vietnamese Lê dynasty, reigning only nominally under the power of Trịnh Giang of the Trịnh lords. He reigned from 1735 to 1740 and was succeeded by Lê Hiển Tông Lê Hiển Tông (; 20 May 171710 August 1786), born Lê Duy Diêu, was the penultimate emperor of the Vietnamese Lê dynasty. He reigned from 1740 to 1786 and was succeeded by his grandson Lê Duy Kỳ.Nguyên Thi Minh Hà, Nguyên Thi Thanh B .... References * * Lê dynasty emperors Vietnamese emperors who abdicated 1719 births 1759 deaths 18th-century Vietnamese monarchs Vietnamese monarchs Royalty from Hanoi {{Vietnam-royal-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lê Thần Tông
Lê Thần Tông (黎神宗, 19 November 1607 – 2 November 1662) was the 17th emperor of Vietnamese Later Lê dynasty. Biography Lê Thần Tông's birth name is Lê Duy Kỳ (黎維祺). He was born in 1607 and reigned in 1619–1643 following Lê Kính Tông, was interrupted by the reign of Lê Chân Tông 1643–1649, then reigned again 1649–1662 and was succeeded by Lê Huyền Tông. He was a figurehead emperor with lords Trịnh Tùng, who ruled 1570–1623, then Trịnh Tráng who ruled in 1623–1657, and Trịnh Tạc who ruled 1657–1682. At this time the Tonkin was still engaged in military campaigns against Nguyễn Lords in the south. Family Consorts and their respective issues : # Empress consort Trịnh Thị Ngọc Trúc (ex-wife of duke Lê Trụ) # Noble consort Nguyễn Thị Ngọc Bạch ## Prince Lê Duy Hựu # Consort Phạm Thị Ngọc Hậu ## First crown prince Lê Duy Vũ # Consort Lê Thị Ngọc Hoàn ## Prince Lê Duy Cối # La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lê Gia Tông
Lê Gia Tông (黎嘉宗, 1661 – 27 April 1675) was the 20th emperor of Vietnamese Later Lê dynasty. Biography Lê Gia Tông's birth name is Lê Duy Cối (黎維禬), courtesy name Duy Định (維礻定). He was born in 1661 and reigned from 19 November 1672 to 3 April 1675. He was a figurehead king under the power of lord Trịnh Tạc Trịnh Tạc ( Hán: 鄭 柞; 11 April 1606 – 24 September 1682) ruled northern Dai Viet in 1657–1682. Trịnh Tạc was one of the most successful of the Trịnh lords to rule northern Vietnam. During his rule, he made peace with the Nguy� ... who ruled 1657–82.Bruce M. Lockhart & William J. Duiker, ''The A to Z of Vietnam'', p437 "Lê Gia Tông", 2010. References * * {{DEFAULTSORT:Le, Gia Tong 1661 births 1675 deaths G Vietnamese monarchs Royalty from Hanoi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lê Chân Tông
Lê Chân Tông (黎真宗, 1630 – 2 October 1649) was the 18th monarch of Vietnamese Later Lê dynasty. Biography Lê Chân Tông's birth name is Lê Duy Hựu (黎維祐), courtesy name A courtesy name ( zh, s=字, p=zì, l=character), also known as a style name, is an additional name bestowed upon individuals at adulthood, complementing their given name. This tradition is prevalent in the East Asian cultural sphere, particula ... Duy Đề (維禔). He was born in 1630 and reigned from 1643 to 1649, interrupting the reign of his father Lê Thần Tông who reigned 1619–1643 and again 1649–1662. He was a figurehead king under the power of lord Trịnh Tráng who ruled 1623–1657. Family Consorts and their respective issues: * Queen Trịnh Thị《大越史記全書》續編卷之一·熙宗章皇帝。 (芳慈皇后鄭氏) References * * 1630 births 1649 deaths C Vietnamese monarchs Royalty from Hanoi {{Vietnam-royal-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lê Hiển Tông
Lê Hiển Tông (; 20 May 171710 August 1786), born Lê Duy Diêu, was the penultimate emperor of the Vietnamese Lê dynasty. He reigned from 1740 to 1786 and was succeeded by his grandson Lê Duy Kỳ.Nguyên Thi Minh Hà, Nguyên Thi Thanh Bình – ''Vietnamese feminist poems from antiquity to the present'' 2007 Page 81 "King Lẽ Hiển Tông (life: 1716–1786; reign: 1740–1786) married off his youngest daughter, Princess Lê Ngọc Hân (1770–1799), to Nguyễn Huệ (life: 1753–1792; reign: 1788–1792), leader of the ..." At the time Vietnam was under the power of the Trịnh lords. During the reigns of Lê Thuần Tông (1732–1735) and Lê Ý Tông (1735–1740), Trịnh Giang ruled Vietnam with the title Uy Nam Vương, but he was deposed in 1740 due to poor leadership. From 1740 to 1767, Trịnh Doanh ruled with the title Minh Do Vương in the first part of the reign of Lê Hiển Tông. He was followed by Trịnh Sâm, who ruled from 1767 to 1782 with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lê Thế Tông
Lê Thế Tông (chữ Hán: 黎世宗, 1567 – 12 October 1599, reigned 1573–1599), real name Lê Duy Đàm (黎維潭) was the 15th emperor of the later Lê dynasty of Vietnam. He was the fifth son of Lê Anh Tông, born during the Trịnh–Nguyễn war. In 1573, Anh Tông saw that Trịnh Tùng was autocratic, so he and four great princes left the palace of Vạn Lại and fled to Nghệ An. On the first day of the new year 1573, Trịnh Tùng established a 5-year-old Lê Duy Đàm to become emperor; three weeks later Trịnh Tùng sent Tống Đức Vị to secretly kill Anh Tông. During the reign of Thế Tông, Trịnh Tùng took full control of the military and continued to wage war with the Mạc in Đông Kinh. After many great campaigns, in 1592 Trịnh Tùng defeated the Mạc army, regained Đông Kinh and brought Thế Tông back to the old capital. Therefore, the national history of Đại Việt was compiled by Trịnh lords and considered Lê Thế Tông t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regular Script
The regular script is the newest of the major Chinese script styles, emerging during the Three Kingdoms period , and stylistically mature by the 7th century. It is the most common style used in modern text. In its traditional form it is the third-most common in publishing after the Ming typefaces, Ming and East Asian Gothic typeface, Gothic types used exclusively in print. History The ''Xuanhe Calligraphy Manual'' () credits with creating the regular script, based on the clerical script of the early Han dynasty (202 BCE220 CE). It became popular during the Eastern Han and Three Kingdoms periods, with Zhong Yao (230 BC), a calligrapher in the state of Cao Wei (220–266), being credited as its first master, known as the father of regular script. His famous works include the , , and . Palaeographer Qiu Xigui describes the script in ''Xuanshi biao'' as: However, very few wrote in this script at the time other than a few literati; most continued writing in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chữ Nôm
Chữ Nôm (, ) is a logographic writing system formerly used to write the Vietnamese language. It uses Chinese characters to represent Sino-Vietnamese vocabulary and some native Vietnamese words, with other words represented by new characters created using a variety of methods, including phono-semantic compounds. This composite script was therefore highly complex and was accessible to the less than five percent of the Vietnamese population who had mastered written Chinese. Although all formal writing in Vietnam was done in classical Chinese until the early 20th century (except for two brief interludes), chữ Nôm was widely used between the 15th and 19th centuries by the Vietnamese cultured elite for popular works in the vernacular, many in verse. One of the best-known pieces of Vietnamese literature, '' The Tale of Kiều'', was written in chữ Nôm by Nguyễn Du. The Vietnamese alphabet created by Portuguese Jesuit missionaries, with the earliest known usage occurring ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
