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Léontine De Maësen
Léontine de Maësen (15 July 1835 – 1906) was a Belgian soprano active on the opera stages of France from 1858 to 1868. She is most remembered today for having created the role of Leïla in Bizet's 1863 opera, ''Les pêcheurs de perles''. Life and career Born Léontine Van der Maësen d'Avionpuits in Esneux, Esneux, Belgium, she was the daughter of the crown prosecutor in Verviers. Her father died when she was still a young girl, and after his death she entered the Royal Conservatory of Liège where she studied singing with Théophile Vercken. She then continued her studies at the Paris Conservatory with Laure Cinti-Damoreau and later with Gilbert Duprez. De Maësen made her stage debut in Marseille during the 1858 season and subsequently sang there as Marguerite in ''Faust (opera), Faust'' and Lucie in ''Lucie de Lammermoor''.Heugel (11 February 1906) p. 48; Soubies (1900) p. 20 She returned in the 1861-62 season and sang with great success the title role in Victor Massé, Mas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Marriage Of Figaro
''The Marriage of Figaro'' (, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of the 20 operas featured, with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camilla De Maësen
Camilla may refer to: People * Camilla (given name), including a list of people with the name * Queen Camilla (b. 1947), wife of Charles III, king of the Commonwealth realms Characters * Camilla (mythology), daughter of King Metabus and Casmilla in Roman mythology * Camilla, a character in ''The Muppet Show'' Places * Camilla, Georgia, US * Hallyards Castle or Camilla Castle, Scotland * 107 Camilla, an asteroid Arts and entertainment * ''Camilla'' (1994 film) * ''Camilla'' (1954 film) * ''Camilla'' (Burney novel), 1796, by Frances Burney (mentioned in Jane Austen's novel ''Northanger Abbey'') * ''Camilla Dickinson'', a.k.a. ''Camilla'', a novel by Madeleine L'Engle * "Camilla", a song by Basshunter from ''Now You're Gone – The Album'' Opera * ''Camilla'' (Bononcini), a 1706 opera by Giovanni Bononcini * ''Camilla'' (Paer), 1799 opera by Ferdinando Paer * ''Camilla'' (Fioravanti), 1801 opera by Valentino Fioravanti * ''Il trionfo di Camilla'', a 1696 or 1697 opera by Giov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salon (gathering)
A salon is a gathering of people held by a host. These gatherings often consciously followed Horace's definition of the aims of poetry, "either to please or to educate" (Latin: ''aut delectare aut prodesse''). Salons in the tradition of the French literary and philosophical movements of the 17th and 18th centuries are still being conducted. Historical background The salon first appeared in Italy in the 16th century, then flourished in France throughout the 17th and 18th centuries. It continued to flourish in Italy throughout the 19th century. In 16th-century Italy, some brilliant circles formed in the smaller courts which resembled salons, often galvanized by the presence of a beautiful and educated patroness such as Isabella d'Este or Elisabetta Gonzaga. Salons were an important place for the exchange of ideas. The word ''salon'' first appeared in France in 1664 (from the Italian ''salone'', the large reception hall of Italian mansions; ''salone'' is actually the augmentati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norma (opera)
''Norma'' () is a ''tragedia lirica'' or opera in two acts by Vincenzo Bellini with libretto by Felice Romani after the play ''Norma, ou L'infanticide'' (''Norma, or The Infanticide'') by Alexandre Soumet. It was first produced at La Scala in Milan on 26 December 1831. The opera is regarded as a leading example of the bel canto genre, and the soprano prayer "Casta diva" in Act 1 is a famous piece. Among the well known singers of Norma of the first half of the 20th century was Rosa Ponselle who played the role in New York and London. Notable exponents of the title role in the post-war period have been Maria Callas, Leyla Gencer, Joan Sutherland, and Montserrat Caballé. Composition history Crivelli and Company were managing both La Scala and La Fenice in Venice, and as a result, in April–May 1830 Bellini was able to negotiate a contract with them for two operas, one at each theatre. The opera for December 1831 at La Scala became ''Norma'', while the one for the 1832 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Pasquale
''Don Pasquale'' () is a Gaetano Donizetti opera buffa, or comic opera, in three acts, with an Italian libretto completed largely by Giovanni Ruffini as well as the composer. It was based on a libretto by Angelo Anelli for Stefano Pavesi's opera ''Ser Marcantonio'' written in 1810 but, on the published libretto, the author appears as "M.A." Donizetti so dominated the preparation of the libretto that Ruffini refused to allow his name to be put on the score. This resulted in confusion over the identity of the librettist for more than half a century, but as Herbert Weinstock establishes, it was largely Ruffini's work and, in withholding his name from it as librettist, "Donizetti or [his assistant] Michele Accursi may have thought that, lacking Ruffini's name, the authorship might as well be assigned to Accursi's initials as to a pseudonym". The opera was first performed on 3 January 1843 by the Théâtre-Italien at the Salle Ventadour in Paris with great success and it is general ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play '' Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by the Count Monterone, whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jozef Michal Poniatowski
Jozef ( Creole, Dutch, Breton, and Slovak) or Józef (Polish) are variants of the masculine given name Joseph in several European languages. A selection of people with that name follows. For a comprehensive list, see and . * Józef Beck (1894–1944), Polish foreign minister in the 1930s * Józef Bem (1794–1850), Polish general, Ottoman pasha and a national hero of Poland and Hungary * Józef Bilczewski (1860–1923), Polish Catholic archbishop and saint * Józef Brandt (1841–1915), Polish painter * Józef Ćwierczakiewicz (1822–1869), Polish journalist * Jozef M.L.T. Cals (1914–1971), prime minister of the Netherlands * Józef Marian Chełmoński (1849–1914), Polish painter * Jozef Chovanec (born 1960), footballer * Jozef De Kesel (born 1947), Belgian cardinal of the Roman Catholic Church * Jozef De Veuster (1840–1889), Belgian missionary better known as Father Damien * Jozef Dobrotka (born 1952), Slovak handball player * Józef Elsner (1769–1854), Silesian comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmond Chérouvrier
Edmond may refer to: Arts and entertainment * ''Edmond'' (play), a 1982 play by David Mamet ** ''Edmond'' (film), a 2005 film based on the 1982 play * ''E.d.M.O.N.D'', a 2013 EP by Edmond Leung * ''Edmond'', a 2016 play by Alexis Michalik ** ''Edmond'', a 2019 film adaptation of the play, written and directed by Michalik * Berlin Edmond (born 1992), American YouTuber known online as Berleezy Places * Edmond, Kansas * Edmond, Oklahoma * Edmonds, Washington * Edmond, West Virginia Others * Edmond (given name) * ''Edmond'' (1833), a passenger sailing ship that sank off the coast of Ireland in 1850 * Edmond, a racehorse that was the joint favourite for the 2001 Grand National See also *Edmund (other) *Edward (other) Edward is an English given name. Edward may also refer to: * ''Edward'' (ballad), a traditional murder ballad * ''Edward'' (EP), by British singer-songwriter Emmy the Great * Edward (mango), a mango cultivar * Lake Edward Lake Edward (locally . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Music Score Library Project
The International Music Score Library Project (IMSLP), also known as the Petrucci Music Library after publisher Ottaviano Petrucci, is a subscription-based digital library of public-domain music scores. The project uses MediaWiki software, and has uploaded more than 736,000 scores and 80,700 recordings by 1,900 performers of more than 226,000 works by 27,400 composers. IMSLP has both an iOS app and an Android app. History Overview The site was launched on February 16, 2006. The library consists mainly of scans of old musical editions out of copyright. In addition, it admits scores by contemporary composers who wish to share their music with the world by releasing it under a Creative Commons license. One of the main projects of the IMSLP was the sorting and uploading of the complete works of Johann Sebastian Bach in the Bach-Gesellschaft Ausgabe (1851–99), a task that was completed on November 3, 2008. Besides J.S. Bach's complete public domain works, many or all availab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mélodie
A ''mélodie'' () is a form of French art song, arising in the mid-19th century. It is comparable to the German '' Lied''. A ''chanson'', by contrast, is a folk or popular French song. The literal meaning of the word in the French language is " melody". Nature The ''mélodie'' is often defined by comparison with the '' lied''. Pierre Bernac provides this comparison in ''The Interpretation of French Song'': Debussy goes on to write that 'clarity of expression, precision and concentration of form are qualities peculiar to the French genius.' These qualities are indeed most noticeable when again compared with the German genius, excelling as it does in long, uninhibited outpourings, directly opposed to the French taste, which abhors overstatement and venerates concision and diversity. Bernac writes that "the art of the greatest French composers is an art of suggestion", rather than explicit statement of feelings. The ''mélodie'' is noted for its deliberate and close relationshi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Lyrique
The Théâtre Lyrique () was one of four opera companies performing in Paris during the middle of the 19th century (the other three being the Paris Opera, Opéra, the Opéra-Comique, and the Théâtre-Italien (1801–1878), Théâtre-Italien). The company was founded in 1847 as the Opéra-National by the French composer Adolphe Adam and renamed Théâtre Lyrique in 1852. It used four different theatres in succession, the Cirque Olympique (boulevard du Temple), Cirque Olympique, the Théâtre Historique, the Salle du Théâtre-Lyrique (now the Théâtre de la Ville), and the Salle de l'Athénée, until it ceased operations in 1872.Charlton 1992, p. 871. The diverse repertoire of the company "cracked the strict organization of the Parisian operatic world by breaking away from the principle that institution and genre were of one substance." The company was generally most successful with revivals of foreign works translated into French, particularly operas by Gluck, Mozart, Carl Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
