|
Lysippus
Lysippos (; ) was a Greek sculptor of the 4th century BC. Together with Scopas and Praxiteles, he is considered one of the three greatest sculptors of the Classical Greek era, bringing transition into the Hellenistic period In classical antiquity, the Hellenistic period covers the time in Greek history after Classical Greece, between the death of Alexander the Great in 323 BC and the death of Cleopatra VII in 30 BC, which was followed by the ascendancy of the R .... Problems confront the study of Lysippos because of the difficulty in identifying his style in the copies which survive. Not only did he have a large workshop and many disciples in his immediate circle, but there is understood to have been a market for replicas of his work, supplied from outside his circle, both in his lifetime and later in the Hellenistic art, Hellenistic and Roman sculpture, Roman periods. The ''Victorious Youth'' or Getty bronze, which resurfaced around 1972, has been associated with him. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apoxyomenos
Apoxyomenos (, plural apoxyomenoi: the "Scraper") is one of the conventional subjects of ancient Greek votive sculpture; it represents an athlete, caught in the familiar act of scraping sweat and dust from his body with the small curved instrument that the Greeks called a stlengis and the Romans a strigil. The most renowned ''Apoxyomenos'' in Classical Antiquity was that of Lysippos of Sikyon, the court sculptor of Alexander the Great, made ca 330 BCE. The bronze original is lost, but it is known from its description in Pliny the Elder's ''Natural History'', which relates that the Roman general Marcus Vipsanius Agrippa installed Lysippos's masterpiece in the Baths of Agrippa that he erected in Rome, around 20 BCE. Later, the emperor Tiberius became so enamored of the figure that he had it removed to his bedroom. However, an uproar in the theatre, "Give us back our Apoxyomenos", shamed the emperor into replacing it. The sculpture is commonly represented by the Pentelic marbl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Argos
Argos (; ; ) is a city and former municipality in Argolis, Peloponnese, Greece and is one of the oldest continuously inhabited cities in the world, and the oldest in Europe. It is the largest city in Argolis and a major center in the same prefecture, having nearly twice the population of the prefectural capital, Nafplio. Since the 2011 local government reform it has been part of the municipality of Argos-Mykines, of which it is a municipal unit. The municipal unit has an area of 138.138 km2. It is from Nafplion, which was its historic harbour. A settlement of great antiquity, Argos has been continuously inhabited as at least a substantial village for the past 7,000 years. A resident of the city of Argos is known as an Argive ( , ; ). However, this term is also used to refer to those ancient Greeks generally who assaulted the city of Troy during the Trojan War; the term is more widely applied by the Homeric bards. Numerous ancient monuments can be found in the cit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hellenistic Art
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the Roman Greece, conquest of the Greek world by the Romans, a process well underway by 146 BC, when the Greek mainland was taken, and essentially ending in 30 BC with the conquest of Ptolemaic Kingdom, Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including ''Laocoön and His Sons'', ''Dying Gaul'', ''Venus de Milo'', and the ''Winged Victory of Samothrace''. It follows the period of Ancient Greek art, Classical Greek art, while the succeeding Roman art, Greco-Roman art was very largely a continuation of Hellenistic trends. The term ''Hellenistic'' refers to the expansion of Greek influence and dissemination of its ideas following the death of Alexander – the "Hellenizing" of the world, with Koine Greek as a common language. The term is a modern invention; the Hell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polykleitos
Polykleitos (; ) was an ancient Greek sculptor, active in the 5th century BCE. Alongside the Athenian sculptors Pheidias, Myron and Praxiteles, he is considered as one of the most important sculptors of classical antiquity. The 4th century BCE catalogue attributed to Xenocrates (the "Xenocratic catalogue"), which was Pliny's guide in matters of art, ranked him between Pheidias and Myron. He is particularly known for his lost treatise, the ''Canon of Polykleitos'' (a canon of body proportions), which set out his mathematical basis of an idealised male body shape. None of his original sculptures are known to survive, but many marble works, mostly Roman, are believed to be later copies. Name His Greek name was traditionally Latinized ''Polycletus'', but is also transliterated ''Polycleitus'' (, Classical Greek , "much-renowned") and, due to iotacism in the transition from Ancient to Modern Greek, ''Polyklitos'' or ''Polyclitus''. He is called Sicyonius (lit. "The Sicyonia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colossus Of Rhodes
The Colossus of Rhodes (; ) was a statue of the Greek sun god Helios, erected in the city of Rhodes, on the Greek island of the same name, by Chares of Lindos in 280 BC. One of the Seven Wonders of the Ancient World, it was constructed to celebrate the successful defence of Rhodes city against an attack by Demetrius I of Macedon, who had besieged it for a year with a large army and navy. According to most contemporary descriptions, the Colossus stood approximately 70 cubits, or high – approximately two-thirds of the height of the modern Statue of Liberty from feet to crown – making it the tallest statue in the ancient world. It collapsed during the earthquake of 226 BC, although parts of it were preserved. In accordance with the Oracle of Delphi, the Rhodians did not rebuild it. John Malalas wrote that Hadrian in his reign re-erected the Colossus, but he was mistaken. According to the Suda, the Rhodians were called Colossaeans (), because they erected the statue on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sicyon
Sicyon (; ; ''gen''.: Σικυῶνος) or Sikyōn was an ancient Greek city state situated in the northern Peloponnesus between Corinth and Achaea on the territory of the present-day regional unit of Corinthia. The ruins lie just west of the modern village of Sikyona (previously Vasiliko). An ancient monarchy at the times of the Trojan War, the city was ruled by a number of tyrants during the Archaic and Classical period and became a democracy in the 3rd century BC. Sicyon was celebrated for its contributions to ancient Greek art, producing many famous painters and sculptors. In Hellenistic times it was also the home of Aratus of Sicyon, the leader of the Achaean League. Ancient history Sicyon was built on a low triangular plateau about 3 kilometres (two miles) from the Corinthian Gulf. Between the city and its port lay a fertile plain with olive groves and orchards. In Mycenean times, according to Eusebius, Sicyon had been ruled by a line of twenty-six mythical king ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lysistratus
Lysistratus (; ) was a Greek sculptor of the 4th century BC, brother of Lysippos. According to Pliny the Elder, he followed a strongly realistic line, being the first sculptor to take impressions of human faces in plasterPliny the Elder Gaius Plinius Secundus (AD 23/24 79), known in English as Pliny the Elder ( ), was a Roman Empire, Roman author, Natural history, naturalist, and naval and army commander of the early Roman Empire, and a friend of the Roman emperor, emperor Vesp ..., '' Naturalis Historiae'', 35, 153."The first person who modelled a likeness in plaster of a human being from the living face itself, and established the method of pouring wax into this plaster mould and then making final corrections on the wax cast, was Lysistratus of Sicyon, the brother of Lysippus of whom we have spoken. Indeed he introduced the practice of giving likenesses, the object aimed at previously having been to make as handsome a face as possible. The same artist also invented taking casts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scopas
Scopas (; born in Paros, fl. 4th century BCE) was an ancient Greek sculptor and architect, most famous for his statue of Meleager, the copper statue of Aphrodite, and the head of goddess Hygieia, daughter of Asclepius. Early life and family Scopas was born on the island of Paros. His father was the sculptor Aristander of Paros. Skopas left Paros at an early age and travelled throughout the Hellenic world. Career Scopas worked with Praxiteles, and he sculpted parts of the Mausoleum of Halicarnassus, especially the reliefs. He led the building of the new temple of Athena Alea at Tegea. Similar to Lysippus, Scopas is artistically a successor of the Classical Greek sculptor Polykleitos. The faces of the heads are almost in quadrat. The deeply sunken eyes and a slightly opened mouth are recognizable characteristics in the figures of Scopas. Works by Scopas are preserved in the British Museum (reliefs) in London; fragments from the temple of Athena Alea at Tegea in the Na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hellenistic Period
In classical antiquity, the Hellenistic period covers the time in Greek history after Classical Greece, between the death of Alexander the Great in 323 BC and the death of Cleopatra VII in 30 BC, which was followed by the ascendancy of the Roman Empire, as signified by the Battle of Actium in 31 BC and the Roman conquest of Ptolemaic Egypt the following year, which eliminated the last major Hellenistic kingdom. Its name stems from the Ancient Greek word ''Hellas'' (, ''Hellás''), which was gradually recognized as the name for Greece, from which the modern historiographical term ''Hellenistic'' was derived. The term "Hellenistic" is to be distinguished from "Hellenic" in that the latter refers to Greece itself, while the former encompasses all the ancient territories of the period that had come under significant Greek influence, particularly the Hellenized Middle East, after the conquests of Alexander the Great. After the Macedonian conquest of the Achaemenid Empire in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seven Wonders Of The Ancient World
The Seven Wonders of the Ancient World, also known as the Seven Wonders of the World or simply the Seven Wonders, is a list of seven notable structures present during classical antiquity, first established in the 1572 publication '' Octo Mundi Miracula'' using a combination of historical sources.: "It is perhaps only with the execution of these drawings that the list became fixed for all time , but the details of each monument have been scrutinised ever since under the scientific eye of such scholars as Johann Fischer von Erlach.": "The 'canonical' list of the Seven Wonders that we use today was actually drawn up in the sixteenth century by Dutch artist Maarten van Heemskerck, who produced a set of drawings of the Seven Wonders compiled from his perusal of ancient authors. His list contained two statues, the Zeus from Olympia and the Colossus of Rhodes; two sets of tombs, the Pyramids of Egypt and the Mausoleum of Halicarnassus; and several buildings, the Temple of Artemis at Ephe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naples National Archaeological Museum
The National Archaeological Museum of Naples (, ) is an important Italian archaeological museum. Its collection includes works from Greek, Roman and Renaissance times, and especially Roman artifacts from the nearby Pompeii, Stabiae and Herculaneum sites. From 1816 to 1861, it was known as the Royal Bourbon Museum (). Building The building was built as a cavalry barracks in 1585. From 1616 to 1777, it was the seat of the University of Naples. During the 19th century, after it became a museum, it suffered many changes to the main structure. Collections The museum hosts extensive collections of Greek and Roman antiquities. Their core is from the Farnese Collection, which includes a collection of engraved gems (including the Farnese Cup, a Ptolemaic bowl made of sardonyx agate and the most famous piece in the "Treasure of the Magnificent", and is founded upon gems collected by Cosimo de' Medici and Lorenzo il Magnifico in the 15th century) and the Farnese Marbles. Amo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baths Of Caracalla
The Baths of Caracalla () in Rome, Italy, were the city's second largest Ancient Rome, Roman public baths, or ''thermae'', after the Baths of Diocletian. The baths were likely built between AD 212 (or 211) and 216/217, during the reigns of emperors Septimius Severus and Caracalla. They were in operation until the 530s and then fell into disuse and ruin. Both during and since their operation as baths, they served as inspiration for many other notable buildings, ancient and modern, such as the Baths of Diocletian, the Basilica of Maxentius, the original Pennsylvania Station (1910–1963), Pennsylvania Station in New York City, Chicago Union Station and the Senate of Canada Building. Artworks recovered from the ruins include famous sculptures such as the ''Farnese Bull'' and the ''Farnese Hercules''. Today the Baths of Caracalla are a tourist attraction. History Construction Construction of the baths was probably initiated by emperor Septimius Severus and completed during the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
